courtesy of charles shadle. sed with ermission....4. come slowly, eden come slowly, eden. lips...

17
CHARLES SHADLE: SIX DICKINSON SONGS (2000) For Soprano and Clarinet I. I'm Nobody I'm Nobody! Who are you? Are you nobody too? Then there's a pair ofus- Don't tell! They'd banish us, you know. How dreary to be somebody! How public like a frog To tell your name the live long day To an admiring bog. 2. Brazil I asked no other thing, No other was denied. I offered Being for it; The mighty merchant smiled. "Brazil!" He twirled at button, Without a glance my way: "But, madam, is there nothing else That we can show today?" 3. Wild Nights! Wild nights! Wild nights! Were I with thee, Wild nights should be Our luxury! Futile the winds To a heart in port, -- Done with the compass Done with the chart. Rowing in Eden Ah! The sea! Might I but moor tonight In thee! Courtesy of Charles Shadle. Used with Permission. 1

Upload: others

Post on 21-Jan-2021

5 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

CHARLES SHADLE: SIX DICKINSON SONGS (2000) For Soprano and Clarinet

I. I'm NobodyI'm Nobody! Who are you?Are you nobody too?Then there's a pair o f u s -Don't tell! They'd banish us, you know.

How dreary to be somebody!How public like a frogTo tell your name the live long dayTo an admiring bog.

2. Brazil

I asked no other thing,No other was denied.I offered Being for it;The mighty merchant smiled.

"Brazil!" He twirled at button,Without a glance my way:"But, madam, is there nothing elseThat we can show today?"

3. Wild Nights!

Wild nights! Wild nights!Were I with thee,Wild nights should beOur luxury!

Futile the windsTo a heart in port, --Done with the compassDone with the chart.

Rowing in EdenAh! The sea!Might I but moor tonightIn thee!

Courtesy of Charles Shadle. Used with Permission.

1

Page 2: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

4. Come Slowly, Eden

Come slowly, EdenLips unused to theeBashful, sip thy jasmines,As a fainting Bee.

Reaching late his flowerRound her chamber hums,Counts his nectars-Enters And is lost in balms!

5. Aristocracy

The pedigree of honeyDoes not concern the bee;A clover any time, to himIs aristocracy!

6. The Morning After Death

The bustle in a houseThe morning after deathIs solemnest of industriesEnacted upon earth,--

The sweeping up the heart,And putting love awayWe shall not want to use againUntil Eternity.

Courtesy of Charles Shadle. Used with Permission.

2

Page 3: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

for Margaret O'Keefe

Six Dickinson Songs for soprano and clarinet

Emily Dickinson (1830-1886)

1. I'm Nobody! Charles Shadle (b. 1960)

Andante

Soprano

Score in C

mp :==-pp p

Clarinet Bb

p mp ===-PP p

subp5

n,p -====

no-bo-dy! Who are you? Are you

© Charles Shadle BMI 2000

Courtesy of Charles Shadle. Used with Permission.

3

Page 4: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

9 mf 'P

Then there's a pair of us don't

mf::::=,.-mp

mf ::::=,.- mp

12 -===:: mf p

, - - - - - 3 - - ,

They'd ban - ish us, you know.

mp15 p

mp mf

-

mp

How drear y

====-p -===mp ====-pp

- 2 -

Courtesy of Charles Shadle. Used with Permission.

4

Page 5: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

mp -====19

frog to tell yourto be some - bo - dy!

mf p m:p

mf p mp

mp ---===f nif--==-== f

day To an ad mir ing

nif

Presto possibile

q

m:p ====--PP p p

pp

- 3 -

Presto possibileq. .

mp :::.=- PP

Courtesy of Charles Shadle. Used with Permission.

5

Page 6: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

2. Brazil (dolce)Andante p p p - : = p p m p m f - : : : : = - p p - = = = = m p

Soprano

asked no oth - er thing, No oth-er was de nied. of- fered Be- ing for

Score in C

-larinet in Bb ITi IU Ii 12 11 Ii a piacerep6

it; The might - y mer-chant smiled. "Bra zil!" 3 He twirled a

-:::=p

-===== Largo religioso

m f mp p

way: "But,madam, T&here n(){hingelse Thatwecanshowto day'!"

senza misura colla voce

p

Courtesy of Charles Shadle. Used with Permission.

6

Page 7: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

3. Wild Nights!

f Soprano

Wild nights' Wild nights!

Score in C

larinet in Bb

4 f

with thee, Wild

mf

mf

Were

Courtesy of Charles Shadle. Used with Permission.

7

Page 8: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

11

tJ

poco rail. poco meno mosso

I 11

L . , - ,

I v- 1 · ., poco rail. 11 poco meno mosso

I \ k - L _ I" M , _ .,I - ,- , t.l I ,_::_

n --,j. ..,; . . , -

mp doice J

m f mp

To hean in pon,

mp

- 2 -

Courtesy of Charles Shadle. Used with Permission.

8

Page 9: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

with the

mf ====--mp mp m f

corn pass Done with the chan.

3

poco accell. a Tempo I

mp f sub. p m f

25

-=====i.if--==== f sub.p

-=====l!if-=====

Row ing in E den

- -----irm f

m p > p mf

- 3 -

Courtesy of Charles Shadle. Used with Permission.

9

Page 10: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

3

moor 10 night in

..

pp

pp

- 4 -

Courtesy of Charles Shadle. Used with Permission.

10

Page 11: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

--

4. Come Slowly, Eden

Soprano

Score in C

larinet in Bb

Larghetto p

Come slow

p

ly,

mp ======---==== 7 m:p ,n:p

Lips un - used 10 thee Bash ful, sip thy jas - mines, As a

p

p p p p

sub.p --=====mp p

mf pp m:p

mp mf pp wp

Courtesy of Charles Shadle. Used with Permission.

11

Page 12: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

--

---

17 p ===-p

Reach• ing late his flower Round her cham - ber hums,

=====-P ====== PP p

22 m p sub:pp m p p p

Counts his nee tars en ters And is lost in

26 p p

p p - = = p p p

p p p p - = = p p p

. 2 .

Courtesy of Charles Shadle. Used with Permission.

12

Page 13: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

5. Aristocracy

Soprano

Score in C

larinet in Bb

Vivo c schcrzando

mp

6 p

The

12

ped - i - gree o f hon ey Does 1101 con - cem the bee;

m f p

Courtesy of Charles Shadle. Used with Permission.

13

Page 14: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

17

27

mp

6

6

P = = = = - P P

- 2 -

Courtesy of Charles Shadle. Used with Permission.

14

Page 15: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

6. The Morning After Death

Adagio (Tempo I)

Soprano

accell. 3

Score in C

- -p mp accell.

3

Clarinet in Bb

mpmp ==-P

moderato ( a piacere) 5 p

bus - tie in a house The morn - ing af - ter

p

act ed up - on earth,

9

death

a tempo

=

In - dus- tries

The

En

--== (dolce) m f

Is sol - em - nest of

p

p

3

Courtesy of Charles Shadle. Used with Permission.

15

Page 16: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

--

-------

14 Tempo I mp::::,..p

,___. -And p-;;t - ting love way

pp p -::::==-pp

pp p -::::==-pp

a tempo

gain Un - til E tcr - - ni

a tempo

p mf a tempo

mp f

p

ty.

- - U · ====-PPP

p

- 2 -

Courtesy of Charles Shadle. Used with Permission.

16

Page 17: Courtesy of Charles Shadle. sed with ermission....4. Come Slowly, Eden Come slowly, Eden. Lips unused to thee Bashful, sip thy jasmines, As a fainting Bee. Reaching late his flower

MIT OpenCourseWare https://ocw.mit.edu

21L.004 Reading Poetry Spring 2018

For information about citing these materials or our Terms of Use, visit: https://ocw.mit.edu/terms

Courtesy of Charles Shadle. Used with Permission.

17