Bridging the Gap: Reconsidering the Border between Diegetic and Nondiegetic MusicJeff SmithMusic and the Moving Image, Vol. 2, No. 1 (Spring 2009), pp. 1-25Published by:University of Illinois PressArticle Stable URL: http://www.jstor.org/stable/10.5406/musimoviimag.2.1.0001

Diegetic/Nondiegetic: A Theoretical ModelDavid NeumeyerMusic and the Moving Image, Vol. 2, No. 1 (Spring 2009), pp. 26-39Published by:University of Illinois PressArticle Stable URL: http://www.jstor.org/stable/10.5406/musimoviimag.2.1.0026

Torture Tunes: Tarantino, Popular Music, and New Hollywood UltraviolenceLisa CoulthardMusic and the Moving Image, Vol. 2, No. 2 (Summer 2009), pp. 1-6Published by:University of Illinois PressArticle Stable URL: http://www.jstor.org/stable/10.5406/musimoviimag.2.2.0001

Robynn J. Stilwell, "The Fantastical Gap between Diegetic and Nondiegetic," in Beyond the Soundtrack: Representing Music in Cinema, ed. Daniel Goldmark, Lawrence Kramer, and Richard Leppert (Berkeley: University of California Press, 2007), 184202.