color psychology

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Page 1: Color Psychology
Page 2: Color Psychology

BAGAIMANA PENERAPAN SEBUAH PSIKOLOGI WARNA DALAM MENCERMINKAN ARTI SEBUAH CITRA?

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WHAT IS THAT FOR?

enhance storytelling, but also an engaging historical recap on the maturation of color

in film

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Bad

UVUVEVWEVWE OGWEMUBWEM

OSSAS

Good

UVUVEVWEVWE OGWEMUBWEM

OSSAS

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WHAT IS MONOCHROMATIC

Monochromatic color schemes come in shades of a single color such as red, dark red, and pink. They create a deeply harmonious feeling that is soft, lulling and soothing.

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WHAT IS COMPLEMENTARY

Contrasting drama (i.e. warm vs. cool). Complementary colors live opposite each other on the color wheel.

No matter the color selection, complementary colorscombine warm and cool colors to produce a high-

contrast, vibrant tension in the film.

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WHAT IS ANALOGOUS

Analogous colors neighbor each other on the colorwheel (i.e. red / violet or yellow / lime green). Since the colors don’t have the contrast and tension of the complementary colors, they create an overall harmonious and soothing viewing experience.

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WHAT IS ANALOGOUS

Analogous colors are easy to take advantage of in landscapes and exteriors as they are often found in nature. One color can be chosen to dominate, a second to support, and a third (along with blacks, whites and grey tones) to accent.

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WHAT IS TRIADIC

Vibrant and colorful, Triadic colors are three colorsarranged evenly spaced around the color wheel (i.e. red, blue and yellow). One color should be dominant and the others accented.

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COLOR THEORY NORMS SHOULD BE UNDERSTOOD BY FILMMAKERS, BUT NEVER SEEN AS A LIMITATION

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WHEN CHOSEN CAREFULLY, A WELL-PLACED MOVIE COLOR PALETTE EVOKES MOOD AND SETS THE TONE FOR THE FILM

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KasihTerima