cinematography: lighting
Embed Size (px)
DESCRIPTION
The objectives of competent narrative lighting.TRANSCRIPT
-
cine4110
LightingLighting
-
Objectives (this & next class)1. get to know the lighting instruments, grip & light modifying tools
2. solo & group work towards creating cinematic lighting designs
3. Sekonic L-758Cine light meter: its use to determine lighting ratios & exposure
-
How do you light two peoplein front of a window?
-
The questions to ask & answerto devise a lighting plan.
-
Dynamic RangeThe range of values
between the darkest and brightest perceptible points in an image.
-
Color SpaceThe range of colors
a system is able to reproduce.
-
Objectives of competent lighting:
1. full range and gradation of tones
2. color control
3. shape and dimension in subject
4. separation
5. depth and dimension in frame
6. texture
7. (mood and tone) narrative/emotional content & genre
8. exposure
-
interaction
line of action (a.k.a. continuity line, axis, 180-degree rule)
circle of action (internal and external coverage)
reaction
actioncharactersin relationshipto each other
charactersin relationship
to their environment
shot/reverse-shot pairs the "look"
entrances/exits
context/ambience
insert/detail
transitions
-
Objectives of competent lighting:
1. full range and gradation of tones
2. color control
3. shape and dimension in subject
4. separation
5. depth and dimension in frame
6. texture
7. (mood and tone) narrative/emotional content & genre
8. exposure
-
range and gradation of tones
objectives of competent lighting: 1
-
objectives of competent lighting: 1
-
objectives of competent lighting: 1
range and gradation of tones
-
objectives of competent lighting: 1
range and gradation of tones
learn to see in shades of graylearn to see in shades of gray
-
objectives of competent lighting: 1
range and gradation of tones
-
objectives of competent lighting: 1
range and gradation of tones
-
objectives of competent lighting: 1
range and gradation of tones
-
objectives of competent lighting:
color control
2
-
objectives of competent lighting: 2
color control
-
objectives of competent lighting: 2
color control
-
objectives of competent lighting: 2
color control
-
objectives of competent lighting: 2
color control
-
objectives of competent lighting: 2
color control
-
shape and dimension in subject
objectives of competent lighting: 3
-
objectives of competent lighting: 3
subject shape & dimension
-
objectives of competent lighting: 3
subject shape & dimension
-
objectives of competent lighting: 3
subject shape & dimension
-
objectives of competent lighting: 3
subject shape & dimension
-
separation
objectives of competent lighting: 4
-
objectives of competent lighting: 4
separation
-
objectives of competent lighting: 4
separation
-
objectives of competent lighting: 4
separation
-
objectives of competent lighting: 4
separation
-
depth and dimension in frame
objectives of competent lighting: 5
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
Spring Breakers
Bad Lieutenant
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
-
objectives of competent lighting: 5
depth & dimension in frame
-
texture
objectives of competent lighting: 6
-
objectives of competent lighting: 6
texture
-
objectives of competent lighting: 6
texture
-
objectives of competent lighting: 6
texture
-
objectives of competent lighting: 6
texture
-
objectives of competent lighting: 6
texture
-
objectives of competent lighting: 6
texture
-
narrative/emotional content& genre
objectives of competent lighting: 7
-
objectives of competent lighting: 7
narrative/emotional content & genre
-
exposure
objectives of competent lighting: 8
-
objectives of competent lighting: 8
exposure
next week...next week...next week...next week...
-
Lighting Plan
1. Read the script
2. Look at your budget
3. Then, scene by scene, answer 7 questions...
-
Lighting Plan 7 Questions1. SOURCE: What is/are the motivating light source(s)?
2. POSITION: Where is the light coming from? Angle? One direction or multiple?
3. INTENSITY: Bright or dim?
4. COLOR: Warm, cold or mixed? Muted or colorful?
5. EFFECT: Moonlight, candle, neon, firelight, natural, artificial, etc?
6. QUALITY: Specular &/or diffuse? High key/Low Key? Flat or directional?
7. STYLE: Genre fit? Photographic or Naturalistic?
-
Lighting Plan 7 Questions
SOURCE: What is/are the motivating light source(s)?
-
Lighting Plan 7 Questions
POSITION: Where is the light coming from? Angle? One direction or multiple?
-
Lighting Plan 7 Questions
INTENSITY: Bright or dim?
-
Lighting Plan 7 Questions
COLOR: Warm, cold or mixed? Muted or colorful?
-
Lighting Plan 7 Questions
EFFECT: Moonlight, candle, neon, firelight, natural, artificial, etc?
-
Lighting Plan 7 Questions
QUALITY: Specular &/or diffuse? High key/Low Key? Flat or directional?
-
Lighting Plan 7 Questions
STYLE: Genre fit? Photographic or Naturalistic?
-
Three-point lighting?
Practical:
Arri Lighting Kit
+ stuff of your choice
+ HPX170s
-
Lighting Instruments
Kino Flow Kit 1
Arri LED Kit 1
Arri LED Kit (Single) 1
Arri Lighting Kit 5
Arri Compact 1200 Watt HMI + Ballast 1
IREM 1200 Watt + Ballast 1
-
Grip Equipment
Adjustable Gaffer Grip Clamp 4
Super Mafer Clamp 4
Super Mafer Clamp with Baby Pin 4
Pony Clips 20
C-47 2 Bags
C-Clamp with Baby Pin 2
Bounce Boards 5
C-Stand 1
Bounce Board Clip 1
Actors Tape 2
Gaffer Tape 1