clare brown_portfolio_2016

EXHIBITION CONCEPT DEVELOPMENT // EXHIBITION DESIGN // GRAPHIC DESIGN Clare BrownPORTFOLIO

TABLE OF CONTENTS

EXHIBITION DEVELOPMENT & DESIGN PROCESS 2

THE FIRST LADIES // INSTALLATION PHOTOGRAPHS 3-6 // SELECTIONS FROM FINAL DESIGN PACKAGE 7 // EXAMPLES OF CONSTRUCTION & DETAILING 8-9

FOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000 // INSTALLATION PHOTOGRAPHS 10 // SELECTIONS FROM FINAL DESIGN PACKAGE 11 // DRAWINGS, RENDERINGS, GRAPHIC DESIGN 12-15

ALBERT H. SMALL DOCUMENTS GALLERY // BEFORE & AFTER INSTALLATION PHOTOGRAPHS 16 // SELECTIONS FROM FINAL DESIGN PACKAGE 17 // EXAMPLES OF CONSTRUCTION & DETAILING 18 // INSTALLATION PHOTOGRAPHS (Cosmos In Miniature) 19 // GRAPHIC DESIGN(Cosmos In Miniature) 20

GRAPHIC IDENTITIES // JAZZ MASTERWORKS ORCHESTRA 21 // SMITHSONIAN FOOD HISTORY 22

CONCEPT DEVELOPMENT & CREATIVE PROCESS // CREATIVE TEAM FACILITATION 23 // TOOLS AND CONCEPT DRAWINGS 24

Clare BrownPORTFOLIO

Exhibition Concept Development // Exhibition Design // Graphic Design 2

PROCESSAll illustrations and photographs are from my work developing and designing exhibitions.

EXHIBITION DEVELOPMENT & DESIGN WORKSHOP FACILITATION

CONSTRUCTION DETAILINGVectorworks

CONCEPT DESIGN & BUBBLE PLANSHand Sketching & Vectorworks

NOTE:Regular meetings with the Exhibition Project Team are interspersed throughout this process.

The sequencing of this process is also guided by project-specific milestone deliverables and approval cycles.

FLOOR PLAN DEVELOPMENTVectorworks

EXPERIENCE & SPATIAL CONCEPTSHand Sketching

COLORS, MATERIALS, “MOOD BOARD” DEVELOPMENT

DESIGN RENDERINGSVectorworks

GRAPHIC DESIGNInDesign, Photoshop, Illustrator

WASHINGTON, DC 2056014TH & CONSTITUTION AVE

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750 9th Street N.W. Suite 5200

Smithsonian

Office of Facilities Engineering and Operations

Washington DC 20560-0908

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FOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000

5/4/12 100% DESIGN SUBMISSION

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A-3

APPLIANCE TOWERDETAILS

10'-0

"

3 1/8"2'-2 1/2"1'-2 1/8"

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"

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ISOMETRIC: APPLIANCE CASE3/4" = 1'-0"1 FRONT ELEVATION: APPLIANCE CASE

3/4" = 1'-0"2 SIDE ELEVATION: APPLIANCE CASE3/4" = 1'-0"3

GLASS OR ACRYLIC SHELVES

BAFFLETO HIDE VERTICALFIBER OPTICRODSAND TO CAPTURE ACRYLICFACE

GRAPHIC

GRAPHIC FRAMEFINISHEDWITHFORMICA5486-NTCLASSICWALNUTNATURELLEFINISH

SINGLE SHEETACRYLIC CAPTUREDBEHIND GRAPHIC ON LEFTAND BEHIND FIBER OPTICBAFFLE ON RIGHT

GRAPHICFRAME

GRAPHIC

Modern KitchensIn postwar America, modern kitchens became a prominent symbol of the American way of life. The heart of the suburban, single-family home, kitchens were stocked with the latest processed foods and filled with electric labor-saving appliances. Suburban builders like William Levitt promoted and reinforced the kitchen’s significance, relocating it from the back to the front of the house and integrating it with the living and dining rooms. Popular magazines advertised kitchens as status symbols, while manufacturers encouraged consumers to transform their kitchens into showcases of progress.

Julia Child’s real kitchen stands both in contrast to and in harmony with the sleek and modern ideal promoted for American suburban dwellers of the 1950s and ’60s. With her husband Paul, Julia Child designed and set up this kitchen in 1961. As a serious cook, author, and teacher, Julia had strong opinions about how her kitchen should be arranged. Its homey atmosphere, with simple, painted cabinetry and butcher-block countertops contrasts with the shiny surfaces pictured in kitchen brochures of the time. Yet her embrace of new appliances was very much in keeping with ideas of a “new and improved” kitchen.

Julia’s Kitchen by Design

Julia and Paul Child designed this kitchen when they moved into their home in Cambridge, Massachusetts, in 1961. They had been living abroad for more than a decade due to Paul’s work as a cultural attaché with the United States Information Service. After living in Paris, Marseilles, Germany, and Norway, Julia and Paul were ready to set up a kitchen of their own.

Built for a tall cookTo accommodate Julia’s height of six feet, two inches, the solid maple counters are thirty-two inches high, two inches taller than standard kitchen counters.

Julia towering over the stove in her Paris apartment, 1948. Note the tools and utensils hanging at the ready.

Photo by Paul Child. Courtesy of Schlesinger Library, Radcliffe Institute, Harvard University

Work zonesJulia organized her kitchen around work zones, making sure tools and equipment were placed near the surfaces where they would be used. Her pots, pans, and utensils are near the stove, her knives are near the sink, and her small appliances are set on solid work surfaces, ready to use.

A Place for Everything

While kitchens of the 1950s and 1960s were often designed to keep everything hidden from view, Julia and Paul preferred to hang their pots and pans on a pegboard for quick and easy access. Nor would there be any confusion about where that pan belonged after it had been used, thanks to the outlines Paul traced on the pegboard. Later, for the benefit of student and guest cooks working in the kitchen with Julia, snapshots were added.

Fantasy KitchensCreated for an Aladdin lunchbox, these illustrations feature the animated television sitcom The Jetsons. Wife and mother Jane is in charge of the family’s meals, which are programmed via punchcards, fed to a computer, and prepared by pushing a button. The scene pokes fun at futuristic utopias that promised instant meals and lives of leisure.

Artwork for The Jetsons lunchbox, 1963Courtesy of Archives Center

Souvenir from the Formica House, 1964Courtesy of Smithsonian Institution Libraries

Visitors to the New York World’s Fair were dazzled by fanciful and impractical kitchen designs.

Upgraded Kitchens, 1952Courtesy of Rita Calzarette

Philomena Dougherty in her new, color-coordinated kitchen in Levittown, Pennsylvania. Stainless-steel kitchens, a standard feature of Levittown houses, were aesthetically appealing and signaled up-to-date living—a marker previously reserved for upper-class homes.

you are here

Food Pantry

Pastry Pantry

Butler’s Pantry

“Built to Fit Your Wife,” 1953

Popular Science magazine portrayed the modern kitchen as a serious work space while reinforcing the traditional notion of the kitchen as a place for housewives. This article described a project at Cornell University that re-engineered the kitchen, setting up setting up efficient work zones that would “fit the woman.”

“New Kitchen Built to Fit Your Wife,” Popular Science, September 1953

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GALLERY FLOOR PLANWITH SECTION TITLES

ABUNDANT HARVESTS

FROM FRESHTO PROCESSED

SUPERMARKETINNOVATIONS

SHORTCUTSFOR THE HOME COOK

INTRO WALL

NEW AND IMPROVEDINTRO PANEL

DO

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BON APPETIT!

MODERN KITCHENS

KITCHEN WISDOM VIDEO

JULIA CHILD: 4 CASES4 PANELS1 "POT WALL" CASE

ONE BIGTABLE

BACKYARDCOOKOUT

MEXICANFOOD REVOLUTION

RESETTINGTHE TABLEINTRO PANEL

COUNTER-CULTURES

"GOODFOOD"MOVEMENT

SNACKS

ADDITIVES

FOOD ON THEGO

WINE IN ALL 50STATES

WINEINTRO PANEL

POST-PROHIBITION

INTRODUCINGWINE FORTHE TABLE

INNOVATIONS IN THEVINEYARD

INNOVATIONS IN THEWINERY

AMERICANWINE COMESOF AGE

WINE VIDEO

WINE TOOLS

OLD GRAPESNEW FERMENT

WINE MARKETING,IDENTITY, AND LIFESYLE

THE OPEN TABLE

LIFE MAGAZINES& INDUSTRY VIDEOAPPLIANCES

& TOOLSKEYWORDS

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RETURN TOVIRGINIA

FLOOR PLAN WITH SECTION TITLES1:851

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FINAL INSTALLATION



Installation PhotographsTHE FIRST LADIES National Museum of American History

For this exhibition I designed all elements from concept through fabrication and installation.

Responsibilities included 3-D design (using Vectorworks) and Graphic Design (using Adobe Illustrator, InDesign and Photoshop).

I worked directly with lighting technicians to develop the lighting plan, and supervised several interns who assisted in design documentation and typesetting of exhibition graphics.




These photographs show my work on: // Graphic Design of text panels, labels, and timeline // Spatial Arrangement of objects, gowns, and exhibition cases // Choice of carpet and paint colors // 3-D Design of exhibition cases, archways, partitions, and walls // Lighting Design



SELECTIONS OF SD-410 100% DESIGN PACKAGETHE FIRST LADIES National Museum of American History

FASHION CASE

7 100 watt illuminator 10-5236 Bundle fiber 2mm x 16 tails x 5 meters1 Bundle fiber 2mm x 16 tails x 4 meters90 55-210 Micro fixture 10-55 degrees22 55-207 Micro fixture 5-35 degrees70 55-303 Micro barndoor42 55-325 Micro angled snoot1 - Lot 6mm support rods to fit across horizontal header, down nine mullions, across two horizontal fascia

4 HISTORY CASES

2 100 watt illuminators 10-5231 Bundle fiber 2mm x 16 tails x 4M1 Bundle fiber 1.5mm x 24 tails x 4.5M16 55-210 Micro fixtures24 57-110 Nano fixtures1 Lot 6mm support rods in furniture, at horizontal header and at base

INAUGURAL CASE #1

2 100 watt illuminators 10-5232 Bundle fiber 3mm x 12 tails x 2.5M24 Mini fixtures w/barndoors

INAUGURAL CASE #2

1 100 watt illuminator 10-5231 bundle fiber 3mm x 12 tails x 3M12 60-309-25 Mini fixture w/barndoor1 Lot 6mm support rods to fit header and verticals

GENERAL SPECIFICATIONS FOR FIBER O PTICS:

FIBER O PTIC FIXTU RES - LUXAM or EQUALAll fixtures to be fully adjustable to pan and tilt 360°, and focus from spot to flood from 5 to 60°. Fixture size should not exceed 1” square without accessories for the 10-55 degree series and 2” square for the 5-45° series. Attachment hardware to be by 6, 10, 16 or 20m m clam ping devices. Adjustm ents and fixation to be via hex set screw for positive lock. Fiber optic lead fixation to be via hex set screw. A ll fixtures to accept the full range of control accessories to include barndoor, filter fram e, snoot and angled snoot. F ixtures to accept g lass and acrylic filtration to include neutral density dim ming, color correction and diffusion.

All fixtures to be adjustab le individually as to light intensity and color balance m echanically with focus techniques or the addition of ND or diffusion filters. Beam shapes should be adjustable via m anipu lation of the control accessories such as barndoors and angled snoot, or via accessory flags, cutters, and extensions.

M ICRO FIBER OPTIC LEADS AND BUNDLESFiber to be made of PMM A acrylic m ono-core fiber or glass randomized fibers with an active diam eter o f 1.5 or 2m m . A ll fiber tails to be jacketed with M egalon conservation rated coating. Fiber bundles to be factory gathered into 28mm comm on end connector, and a ll endings both at the connector and at the delivery end to be polished to a very fine sm ooth fin ish. Acrylic fibers should be able to be cut in the field and re-polished to a very fine finish.

The Turning ratio of the fiber tails to 90° is not to exceed 10 to 1 to the active diam eter.

LABEL RAILS IN THE FOLLOWING CASES WILL BE 16"H BACK-LIT LED PANELS ON ANGLED RAILS (SEE GRAPHICS SPECIFICATIONS FOR LOCATIONS): FASHION CASE, INAUGURAL CASES, HISTORY CASES.

FASHION CASE RUNNING LENGTH: APPROX 37'-0"INAUGURAL CASE #1 RUNNING LENGTH: APPROX 15'-4"INAUGURAL CASE #2 RUNNING LENGTH: APPROX 11'-0"HISTORY CASES RUNNING LENGTH: APPROX 6'-0" EACH (x4)

ADDITIONAL LIGHTING NOTES:


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FIRST LADIES - ROSE GALLERY

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FIBER OPTIC & LED LIGHTING PLAN

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FLOOR PLAN

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ENTRY

TITLE WALL

TIMELINE & CHINA

MICHELLE OBAMA

4 CASE STUDIESINCLUDING: PORTAITTEXT PANELOBJECTSDRESSES

EXIT

A/V PRESENTATIONOF FIRST LADIES ININAUGURAL GOWNS

BLOWUP OFMICHELLEOBAMA

INAUGURATIONSECTIONTEXT PANEL

HISTORY SECTIONSINTRO PANEL

FASHION

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VIDEO

SECTIONTEXT PANEL

SECTIONTEXT PANEL

DONOR PANELCONCLUSION PANEL

SUB SECTIONTEXT PANELSUB SECTION

TEXT PANELSUB SECTIONTEXT PANEL

SUB SECTIONTEXT PANEL

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EXHIBITION FLOOR PLANScale: 1/8" = 1'-0"1


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ALL DIMENSIONS ARE FEET AND INCHESAND (MILLIMETERS)

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Office of Facilities Engineering and Operations750 9th Street N.W. Suite 5200


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EXHIBITION FLOOR PLAN

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HISTORICAL CONTENTINTRO PANEL

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SECTIONTEXT PANEL


EXISTING “BLACK BOX GALLERY” WALLSUNISTRUT GRID HEIGHT VARIES: 10’-9” to 12’-0”SLAB HEIGHT:18’-0”

EXHIBIT STRUCTURES10 FEET TALL MAX. FIRE RATED MDF,NO VOC PAINT, AND POWDER COATED STEEL(SEE RENDERINGS FOR MORE DETAILS)

EXHIBIT PARTITIONS10 FEET TALL MAX.GYPSUM WALL BOARD AND METAL STUD CONSTRUCTION, NO VOC PAINT

EXHIBIT CASES10 FEET TALL MAX.PLEXIGLAS and GLASS (1/2” and 3/8”) FIRE RATED MDF, NO VOC PAINT AND STEEL (SEE RENDERINGS FOR MORE DETAILS)

2"[51]1/

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HISTORY CASES -PLAN, ELEVATION, DETAIL

10'-0

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TYPICAL ELEVATIONScale: 3/8" = 1'-0"2

ANGLED LABEL RAIL

6mm ROD FOR FIBER OPTIC FIXTURESATTACHED INTO CORNER

INTERIOROF "3-SHELF"CASE

PLEXIGLASFOR FACE OF CASE

PLEXIGLASFOR FACE "3-SHELF" CASE

CUTOUT FACEOF "3-SHELF" CASECLEATED ON TO INTERIOR FACE PANEL

BASE CAP OF CASE

INTERIOR FACE PANELFOR "3-SHELF" CASE

2" - "L" ANGLE EXTRUSIONFOR MASKING HORIZONTALFIBER OPTIC ROD ATTACHMENT

TYPICAL ISOMETRIC VIEWScale: 1/4" = 1'-0"3

6mm VERTICAL RODFOR ATTACHING FIBER OPTIC FIXTURES

6'-3"[1905]

TYPICAL PLAN VIEWScale: 3/8" = 1'-0"4

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HISTORY CASE-HEADER AND BASE DETAILS

HISTORY CASES - SECTION OF CASE FRONTScale: 3/4" = 1'-0"1

CEILING OF CASE

1/2" PLEXIGLAS

6mm ROD FOR FIBER OPTICSSTANDING OFF OFINTERIOR MULLION BY 1"

2" BAFFLE FOR HIDINGFIBER OPTIC ROD

1/2" PLEXIGLAS


INTERIOR BACK PANELFOR HIDING FIBER OPTIC ROD

BASE CAP

6"[1

52]

3" [75]

PLUNGER ALARM

"CLIP" EXTRUSION TO HOLD BACKLIT GRAPHIC IN PLACE AT TOP & BOTTOM OF ANGLED RAIL

1'-4 3/8"[415]

BAFFLE FOR HIDING FIBEROPTIC ROD = 2 1/2"HIGH

1'-6

1/8

"[4

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DETAILS OF HEADER AND BASEScale: 3" = 1'-0"2

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NOTE: THIS HEADER DETAILS IS THE SAME AS THE FASHION CASE EXCEPT WITHOUT THE MULLIONS.


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OVERHEAD GALLERY VIEWS

OVERHEAD GALLERY VIEW 1




ENTRANCE

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CONSTRUCTION SPECS.

“INAUGURAL GOWNS” CASES

HEIGHT: 10 FEET TALL

MATERIALS: - PAINTED FIRE RATED MDF BASE and DECK, STEEL CEILING- 1/2” LAMINATED GLASS AND POWDER COATED STEEL MULLIONS

LIGHTING:- INTERIOR FIBER OPTIC WITH EXTERNAL ILLUMINATOR- SURFACE LED BACKLIT LABEL RAIL

SECURITY:- PLUNGER ALARMS AT BASE OF EACH PLEXIGLAS PANEL- SECURITY SCREWS HIDDEN BEHIND HEADER, BASE & SIDES

“HISTORICAL CASE STUDIES” CASES


MATERIALS: - PAINTED FIRE RATED MDF BASE and DECK and TOP- 3/8” PLEXIGLAS FRONT

LIGHTING:- INTERIOR FIBER OPTIC WITH EXTERNAL ILLUMINATOR- SURFACE LED BACKLIT LABEL RAIL

SECURITY:- PLUNGER ALARMS AT BASE OF EACH PLEXIGLAS PANEL- SECURITY SCREWS HIDDEN BEHIND HEADER, BASE & SIDES

ARCHED EXHIBIT PARTITION

HEIGHT: 10 FEET TO TOP OF PARTITION

MATERIALS: - FIRE RATED MDF, PAINTED AND STUDDED OUT

ARCHED EXHIBIT PARTITION


MATERIALS: - FIRE RATED MDF, PAINTED AND STUDDED OUT

“MICHELLE OBAMA” CASE

MATERIALS: - GLASS and STEEL

SECURITY:- RETAIN EXISTING OPEN, SHOCK VIBRATION SENSORS




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FIRE AND SECURITY INFO.SHEET 1

MICHELLE OBAMA CASE - SECURITY DETAILSScale: 1/16" = 1'-0"3

FASHION CASE - SECURITY DETAILSScale: 1/16" = 1'-0"1 CHINA CASES - SECURITY DETAILS

Scale: 3/8" = 1'-0"2

27'-4 3/4"[8350]

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FASHION CASE SECURITY:-- PLUNGER ALARMS AT BASE OF EACH SHEET OF GLASS-- 1/2" LAMINATED-- HIDDEN HARDWARE THAT LOCKS GLASS IN PLACE-- CASE HEADER HOLDS DOWN THE MULLIONS WHICH WOULD NEED TO BE LIFTED FOR ENTRY TO CASE-- VIBRATION SENSOR ON CASE CEILING-- CASE CEILING: "LOCKDOWN" SECURITY-GRADE DROP-CEILING

FASHION CASE FIRE SAFETY:-- 1/2" LAMINATED GLASS-- STEEL MULLIONS AND CEILING-- FIRE RATED MDF AND MEDEX

CHINA CASE SECURITY:-- PLUNGER ALARM FOR EVERY 6 FEET OF CASE LENGTH-- 3/8" PLEXIGLASS

CHINA CASE FIRE SAFETY:-- FIRE RATED MDF AND MEDEX

MICHELLE OBAMA CASE SECURITY:-- WIRELESS OPEN, SHOCK AND VIBRATION SENSORS-- 1/2" LAMINATED GLASS-- CONCEALED LOCK

MICHELLE OBAMA CASE FIRE SAFETY:-- GLASS AND STEEL CONSTRUCTION

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CB

1103107

A/V PLAN

88

27'-4 3/4"[8350]

14'-9

1/8

"[4

498]

HARDWARE:- FLAT SCREEN MONITORMOUNTED TO TEMPORARY PARTITION WALL

- SPEAKERS ??? TBD.

PROGRAMMING:TWO VIDEO PIECES FROM CURRENT FIRST LADIES EXHIBITIONSLOOPED INTO ONE PROGRAM

SPECIAL CONSIDERATIONS:BRINGING POWER IN FROM MAIN GALLERY

PROVIDING SOME AMBIENT LIGHT ON FLOOR OF VIDEO AREA

HARDWARE:- 85" PANASONIC FLAT SCREEN PLASMA MONITOR TH-85PF12U MOUNTED TO EXHIBIT STRUCTURE- VERTICAL (PORTAIT) ORIENTATION

- SPEAKERS ??? TBD.

PROGRAMMING:NEW VIDEO PIECE FROM OUTSIDE SOURCEFIRST LADIES INAUGURAL BALLS/DRESSES

SPECIAL CONSIDERATIONS:DETAILING OF HOW THE MONITOR MOUNTS TO THE WALL IS TBD FOR 95% DESIGN PACKAGE

WEIGHT AND SIZE ARE CONSIDERABLE

NEED NON-GLARE PLEXI TO COVER FACEOF MONITOR

A/V PLANScale: 1/8" = 1'-0"1


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1103107

FIRE AND SECURITY INFOSHEET 2

INAUGURAL CASES - SECURITY DETAILSScale: 1/16" = 1'-0"1

HISTORY CASES - SECURITY DETAILSScale: 1/4" = 1'-0"2

27'-4 3/4"[8350]

14'-9

1/8

"[4

498]

KEY PLAN

12 122

A

B

INAUGURAL CASES SECURITY:-- PLUNGER ALARMS AT BASE OF EACH SHEET OF PLEXIGLAS-- 1/2" LAMINATED GLASS-- HIDDEN HARDWARE THAT LOCKS PLEXIGLAS IN PLACE-- CASE HEADER HOLDS DOWN THE MULLIONS WHICH WOULD NEED TO BE LIFTED FOR ENTRY TO CASE-- VIBRATION SENSOR ON CASE CEILING-- "LOCKDOWN" SECURITY DROP-CEILING MADE OF POWDER-COATED STEEL

INAUGURAL CASES FIRE SAFETY:-- 1/2" LAMINATED GLASS-- FIRE RATED MDF AND MEDEX-- "LOCKDOWN" SECURITY DROP-CEILING MADE OF POWDER-COATED STEEL

HISTORY CASES SECURITY:-- PLUNGER ALARMS AT BASE OF EACH SHEET OF PLEXIGLAS-- 3/8" PLEXIGLAS-- HIDDEN HARDWARE THAT LOCKS PLEXIGLAS IN PLACE-- VIBRATION SENSOR ON CASE CEILING-- "LOCKDOWN" SECURITY DROP-CEILING MADE OF POWDER-COATED STEEL

HISTORY CASES FIRE SAFETY:-- 3/8" PLEXIGLAS-- FIRE RATED MDF AND MEDEX-- "LOCKDOWN" SECURITY DROP-CEILING MADE OF POWDER-COATED STEEL

CAMERAS:REPOSITION 2 EXISTING CAMERAS A- 1 AT ENTRANCE - MAKING SURE THAT OBAMA CASE IS VISIBLEB- 1 AT EXIT

(SEE KEY PLAN)

7 7


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1103107

FASHION CASEINTERIOR ELEVATIONS

FASHION CASE ELEVATIONSScale: 1/4" = 1'-0"1

10'-0

"[3

049]

23'-2 3/8"[7072]

9'-3 1/4"[2827]

10'-7 5/8"[3242]

3'-4

"[1

015]

6"[1

52]

2'-0 3/4"[629]

1 1/2" TrimTYP.

C

C

5"[127]

1'-1 3/4"[350]

TYP.

A A A A A

A= 9 1/4" (235mm)B= 10 1/4" (260mm)

1'-8 3/4"[528]

11 7/8"[303]

9 5/8"[243]

B B B B B

1'-6

"[4

57]

7'-11"[2413]

1'-7

1/2

"[4

95]

7 1/

4"[1

84]

4'-2

1/4

"[1

276] 6'

-4 1

/2"

[194

3]

2'-6

7/8

"[7

83]

4'-6

1/2

"[1

385]

4'-4

3/4

"[1

341]

8"[2

03]

FASHION CASE ELEVATIONS (DIMENSIONED)Scale: 1/4" = 1'-0"2

NOTE: DRESSES SHOWN ARE FOR SCALE PURPOSES ONLYDRESSES ARE NEITHER FINAL PLACEMENT NOR SELECTION

8" HEADER2" IS TO MASKCEILINGOF CASE

6" BASE CAP

17 17

MOULDING SPEC:SM-55 9/16" x 1 1/2"PAINT: BM 2127-70 EGGSHELL

WALLPAPER SPEC:TBD FOR 100% SUBMISSION

100% Design Package includes Floor Plan, Bubble Plan, Carpet Plan, Paint Plan, Reflected Ceiling Plan, Lighting Plan, Graphic Layout, Demolition Plan, Construction Documentation for all Built Elements, Security Plan, Graphic Samples.



Examples of Construction & Detailing DocumentsTHE FIRST LADIES National Museum of American History


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1103107

FASHION CASEINTERIOR ELEVATIONS

FASHION CASE ELEVATIONSScale: 1/4" = 1'-0"1

10'-0

"[3

049]

23'-2 3/8"[7072]

9'-3 1/4"[2827]

10'-7 5/8"[3242]

3'-4

"[1

015]

6"[1

52]

2'-0 3/4"[629]

1 1/2" TrimTYP.

C

C

5"[127]

1'-1 3/4"[350]

TYP.

A A A A A

A= 9 1/4" (235mm)B= 10 1/4" (260mm)

1'-8 3/4"[528]

11 7/8"[303]

9 5/8"[243]

B B B B B

1'-6

"[4

57]

7'-11"[2413]

1'-7

1/2

"[4

95]

7 1/

4"[1

84]

4'-2

1/4

"[1

276] 6'

-4 1

/2"

[194

3]

2'-6

7/8

"[7

83]

4'-6

1/2

"[1

385]

4'-4

3/4

"[1

341]

8"[2

03]

FASHION CASE ELEVATIONS (DIMENSIONED)Scale: 1/4" = 1'-0"2

NOTE: DRESSES SHOWN ARE FOR SCALE PURPOSES ONLYDRESSES ARE NEITHER FINAL PLACEMENT NOR SELECTION

8" HEADER2" IS TO MASKCEILINGOF CASE

6" BASE CAP

17 17

MOULDING SPEC:SM-55 9/16" x 1 1/2"PAINT: BM 2127-70 EGGSHELL

WALLPAPER SPEC:TBD FOR 100% SUBMISSION


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SUBMISSION


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of

CB

1103107

OVERHEAD GALLERY VIEWS





ENTRANCE

EXIT

EXIT

EXIT

EXIT

ENTRANCE

ENTRANCE

ENTRANCE




3 39 3



Examples of Construction & Detailing DocumentsTHE FIRST LADIES National Museum of American History

FASHION CASE SECTION OF CASE FRONTScale: 3/4" = 1'-0"1

10'-2

"[3

099]

9'-0

"[2

743]

9'-6

"[2

896]

9'-5

"[2

870]

8'-9

1/8

"[2

670]

EX

TER

IOR

MU

LLIO

N

EX

TER

IOR

CA

SE

HE

IGH

T

GLA

SS

HE

IGH

T

INTE

RIO

R M

ULL

ION

6mm

RO

D F

OR

FIB

ER

OP

TIC

S


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1103107

FASHION CASE - SECTION DETAILS

1'-6

1/8

"[4

60]

6" [152

]3/4"[19]

1/2" LAMINATED GLASS


INTERIOR MULLION

EXTERIOR MULLION"CLIP" EXTRUSION TO HOLD BACKLIT GRAPHIC IN PLACE AT TOP & BOTTOM OF ANGLED RAIL

FASHION CASE DETAIL OF BASEScale: 2" = 1'-0"3

PLUNGER ALARM

42.29°

1'-4 3/8"[415]

"T-Nuts"

STRUCTURAL RIB3/8" [9]

RE

VE

AL

CEILING OF CASE: "LOCKDOWN" SECURITY-GRADE DROP-CEILING

CASE HEADER AFFIXED TO SUPPORT BOXWITH "Z" CLIPS

EXTERIOR MULLION

INTERIOR MULLIONSCREWED INTO SUPPORT BOX

1/2" LAMINATED GLASS


8"[2

03]

FASHION CASE DETAIL OF HEADERScale: 2" = 1'-0"2

"SUPPORT BOX"

ALL-THREAD ROD CONNECTS TO UNISTRUT GRID SYSTEM OVERHEAD

7"[175]

"Z" CLIPS AFFIXED TOSUPPORT BOXTO HOLD GLASS IN PLACE

19 19

"T-Nuts"


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1103107

INAUGURAL CASESMULLION DETAILS

INTERIOR OF THE CASECASE WALLCASE WALL

INTERIOR OF THE CASE

1/2" GLASS

1/2" GLASS

1/8"[3]

2"[51]

2"[51]

2 1/

4"[5

7]

2 1/

4"[5

7]

CASE WALLINTERIOR OF THE CASE

1/2" GLASS

CASE WALLINTERIOR OF THE CASE

1/2" GLASS

2"[51]

2"[51]

2 1/

4"[5

6]

LARGE INAUGURAL CASE MULLION: LEFT Scale: Actual Size1 LARGE INAUGURAL CASE MULLION: RIGHT

Scale: Actual Size2

SMALL INAUGURAL CASE MULLION: LEFT Scale: Actual Size3 SMALL INAUGURAL CASE MULLION: RIGHT

Scale: Actual Size4

31-A

82.14°

1 3/4"[45]

5/8"[16] 1 1/4"

[31]

2"[51]

1 1/4"[31]

1/4"[6]

5/8"[16]

1 3/

8"[3

5]

97.78°

68.27°

5/8"[16]

1 1/8"[28]

1 1/

4"[3

2]

1 3/8"[34]

2 1/4"[56]

5/8"[16]

1 3/8"[35]

111.69°

2 1/

4"[5

7]

1 1/4"[31]



Installation PhotographsFOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000National Museum of American History



I worked directly with lighting technicians to develop the lighting plan. I also supervised several interns who assisted in design documentation and typesetting of exhibition graphics.



SELECTIONS OF SD-410 100% DESIGN PACKAGEFOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000National Museum of American History


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1103104 / 1103112

NEW LOWER DECK AND STANDARD HEIGHT GLASS DOORS

1'-0

"

5 1/4"

2 1/

4"

3 3/

4"

Fasten to existing gallery wall

UNLESS OTHERWISE NOTESALL CASE MATERIAL IS 3/4"MDO. SEAL ALL SURFACES.PAINT VISIBLE SURFACES

CASE FABRICATION DETAILS:TYPICAL CASE HEADER

STIFFENER CHANNEL LOCATED IN VERTICAL STUDS. ATTACH TO ALL-THREAD.

ALL-THREAD TO GRID ABOVE

3/4" MDO. Paint finish

DRYWALL ATTACHED TO METAL STUD BRACING

WOOD BLOCKING

20 Gauge 3 5/8 channel & stud construction

SECTION. TYPICAL CASE HEADER1:41

Typical case enclosure.5/5 GWB exterior, 1/2" plywood

interior layer, 3 5/8 20 gaugechannel and stud construction

SECTION. TYPICAL at CASE HEADER WHERE CASE MEETS PARTITION1:42

N-2

METAL STUD BRACING

METAL STUD BRACING

8mm. rod for fiber optic installation - to be installed by LUXAM company.

DRYWALL ATTACHED TO METAL STUD BRACING


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1103104 / 1103112

3'-2

1/2

"

GALLERY PAINT PLAN

PAINT PLAN3/32" = 1'-0"1

BM 2147-20 Olive MossALL "WINE" SECTION PERIMETER WALLS

BM 2032-50 Early Spring GreenJULIA INTRO AND VIDEO WALLS

BM 2055-30 Caribbean Blue WaterEXHIBIT INTRO WALLDONOR WALLJULIA END WALL

BM 2074-30 Twilight Magenta"RESETTING THE TABLE" INTRO WALL

BM 2149-70 White ChocolateALL KITCHEN EXTERIOR INCLUDING BASE TRIM AND WINDOW TRIMALL PERIMETER WALLS UNLESS OTHERWISE NOTEDALL INTERIOR AND EXTERIOR OF CASES

BM 2055-40 Bahaman Sea Blue(ALL EXTERIOR KITCHEN DOOR TRIM)

BM 2029-20 Baby Fern"NEW AND IMPROVED" INTRO WALL

F-4

BM 2055-50 Fairy Tale Blue


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1103104 / 1103112

ENTRY / EXIT

GALLERY FLOOR PLANWITH SECTION TITLES

ABUNDANT HARVESTS

FROM FRESHTO PROCESSED

SUPERMARKETINNOVATIONS

SHORTCUTSFOR THE HOME COOK

INTRO WALL

NEW AND IMPROVEDINTRO PANEL

DO

NO

R P

AN

EL

BON APPETIT!

MODERN KITCHENS

KITCHEN WISDOM VIDEO

JULIA CHILD: 4 CASES4 PANELS1 "POT WALL" CASE

ONE BIGTABLE

BACKYARDCOOKOUT

MEXICANFOOD REVOLUTION

RESETTINGTHE TABLEINTRO PANEL

COUNTER-CULTURES

"GOODFOOD"MOVEMENT

SNACKS

ADDITIVES

FOOD ON THEGO

WINE IN ALL 50STATES

WINEINTRO PANEL

POST-PROHIBITION

INTRODUCINGWINE FORTHE TABLE

INNOVATIONS IN THEVINEYARD

INNOVATIONS IN THEWINERY

AMERICANWINE COMESOF AGE

WINE VIDEO

WINE TOOLS

OLD GRAPESNEW FERMENT

WINE MARKETING,IDENTITY, AND LIFESYLE

THE OPEN TABLE

LIFE MAGAZINES& INDUSTRY VIDEOAPPLIANCES

& TOOLSKEYWORDS

KEYWORDS

KEYWORDS

KEYWORDS

KEYWORDS

KEYWORDS

RETURN TOVIRGINIA

FLOOR PLAN WITH SECTION TITLES1:851

F-2


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1103104 / 1103112

PLAN VIEW: COUNTERCULTURES & GOOD FOODScale: 1/4" = 1'-0"1

6'-0 7/8" 6'-11 3/4"

2'-6

"2'-6" 2'-6"

8'-4

"

8'-4

"

COUNTERCULTURES AND GOOD FOOD CASE SPECIFICATIONS:

CASE TYPE B

1) TITLE PANEL PAINT COLOR: BM 2073-30 Passion Plum1) DECK PAINT COLOR: Brown TBD

2) TITLE PANEL PAINT COLOR: BM 2066-30 Big Country Blue2) DECK PAINT COLOR: Light Yellow TBD

ISOMETRIC: COUNTERCULTURES & GOOD FOODScale: 1/4" = 1'-0"3

CASE HEADER

ELEVATION: COUNTERCULTURES & GOOD FOODScale: 1/4" = 1'-0"2

1 2

RESETTING THE TABLE:COUNTERCULTURES & GOOD FOOD CASE DETAILS

RT-6

SIDE SECTION Scale: 3/8" = 1'-0"2

10'-0

"

8'-7 1

/4"

5'-10

3/8

"

2'-10

5/8

"5"

5"

4"2 1

/2"

8 1/2"

5"

FOOD - TITLE STRUCTURE

ELEVATIONScale: 3/8" = 1'-0"1

5'-10

3/8"

4'-7 7/8" 4'-7 7/8"

2

1'-5 1/4" 1'-5 1/4"

2'-8 7

/8"

9'-6

"

Ø 1'-11 1/4"


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1103104 / 1103112

6" DIA ELECTRICAL RIGID METAL CONDUIT - STEEL W/ FLANGE ATTACHMENT TO FLOOR.

HEIGHT= 6" ABOVE UNISTRUT GRID.

ATTACHMENT AT TOP:METAL STRAP ATTACHED TO WOODEN BRACING BETWEEN UNISTRUT GRID AND INSIDE OF GALLERY THRESHOLD HEADER.

BARN LIGHT ALL WEATHER GOOSENECK 12" ANGLE SHADE (SEE SHEET T-5 FOR LIGHT SPECIFICATIONS)

SCREWED INTO 6" DIA ELECTRICAL RIGID METAL CONDUIT - STEEL

ELECTRICAL WIRING FEEDS DIRECTLY INTO THE POSTS

SIDE SECTION DETAILScale: 1 1/2" = 1'-0"3

6" DIA ELECTRICAL RIGID METAL CONDUIT - STEEL

3/4" THICK PLYWOOD SUPPORT

3" WOODEN FRAME FOR TITLE STRUCTURE

CORRUGATED METAL (COR-PAN) - PAINTED GLOSS WHITEHOLES FOR DIMENSIONAL LETTERS CUT OUTSPECIFICATIONS ON PAGE T-6

DIMENSIONAL LETTERS SCREWED INTO 3/4" PLYWOOD SUPPORT.

8"

"FOOD" LETTERS (2'-9 5/8" H x 8" D)

BOXED DIMENSIONAL LETTERS WITH FACE MOUNTED GRAPHIC INLAY. BOX FRAMING 3/4" THICK

SCREWED INTO BACK PLYWOOD PANEL SUPPORT.

ESP FILE FOR ROUTER TO BE DELIVERED.FROM DESIGNER

"TRANSFORMING THE AMERICAN TABLE: 1950-2000" DIMENSIONAL LETTERS PAINTED BLACK (EACH LINE IS 5" H x 5"D)


EPS FILE FOR ROUTER TO BE DELIVERED FROM DESIGNER

T-3


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1103104 / 1103112

RESETTING THE TABLE - COUNTERCULTURES AND GOOD FOOD CASES

RESETTING THE TABLE:COUNTERCULTURES AND GOOD FOOD CASE RENDERINGS

RT-5


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1103104 / 1103112

6'-0"

4'-1 1/4"

1'-0

1/4

"

2'-1 5/8"

4'-9

7/8

"

6'-9 5/8"

POST-PROHIBITION CASE SPECIFICATIONS:

CASE TYPE B

1) TITLE PANEL LAMINATE: FORMICA 6932-NTMacchiato Walnut Naturelle Finish

DECK PAINT COLOR: TBD

POST-PROHIBITIONCASE DETAILS

W-3

PLAN VIEW: POST PROHIBITION CASE3/8" = 1'-0"1

ELEVATION: POST PROHIBITION CASE3/8" = 1'-0"2

ISOMETRIC: POST PROHIBITION CASE3/8" = 1'-0"3

CASE HEADER


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1103104 / 1103112

A-3


10'-0

"

3 1/8"2'-2 1/2"1'-2 1/8"

2'-8 3/4"

7'-6

"

1'-7 1/2"

1'-1

0"

4"

2'-1

"3'-1

1/4

"4'-5

3/4

"

5'-4

1/8

"6'-5

"

1'-1

1 5/

8"

5'-6

1/4

"4'

-5 3

/4"

8"

1'-5 1/2"





GRAPHIC



GRAPHICFRAME

GRAPHIC


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1103104 / 1103112


RESETTING THE TABLE:COUNTERCULTRES &GOOD FOOD CASE RENDERING

RT-4


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T-2


PLANScale: 3/8" = 1'-0"1

12'-2 3/8"

5"2 1

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RIGHT ISOMETRIC VIEWScale: 3/16" = 1'-0"3


2'-9 5

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9"

4 1/2" TRIM PAINTED BM 2149-70 (White Chocolate) Semi-Gloss

9'-6

"

TITLE - DIMENSIONAL LETTERS IMAGEScale: 3/8" = 1'-0"4

EPS file for router for dimensional letters to be delivered.

GALLERY THRESHOLDHEADER


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WINE CASE RENDERINGS

POST-PROHIBITION INNOVATIONS & AMERICAN WINE COMES OF AGE

WINE TOOLS AND VIDEO OLD GRAPES NEW FERMENT TOURISM & IDENTITY VIRGINIA WINE

W-1


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POST-PROHIBITION

INNOVATIONS & AMERICAN WINE COMES OF AGE WINE TOOLS AND VIDEO

OLD GRAPES NEW FERMENT

TOURISM & IDENTITY

VIRGINIA WINE

WINE CASE OVERVIEW

W-2




Installation Photograph / Rendering / Construction Documentation / Graphic DesignFOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000National Museum of American History

SIDE SECTION Scale: 3/8" = 1'-0"2

10'-0

"

8'-7 1

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5'-10

3/8

"

2'-10

5/8

"5"

5"

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2

1'-5 1/4" 1'-5 1/4"

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Ø 1'-11 1/4"


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HEIGHT= 6" ABOVE UNISTRUT GRID.


BARN LIGHT ALL WEATHER GOOSENECK 12" ANGLE SHADE (SEE SHEET T-5 FOR LIGHT SPECIFICATIONS)

SCREWED INTO 6" DIA ELECTRICAL RIGID METAL CONDUIT - STEEL

ELECTRICAL WIRING FEEDS DIRECTLY INTO THE POSTS

SIDE SECTION DETAILScale: 1 1/2" = 1'-0"3

6" DIA ELECTRICAL RIGID METAL CONDUIT - STEEL

3/4" THICK PLYWOOD SUPPORT

3" WOODEN FRAME FOR TITLE STRUCTURE

CORRUGATED METAL (COR-PAN) - PAINTED GLOSS WHITEHOLES FOR DIMENSIONAL LETTERS CUT OUTSPECIFICATIONS ON PAGE T-6

DIMENSIONAL LETTERS SCREWED INTO 3/4" PLYWOOD SUPPORT.

8"

"FOOD" LETTERS (2'-9 5/8" H x 8" D)

BOXED DIMENSIONAL LETTERS WITH FACE MOUNTED GRAPHIC INLAY. BOX FRAMING 3/4" THICK


ESP FILE FOR ROUTER TO BE DELIVERED.FROM DESIGNER

"TRANSFORMING THE AMERICAN TABLE: 1950-2000" DIMENSIONAL LETTERS PAINTED BLACK (EACH LINE IS 5" H x 5"D)


EPS FILE FOR ROUTER TO BE DELIVERED FROM DESIGNER

T-3

Between 1950 and 2000,new technologies and cultural changes

transformed how and what we eat.

Mexican, Thai, or Indian for

dinner tonight?

I started eating organic in the ‘80s.

Bagged lettuce—the best thing since

sliced bread.

Sushi, the new

conveniencefood.

My grandmother cooked three meals a day. I just pick up better meals

that are zap-able. My son is a much better cook than I

ever was.

For here or to go?



Installation Photograph / Rendering / Construction DocumentationFOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000National Museum of American History


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GRAPHIC



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1

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5 6

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2'-8"

PLAN - NEW & IMPROVED - LONG CASE - RISER LAYOUTScale: 1/4" = 1'-0"1

33'-9 5/8"

RISER

KEY COLOR DOES NOT REFLECT ACTUAL COLOR OF RISER. SEE OTHER PAGES FOR COLOR DETAILS.

5'-1" 3'-

9 3/8

"

1 2 3 4 5 6 7 8

ELEVATION - NEW & IMPROVED - LONG CASE - RISER LAYOUTScale: 1/4" = 1'-0"2

1'-8 1

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GRAPHIC

1'-0"

NEW & IMPROVED LONG CASE RISER LAYOUT



Construction Documentation / Renderings for Installation GuidanceFOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000National Museum of American History



I worked directly with lighting technicians to develop the lighting plan. I also supervised several interns who assisted in design documentation and typesetting of exhibition graphics.


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RESETTING THE TABLE:COUNTERCULTRES &GOOD FOOD CASE RENDERING

RT-4


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RESETTING THE TABLE:COUNTERCULTURES AND GOOD FOOD CASE RENDERINGS

RT-5


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PLAN VIEW: COUNTERCULTURES & GOOD FOODScale: 1/4" = 1'-0"1

6'-0 7/8" 6'-11 3/4"

2'-6

"2'-6" 2'-6"

8'-4

"

8'-4

"

COUNTERCULTURES AND GOOD FOOD CASE SPECIFICATIONS:

CASE TYPE B

1) TITLE PANEL PAINT COLOR: BM 2073-30 Passion Plum1) DECK PAINT COLOR: Brown TBD

2) TITLE PANEL PAINT COLOR: BM 2066-30 Big Country Blue2) DECK PAINT COLOR: Light Yellow TBD

ISOMETRIC: COUNTERCULTURES & GOOD FOODScale: 1/4" = 1'-0"3

CASE HEADER

ELEVATION: COUNTERCULTURES & GOOD FOODScale: 1/4" = 1'-0"2

1 2

RESETTING THE TABLE:COUNTERCULTURES & GOOD FOOD CASE DETAILS

RT-6



Installation Photographs (top) / Renderings (bottom)FOOD: TRANSFORMING THE AMERICAN TABLE, 1950-2000National Museum of American History



Before (right) and After (left) Installation PhotographsALBERT H. SMALL DOCUMENTS GALLERY // The Declaration of IndependenceNational Museum of American History

I designed the refurbishment of a pre-existing gallery to become the Albert H. Small Documents Gallery. Tasks included: Closing and sealing existing wall-case cavities, new flooring, new lighting track/plan, new electrical and data access, new wall colors, computer interactive desk/kiosk, a modular system for wooden wall panels, graphic templates for exhibition series, case design for CaseWorks exhibition cases and plinths.

3-D design (using Vectorworks) and Graphic Design (using Adobe Illustrator, InDesign and Photoshop).



SELECTIONS OF SD-410 100% DESIGN PACKAGEALBERT H. SMALL DOCUMENTS GALLERY // The Declaration of IndependenceNational Museum of American History

ALBERT SMALLDOCUMENTS GALLERY

Four score and seven years ago, our fathers brought forth on this continent

3 4

2 1

NOTE: SEE NEXT PAGE FOR LARGER SCALE

Four score and seven years ago, our fathers brought forth on this continent�e Gettysburg Address

FireHoseFire

Hose

FireHoseFire

Hose

11'-9

3/8

"

WAL

L C

ON

TIN

UES

TO

WAR

DS

MAI

N H

ALL

WAL

L C

ON

TIN

UES

TO

WAR

DS

AFR

ICAN

AM

ERIC

AN G

ALLE

RY

ELEVATOR #6

Donor Signage: North Entrances to the GalleryScale: 1/8" = 1'-0"1 North Exhibit Title Signage

Scale: 1/8" = 1'-0"2

South Exhibit Title SignageScale: 1/8" = 1'-0"3 Donor Signage: South Entrances to the Gallery

Scale: 1/8" = 1'-0"4

9'-5 5/8"

1'-6

"7'

-6"

11'-9

3/8

"

8'-0"

1'-6

"7'

-6"

Note:This location will NOT be used for Exhibit Signage for the Gettysburg Address rotation. The area willbe left blank for this rotation.


8

EXHIBIT TITLE

EXHIBIT TITLE

DONOR SIGNAGE

DONOR SIGNAGE

+/- 2" TBD when construction is complete

Albert H. Small Documents Gallery

5'-1 1/4"

08

DONOR & EXHIBIT SIGNAGEGETTYSBURG ADDRESS ROTATION

S T A M P

O�ce of Facilities Engineering and Operations

Washington DC 20024-2520600 Maryland Avenue S.W. Suite 5001

InstitutionSmithsonian

SHEET NO.

GRAPHIC SCALE(S)

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ALBERT H. SMALLDOCUMENTS GALLERY

WASHINGTON, DC 2001314th ST & CONSTITUTION AVE N.W.

100% SUBMISSION07/23/08

NMAHBUILDING

DATE

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0803102

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11'-9

3/8

"

7'-0

"

4'-0 1/8"5'-2 3/4"6'-9 1/8"

8'-3

" cm

/ 8'

- 3"

' TYP

7'-6

5/8

" cm

/ 7'

- 6

1/2"

TYP

9'-1

0 3/

4" c

m /

9' -

10 3

/4" T

YP

7'-0

"cm

/ 7'

- 0"

TYP

4'-0 1/8" cm /5'-2 3/4" cm / 5' - 2 3/4 in.

8'-3

" cm

/ 8'

- 3"

' TYP

7'-6

5/8

" cm

/ 7'

- 6

1/2"

TYP

9'-1

0 3/

4" c

m /

9' -

10 3

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YP

7'-0

"cm

/ 7'

- 0"

TYP

4'-0 1/8" cm /5'-2 3/4" cm / 5' - 2 3/4 in.

MAINTEXT

PANEL

SECTIONTEXT

PANEL

SECTIONTEXT

PANEL

SECTIONTEXT

PANEL

SECTIONTEXT

PANEL

Housing for A/V equip.

Desktop, open belowKneespace for Accessibility

GALLERY ELEVATIONSGETTYSBURG ADDRESS ROTATION

JL & CB

ELEVATION west wallScale: 1/4" = 1'-0"1

ELEVATION east wallScale: 1/4" = 1'-0"2

6'-9 1/8" cm / 6' - 9"

E

P

Storage area

4

114

111

116

ExhibitLink

Panel

32"Touch-screen

Monitor

ExhibitLink

Panel

32"Touch-screen

Monitor

6'-9 1/8" cm / 6' - 9"

MAINTEXT

PANEL

6'-9 1/8" cm / 6' - 9"

MAINTEXT

PANEL

04

8'-3

"

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0803102

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TOEL

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OR

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GALLERY FLOOR PLANEXISTING CONDITIONS

JL

01

CONTRACTOR SPECS

SECTION TEXT PANEL:Mounted Within Case

The Bliss (WhiteHouse) CopyGraphic Images:

Baltimore Sanitary Fair (litho)

OBJECT IN CASE:The Gettysburg AddressWritten by Abraham Lincoln for the dedicationof the Soldiers National Cemetery, November 19, 1863On loan from the White House

LABEL BEHIND DOCUMENT:The White House Copy of the Gettysburg Address

SECTION TEXT PANEL:Battle of GettysburgGraphic Images:Image of Battle (litho)

Harvest of Death (photo)

SECTION TEXT PANEL:Dedication of the Soldiers'

National CemeteryGraphic Images:

Lincoln Speaking (photo)Cemetery (map)Everett (photo)

SECTION TEXT PANEL:The Gettysburg Address

ManuscriptsGraphic Images:

Lincoln with Nicolay and Hay (photo)Image of Bancroft 1st Page (repro)

OBJECTABOVE MANTLE:Portrait of Lincoln(engraving)

OBJECTABOVE MANTLE:Portrait of Lincoln(painting)

MAIN TEXT PANEL:Introduction

PROPOSEDENTRANCE

The

Whi

te H

ous

e C

opy

of

the

Ge

ttysb

urg

Ad

dres

s eht fo tfard n

wonk t

sal eht si y

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nam eh

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urg

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ss w

ritte

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and

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rof 4681

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Aut

ogr

aph

Lea

ves

of O

ur

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ntry

s A

utho

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esiar ot

decudor

p ygol

ohtna n

a m

one

y fo

r th

e U

nion

cau

se.

The

man

uscr

iptw

as k

ept

by A

lexa

nde

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s,o

ne o

f th

e pu

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hers

,and

rem

aine

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his

fam

ily u

ntil

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ion

ed in

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uba

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bas

sado

r to

Was

hin

gto

n,p

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hase

d th

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ocum

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and

will

ed it

to t

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f th

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unde

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ndi

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ed in

the

Whi

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ouse

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llect

ions

.

PROPOSEDENTRANCE

SECTION TEXT PANEL:The White House Copy

of the Gettysburg Address

TRANSCRIPTIONof the Gettysburg Address

OBJECT IN CASE:Autograph Leaves

(book)

INTERACTIVECOMPUTERSTATION:

Document withtranscriptions

and audio

SECTION TEXT PANEL:Exhibit Link

Link to:Price of Freedom...

American Presidency...Abraham Lincoln...

INTERACTIVECOMPUTERSTATION:

LincolnBedroom

SECTION TEXT PANEL:Lincoln BedroomGraphic Images:

Restored Bedroom (photo)

BUBBLE PLAN:GETTYSBURG ADDRESS

CB

BUBBLE DIAGRAM: GETTYSBURG ADDRESS ROTATIONScale: 1/4" = 1'-0"1

202

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DRAWING TYPE

DRAWING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

FIELD CARPETInterfaceFlor CarpetYinYang Pattern MO4151 Color BadgerArea: 704 square feet

BORDER CARPETInterfaceFlor CarpetPaintbox Color CharcoalArea: 258 square feetNOTE: This border 12" thick with a few exceptions.

CARPET PLANScale: 1/4" = 1'-0"1

TOEL

EVAT

OR

6

24

CARPET PLAN

CB

12" Wide Carpet BorderTiles will need to be cut down from 50cm

24

CONTRACTOR SPECS

The Gettysburg Address

WAL

L C

ON

TIN

UES

TO

WAR

DS

AFR

ICAN

AM

ERIC

AN G

ALLE

RY

South Exhibit Title SignageScale: 3/4" = 1'-0"1

11'-9

3/8

"

8'-0"

1'-6

"7'

-6"

NOTES:Exhibit Title Signage is InkJet Print,Mounted to 1/4" Sintra or Gatorboard.

See next sheet for construction details.


1111

LAYOUT OF EXHIBIT TITLE SIGNAGE: GETTYSBURG ROTATION

S T A M P




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0803102

EX -

WOOD PANELINGFABRICATION DETAILS -- Page 2 of 3

CB

ELEVATION: Parts of the Wood Paneling AssemblyScale: 3/4" = 1'-0"1

Mahogany-Finish Face Plate to cover face of existing overhead box

Left and Right Casing Moulding hides the sides of the the plywood case that is in the niche.

6'-7 1/2"

3'-3 1/2"3'-3 1/2"

7'-2

3/4

"

7'-2 1/2"

8'-2

1/8

"

Dead BoltLock or Cam-Lock

up into the overhead panel.

Dead BoltLock or Cam-Lockinto the side wall.




3"

3"6'-1 1/2"3"

3"

1'-0

3/8

"

Dead Bolt Lockto connect two "doors"

1/2" Half-RoundMoulding

17

Q

QUANTITY: 4 (FOUR)

17

NMAH FABRICATION

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TOEL

EVAT

OR

6

The

Whi

te H

ous

e C

opy

of

the

Ge

ttysb

urg

Ad

dres

s eht fo tfard n

wonk t

sal eht si y

alpsid

no tpircsu

nam eh

T Ge

ttysb

urg

Ad

dre

ss w

ritte

n in

Lin

col

ns h

and

.He

wrot

e

rof 4681

hcra

M ni ypoc siht

Aut

ogr

aph

Lea

ves

of O

ur

Cou

ntry

s A

utho

rs,

esiar ot

decudor

p ygol

ohtna n

a m

one

y fo

r th

e U

nion

cau

se.

The

man

uscr

iptw

as k

ept

by A

lexa

nde

r Blis

s,o

ne o

f th

e pu

blis

hers

,and

rem

aine

d in

his

fam

ily u

ntil

itw

as

auct

ion

ed in

194

9.O

scar

Cin

tas

,a f

orm

er C

uba

n am

bas

s ado

r to

Was

hin

gto

n,p

urc

hase

d th

e d

ocum

ent

and

will

ed it

to t

hepe

opl

e o

f th

e U

nite

d S

tate

s w

ith th

e

unde

rsta

ndi

ng th

at it

be p

lac

ed in

the

Whi

te H

ouse

s co

llect

ions

.

FLOOOR PLAN: Notes for Demolition and Construction for NMAHScale: 1/4" = 1'-0"1

Demo/Construction Plan NMAH

Re-Hanging DoorsAt either end of the gallery there are two doorways to enter or exit the space (total of four doorways.) Each doorframe holds a pair of mahogany doors with brass hardware. Each pair of doors needs to be re-hung in their door frame. One doorframe has a small amount of damage that needs to be repaired. In addition to the four doorways at the ends of the gallery, there are two small closets in the middle of thegallery, each with a pair of doors identical to the previously mentioned doors. Currently one closet has its doors in place, but the other one needs the doors re-hung in their frame.

1.

1.

1.

1.

1.

1. Demolition and Finishing Four Cavities Two at Each End of the GalleryImmediately inside the space, at either end of the gallery are two cavities in the walls (two at each end, totaling four). Currently each cavity is filled with an exhibit case that has a set of shelves and glass doors. The shelves and glass doors need to be removed and the exterior casing patched and painted. Each of these four cavities has the potential to be a location for an interactive computer station. Therefore, each cavity needs to be equippedwith electrical and data ports.

2. & 3. & 4.

2. & 3. & 4.2. & 3. & 4.

& 5.

2. & 3. & 4.& 5.

2. Fabrication of Text Panel FramesMahogany style finish to match the existing doors. Text Frames need to accommodate a cleat at the back and simple switch-out of graphics.

3.

Fabrication of Wood PanelingMahogany style finish to match the existing doors. Wood paneling is modular to accommodate a plain finish with a cleat for a text panel, or decorative paneling to immitate existing wood doors.

4.

Fabrication of Computer DeskMahogany style finish to match the existing doors. Desk has a cabinet for housing A/V equipment. Ventilation and power access must be included in the design.

5.

3. & 6. 3. & 6.

3. & 6. 3. & 6.

3. & 7.

Plugging Four Arched CavitiesIn the middle section of the gallery there are four arch-topped cavities in the walls. Within these cavities are exhibit cases similar to the ones in the four cavities at the ends of thegallery. The cases are composed of shelving with glass doors on the front. These cases need to be covered over and finished to match the walls of the gallery. The plug that will cover over the cases needs to be recessed from themain wall by at least an inch to maintain the architectural look of the arched cavity. In this location will be hung wood-framed graphic and text panels on cleats or z-clips.

6.

Fabrication of ScrimTranslucent scrim to be hung behind a text panel (which is suspended by wire). Scrim is printed with a transcription of the Gettysburg Address.

7.

14

CB

14

NMAH FABRICATION

Top of Doorway

Side

of D

oorw

ay

Top of Doorway

Velcro:-- To mount Graphic Panel to Front Panel

Lip extends below graphic to support it

Blocking for screwing in Front Panel

Front Panel:-- Unfinished, will be hidden by the Graphic Panel.-- Staple Velcro Loop Side to this panel.

Graphic Panel:-- Printout mounted to sintra or 1/4" Gator board, image wrapped around the edges.-- Velcro Hook Side adhered to back

Vertical Section of the Hanging SignScale: 3" = 1'-0"1 Front Elevation of Hanging Sign

Scale: 3" = 1'-0"2

Screws:All Hardware is Hidden Inside Structure

1'-6

"4 3/8"

Back Panel

1'-6

"

1'-5

1/2

"

MATERIALS:

Wooden Structure,Painted to Match PSRP Grey

Graphic is paper printout with overlaminate,-or- printout on adhesive backed vinyl

7 1/2"

12

FABRICATION DETAILSFOR HANGING SIGNAGE

12

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REVISION 4

REVISION 5

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DRAW ING TYPE

DRAW ING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

CB

EX -

0803102

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DATE

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REVISION 3

REVISION 4

REVISION 5

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WORKING STAFF

DRAWING TYPE

DRAWING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

NICHES: DEMOLITION ANDCONSTRUCTION INFORMATION

CB

ELEVATION: Existing Conditions, East Side NicheScale: 1/2" = 1'-0"1

1'-0

3/8

"7'

-2 3

/4"

6'-9 1/4"

6'-7 1/2"

8'-3

1/8

"

8'-3

1/8

"

SECTION: East Side NicheScale: 1/2" = 1'-0"2

4 5/8"1'-5 3/4"

1 7/8"2 3/4"

7'-2

3/4

"1'

-0 3

/8"

1'-10 3/8"

2

Demolition and Construction Notes

1. Overhead box gets a new face platethat is thick enough to be flush with the edge of the wall. The new face is Mahogany-Finish.

2. Add plywood the sides of the casingso that the sides are flush with the edge of the wall.

3. Patch/Fill all holes in the plywoodcasing

4. Please note that HOLES may needto be cut in the back of the casing foraccess to electrical supply. Who cuts the holes and where they will bepositioned is TBD.

5. Cut away the bottom of the casing (floor level), per specifications provided

6. Lay down flooring (masonite or other material TBD) to make the floor below the casing level with theexisting wood flooring

Note 1.

Note 3.

Note 5.&

Note 6.Note 4.

Note 2. Note 2.

Note 2.

SECTION VIEW: NicheScale: 1/2" = 1'-0"3 PLAN VIEW: Cut Away Base of Casing

Scale: 1/2" = 1'-0"4

CUT AWAYFinish the floor beneath so that height is flush with

the surface level of the oak wood floor.

4" 5'-11 1/2" 4"

4"1'

-4 1

/2"

Note 5.&

Note 6.

Note 1.

ADD

ADD

Add Mahogany Face Plate to be flush with wall.

Add strip of plywood at left andright sides to extend casing to beflush with the wall.

NOTE:This sheet shows the dimensions of the niches on the East Side Wall.

The niches on the West Side Wall have a depth of 2'-3".

All fabrication and demolition details shownon this sheet apply to the West Side Wall as well.

15

3

15

NMAH FABRICATION

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DATE

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REVISION 3

REVISION 4

REVISION 5

REVISION 6



WORKING STAFF

DRAWING TYPE

DRAWING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

ELEVATION: Back Panel with CleatsScale: 1/2" = 1'-0"3 ELEVATION: Middle Layer of Paneling

Scale: 1/2" = 1'-0"4 ELEVATION: Outer Layer of PanelingScale: 1/2" = 1'-0"5

Paneling consists of three layers

1) Back solid panel. The back panel has cleats available for installation of a text panel when the decorative paneling is not in place. The back panel is secured into the niche with cam-locks or dead bolts.

2) Middle layer with holes cut in it. This layer has a simple beadmoulding, or quarter round, to finish off the holes. This layer is cut from a single sheet of plywood, not pieced together. The back of the middle layer must have cut-outs to accommodate the cleats that are on the back panel.

3) Outer layer with larger holes cut in it. This layer has mouldingthat matches the existing doors (per Peter Albritton spec) to finish off the holes. The outer layer is pieced together the way that the existing closet doors are constructed.

The outer and middle layer are laminated together to form a single sheet that is installed on the back panel using hangerbolts (per Peter Albritton spec).

CB


Cleats for Text Panel

Position of Text Panel

5'-9

1/2

"

6'-9

5/8

"

Recessed areato accommodateCleats.

9"

1/2" 3"

1/2"

1'-0

"

1/2"

1'-7

3/8

"

1/2"

1'-3

"

1/2"

1'-2

3/8

"

1/2"11"

3'-3 1/2"

6 1/2" 2'-2 1/2" 6 1/2"

6"

1"1"

2'-1

3/8

"

1"

8"1'

-8 3

/8"

1"

8"8"

1"

7'-2

3/4

"

5'-9

1/2

"

3'-3 1/2" [1004.7]

2" [51.6]

ELEVATION with paneling installedScale: 1/2" = 1'-0"1 ELEVATION without decorative paneling, ready for text panel installation

Scale: 1/2" = 1'-0"2

1818

NMAH FABRICATION

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DATE

REVISION 1

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SUBMISSION

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REVISION 3

REVISION 4

REVISION 5

REVISION 6



WORKING STAFF

DRAWING TYPE

DRAWING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

TOEL

EVAT

OR

6

CB

GOLD WALLSBenjamin Moore:

HC-12 (Concord Ivory)EGGSHELL

GREY WALLSBenjamin Moore:

2108-50 (Silver Fox)EGGSHELL

GOLD WALLSBenjamin Moore:

HC-12 (Concord Ivory)EGGSHELL

WHITE TRIM, COLUMNS,PILASTERS, AND FIREPLACES

Benjamin Moore:2165-70 (Butter Pecan)

SATINCEILING: FLAT

PAINT PLANScale: 1/4" = 1'-0"1

GREY IN NICHEBenjamin Moore:








PAINT PLAN

25

WHITE TRIM, COLUMNS,PILASTERS, AND FIREPLACES

Benjamin Moore:2165-70 (Butter Pecan)

SATINCEILING: FLAT

25

CONTRACTOR SPECS

PAINT PLAN NOTES:

1) Scrape, patch, and sand smooth as required all surfaces to receive paint.

2) Provide one coat prime and two coats finish paint as indicatedon the paint plan.

3) Protect all wood surfaces, door hardware, lighting, and other equipment within the gallery prior to painting.

4) ALL SMOKE DETECTORS AND SPRINKLERS MUST NOT BE PAINTED.

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REVISION 3

REVISION 4

REVISION 5

REVISION 6



WORKING STAFF

DRAW ING TYPE

DRAW ING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

TOEL

EVAT

OR

6

REFLECTED CEILING PLAN

CB

LIGHTING PLANScale: 1/4" = 1'-0"1

2702

LIGHTING PLAN

Floor Receptacle

Down Lights, RecessedEX: Existing To Remain

Duplex Receptacle, MH 18" AFF UON

Single Pole Switch, +48" AFF UON

DM Dimmer Switch, +48" AFF UON

Wall Mounted Data Outlet, MH 18"AFF UON

J Junction Box

EXTrack LightsEX: Existing To Remain

Home Run, Number of Arrows Indicate Number of Circuits.Letter and Number Designate Panel and Circuits, otherwise noted.

Fluorescent Strip Lighting Fixture

EX

277/480 Volt Panel

120/208 Volt Panel

277/480 Volt Panel

Control Cabinet

R

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EX EXEXEX

EXR

EXR

EXR

EXR

EXR

EXR

J

J

JEX

EXR

EXR

EXR

EXR

NOTE 1

NOTE 1

NOTES:1) CONTRACTOR TO FIELD VERIFY

THE PANEL BOARD AND CIRCUITS.

3 #12 + 1 #12G in 27 mm C

3 #12 + 1 #12G in 27 mm C

A

A

BB

EL

RV

LEGEND




Examples of Construction Documents / Elevations, Signage, Fabrication, LightingALBERT H. SMALL DOCUMENTS GALLERY // The Declaration of Independence National Museum of American History

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NMAHBUILDING

DATE

REVISION 1

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SUBMISSION

REVISION 2

REVISION 3

REVISION 4

REVISION 5

REVISION 6



WORKING STAFF

DRAWING TYPE

DRAWING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

ELEVATION: Back Panel with CleatsScale: 1/2" = 1'-0"3 ELEVATION: Middle Layer of Paneling

Scale: 1/2" = 1'-0"4 ELEVATION: Outer Layer of PanelingScale: 1/2" = 1'-0"5

Paneling consists of three layers

1) Back solid panel. The back panel has cleats available for installation of a text panel when the decorative paneling is not in place. The back panel is secured into the niche with cam-locks or dead bolts.

2) Middle layer with holes cut in it. This layer has a simple beadmoulding, or quarter round, to finish off the holes. This layer is cut from a single sheet of plywood, not pieced together. The back of the middle layer must have cut-outs to accommodate the cleats that are on the back panel.

3) Outer layer with larger holes cut in it. This layer has mouldingthat matches the existing doors (per Peter Albritton spec) to finish off the holes. The outer layer is pieced together the way that the existing closet doors are constructed.

The outer and middle layer are laminated together to form a single sheet that is installed on the back panel using hangerbolts (per Peter Albritton spec).

CB


Cleats for Text Panel

Position of Text Panel

5'-9

1/2

"

6'-9

5/8

"

Recessed areato accommodateCleats.

9"

1/2" 3"

1/2"

1'-0

"

1/2"

1'-7

3/8

"

1/2"

1'-3

"

1/2"

1'-2

3/8

"

1/2"11"

3'-3 1/2"

6 1/2" 2'-2 1/2" 6 1/2"

6"

1"1"

2'-1

3/8

"

1"

8"1'

-8 3

/8"

1"

8"8"

1"

7'-2

3/4

"

5'-9

1/2

"

3'-3 1/2" [1004.7]

2" [51.6]

ELEVATION with paneling installedScale: 1/2" = 1'-0"1 ELEVATION without decorative paneling, ready for text panel installation

Scale: 1/2" = 1'-0"2

1818

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NMAHBUILDING

DATE

REVISION 1

REVISION

SUBMISSION

REVISION 2

REVISION 3

REVISION 4

REVISION 5

REVISION 6



WORKING STAFF

DRAWING TYPE

DRAWING TITLE

PROJECT TITLE

A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

TOEL

EVAT

OR

6

REFLECTED CEILING PLAN

CB

LIGHTING PLANScale: 1/4" = 1'-0"1

2702

LIGHTING PLAN

Floor Receptacle

Down Lights, RecessedEX: Existing To Remain

Duplex Receptacle, MH 18" AFF UON

Single Pole Switch, +48" AFF UON

DM Dimmer Switch, +48" AFF UON

Wall Mounted Data Outlet, MH 18"AFF UON

J Junction Box

EXTrack LightsEX: Existing To Remain

Home Run, Number of Arrows Indicate Number of Circuits.Letter and Number Designate Panel and Circuits, otherwise noted.

Fluorescent Strip Lighting Fixture

EX

277/480 Volt Panel

120/208 Volt Panel

277/480 Volt Panel

Control Cabinet

R

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EXR

EX EXEXEX

EXR

EXR

EXR

EXR

EXR

EXR

J

J

JEX

EXR

EXR

EXR

EXR

NOTE 1

NOTE 1

NOTES:1) CONTRACTOR TO FIELD VERIFY

THE PANEL BOARD AND CIRCUITS.

3 #12 + 1 #12G in 27 mm C

3 #12 + 1 #12G in 27 mm C

A

A

BB

EL

RV

LEGEND

ALBERT SMALLDOCUMENTS GALLERY

Four score and seven years ago, our fathers brought forth on this continent

3 4

2 1

NOTE: SEE NEXT PAGE FOR LARGER SCALE

Four score and seven years ago, our fathers brought forth on this continent�e Gettysburg Address

FireHoseFire

Hose

FireHoseFire

Hose

11'-9

3/8

"

WAL

L C

ON

TIN

UES

TO

WAR

DS

MAI

N H

ALL

WAL

L C

ON

TIN

UES

TO

WAR

DS

AFR

ICAN

AM

ERIC

AN G

ALLE

RY

ELEVATOR #6

Donor Signage: North Entrances to the GalleryScale: 1/8" = 1'-0"1 North Exhibit Title Signage

Scale: 1/8" = 1'-0"2

South Exhibit Title SignageScale: 1/8" = 1'-0"3 Donor Signage: South Entrances to the Gallery

Scale: 1/8" = 1'-0"4

9'-5 5/8"

1'-6

"7'

-6"

11'-9

3/8

"

8'-0"

1'-6

"7'

-6"



8

EXHIBIT TITLE

EXHIBIT TITLE

DONOR SIGNAGE

DONOR SIGNAGE



5'-1 1/4"

08

DONOR & EXHIBIT SIGNAGEGETTYSBURG ADDRESS ROTATION

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A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

CB

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0803102


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REVISION 4

REVISION 5

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DRAWING TYPE

DRAWING TITLE

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A/E PROJECTNUMBER

OFEO PROJECTNUMBER

ADDRESS

0803102

EX -

11'-9

3/8

"

7'-0

"

4'-0 1/8"5'-2 3/4"6'-9 1/8"

8'-3

" cm

/ 8'

- 3"

' TYP

7'-6

5/8

" cm

/ 7'

- 6

1/2"

TYP

9'-1

0 3/

4" c

m /

9' -

10 3

/4" T

YP

7'-0

"cm

/ 7'

- 0"

TYP

4'-0 1/8" cm /5'-2 3/4" cm / 5' - 2 3/4 in.

8'-3

" cm

/ 8'

- 3"

' TYP

7'-6

5/8

" cm

/ 7'

- 6

1/2"

TYP

9'-1

0 3/

4" c

m /

9' -

10 3

/4" T

YP

7'-0

"cm

/ 7'

- 0"

TYP

4'-0 1/8" cm /5'-2 3/4" cm / 5' - 2 3/4 in.

MAINTEXT

PANEL

SECTIONTEXT

PANEL

SECTIONTEXT

PANEL

SECTIONTEXT

PANEL

SECTIONTEXT

PANEL

Housing for A/V equip.

Desktop, open belowKneespace for Accessibility

GALLERY ELEVATIONSGETTYSBURG ADDRESS ROTATION

JL & CB

ELEVATION west wallScale: 1/4" = 1'-0"1

ELEVATION east wallScale: 1/4" = 1'-0"2

6'-9 1/8" cm / 6' - 9"

E

P

Storage area

4

114

111

116

ExhibitLink

Panel

32"Touch-screen

Monitor

ExhibitLink

Panel

32"Touch-screen

Monitor

6'-9 1/8" cm / 6' - 9"

MAINTEXT

PANEL

6'-9 1/8" cm / 6' - 9"

MAINTEXT

PANEL

04

8'-3

"



Installation Photographs / FULL GALLERY (Left), CASE LAYOUT (Right)ALBERT H. SMALL DOCUMENTS GALLERY // Cosmos In MiniatureNational Museum of American History

I designed nine exhibitions for the Albert H. Small Documents Gallery. These included: The Gettysburg Address, The Emancipation Proclamation, Duke Ellington’s Jazz Manuscripts, Earl Shaffer’s Diary of the Appalachian Trail, Phyllis Diller’s Gag File, and the Thomas Jefferson Bible.

For each exhibition I completed all 3-D design (using Vectorworks) and Graphic Design (using Adobe Illustrator, InDesign and Photoshop).



Graphic Design (Left) / Graphic Design and Case Layout (Right)ALBERT H. SMALL DOCUMENTS GALLERY // Cosmos in MiniatureNational Museum of American History



New Graphic Identity GRAPHIC DESIGN / Jazz Masterworks OrchestraNational Museum of American History

Smithsonian Smithsonian

INITIAL DESIGN CONCEPT INITIAL DESIGN CONCEPT

FINAL APPROVED DESIGN NEW DESIGN APPEARS ON BAND SHELLS NEW DESIGN APPEARS ON NMAH / JMO WEBSITE

Using Adobe Illustrator I created the new Graphic Identity for the Smithsonian Jazz Masterworks Orchestra.

Shown here are two initial design concepts and the final design, plus examples of how the new Graphic Identity is being used.



Graphic Identity GRAPHIC DESIGN / Smithsonian Food HistoryNational Museum of American History

Using Adobe Illustrator I created the Graphic Identity for the Smithsonian FOOD HISTORY programming, publicity, and merchandise.



I regularly serve in the role of creative facilitator in team environments for exhibition development and design. These photographs show my work as a facilitator for a creative master planning meeting for a conference about exhibition design (to be held in Fall 2016 in Buenos Aires, Argentina).

Workshop PhotographsFACILITATING EXHIBITION DEVELOPMENT & DESIGN / LEADING WORKSHOPS FOR CREATIVE PROCESS



Tools and DrawingsCREATIVE PROCESS / CONCEPT DEVELOPMENT

My creative process always begins with three things:

Listening, Observing, and Drawing

Pictured here are my personal drawing tools, and some examples of early concept sketching, bubble planning, and, inspiration gathering.