design as manipulation. design as emancipation

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Symbolic Violence: Design as Manipulation / Design as Emancipation Jody Boehnert EcoLabs - www.eco-labs.org @OccupyDesignUK Launch January 2012

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Communication design is used to sell products – but even when it is not explicitly engaged in manufacturing consumer desire, design can function to conceal the impacts of conspicuous consumption and the socio-political-economic system through a process known as symbolic violence. While communication design can be used to reveal consequences, illustrate systemic dynamics and facilitate public processes – capitalism needs designers to promote consumption not to critique consumption! The values embedded in capitalism are reproduced by the design industry. Communication design serves not only to whitewash the destructive practices of corporate entities but to perpetuate the point of view of the culturally, politically and economically powerful. While there is some vague anti-consumerist and anti-corporate rhetoric in design circles – a cynical stance, on its own, will not transform the dysfunctional political systems. What is urgently needed in design is new form of politically, socially and ecologically engaged design practice. The work of building new social relations that can resist and transform political and economic institutions requires transparent, truthful and participatory communication systems. Designers must engage with social movements who have a legacy of creating agency and developing the means to see through oppressive cultural practices. In this way design can become a force for emancipation rather than manipulation. Presentation at Occupy Design launch January 2012

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Page 1: Design as Manipulation. Design as Emancipation

Symbolic Violence: Design as Manipulation / Design as Emancipation

Jody BoehnertEcoLabs - www.eco-labs.org

@OccupyDesignUK Launch

January 2012

Page 2: Design as Manipulation. Design as Emancipation

THE STEADY STATE ECONOMYA Totem of Real Happiness

www.eco-labs.org

Page 3: Design as Manipulation. Design as Emancipation

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BROWN TECH

Transition

‘Green’Tech

Complexity Map No.4 - Econopoly: Economics and EcosystemsDeveloped in the AHRC funded PhD research - The Visual Communication of Ecological Literacy: Designing, Learning and Emergent Ecological Perception Praxis No.29 - J.J.Boehnert - January 2012

Page 4: Design as Manipulation. Design as Emancipation

£280£280£260£220

Econopoly

Fig Treessparrows StarfishCanadian

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Ecology GAmes 2012

Page 5: Design as Manipulation. Design as Emancipation

Design as Manipulation The UK advertising industry, worth £17,318M in 2008 (1.2% of GDP),

has plentiful resources to communicate a view of nature that suits

the needs of industry and convince the public that new products and

business as usual are sustainable.

Page 6: Design as Manipulation. Design as Emancipation

Design skills are harnessed to help advertisers communicate

attitudes and values supporting consumer capitalism.

Advertising offers highly paid work for graphic designers but

a recent report by the new economics foundation found that

‘for every £1 of value created by an advertising executive,

£11.50 is destroyed’ (nef 2009).

Page 7: Design as Manipulation. Design as Emancipation
Page 8: Design as Manipulation. Design as Emancipation

Symbolic violence is perpetuated through design.

The design industry manipulates tastes, desire and identity to

maintain the seductive power of consumer capitalism.

Design serves the needs the capitalism system that is dependent

on both the exploitation of nature and the invisibility and

remoteness of this dynamic.

Page 9: Design as Manipulation. Design as Emancipation

This visibility of corporate advertising marginalizes environmental

concerns to the point of obscurity.

Truthful information on the state of Earth’s systems cannot compete

with the information overload by advertisers characterizing nature

as infinitely exploitable.

Page 10: Design as Manipulation. Design as Emancipation
Page 11: Design as Manipulation. Design as Emancipation

Design as Emanicipation

• Visualizing ecological literacy & sustainability

• Supporting social movements (such as Occupy)

• Politically, socially & ecologically engaged design practice

Page 12: Design as Manipulation. Design as Emancipation

Graphic by PIRC

Visualising ecological literacy & sustainability

Page 13: Design as Manipulation. Design as Emancipation

Graphic by PIRC

Page 14: Design as Manipulation. Design as Emancipation

"The Game Plan" slideset release 1.0, March 13 2008 43

A1BA1TA1FIA2B1B2IS92a

Scenarios

21002000190018001700

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A1B - Rapid growth, balanced energy sources.

A1T - Rapid growth, new, non-carbon, technology.

A1FI - Rapid growth, fossil fuel intensive.

A2 - High energy consumption, rapid population growth.

B1 - Environmentally and socially conscious global approach.

B2 - Environmental preservation and local solutions.

IS92a - "Business as usual" IPCC.

Recent temperature changes

Bars show the range in year 2100 produced by several scenarios.

Models vs. ScenariosTemperature Choice

GLOBAL STEP 2

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Page 15: Design as Manipulation. Design as Emancipation
Page 16: Design as Manipulation. Design as Emancipation

Springer-Verlag. The New Scientist.

Page 17: Design as Manipulation. Design as Emancipation

Earth’s Natural Wealth: an Audit. The New Scientist

Page 18: Design as Manipulation. Design as Emancipation

The Oil Age. Information design by Dave Menninger. 2006

Page 19: Design as Manipulation. Design as Emancipation

Good Magazine

Page 20: Design as Manipulation. Design as Emancipation

Living Planet Report WWF

Page 21: Design as Manipulation. Design as Emancipation

Planetary Boundaries

Chemical Pollution Ozone and Aerosol

Climate Change Nitrogen & Phosphorus Cycles Ocean A

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Humanity has already transgressed three planetary boundaries: for climate change, rate of biodiversity loss and changes to the global nitrogen cycle.

Page 22: Design as Manipulation. Design as Emancipation

EcoLabswww.eco-labs.org

http://visecology.wordpress.com

http://ecolabs.posterous.com/