conceptual art key artists and collaborations annasuvorova.wordpress.com

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Conceptual art

Key artists and collaborations


JOSEPH KOSUTH


One and Three Chairs, 1965


Clock (One and Five), English/Latin Version, 1965Clock, photograph, colour, on paper and printed papers610 x 2902 mmTate


'Titled (Art as Idea as Idea)' [Water], 1966. Photostat, mounted on board, 48 × 48 inches (121.9 × 121.9 cm). Solomon R. Guggenheim Museum, New York


Function, 1970

85 framed prints on paper each 24,3 x 17,5 cm


Self-defined Subject [violet], 1966

Violet neon 10 x 175 cm


Self-described Twice (cobalt blue), 1966

cobalt blue neon 3 x 23.8 cm


ON KAWARA


I AM STILL ALIVE, 1973Ballpoint pen on four telegramsEach: 5 7/8 x 8 1/4" (14.9 x 21 cm) MOMA


I Got Up...1977Ink and stamps on postcards, in three framesEach postcard 4 x 5 7/8" (10.2 x 15 cm), each frame 53 3/4 x 11 1/4 x 1 3/4" (136.5 x 28.6 x 4.4 cm)MOMA


Wednesday, Dec. 12, 19791979from "Today" series, 1966-Synthetic polymer paint on canvas18 1/4 x 24 3/8" (46.4 x 62.5 cm)MOMA


24 FEV. 19691969

from “Today” series, 1966-Acrylic on canvas8 x 10 inches (20.3 x 25.4 cm)


DEC. 24, 19781978



23 JUL. 19821982



DEC. 20, 19941994

from “Today” series, 1966-“Tuesday.”Acrylic on canvas10 x 13 inches (25.4 x 33 cm)


4. JUNI 20012001



Installation view of Pure Consciousness at Packer Collegiate Institute, Brooklyn, New York, in 2008

Pure Consciousness (JAN. 1, 1997 – JAN. 7, 1997)1997from “Today” series, 1966-Acrylic on canvas7 paintingsJAN. 1, 1997: 8 x 10 inches (20.3 x 25.4 cm)JAN. 2, 1997: 10 x 13 inches (25.4 x 33 cm)JAN. 3, 1997: 8 x 10 inches (20.3 x 25.4 cm)JAN. 4, 1997: 10 x 13 inches (25.4 x 33 cm)JAN. 5, 1997: 10 x 13 inches (25.4 x 33 cm)JAN. 6, 1997: 8 x 10 inches (20.3 x 25.4 cm)JAN. 7, 1997: 10 x 13 inches (25.4 x 33 cm)


Galerie Micheline Szwajcer, Antwerpen12 September - 24 October 1987


I MET, 2004

(12 x) 21 x 14,8 cmtwelve volumes on Phoenix Motion Xantur paper, 4782 pages in total

I MET is a work of art that starts on 10th May 1968 and ends on 17th September 1979. Except for the years 1968 and 1979, each book volume contains 1 year, comprising a different amount of papers for each year. Each day, On Kawara has noted in chronologic order the names of all people with whom he had a conversation that day. This very list, as well as a specific mark for each separate day, is displayed on each page. On Kawara has indicated all journeys he ever made on pages marked with the names of all cities he visited during this 12 year period. Thus, these pages interrupt the existing chronology in that they sometimes double the day before or after the artist’s transfer.


I MET, 2004(detail)


Installation view of the 2009 solo exhibition On Kawara: One Million Years at David Zwirner, New York

One Million Years (Past), 1970-197110 leather hardbound volumes2,000 pages


Pages from One Million Years (Future)

One Million Years (Future), 1980-199810 leather hardbound volumes2,000 pages


Reading of One Million Years at Trafalgar Square, London, in 2004


Installation view of One Million Years at documenta 11, Kassel, Germany, in 2002


FLUXUS


The fluxus manifesto, a visual document written in 1963 by George Maciunas


Yoko OnoCut Piece, 21 March 1965.

Cut Piece, a performance piece by Yoko Ono in which the audience is invited to cut off her clothing. This version was staged at Carnegie Recital Hall, New York, 21 March 1965.


ART & LANGUAGE


Abstract Art (No 7), 1967


Secret Painting, 1967-68


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www.spruethmagers.netwww.gms.bewww.moma.orgwww.davidzwirner.comwww.lissongallery.com

conceptual art key artists and collaborations annasuvorova.wordpress.com

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