colorsCOLOR Makes interiors come alive. Changes the visual impression. Creates new and different images. Strengthens

the design of the fixtures. Adds an extra dimension to the interior design and produces different and un-forgettable surroundings.

Products Light Design Adaptability Quality Sustainability

Louis Poulsen is known for its white luminaires. But looking at the company’s history, many examples of col-ored luminaires can be found. The increasing demand for memorable environments has boosted the need for more color.

Here are some examples of how to differentiate the in-terior design without compromising lighting comfort.

COLORS

colors

Hotel 27, Copenhagen, Denmark. P: Jacob Termansen.

Nicolai Bergmann Flowers, Tokyo, Japan. P: Shinji Aratani

colors

PH 50Ø 19.7” x 11.1”

A classic pendant represented in a different way. The glossy surface revitalizes

lighting. The surface reflections make the design more visual and distinct. Mix

the colors to get a festive look, choose a color which matches or challenge

the perception of the interior. PH 50 is an updated classic that has proven its

sustainability.

PH 50 by Poul Henningsen

Hotel 27, Copenhagen, Denmark. P: Jacob Termansen.

Mint Blue Chili Red Coconut White Olive Black Wasabi Green

Following the color scale of Arne Jacob-

sen, Louis Poulsen launched the well-

known and appreciated AJ family in 5

new colors for the celebration of the 50th

anniversary of the AJ luminaires as well

as the SAS Royal Hotel – now the Radis-

son Blu Royal Hotel Copenhagen. Today,

the products are represented in the 18th

floor suites. The matte surface of the ta-

ble, wall and floor lamps creates harmo-

ny with the surroundings in a calm and

comfortable way. This is a product family

which is forever unique and modern.

AJby Arne Jacobsen

Royal Hotel Arne Jacobsen Suite, Copenhagen, Denmark

AJ FLOORW 10.8” H 51.2”

AJ WALLW 13.2” H 4.8”/7.1”

AJ TABLEW 8.5” H 22.0”

Yellow/Green

White

Black

Graphite Grey

Petrolium

Sand

Red

Blue/Green

Both the Collage 600 and 450 are available either in white or

four special colors which makes the lighting performance in

any environment something special besides the spectacular

design of the fixture. The transparency of the shades plays

with the color so the impression changes depending on the

viewing angle.

Collage by Louise Campbell

COLLAgE 600 & 450Collage 600 Ø 23.6” x 14.2”, Collage 450 Ø 17.7” x 11.3”

Lemon Yellow Hotlips Juicy Orange Smoke Screen Snow White

Kulturkajen: P: Jacob Termansen

Saxo Bank, Copenhagen, Denmark

A white pendant with colored inserts, LC Shutters offers a completely dif-

ferent look which is more casual. During the day the colors are clear and

at night they are dimmed, lit up only by a touch of light that slips through

the patterned shade.

LC Shutters Colorby Louise Campbell

White

LC SHuTTERSØ 17.3” x 8.11”

www.louispoulsen.com

Due to printing technique, the colors reproduced in this brochure may differ from those of the final products. Color matching

should, therefore, only be carried out against original samples. The brochure may not be reproduced either in whole or in part.