criminals thrown to the beasts, part of noontime entertainment. mosaic from dar buc ammera, libya

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“Although there are many other methods of teaching contempt for pain and death, nothing speaks more eloquently than a munus .” (Cicero, Tusc.Disp . 2.41). - PowerPoint PPT Presentation

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Page 1: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 2: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 3: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 4: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 5: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

“Although there are many other methods of teaching contempt for pain and death, nothing speaks more eloquently than a munus.” (Cicero, Tusc.Disp. 2.41).

Page 6: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

"There are special vices peculiar to this city which children seem to absorb, almost in the mother's women: a

partiality for the theater and a passion for horse-racing and gladiatorial shows" (Tacitus, Dialogue on Oratory 29).

Page 7: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 8: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 9: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 10: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 11: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 12: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 13: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 14: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 15: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera,

Libya

Page 16: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 17: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 18: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 19: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 20: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 21: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 22: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

Equites fight. From Dar buc Ammera, Libya

Page 23: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

Murmillo helmet

Page 24: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

Murmillo and Thraex

Page 25: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 26: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

Murmillo and hoplomachus

Page 27: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

Secutor and retiarius. From Dar buc Ammera,

Libya

Page 28: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 29: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

A wooden cudgel or rudis, a symbol of gladiatorial

emancipation

Page 30: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 31: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 32: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya
Page 33: Criminals thrown to the beasts, part of noontime entertainment. Mosaic from Dar buc Ammera, Libya

MVR.>RPROBVSPAVIL.IXXXXIXNATIONE.GERMAH.S.E.S.T.T.LVOLVMNIA.SPERACONIVCI.PIOMERENTIP.VOLVMNIVS.VITALIS.PATRI.PIOS.T.T.L

• And here, the reconstruction:Mur(millo). (contra)r(etiarius)Probus.P(ubli) A(urelii) Vi(talis) l(ibertus). IXXXXX (victoriarum)natione.Germa(nus)h(ic).s(itus).e(st).S(it). t(erra). t(ibi). l(evis).Volumnia. Spera(ta)coniugi. pio.merenti (fecit).P(ublius). Volumnius.Vitalis patri. pio (fecit)S(it). t(erra). t(ibi). l(evis).

• Translation:

• “The Myrmillo, opponent of the Retiarius, Probus, freedman of Publius Aurelius Vitalis, 49 times a winner, German by race, lies here. May the earth be light upon you. Volumnia Sperata, in honor of her affectionate husband, who deserves it, and Publius Volumnius Vitalis, for his affectionate father, made the monument. May the earth be light upon you.”

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