davinci code. network analysis

10
The Da Vinci Code Network Analysis Dmitry Zinoviev—Suffolk University—[email protected]—2016

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Page 1: DaVinci Code. Network Analysis

The Da Vinci CodeNetwork Analysis

Dmitry Zinoviev—Suffolk University—[email protected]—2016

Page 2: DaVinci Code. Network Analysis

Why Network Analysis?

● Identify core actors and places● Identify relationships between actors, and

actors and places● Identify groups (“clusters”) of actors● ...ideally without reading the text

Page 3: DaVinci Code. Network Analysis

Starting with e-Text

...The man was stocky and dark, almost Neanderthal, dressed in a dark double­breasted suit that strained to cover his wide shoulders. He advanced with unmistakable authority on squat, powerful legs. He was speaking on his cell phone but finished the call as he arrived. He motioned for Langdon to enter. 

“I am Bezu Fache,” he announced as Langdon pushed through the revolving door. “Captain of the Central Directorate Judicial Police.” His tone was fitting—a guttural rumble... like a gathering storm...

Page 4: DaVinci Code. Network Analysis

Entity Extraction

...The man was stocky and dark, almost Neanderthal, dressed in a dark double­breasted suit that strained to cover his wide shoulders. He advanced with unmistakable authority on squat, powerful legs. He was speaking on his cell phone but finished the call as he arrived. He motioned for Langdon to enter. 

“I am Bezu Fache,” he announced as Langdon pushed through the revolving door. “Captain of the Central Directorate Judicial Police.” His tone was fitting—a guttural rumble... like a gathering storm...

Page 5: DaVinci Code. Network Analysis

Possible Problems

...The man was stocky and dark, almost Neanderthal, dressed in a dark double­breasted suit that strained to cover his wide shoulders. He advanced with unmistakable authority on squat, powerful legs. He was speaking on his cell phone but finished the call as he arrived. He motioned for Langdon to enter. 

“I am Bezu Fache,” he announced as Langdon pushed through the revolving door. “Captain of the Central Directorate Judicial Police.” His tone was fitting—a guttural rumble... like a gathering storm...

One entity → several names

Non-entities

Also: one name → several entities

Anonymous references

Page 6: DaVinci Code. Network Analysis

Co-occurence Detection

...The man was stocky and dark, almost Neanderthal, dressed in a dark double­breasted suit that strained to cover his wide shoulders. He advanced with unmistakable authority on squat, powerful legs. He was speaking on his cell phone but finished the call as he arrived. He motioned for Langdon to enter. 

“I am Bezu Fache,” he announced as Langdon pushed through the revolving door. “Captain of the Central Directorate Judicial Police.” His tone was fitting—a guttural rumble... like a gathering storm...

Page 7: DaVinci Code. Network Analysis

Network ConstructionConnection thickness—number of co-occurrences

Circle area—number of references to the entity in the text

Page 8: DaVinci Code. Network Analysis

Detecting ClustersBlue: “detective” (Robert, Sophie, police, Paris)

Orange: “mystic” (Leigh, Grail, Bible, Britain)

Green: “conspiracy” (Silas, Teacher, Jesuits, Castel Gandolfo)

Page 9: DaVinci Code. Network Analysis

BetweennessLabel size—betweenness centrality (BC). The higher is BC—the more “central” is the character / place

Highest BC: Robert, Sophie, Leigh, Bishop Aringarosa, Holy Grail, Captain Fache, Silas, Jesus, Leonardo, Church, and Sauniere

Page 10: DaVinci Code. Network Analysis

Summary

● Identified three plot lines, including characters and locations

● Identified “most important” characters● Network as a navigational chart of the book● Almost no reading involved!