Dhampur Sugar Mills Limited 241, Okhla Industrial Estate, Phase- III New Delhi – 110 020, India Tel: +91-11-3065 9400, 4161 2456 Tele Fax +91-11-2693 5697 E - Mail : corporateoffice@dhampur.com Website: www.dhampur.com

CIN: L15249UP1933PLC000511 Regd. Offc: Dhampur, Distt. Bijnor, Pin Code : 246761 (U.P.)

Branch Office : 1/125, Vijay Khand, Gomti Nagar, Lucknow -226010 (U.P.), Tel : +91-522-239243 Sugar Units:1. Dhampur,2. Mansurpur,3. Asmoli, 4. Rajpura,5. Meerganj

Distillery: Asmoli & Dhampur

26.04.2021

To, The Manager - Listing National Stock Exchange of India Ltd. Exchange Plaza,Bandra Kurla Complex Bandra (East) Mumbai - 400 051 Tel No. 022-2659 8237 /38 Symbol: DHAMPURSUG

Dear Sir, Sub: Newspaper advertisement for the audited Financial Results for the quarter and year ended March 31, 2021. Please find enclosed the copies of the newspaper advertisement published today pertaining to the audited Financial Results for the quarter and year ended March 31, 2021 pursuant to the Regulation 47 of the SEBI (LODR) Regulations, 2015. The advertisement copies will also be made available on the Company’s website at the following web link: www.dhampur.com. You are requested to take the information on record.

Thanking you,

Yours faithfully,

For Dhampur Sugar Mills Limited

Company Secretary Aparna Goel M. No.-22787

The General Manager – DSC BSE Limited Phiroze Jeejeebhoy Towers, Dalal Street, Fort, Mumbai: 400001 Tel No.022-22722039/37/3121 Security Code: 500119

16 NEW DELHI | MONDAY, 26 APRIL 2021 1>

ARNABDUTTANewDelhi, 25April

W ith Covid-related deathsmounting amidst ahealthcare system

stretched beyond its limit, theDelhi government todayextendedtheongoingcurfewbyaweek.Therestrictions that were imposed onApril 20 will now remain in placeat least till 5 amonMay 3.

“The coronavirus situation hadworsened,which iswhywestarteda six-day lockdown last week. It isscheduledtoendtomorrow.Buttheinfectionsarecontinuing torise. Inviewof this, everybody agrees thatwe need to extend the restrictionsto curb the spread further,” ChiefMinisterArvindKejriwal said.

Since the curfewwas imposed,

while thenumberof reportedcaseshas come down marginally, thenumber of deaths have increased.From 28,395 new Covid cases onApril 20, thenational capital regis-tered 24,103 cases yesterday (April24), but the daily death toll surgedfrom 277 to 357, the highest everrecorded.Recentdatasuggests thatthepositivity rate has increased to36 per cent from 25 per cent twoweeks ago. An acute shortage ofoxygen and hospital beds havecaused the situation in Delhi todeteriorate further.

The extension of the curfew is,however, expected to take a heavytoll on retailers. According toKumar Rajagopalan, chief execu-tive of Retailers’ Association ofIndia (RAI), a total banondeliveryof non-essential goods is causing

havoc. “This is now making itimpossible for retailers to surviveas they are unable to meet eventheir fixed expenses,” he said.

According to RAI, variousrestrictions and localised lock-

downs in metros across India arecosting the retail industry 50 percent of its overall business.

Estimates suggest the closureof all retail hubs for aweek causeda loss of ~2,000 crore to Delhi’s

retail business. “As thecurfewnowgetsextended,weareagainstaringat lastyear’sdownwardcycle,” saidSanjiv Mehra, president of KhanMarketTraders’Association. “Likelast year, the retailers are now get-ting into the trap of overdue rentpayment and payment to theirstaff.” With all shops shut, theprime central Delhi market hasalready lost its entire business inthe past few days.

While traders in Delhi havebeen in favour of extending thecurfew, retailers argue that alldelivery services shouldhavebeenallowed so that they could recoversome part of their costs. The gov-ernment has so far allowed onlyessentialdeliveries throughe-com-merce in the capital. RAI hasdemanded that non-essentialgoods and offline retailers shouldalso be included in the exemptionlist. Traders are, after all, voluntar-ilykeepingtheir shopsandmarkets

shut,Mehra said.To recover fromthis loss, retail-

ers will need economic supportfrom the government, saidRajagopalan. “We would requiresome support in the form of rentor tax waiver in the coming days.”

Traders’ bodies such as theConfederationofAll IndiaTradershave, however, appreciated thegovernment’s move to extend thecurfew, which they believe willhelp break the chain of infection.

According to Bharat Ajuha,president of Delhi ElectricalTraders’ Association at ChandniChowk, traders at the largest elec-tricalhub inNorth Indiawereany-wayprepared to keep theirmarketshut for another week. “Loss oflives is themost important issueatthemoment that needs to be add-ressed,” he said. “We are taking allmeasures to help and support theworkforceso that their lossof liveli-hood can beminimised.”

VANITA KOHLI-KHANDEKARNew Delhi, 25 April

MaheshNarayanan’sCUSoon (Malayalam) is acuriousfilm.Jimmy,abankemployeeinDubai,meetsAnuonadating app.They start chattingandfall inlove.Thenweirdthingsstarthappen-ing—AnuisbeatenupandJimmyistakenintocustody. Roshan Mathew, Fahadh Faasil andDarshana Rajendran bring alive this staccatotale, told through phone and laptop screensbetween India,Dubai and theUS.

CUSoon,however,wasshot inKochiduringthepandemic lastyear.Narayananhad just fin-ishedthebig-budgetMalikwhenthe lockdowndelayed its release. “The whole industry wentintoabizarremode;workersandassistantdirec-tors were doing odd jobs, selling householdgoodstosurvive,”saysNarayananwhohaddis-cussed the ideaofCUSoonwithFaasil.

ThemomenttheKeralagovernmentallowedit, the duo decided tomake the film to provideemploymenttotheindustryworkers.“CUSoonwaswritten as a screen-basedmovie, so even iftherewasnolockdown,itwouldhavebeenmadethisway,”Narayanansays.

“Eighty per cent of the film is shot on theiPhone. TheDubai sceneswere shot in Fahad’sapartments(inKochi)andtheairportonesatHyattHotel.”TheMalikshoothadinvolvedover300peopledaily—attimeseven2,500.“IfIwanttomakeanotherMaliktoday,itisnotpossible,”Narayanansays.

As they try to figure out what ispossible and what isn’t, Indian film-makers,writers,techniciansandactors are pushing the bound-aries of their craft. The resultsare interesting.

C U Soon released on Ama-zon Prime Video in September2020 to rave reviews.

“Covid has changed storyte-lling,” saysVijay Subramaniam,director and head of content,AmazonPrimeVideo.“Itismak-ingstorytellersre-examinewhatweknow.Certainstereotypeswillbe broken and new charactersand environments created.”Putham Pudhu Kaalai, ananthology of five Tamil shortfilms, or the whimsical Ludo(Hindi) areexamplesof this.

TheluxuryoftimeSanyaMalhotra hadhad a greattwo years with Badhai Ho andPhotograph (Hindi) when thelockdownhit.Sheusedthetimeto prepare for her upcomingNetflix filmMeenakshiSundareshwarandreadscripts.“Irealisedthattherearenoworkbound-aries. We are constantly thinking of work, be itSaturdayorSunday,”shesays.Now,exceptwhenshe is shooting, Malhotra keeps her phoneswitched off from 8 pm to 11 am. It was whilebeing forced to stay at home that filmmakerNandini Reddy (of Oh! Baby fame) found hercalm. As soon as the lockdown ended, shemoved away from her flat in Hyderabad to ahomewithagardenanhour’sdrive fromall theaction in theTelugu film industry. “ThesedaysIhavegreater clarity aboutwhat isnotworkinginmystory,” says she.

“What you need is time — to read, watch,think,”saysSmitaSinghKhan,writer(RaatAkeliHai,SacredGames).

Timeisarecurringthemeacrossthecreativespectrum.It isalsothereasonthepandemichasbeena luxury for thecreative lot.

“It has been a gold rush for developmentwithout timeline constraints. Our writers arebusierthanever,workingonbothcommissionedandtheirownpassionprojects,”saysDattaDave,partner, Tulsea, which represents hundreds ofwriters, filmmakersandother talent.

One could argue that there was even moretime in the seventies when arthouse cinemabegan.Why thendidn’t it work? “The segmen-tation of story started because of distribution,”pointsoutSubramaniam.

Till thebeginningof themillennium, singlescreenswiththeirneedtofill1,000seatspushedthe making of mass entertainers. There is noway arthouse or independent films, meant forsmalleraudiences,couldsurvive inthisecosys-tem.Whenmultiplexes tookoffafter2000,cre-ators could tell slightly smaller stories such asIqbal (Hindi) orNatrang (Marathi). They werecalled“multiplex films”.

In 2016, streaming video took the ability tosegmenttheaudienceandstorytellingtoanotherlevel. It also brought with it a whole array ofworldcontent to Indians.

WatchingNarcos,TheCrown,TheMarvelousMrs. Maisel or Trapped among hundreds ofworld-class shows has meant “the demand forqualityofexecution,authenticproductionvalues,novelty and variety has increased,” points outDanish Khan, business head, Sony Entertain-ment Television, Sony LIV & StudioNext, SonyPicturesNetworks.Thedemandtomakeshowsinseasonsof8-10hours,insteadofdailiesextend-ingovermonthsortwo-orthree-hour-longfilms,

forcedchangesinthecreativeprocess,which,inturn,hasimprovedstorytel-ling.“Writinghasmovedfromindivid-ualstoawritingroom,makingitcolla-borative.Thedirector/creativedirectoris theshow-runner,” saysKhan.

By the end of 2019, there were 60OTTs(over-the-topplatforms)offering

filmsandshowsfromacrosstheworld. That is when the virusarrived on the scene. Peoplethenspentlonghourswiththeirscreens.

“Thepandemicclosedyourphysical life but opened yourmind,” says Khan. “Our streetand restaurant food changedcompletely in the last 20 yearsbecause people were open todiscovery.Similarly,thisgenera-tionisopentodifferentstories.”

Cantheshowgoon?The simmering hostility bet-weenfilmmakerAnuragKash-yapandactorAnilKapoor,whoplay themselves, turns into afull-scale war in VikramadityaMotwane’sAKvsAKonNetflix.It is surreal watching Kapoordance, fight and plead to findwhereKashyaphas hiddenhisdaughter, actorSonamKapoorAhuja.Thereisnowaythisfilm

would have made it to the big screen. It workswith an audience of cinema addicts who knowthe allusions, both personal and professional.

“Covid brought an awareness of contempo-rary reality. Entertainment remains the same;it brings joy, laughter,” says Srishti Behl Arya,director, original film,Netflix India.

When India went into lockdown in 2020,Netflix’spost-productionteamdeployedremoteeditorialsolutions,virtualcuttingroomsandsetuphigh-speedinternetconnections.Thisallow-edover40editors andassistant editors toworkinrealtimewiththeirdirectors.Thehomeauto-mated dialogue replacement kits it had sentallowed Nawazuddin Siddiqui to complete thedubbingforSeriousMen fromhishometowninBudhana inUttarPradeshwhilebeingdirectedbySudhirMishraoveralivestream.“‘Theshowmustgoon’ is themantra,” saysArya.

Thatisalsowhythepandemichasenhancedthe creative output of Indian cinema. It hasforced it to think on its feet and come up withwaystotellabetterstory—andtell it fasterandcheaper thananyoneelse.

Part1of this two-partseriesappearedonApril22

TheCovideffectoncinematiccreativity

Restrictionsforanotherweek.Businesseshit,retailersdemandsupportpackage

Astill fromMalayalammovieCUSoon,80per centofwhichwas shotonthe iPhone

BLOOMBERG25April

More than 50,000 people attended aconcertatNewZealand’s largestsportsstadium on Saturday, in what organ-isers said was the largest live musicevent since the start of the Covid-19pandemic.

Withnosocial-distancingormask-wearing required, the concert was ademonstration ofNewZealand’s suc-cess in controlling the coronavirusthrough closing its international bor-der and rigorous testing and contacttracing. It’s a stark contrast to othercountries across the world that are inlockdownamid surging infections.

New Zealand has recorded onlyabout 2,600 cases of the virus and 26deathssincethepandemicbegan.Theborder closure has badly hit thenation’s tourism industry, though ithas now opened a quarantine-freetravel bubblewithAustralia.

Concert showsNewZealand’sCovid success

SILENTMOVIES-2

Creative blocksThecreativeoutpouringcould,however,dryupinthefaceofthesefactors:

>VilificationofthefilmindustryafterthesuicideofactorSushantSinghRajputhasmadethecreativeecosystemnervous>NewguidelinesforOTT,releasedinFebruary,whereinthegrievanceredressalmechanismhasaheavyregulatoryhand>ScrappingoftheFilmCertificationAppellateTribunalinApril>Devastationcausedbythepandemictothebusinessofcinema(asreportedinPart1ofthisseries)

Covid casefileNewcasesinaday DeathsinadayApril 20 April 24 April 20 April 2428,395 24,103 277 357

Situation grim, Delhi extends curfew

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