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Page 1: faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,
Page 2: faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,
Page 3: faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,
Page 4: faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,
Page 5: faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,
Page 6: faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2002.pdf · master's degree in art history in 1962, having worked with Meyer Schapiro. Taking the nonreferential,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod001.pdf · from an art of 'naturalism' or 'social realism' to what became celebrated after 1945 as 'Abstract Expressionism

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/styles brucke006.pdfEdvard Munch (see *Symbolism) were also important pre- cursors, admired by Die Brücke artists for their

faculty.winthrop.edufaculty.winthrop.edu/stockk/Paris/documents contmp ch 2001.pdf · Albers, Hans Arp, and Wassily Kandinsky.l Arp and Kandinsky used the term "con- ... Biederman's

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Warhol part a.… · ANDY WARHOL'S ONE-DIMENSIONAL ART: 1956-1966 "Ifyou want to know all aboutAndy Warhol,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buren museum.pdf · The museum preserves art, reinforcing the idea of the masterpiece; the museum collects work, thereby

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 ch 2 imp 1.pdfMODERN ART PRACTICES AND DEBATES Modernity and Modernism French Painting in the Nineteenth Century Francis

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh Beuys.pdf · BEUYS Benjamin H. D. Buchloh Appendix THE TWILIGHT OF THE IDOL Preliminary Notes for a Critique

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 cubism.pdf · At first sight, Cézanne's Still ... in Guitar, Sheet Music and Glass ... It can, of course also be literally

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Pollock spaces of femininity.pdf · publication The Painting of Modern Life; Paris in the Art of Manet and his Followers,

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Pollock statements... · BARNETT NEWMAN The Plasmic Image (1943-45) The subject matter of creation is chaos. The present

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/Ades surrealism.pdf · Georges Bataille once proposed that the proper scope of a dictionary should not ... especially vivid

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 cubism.B.pdf · Roland Barthes and Claude Lévi-Strauss, who became known as 'structura ists' ... not in the language

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/amer mod005.pdf · Part 2: Abstract Expressionism and the politics of criticism Clement Greenberg and the ascendance of the

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Sandler ch 2...THE IMPACT OF 1968 ON EUROPEAN ART cal of established values, an iconoclastic perspective that would

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Chadwick women (B).pdf · Rosalind Krauss has noted that for the Surrealists, "the primacy of vision—its perceptual

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Saslow Bonheur (A).pdf · life, the most recent assessment, by Whitney Chadwick, maintains the accepted view that Bon-

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Raven...ular gigantic working rocking horse, makes adults feel child- sized, there are three other bedrooms— Personal

Winthrop Universityfaculty.winthrop.edu/stockk/Paris/documents contmp ch 7007.pdf · works were followed by a series of camouflage paintings mapping atmospheric and aquatic currents

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker... · Sofonisba Anguissola (1532/35—1625) belonged to a family of five sisters who were encouraged by an enlightened

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker 20th cent feminism (B).pdf · Woman, beautiful, artist, wife, housekeeper, cook, saleslady, all these things. I

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 imp 1.pdf · MODERNIZATION: SPECTACLE AND IRONY 113 stew of Argenteuil; not a line, not a plane, not a shape carried

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Nochlin...Created Date 1/17/2000 1:46:30 PM

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT greenberg modern… · 5 Clement Greenberg (1909—1994) 'Modernist Painting' More than any other single text

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Wittig straight.pdf · who will deny that Lacan scientifically acknowledged, through the "analytical ... from speaking

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/owen postmodern.pdf · 3 Craig Owens (1950—1990) ... however, for their importance becomes apparent only after the

faculty.winthrop.edufaculty.winthrop.edu/stockk/SELF PORTRAIT/Grimberg, Kahlo (B).pdf · Portrait with Curly Hair, wearing regular clothes and jewelry, and A Few Small Mps, her apperception

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Nochlin Morisot.pdf · MORISOT'S WET NURSE The Construction of Work and Leisure in Imþressionist Painting LINDA NOCHLIN

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 2 matisse.pdf · Matisse's slightly later interest in a more controlled mode of painting, what he called in his Notes

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/crimp museum's ruins.pdf · Museum and mausoleum are connected by more than phonetic asso- clation. ... the foolishness

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Mulvey visual pleasure... · forming the patriarchal unconscious IS twofold. she first symbolizes the castra-

faculty.winthrop.edufaculty.winthrop.edu/stockk/Modernism/vol 1 gender 1.pdf(as beautiful spectacle, penitent Magdalen or pious Madonna) stand for the position in which actual women

faculty.winthrop.edufaculty.winthrop.edu › stockk › Modernism › vol 3 picasso 1.pdf · made only 330 francs at a sale. Pablo Picasso's Ma Jolie (1911) fetched 6,500 francs later

faculty.winthrop.edufaculty.winthrop.edu/stockk/WOmen in art/Parker essential... · 2012-05-12 · If truth is not to be found in the British Museum ... categorization—a 'stereotype

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/AIT morris notes on... · 6 Robert Morris (b. 1931) 'Notes on Sculpture 1—3' Like Judd, Morris argues a claim to

faculty.winthrop.edufaculty.winthrop.edu/stockk/Contemporary Art/Buchloh... · 2009-08-24 · subsequent definition in terms of traditional ... all of modernism's most radical and