designing and producing apparel using design in fashion

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Designing and Producing Apparel Using Design in Fashion

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Page 1: Designing and Producing Apparel Using Design in Fashion

Designing and Producing Apparel

Using Design in Fashion

Page 2: Designing and Producing Apparel Using Design in Fashion

Objectives:

• Explain the importance of each element of design in relation to fashion

• Apply the principles of design to apparel

• Describe how harmony is achieved in garment designs

• Discuss how to use design to create illusions that enhance appearance

Page 3: Designing and Producing Apparel Using Design in Fashion

The Design Equation• Elements

–Color–Shape–Line–Texture

• Principles–Balance–Proportio

n–Emphasis–Rhythm

Page 4: Designing and Producing Apparel Using Design in Fashion

The Elements of Design COLOR

• Hue– The name given to a color

• Value– The lightness or darkness of

a hue• Tint

– Adding white to a hue (pastel)

• Shade– Adding black to a hue

• Intensity– The brightness or dullness

of a hue

Page 5: Designing and Producing Apparel Using Design in Fashion

COLOR Communication• Black - elegant,

sophisticated, dignified, strong, serious, sad

• Brown - earthy, casual, comfortable, natural

• Navy - dignified, cool, classic, peaceful, calm

• Green – signifies life, nature, friendly

• Red - aggressive, passionate, vibrant

• Yellow - sunny, cheerful, warm

• Orange - cheerful, youthful, lively

• Violet - royal, wise, dramatic

• Gray - modest, sad, quiet dignity, professional

• Beige - quiet, tailored

• White – innocent, youthful, pure

• Pink - soft, feminine

• Gold - wealth, power, luxury

Page 6: Designing and Producing Apparel Using Design in Fashion

Using the COLOR Wheel

• Primary Hues– Red, Yellow, Blue

• Secondary Hues– Orange, Green,

Violet• Intermediate or

Tertiary Hues– Yellow-green, Yellow-

orange, Red-orange, Red-violet, Blue-violet, Blue-green

Page 7: Designing and Producing Apparel Using Design in Fashion

COLOR Schemes• Monochromatic

– Tints and shades of one hue

• Analogous– Adjacent hues

• Complementary– Opposite hues

• Split complementary– 1 hue with hues on

each side of its complement

• Triad– 3 hues equal

distance• Accented neutral

– Neutral (white, black, gray, beige) with an accent of bright color

Page 8: Designing and Producing Apparel Using Design in Fashion

Illusions Through COLOR

Using Color in Fashion• Extreme contrast

makes colors look brighter

• Light colored objects appear larger

• Dark colored objects recede or appear smaller

• Fashion is more attractive without equal areas of light and dark

• Color is affected by light and texture

Page 9: Designing and Producing Apparel Using Design in Fashion

SHAPE and LINE• Shape or

silhouette– Outline or form – Determined by cut

and construction of the garment

• Lines in Fashion– Outline the inner

and outer spaces– Can be structural or

decorative

The shape of the pants are bell-bottoms, the lines (stripes) are decorative.

Page 10: Designing and Producing Apparel Using Design in Fashion

LINE Types and Directions

• Straight – Bold, severe, dignified

• Curved– Flowing, rounded, soft,

youthful• Jagged or Diagonal

– Noticeable, interesting, can create confusion

• Vertical– Height, slimming,

dignity• Horizontal

– Width, restful, calming

Page 11: Designing and Producing Apparel Using Design in Fashion

TEXTURE• Tactile quality of goods

or how material feels• Can be created from

fibers, yarns, and fabric construction

• Illusions– Shiny, bulky, fuzzy, or

heavy textures make figures look larger

– Dull or flat textures tend to slenderize

Page 12: Designing and Producing Apparel Using Design in Fashion

The Principles of DesignBalance• Formal balance

– Symmetrical– Dignified– Can look boring

• Informal balance– Creates balance

asymmetrically– Elements placed

unequally in a way that achieves balance

Equality among the parts of a design or outfit

Page 13: Designing and Producing Apparel Using Design in Fashion

Proportion• The spatial, or size,

relationship of the parts of design to each other and to the whole

• Most pleasing when divided unevenly

• Garments should bring out the natural proportions of the body to be pleasing

What parts of the jacket are out of proportion?

Page 14: Designing and Producing Apparel Using Design in Fashion

EmphAsis• A concentration of

interest in a particular part or area of a design.

• May be achieved with contrasts of colors or textures, structural lines, or unusual shapesIs your eye drawn to the tie?

Or perhaps to the “a” in emphasis?

Page 15: Designing and Producing Apparel Using Design in Fashion

RRRhhyyytthhhmm• Creates easy movement

of the observer’s eye by:

• Repetition– Repeats lines, shapes,

colors, or textures• Gradation

– Increase or decrease of design elements (also called progression)

• Radiation– Created by lines or colors

emerging from a center (petals on a flower)

Page 16: Designing and Producing Apparel Using Design in Fashion

Harmony

• Pleasing visual unity of all aspects of a design

• All parts of the design look as if they belong

• Does not have excess variation that could displease or detract

Page 17: Designing and Producing Apparel Using Design in Fashion

Illusions Created by Design

• When selecting garments, use the elements and principles of design to accentuate positive figure traits and de-emphasize the negative ones. Fashion professionals know how to do this.

Which one is most slimming?

Page 18: Designing and Producing Apparel Using Design in Fashion

Do You Know . . .• How do cool and warm

colors appear to change the size and shape of a person?

• How can you use the elements and principles of design to accomplish the following:– Look taller and thinner– Avoid attention to your

hips– Attract attention to

your face