contrast between private and public art: medici edition

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CONTRAST BETWEEN PRIVATE AND PUBLIC ART: MEDICI EDITION Art History 259 Quinn Hosler Prof. Sara Galletti

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Art History 259 Quinn Hosler Prof. Sara Galletti. Contrast between Private and public art: Medici Edition. Medici Villas. Giusto Utens , Villa Medicea di Castello , c. 1599. Giusto Utens , Villa Medicea di a Poggio a Caiano , c. 1599. - PowerPoint PPT Presentation

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Page 1: Contrast between Private and public art: Medici Edition

CONTRAST BETWEEN PRIVATE

AND PUBLIC ART: MEDICI EDITION

Art History 259Quinn Hosler

Prof. Sara Galletti

Page 2: Contrast between Private and public art: Medici Edition

Medici Villas

Giusto Utens, Villa Medicea di a Poggio a Caiano, c. 1599

Giusto Utens, Villa Medicea di Castello, c. 1599

Page 3: Contrast between Private and public art: Medici Edition

Paintings of Power in Villa of Poggio a Caiano

Andrea del Sarto and Alessandro Allori, Tribute to Ceasar.Villa Medicea, Poggio a Caiano (Florence). c. 1520

Franciabigio, The Triumph of Cicero. Villa Medicea,Poggio a Caiano (Florence). c. 1520

Page 4: Contrast between Private and public art: Medici Edition

Vertumnus and Pomona

Pontormo, Vertamnusand Pomona. VillaMedicea, Poggio a Caiano (Florence). c. 1519-21

Page 5: Contrast between Private and public art: Medici Edition

Fountains of Villa di Castello

Fountain of Hercules and Antaeus, designed by Niccolò Tribolo from c. 1543; bronze figures by

Bartolomeo Ammannati, 1559-60, Villa Medici, Castello.

Page 6: Contrast between Private and public art: Medici Edition
Page 7: Contrast between Private and public art: Medici Edition

Fountains of Villa di Castello

Fountain of the Labyrinth, designed byNiccolò Tribolo,c. 1545; bronze figure of Florence by Giambologna, 1572, Villa Petraia (formerly Castello)

Page 8: Contrast between Private and public art: Medici Edition

Fountains of Villa di Castello

Castello: Medici Villa Int: Villa Castello The Grotto,animal fountain, c. 1540

Page 9: Contrast between Private and public art: Medici Edition

Botticelli and the Medici

Botticelli, Primavera; Allegory of Spring, c. 1478

Page 10: Contrast between Private and public art: Medici Edition

Botticelli and the Medici

Botticelli, Birth of Venus, c. 1482

Page 11: Contrast between Private and public art: Medici Edition

Botticelli and the Medici

Botticelli, Venus and Mars, c. 1483

Page 12: Contrast between Private and public art: Medici Edition

Works CitedNatali, Antonio. Andrea Del Sarto. New York: Abbeville Press Publishers, 1999.

Botticelli, Sandro. "Birth of Venus." Villa di Castello, 1482.Poletti, Federico. Botticelli. Masters of Art. Edited by Sandro or Botticelli Munich ; London: Prestel, 2011. Clark, David L. "Botticelli's Venus and Mars and Other Apotropaic Art for TuscanBedrooms." Aurora: The Journal of the History of Art 7 (2006): 1-18.

"Castello: Medici Villa Int: Villa Castello the Grotto, Animal Fountain." 1540.

Fulton, Christopher B. An Earthly Paradise : The Medici, Their Collection and the Foundations of Modern Art. Arte E Archeologia ; 28. [Florence, Italy]: L.S. Olschki, 2006.Gobbi, Grazia. The Florentine Villa : Architecture, History, Society. The ClassicalTradition in Architecture. Abingdon, Oxon ; New York: Routledge, 2007.

Tribolo, Niccolo, 1500-1550. "Fountain of Hercules (Hercules & Antaeus - Top byAmmanati)." Villa di Castello, near Florence, 1552.Tibolo, Nicolo, 1500-1550. "Fountian of Hercules." Villa di Castello, near Florence,1552. 

Page 13: Contrast between Private and public art: Medici Edition

Works CitedLazzaro, Claudia. The Italian Renaissance Garden : From the Conventions of Planting, Design, and Ornament to the Grand Gardens of Sixteenth-Century Central Italy. New Haven: Yale University Press, 1990.Gibbons, Leslie Aaron Key. "Lorenzo De'medici: An Investigation into the Development and Continuance of Family and Cultural Honor." M.A.,University of Missouri - Kansas City, 2008.The Medici, Michelangelo, & the Art of Late Renaissance Florence. Medici,Michelangelo, and the Art of Late Renaissance Florence. Edited by Cristina Acidini Luchinat, Chicago Art Institute of, Arts Detroit Institute of and Strozzi Fondazione Palazzo New Haven [Conn.]; Detroit: Yale University Press; in association with the Detroit Institute of Arts, 2002.

Kempers, Bram. Painting, Power and Patronage : The Rise of the Professional Artist in the Italian Renaissance. Kunst, Macht En Mecenaat. English. London: Allen Lane the Penguin Press, 1992.

Hollingsworth, Mary. Patronage in Renaissance Italy : From 1400 to the Early Sixteenth Century. London: John Murray, 1994.

Hollingsworth, Mary. Patronage in Sixteenth-Century Italy. London: John Murray, 1996.

Page 14: Contrast between Private and public art: Medici Edition

Works CitedBotticelli, Sandro. "Primavera." Galleria degli Uffizi, 1478.Fraciabigio, with additions by Alessandro Allori. "Return of Cicero to Rome." Villa medicea (Poggio a Caiano, Italy), 1520 (with additions by Allori in 1578-82).

Botticelli, Sandro. "Venus and Mars." Villa di Castello, 1483.Pontormo, Jacopo. "Vertumnus and Pomona." Villa Medici, Poggio a Caiano,1519-21.Pontormo, Jacopo. "Vertumnus and Ponoma (Detail)." Villa Medici, Poggio a Caiano, 1519-21.

Utens, Giusto. "Villa Di Castello.” 1599.Pontormo, Jacopo. "Villa Di Poggio." 1599.Andrea del Sarto, with additions by Alessandro Allori. "Villa Medicea (Poggio a Caiano, Italy)." 1520 (with additions by Allori in 1578-82).