copyright and the fine art collection polly christie fine art project manager visual arts data...

11
Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Upload: tracey-jacobs

Post on 02-Jan-2016

223 views

Category:

Documents


10 download

TRANSCRIPT

Page 1: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Copyright and the Fine Art Collection

Polly Christie

Fine Art Project Manager

Visual Arts Data Service

Page 2: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Copyright and the Fine Art Collection

Background to the project

Different scenarios

Developing a Licence

Managing Clearance

Publishing the works

Page 3: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Background

National Fine Art Education Digital Collection - prototype

Digital content

Distributed model

Develop protocols

Page 4: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Different Scenarios

1850s – present

Some out of copyright

Some very contemporary work

In some cases HEIs had been assigned copyright

HEIs maintained control of procedures

Page 5: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Developing a Licence

Necessary to make a 3-way Licence (artist-HEI-Fine Art Collection)

Non-exclusiveNeeded to seek the rights to:

publish images on web for FE/HE use use for publicity purposes

digitally preserve the image for posterity

Page 6: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Developing a Licence

Researched existing licences

Looked at model licences in Recommended Publications

Adapted a number of licences to fit the bill

= Fine Art Project Licence

Checked by external Lawyers and SIAD Legal Dept

Page 7: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

The Licence(s)

The Fine Art Project Licence (each work) The AHDS Deposit Licence (each sub-

collection)

Page 8: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Managing Clearance

Artists/Agents contact details were researched

Licences and cover letters sent Diligence files were kept

Clear copyright statements on the site

Page 9: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Publishing

Licences were then Submitted

Checked Inventorised

Counter-signed, copied and returned

Stored

Images were then• watermarked• clearly accredited

Page 10: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Conclusions

“Copyright clearance has been the most difficult and time consuming part of the project”

“… proved a major stumbling block…which required delicate negotiations”

research existing licences seek legal advice from within/outside

Organisation make licence as clear and transparant as possible

always keep diligence files and records of correspondence

Page 11: Copyright and the Fine Art Collection Polly Christie Fine Art Project Manager Visual Arts Data Service

Contacts

Fine Art Project: http://vads.ahds.ac.uk/fineart

Fine Art Project Licence & VADS Deposit Licence: http://vads.ahds.ac.uk/fineart/feasibility.html

Design & Artists Copyright Society:

http://www.dacs.co.uk

VADS Resources on Copyright:http://vads.ahds.ac.uk/advice/copyright/index.html

[email protected]