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Classical music - orchestral instruments H3 7th sem. 8th sem. total time = average contact time per week ects time ects time ects musician instrument/accompaniment 70/30 20 70/30 20 lecture-recital 6 60 6 creator / performer ensembles: orchestra projects* plus: 120 10 120 10 chamber music** 30 30 entrepreneur portfolio 2 2 2 project weeks reseacher thesis 4 10 4 profile space to be filled with minors 18 18 total credit points per semester 10 50 60 * appr. 4 projects per year ** P: 8 lessons/H: 16 lessons of 60 minutes per year per ensemble

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Page 1: Classical music - orchestral instruments H3 7th sem. 8th ... · Classical music - orchestral instruments H3 7th sem ... Sonatine • C.Chaynes: ... Semester 8 • Hummel: Trumpet

Classical music - orchestral instruments H3

7th sem. 8th sem. total time = average contact time per week ects time ects time ects

musician

instrument/accompaniment

70/30 20 70/30 20

lecture-recital 6 60

6

creator / performer

ensembles: orchestra projects* plus:

120 10 120 10

chamber music**

30

30

entrepreneur

portfolio

2

2

2 project weeks

reseacher

thesis 4 10

4

profile space

to be filled with minors

18

18

total credit points per semester 10 50 60

* appr. 4 projects per year ** P: 8 lessons/H: 16 lessons of 60 minutes per year per ensemble

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Generic module title Main subject year 4 Specific module title Main subject trumpet year 4 Code Osiris Code (16) Course type Course Year Year 4 Exam goal B Main phase Bachelor Content/relation to professional practice

The main subject and the personal development are the most important in the curriculum. Students will be stimulated to think of new concepts, strike new public groups and build new platforms. Instrument control, knowledge of repertoire, guts and innovative and social skills are crucial within the professional practice. Rotterdam is known for its intensive cooperation within the brass section of Codarts, also because of the cooperation of the brass teachers in the Rotterdam Philharmonic Orchestra, so the students can profit in an optimum way of the expertise of the teachers and have the opportunity to look beyond the boundaries of their own ambit. The connection with the music world is even reinforced through the participation in the Codarts Brass Ensemble. Each year this ensemble works together with one of the Codarts departments, dance, circus, musical theatre, world music, jazz or pop. Also, the students play in orchestras and chamber music projects that are organized on a yearly basis by Codarts. Because of the wide range of activities the excellent professional trumpet players are educated in a way that they can enter the music world as ´frontrunners´.

Reference competencies 1-21 Learning outcomes Semester 7

You’re able to play 30 minutes of a traditional final exam program Semester 8 You’re able to play a gripping, diverse and personal concert in a diverse range of line ups

Coordinating department KM Contact person André Heuvelman Language English or Dutch Work forms • Practical group lesson

• Individual practical lesson Teacher(s) André Heuvelman, Ad van Zon Entrance requirements Material/literature Semester 7

• A.Jolivet: Concertino • J.Français: Sonatine • C.Chaynes: Concerto • M.Tomasi: Concerto

Semester 8

• Hummel: Trumpet concert, Neruda, Trompetconcert, Telemann: Trumpet concert in D, Takemitsu: Paths, Jolivet: Heptade, Brandt: Concerto, Enescu: Legends, Ploy: Postcards

Exam Exam Exam description Main subject trumpet year 4 Semester 2 Exam form Practical exam Content of the exam Playing a final exam program of 50 minutes in different line ups Exam criteria • Rhythmic and melodic precision

• Interpretation and deliverance • Artistic power of expression • Awareness, identity

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Exam duration 50 minutes Weight 1 Study credits 20 Number of attempts 2 20 point 0,5 – 10, in halves

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Generic module title General Theory subjects year 4 Specific module title KM Lecture-Recital semester 7 Code Osiris Code (16) Course type Course Year Year 4 Exam goal B Main Phase Bachelor Content/relation to professional practice

The lecture-recital reparation for the final Bachelor exam, which means that students2 present work that they will perform at the graduation exam in the form of a lecture-recital. Before the lecture recital is performed, and in-depth paper with regard to the historical context and the structure of the work in question must be handed in.

Reference competencies 2, 6, 7, 11, 12, 19, 20 Learning outcomes Through this module, the competencies acquired in studying the main subject and the

music theoretical subjects are related to each other. Coordinating department KM Contact person Rijnhard Bokelmann Language Bilingual (Dutch/English Work forms • Individual practical classes

• Individual coaching Teacher(s) Frans de Berg, Rijnhard Bokelmann, Jan Jongbloed, Desiree Staverman, Willem Tanke,

Gustavo Trujillo, Marcel Zijlstra, individual main subject teacher Entrance requirements Fully passed propaedeutic exam, as well as the modules Analysis 3 & 4, Harmony 3 & 4,

Solfège 3 & 4 and Music History 1, 2 & 4. Material/literature • Sources and literature gathered by the student.

• Manual about form and content of the paper Exam Exam 1 Exam description Lecture-Recital 7 Semester 1 Exam form Presentation in the form of a lecture-recital (all students except students of

Composition) or an oral presentation (students of Composition) Content of the exam The chosen work is performed and discussed during the exam. An in-depth paper is

required that addresses the most relevant subjects extensively. Exam criteria • Students must demonstrate sufficient knowledge, insight and skills with regard

to the discussed composition. This must be evident from both the paper itself and the oral presentation.

• In the exam, students must demonstrate insight into the historical context and stylistic aspects as well as the overall structure, phrasing, harmonic development and the melodic and rhythmic development of the composition they studied in preparation.

• All students except students of Composition: students must be able to make a meaningful connection between analysis and performance practice and make this audibly clear during the performance of the work.

• All students of Composition: students must make meaningful connections between the analysed work or works and the work that they composed themselves and must demonstrate this with specific examples.

Exam duration 45 minutes Weight 100% Study credits 6 Number of attempts 2 Result scale 20 points, 0.5 – 10, in halves

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Generic module title Playing Together year 4 Specific module title Playing Together Orchestral Instruments and Harp year 4 Code Osiris Code (16) Course type Course Year Year 4 Exam goal D Main Phase Bachelor Content/relation to professional practice

The module Playing Together Orchestral Instruments and Harp focuses mainly on the competencies ‘collaborative skills’ and ‘communication’ in a musical context. The subject Chamber Music is directly linked to the professional practice of students of orchestral instruments and harp. Besides the already mentioned social competencies, artistic competencies most definitely are addressed here too. The subject Orchestra Projects is specifically aimed at gaining experience in the practice of orchestra culture and concert stages.

Reference competencies 3-10 Learning outcomes Chamber Music:

• you demonstrate good skills in playing together (such as balance and musical communication)

• you demonstrate good tone quality • you demonstrate good intonation • you demonstrate good social communication (such as stage skills) Orchestra Projects: these modules are taken in all study years to gain experience in the practice of orchestra culture and concert stages, so that you know the general rules that orchestra musicians must follow. You will play in the projects that are part of your study schedule, usually four each year.

Coordinating department KM Contact person Erik Zwiep Language Dutch or English Work forms • Group practical lesson

• individual practical lesson Teacher(s) Chamber Music: Nancy Braithwaite, Sander Sittig, Henk Guittart, Jeroen den Herder,

Bart van de Roer, Bram van Sambeek, Tomi Shimon Orchestra Projects: depending on the project

Entrance requirements None Material/literature Depending on project Exam Exam 1 Exam description Orchestra Projects Semester 2 Exam form Attendance Content of the exam Throughout the year, the orchestra inspection checks the attendance records of all

students. Exam criteria • Attendance

• Discipline To be judged by the orchestra inspection.

Exam duration none Weight 1 Study credits 6 Number of attempts 2 Result scale Fail/Pass Exam Exam 2 Exam description Chamber Music Semester 2 Exam form Practical exam Content of the exam Performing the prepared composition Exam criteria • Functioning of the group throughout the year

• Technique, ensemble play, rhythm, intonation, tone production, balance and

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knowledge of styles • Charisma • Attendance (100% mandatory) • Communicative skills • Professional attitude, musicality, artistry

Exam duration 30 minutes Weight 1 Study credits 6 Number of attempts 2 Result scale 20-points scale, in halves

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Generic module title Portfolio year 4 Specific module title Portfolio year 4 Code Osiris Course type Course Year Year 4 Exam goal B Main phase Bachelor Content/relation to professional practice

General: The portfolio is a module that contains several activities. Some activities are organized by Codarts (such as the project weeks), other activities are designed by the student (individual study activities) Both types of activities have an common that they are focused on orientation on making informed choices in study and professional practice. They confront the student with different aspects of the art profession, both with regards to the different professional roles and other art disciplines. This broad orientation on the art profession stimulates the student to reflect on his own ambitions and profile and to translate this into concrete choices during and after study. The Portfolio year 4 consists of two project weeks. Every year two project weeks are organized. At least one of these weeks has a department transcending character in the sense that students of different departments and disciplines participate in joined projects. Form and theme vary per project week. During the project week the student is given the opportunity to get acquainted with disciplines/ genres/ aspects of the professional practice that were still unknown to him. When a student has attended the project(s) to which he was assigned, he obtains a positive result. Students that have not sufficiently attended the project(s) will have to do an substituting assignment (see below under Exam 2)

Reference competencies 3, 5, 13, 15, 19 Learning outcomes The project weeks serve as an orientation on several aspects of the art profession.

Broadening of perspective and gain new experiences are the main goal. There are no pre-set learning goals that are tested at the end of the module.

Coördinating department Music (JPW+KM) Contact person Renske Wassink Language Dutch/ English Work forms Differs per project week Teacher(s) Differs per project week Entrance requirements none Material/literature Differs per project week Exam Exam 1 Exam description Project week 1 Semester 1 Exam form Attendance (with the use of attendance list) Content of the exam The result (pass/not sufficient) is based on attendance. Students that have not sufficiently

attended the project(s) will have to do an substituting assignment (see below under Exam 2). Substituting assignment:

• The substituting assignment for the project week has the form of extra Individual Study Activities. The writes an account of these activities in a report, according to the standard Isa procedure (same format, deadline, handing in at study coach)

• The substituting activities should cover at least 28 hours. • Every project week has a theme. The extra ISA’s will have to take this theme

into account. The manager of the department sees to it that with the design of the project week the theme is translated to a clear framework for the substituting assignment. When the different departments/ programmes have different themes, this will be translated into the substituting assignment.

• The theme for the substitution for the second (inter-departmental) project

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week will be equal for all departments. • The theme for the substituting assignment will be communicated within two

weeks after the project week or as soon it is known which students did not attend.

• When a students has only followed parts of the project week, these hours may be included in the report of the substituting assignment.

Exam criteria Attendance of minimum 75%.

This means that of a project of 8 daily periods, you may miss 2 periods. Of a project of 4 daily periods, you may miss 1.

Exam duration N.a. Weight 50% Study credits 1 Number of attempts 2 Result scale Pass/ Not sufficient

Exam Exam 2 Exam description Project week 2 Semester 2 Exam form Attendance (with the use of attendance list) Content of the exam See Project week 1 Exam criteria Attendance of minimum 75%.

This means that of a project of 8 daily periods, you may miss 2 periods. Of a project of 4 daily periods, you may miss 1.

Exam duration N.a. Weight 50% Study credits 1 Number of attempts 2 Result scale Pass/ Not sufficient

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Generic module title Thesis Specific module title Thesis Code Osiris Course type Course Year Year 4 Exam goal B Main Phase Bachelor Content/relation to professional practice

It is of crucial importance for all art professionals to adopt an inquisitive attitude towards their own professional field and to be able to present their findings. This module treats the basic research skills. Students learn to make and present a research design. The module Thesis Preparation consists of 10 group lessons and individual coaching and contributes specifically to the development of the professional roles of musician, maker/performer and researcher.

Reference competencies 3, 4, 12, 13, 14, 15, 19, 20, 21 Learning outcomes Students are able to:

• use their research skills independently. • select and interpret sources. • contextualise their findings. • give arguments for their choices and ideas. • constructively incorporate feedback in their process and work. • draw conclusions from research results. • make connections between the findings and their professional

field/musical practice. • present research results and conclusions.

Coordinating department Music (JPW&KM) Contact person Marijke Tielenius Kruijthoff Language Dutch/English Work forms Individual coaching Teacher(s) • various thesis coaches (formal and technical supervision)

• various main subject teachers (content advisers) Entrance requirements Having successfully concluded the module thesis preparation (year 3) Material/literature Codarts Thesis Manual and chosen/recommended literature Exam Exam Exam description Thesis Semester 1 Exam form Thesis and presentation Content of the exam • a written thesis

• a presentation of the most important findings and conclusions If the written research proposal has not been handed in or there is no ‘green light’ from the thesis coach, the student will not be allowed to do a thesis presentation and will have failed the exam. The work in writing and the thesis presentation complement each other. The presentation therefore is more than just a summary of the thesis: it is an addition, a defence and/or clarification of the written work. The thesis and the thesis presentation are assessed by a committee consisting of a chairperson, the students thesis coach and a main subject teacher. In some cases the thesis coordinator may decide to include an external expert in the committee instead of the main subject teacher. The thesis presentation is public and will be attended by as many fellow students/interested parties as possible. With several departments attending the

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presentations of fellow students is mandatory for the other students. Exam criteria • professional relevance of the research proposal

• application of research skills and method • selection, use and interpretation of the sources • reflection and handling of feedback • linking of research results to the conclusions • argumentation and structure of the written work • level of care and use of language of the written work • clarity and language use of the presentation • responding to questions/feedback by the committee and guests • functionalities of presentation in relation to the written work

Exam duration 45 minutes (20 minutes presentation, 10 minutes question/debate, 15 minutes assessment). With several departments attending the presentations of fellow students is mandatory for the other students. The exam duration is then automatically extended.

Weight The written work and the presentation must both be graded satisfactorily (20 points). The average of both grades determines the final grade (20 points).

Study credits 4 Number of attempts 2 Result scale 20 points 0.5-10, in halves