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C.I.M. DISSERTATIONS DMA DOCUMENTS AT THE ROBINSON MUSIC LIBRARY

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Scope: The Robinson Music Library collection includes theses and doctoral documents completed by CIM students. This table lists DMA documents completed from 1971 to present. The collection also includes theses completed for theory degrees and Bachelor and Masters degrees between 1953 and 1988; recommencing in 2014. A complete index of these documents is located at the CIM Library. Access: These documents do not circulate. Patrons may request to view a document by submitting a storage request form. Please allow 24 hours for retrieval of the document. Photocopying is not permitted without the consent of the author.

Last updated: June 2016 Degree Date Author Title

DMA 2015 Mauthe, Timothy Donald Erb’s Ritual Observances: Context and Analysis

DMA 2015 Priebe, Kevin Structural Features of Beethoven’s Piano Sonata no. 32 in C Minor, op. 111

DMA 2015 Shung, Irwin Motivic Relationships in Antonín Dvořák’s Second Piano Quintet in A Major, op. 81

DMA 2015 Sharpe, Robert A Collaboration between Composer and Performer: Andrés Segovia’s Edition of Frederico Mompou’s Suite Compostelana para Guitarra

BM 2014 Hughes, Jack Social, Harmonic, and Expressive Function: A Comparative Analysis of the Introductions to Mozart’s Late Symphonies

BM 2014 Klickman, Brian Descending Fifths throughout the Ages

BM 2014 Zucker, Matt J. Blurred Traditions: Deviation from Convention in Ravel’s Piano Trio Passacaille


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Degree Date Author Title

DMA 2014 Kostritsa, Alexander Variations on a Theme of Corelli by Sergei Rachmaninoff in Historical and Modern Perspectives

DMA 2013 Vanhoozer-‐Rodriguez, Mary Brahms and Performance Virtue

DMA 2012 Huang, Frank Opening Movement of Brahms' Piano Sonata, op.1: Reflective or Progressive

DMA 2012 Kang, Heejin Les Parfums, Les Couleurs et Les Sons of Debussy's Preludes, Book 1: "Music that begins where the expressive power of the word ends"

DMA 2012 Leonovich, Yuriy Cassado: The Cello Concertos

DMA 2012 Wang, Shuai Reflections on the Fourth and Fifth Piano Sonatas by Alexander Scriabin

DMA 2011 Bratt, Michael Orchestral Grouping and Pitch Class Set Analysis of Charles Ives’ Symphony No. 4

DMA 2011 Johnston, William Gershwin/Heifetz: Selections from Porgy and Bess, Transcribed for Viola and Piano

DMA 2011 Jung Eun Anna Oh Childhood Irony in Mahler’s Fourth Symphony

DMA 2011 Thomas, Shannon N. Passion in the Druetzer Sonata: Beethoven and Tolstoy

DMA 2011 Velez, Carlos Alberto A Comparative Study of the Flute Sonatas of Walter Piston and Francis Poulenc

DMA 2011 Yamaguchi, Regiane Hiromi Essential Similarities and Intrinsic Differences in Schubert’s Piano


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Trios

DMA 2010 Meyer, Jeffrey Jacob Frigyes Hidas: An Analysis and Discussion of Selected Chamber Music for Tuba

DMA 2010 Waltner,Ann An Analysis of Ned Rorem’s Song Cycle: “Poemes pour la paix”

DMA 2009 Perras-‐Fortin, Andreé-‐Anne Integration and Performance of Robert Schumann’s Symphonic Etudes, op. 13, and “Posthumous Variations”

DMA 2009 Southern, Dean The Landsmål Language and Grieg’s Vinje Songs, Op. 33

DMA 2008 Ahn, Yoong Kyung A Study of the Evolution of Franz Liszt’s Mazeppa: Four Versions of the Piano Etude in D minor and Symphonic Poem No. 6

DMA 2008 Metchkov, Zahari Todorov Alfred Schnittke’s Piano Quintet

DMA 2008 Williams, Susan Francis Poulenc: Cinq Poemes de Max Jacob and La Courte Paille

DMA 2006 Dror, Biran An Analysis of Sergei Prokofiev’s Piano Sonatas Nos. 6, 7, and 8 Th e War Sonatas

DMA 2006 Levesque, Marie-‐Thais A Series of Unfortunate Events: Shostakovich’s op. 40 and Prokofiev’s op. 119

DMA 2006 Orazi, Henry Marino The Catalan songs of Federico Mompou: A study of Mompou’s works for voice and piano in his native language, with a guide to the international phonetic alphabet, Catalan pronounciation, and english translations


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DMA 2005 Fong, Grace The Cadenza In Mozart’s Piano Concertos: Debates And Dilemmas

DMA 2005 Fong, Grace An Analysis of Bela Bartok’s Piano Concerto No. 2

DMA 2005 Levesque, Marie-‐Thais Three Against Two: The Brahms Cello Sonatas, opp. 38, 99, and (?) 78

DMA 2005 Low, Philip A Masterpiece Unveiled: The Language and Logic of Berg’s Piano Sonata op. 1

DMA 2005 Whipple, Shederick Mozart Cantata K. 619 in Perspective

DMA 2004 Lo, Karl Unusual Fugal Procedures in the Late Beethoven Piano Sonatas: A Structural and Motivic Analysis

DMA 2003 Jekova-‐Goza, Rossitza Sergei Prokofiev’s Op. 115 A Study

DMA 2003 Lo, Karl Unification of the Chopin Twenty-‐four Preludes, Op. 28: A Structural and Motivic Analysis

DMA 2002 Park, Soh-‐Hyun J. S. Bach’s Solo Violin Sonata in C Major, BWV 1005: A Performer’s View of its Structural Analysis

DMA 2002 White, Andrew R. The Baudelaire Settings of Henri Duparc

DMA 2002 White, Andrew R. Schumann’s Op. 24 Liederkreis

DMA 2001 LeBauer, Courtiney Elise Schubert and the Populer/Exotic Aesthetic of the Style Hongrois

DMA 2001 LeBauer, Courtiney Elise Differences within Similarity: A Look into the Sonatas in D Minor for


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Violin and Piano of Robert Schumann and Johannes Brahms

DMA 2001 Sat, Ronald K. A study of the two violin sonatas by Sergei Prokofiev

DMA 2001 Tan, Kia-‐Hui Interpreting Eugene Ysaye: an analytical comparison of the fugue from his first solo sonata with that of J.S. Bach

DMA 2000 Litteral, Lisa Pierce “Gretchen am Spinnrade” Schubert’s arrival at a mature lied style

DMA 2000 Park, Soh-‐Hyun Samuel Barber’s Violin Concerto, op. 14: structural analysis

DMA 2000 Tan, Kai-‐Hui Elliott Carter: Riconoscenza per Goffredo Petrassi

DMA 2000 Workman, Karen The role of arrangements in the piano(s) four hand repertory

DMA 2000 Workman, Karen Motive and meaning in Hindemith’s Sonata for Two Pianos (1942)

DMA 1999 DeSalvo, Nancy The Sonata for Double Bass and Piano by Paul Hindemith

DMA 1999 DeSalvo, Nancy Sonata for Violin and Piano by Respighi: an Orchestral Conception

DMA 1999 Etter, Elizabeth Genius and Genesis in the Accompanied Sonata: Luigi Boccherini’s Opus 5

DMA 1999 Jarrell, Emily Catherine Composer’s interpretation: a study of the Andante Assai from Prokofiev’s Fourth Piano Sonata, opus 29

DMA 1999 Litteral, Lisa Pierce The Maddening of Lucia: Musical Conventions in Italian Romantic Mad Scenes

DMA 1999 Rainsong, Lisa Libby Larsen’s Missa Gaia: A Mass for the Earth


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DMA 1998 Gagnon, Allison The Slow Movement of Brahms’ Piano Quartets: Masterful Manipulation of Musical Materials

DMA 1998 Gagnon, Allison Chausson’s Poeme, Op. 25 Toward an Improved Arrangement for Violin and Piano

DMA 1998 Jarrell, Emily Catherine “Don’t You Think the Music Speaks for Itself?” Deciphering Schumann’s Carnaval

DMA 1998 Orr, Kevin Robert An Analysis of the Suggested Programs for Liszt’s B-‐Minor Sonata

DMA 1998 Orr, Kevin Robert An Analysis of Robert Schumann’s Fantasiestucke Opus. 12

DMA 1997 Ehlen, Timothy Substrate Motivic Coherence and the Neapolitan Sixth in Beethoven’s Moonlight Sonata

DMA 1997 Hamner, William W. Jr. Herbert Howells and his Music for the Organ

DMA 1997 Thomson, Rachel M. The Search for a New Zealand Identity: The Piano Music of Douglas Lilburn

DMA 1997 Uniatowski, Joanne M. The Songs of Karol Szymanowski

DMA 1996 Ehlen, Timothy Pianistic Imagination and Innovation: Chopin’s Concept of the Concert Etude as a Genre

DMA 1996 Thomson, Rachel M. Variations on Variations: Lutoslawski’s Wariacje Ne Temat Paganiniego

DMA 1996 Uniatowski, Joanne M. Schumann’s Cycle: Frauenliebe Und Leben


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DMA 1995 Bright, Mary Alice Argento’s Casa Guidi: The Setting of A Prose Text

DMA 1995 Bright, Mary Alice A Comparison of Mahler’s Kindertodenlieder to Das Irdische Leben and Wo die schönen Trometen Blasen

DMA 1995 Clarke, Luanne M. Shakespeare in Song: Ophelia’s Songs from Hamlet as Set by Johannes Brahms and Richard Strauss

DMA 1995 Clarke, Luanne M. Five Musical Settings of the Poem Wild Nights! Wild Nights! by Emily Dickinson

DMA 1995 Ryan, Jeffrey W. Pitch Organization in Alexina Louie’s Winter Music The Yin/Yang Principle in Structure and Design

DMA 1995 Vosbein, Terry Christopher Rouse’s Symphony No. 1: an analysis

DMA 1994 Demos, Nickitas John Three Pieces of Time

DMA 1994 Demos, Nickitas John The Role of Sonority In Gyorgy Ligeti’s Melodien

DMA 1994 Nitsch, Paul A Study of the Compositional Style of George Crumb through an Analysis of Makrokosmos III: Music for a Summer Evening for Two Amplified Pianos and Percussion (Two Players)

DMA 1994 Psurny, Robert D. Jr. Die schone Mullerin : Comparative Text-‐Music Analyses of Five Wilhelm Muller Lyriks Common to the Musical Settings of Ludwig Beger (1816) and Franz Schubert (1823)

DMA 1994 Psurny, Robert D. Jr. Benjamin Britten’s Winter Words, Op. 52: A Text-‐Music Study with an Emphasis on Britten’s Musical Language


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DMA 1994 Ryan, Jeffrey Ophelie For Soprano and Orchestra

DMA 1993 Jones, Sherry Lynn The Woodwind Quintets of Nielsen, Hindemith, and Schoenberg: An Investigation of Three Neo Classical Works Of The Early 1920’s

DMA 1992 Conner, Jennifer A. Water Images

DMA 1992 Conner, Jennifer A. The Canti Lunatici of Bernard Rands

DMA 1992 Nitsch, Paul Arlyn Robert Schumann’s Compositional Style in the Quintet in E-‐flat major, Op. 44 for Two Violins, Viola, Cello and Pianoforte and the Quartet in E-‐flat Major for Violin, Viola, Cello, and Pianoforte

DMA 1992 Schoeffler, William A Two Examples of Neoclassicism in Twentieth-‐Century Keyboard Music: Igor Stranvinsky’s Sonata Pour Piano, 1924 and Sergei Prokofiev’s Piano Sonata No. 7 in B-‐flat Major, Op. 83

DMA 1992 Wright, Gary Spirit Lake for Symphony Orchestra

DMA 1991 Rothbart, Peter L. Night School at Esalen for Orchestra

DMA 1991 Schultz, Michael John The Double Bass Concerto of Antonio Scontrino

DMA 1990 Glazier, Richard A Comparison and Analysis of Aaron Copland’s El Salon Mexico for Orchestra, Piano Solo, and Two Piano Four Hands

DMA 1990 Lee, Hyunsai Beethoven’s Stylistic Development in his Violin Sonatas

DMA 1990 Li, Jian A Study of Schubert’s Wanderer Fantasy in C Major Op. 15


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DMA 1990 Onofrio, Gregry J Event Horizon -‐ for Orchestra

DMA 1990 Satterthwaite, Mary Heinrich Christoph Koch and Haydn’s Sonatas

DMA 1990 Schoeffler, William A. Beethoven’s Diabelli Variations, Opus 120

DMA 1989 Haddad, Lorraine The Solo Clarinet Works of Carl Maria Von Weber

DMA 1989 Lee, Hyunsai An Analytical Study of Eugene Ysaye’s Six Sonatas Of Op. 27

DMA 1989 Lee, Sungzhin Peter Hommages A Paul Sacher; An Analysis of the Eleven Cello Solo Pieces Dedicated to Paul Sacher’s Seventieth Birthday

DMA 1989 Lee, Sungzhin Peter A Study on the Parallelism of the Two Sets of Twelve Variations for Piano and Cello Composed by Ludwing Van Beethoven: The Twelve Variations on a Theme by Handel, WoO 45; The Twelve Variations on a Theme by Mozart, Op. 66

DMA 1989 Li, Jian A Study of Schumann’s Fantasy in C Major, Op. 17

DMA 1989 Satterthwaite, Mary Frank Martin: Aspects of Style and Harmony

DMA 1988 Alfano, Donald W.A. Mozart: Three Piano Sonatas in F Major, K. 280, 332, and 533/494: A Stylistic Comparison

DMA 1988 George, Mark Repeat Taking in Classical Piano Sonatas

DMA 1988 George, Mark Comments on Brahms’ Klavierstucke Op. 117

DMA 1988 Li, Jian A Study of Beethoven’s Piano Sonata Op. 109


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DMA 1988 Schneider, Robert A Stylistic Analysis of Olivier Messiaen’s Meditations Sur Le Mystere De La Sainte Trinite

DMA 1988 Sostrin, Debra Bela Bartok’s Folk-‐song Settings for Solo Voice and Piano: A Historical, Theoretical, and Aesthetic Overview

DMA 1987 Alfano, Donald Thematic Transformation in the Chopin Impromptus

DMA 1987 George, Mark Musical Meaning and its Relationship to Perspective

DMA 1987 Lee, Hyunsai Stravinsky’s Duo Concertant for Violin and Piano

DMA 1987 Satterthwaite, Mary The Keyboard Fantasies of Johann Sebastian Bach and his Sons, Carl Philipp Emanuel and Wilhelm Friedmann

DMA 1987 Suh, Hye-‐Young An Historical Analysis of Johannes Brahms’ Opus 24, The Handel Variations

DMA 1986 Alfano, Donald Fantasy and Organization in Kreisleriana, Op. 16, for Piano by Robert Schumann

DMA 1986 Mercer, Ida Katherine The Six Sonatas for Cello and Continuo by Rayner Taylor: A Critical Edition

DMA 1986 Schneider, Robert Keyboard Music of Colonial America

DMA 1986 Schwoebel, Sandra Louise The Stylistic Metamorphosis of Synchronisms No. 1, 3, 5, and 6 of Mario Davidovsky

DMA 1986 Schwoebel, Sandra Louise Nineteenth-‐Century Literature for Solo Flute and Keyboard


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DMA 1986 Schwoebel, Sandra Louise Fifteen Selected Etudes for Flauto traverso, Silver Flute and Piccolo by Johann Joachim Quantz

DMA 1986 Wendel, Joyce L. Chamber Music for Voice

DMA 1985 Baldassarre, Joseph A An Edition of J.S. Bach’s Trio Sonata in C Major (BWV 529) for Guitar and Harpsichord

DMA 1985 Lualdi, Brenda Louise A Study of Recital Arrangements of Black is the Color, He’s gone away, and The Nightengale with an Annotated List of Suitable Folksong Arrangements for Studio and Recital Use

DMA 1985 Mercer, Ida Katherine J.S. Bach’s Use of the Cello and Violoncello Piccolo as Obbligato Instruments in his Cantatas

DMA 1985 Suh, Hye-‐Young The Extra-‐Musical References in Robert Schumann’s Opus 6, Davidsbundlertanze

DMA 1985 Wendel, Joyce L. A Commentary on Alexander Pushkin and Benjamin Britten’s The Poet’s Echo

DMA 1984 Baker, Larry An Analysis of György Ligeti’s Violoncello Concerto

DMA 1984 Baldassarre, Joseph A An Historically Based Vihuela da Mano Design

DMA 1984 Fok, Gloria The Classical Principles in Ravel’s Le Tombeau de Couperin

DMA 1984 Fok, Gloria An Analysis of the Variation Procedures in Brahms’ Variation and Fugue on a Theme of Handel, Op. 24


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DMA 1984 Lualdi, Brenda Louise Style, Structure, and Imagery in Debussy’s Chansons de Bilitus

DMA 1984 Mercer, Ida Katherine The Slow Sections of Beethoven’s Cello Sonatas: Introductions or Independant Movements?

DMA 1984 Ruzicka, Carol Lynn Style Development in Beethoven’s Ten Sonatas for Piano and Violin

DMA 1984 Suh, Hye-‐Young Certain Problems in the Interpretation of J. S. Bach’s Goldberg Variations

DMA 1984 Wendel, Joyce L. A Singer’s Interpretation of Dominick Argento’s Six Elizabethan Songs

DMA 1983 Fok, Gloria The Thirty Inventions of J. S. Bach: An Analytical Study and Performance Guide

DMA 1983 Haddad, Lorraine Saint-‐Saen’s Sonate Pour Clarinette Avec Accompagnement De Piano: A Musical Analysis and Performance Guide for the Clarinetist

DMA 1983 Knight, Hyperion The Pianistic Origins of Stravinsky’s Petrouchka

DMA 1983 O’Brien, Eugene Cantus Firmus and Transformation in Peter Maxwell Davies’ Revelation and Fall

DMA 1983 Ruzicka, Carol Lynn A Comparison of Gabriel Faure’s Violin Sonatas, opus 13 and opus 18

DMA 1982 Holland, Anthony Greenhalgh A Stylistic Analysis of the Fourth Symphony of Charles Ives

DMA 1982 Knight, Hyperion A Study of Certain Controversial Effects in Beethoven’s Pedal Indications


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DMA 1982 Knight, Hyperion A Comparitive Analysis of the First and Second Bartok Concertos

DMA 1982 Mobberley, James C An Analysis of Textural Intensity in Stravinsky’s Movements for Piano and Orchestra

DMA 1982 Ruzicka, Carol Lynn The Significance of the Schubert Fantasy for Violin and Piano, D. 934

DMA 1981 Resanovic, Nikola An Analytical Study of Rhythmic Functions in the Carter String Quartets

DMA 1980 Stine, Robert Everett Jr. Lukas Foss, the Improvisation, Chamber Ensemble, and Echoi

DMA 1979 Kechley, David Basic Structural Features in Birtwistle’s Verses for Ensemble

DMA 1978 Guenther, Donna Performance Problems in Quoderno Musicale Di Annalibera by Luigi Dallapiccola

DMA 1978 Jex, David N An Analysis and Discussion of Mario Davidovsky’s Synchronisms No. 6

DMA 1977 Guenther, Donna The Problem of Length in Schubert’s Sonata in A Major, D. 959

DMA 1977 Holmgren, Robert A Study of Selected Performance Problems in Scarlatti’s Sonatas

DMA 1977 Wiley, Frank Donald Erb’s Symphony of Overtures: An Analysis

DMA 1977 Worth, David Mark Claude Debussy and his Recording for the Welte System: A Critical Study

DMA 1977 Worth, David Mark An Historical Study of Selected Keyboard Figurations and Idiomatic


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Devices in Bach’s Goldberg Variations

DMA 1976 Guenther, Donna The Interpretation of Tempo in Beethoven’s Sonata, Op. 111

DMA 1976 Koplow, Philip Jeffrey Motival and Thematic Development in Penderecki’s Passio et Mors Domini Iesu Christi Secundam Lucam

DMA 1976 Lawing, William David Selected Bolognese Sonatas by Composers other than Torelli

DMA 1976 Lawing, William David A Survey of English Baroque Trumpet Music

DMA 1975 Cherry, George Parallels Between Liszt’s Sonata in B Minor and the Faust Symphony

DMA 1975 Christopherson, Rosemary The Classical and Impressionistic Elements in Ravel’s Jeaux d’Eau

DMA 1975 Christopherson, Rosemary An Approach to the Performance Problems of Schumann’s Piano Sonata in F# Minor, Op. 11

DMA 1975 Christopherson, Rosemary A Survey and Comparison of the Stravinsky Sonata (1924) and the Shostakovich Sonata, Op. 12 (1926)

DMA 1975 Lawing, William David Nineteenth-‐Century Solo and Chamber Music for Trumpet and Cornet

DMA 1975 Waller, Susan R. The Flute at the Court of Frederick the Great

DMA 1975 Waller, Susan R. The Emergence of the Flute in the Twentieth-‐Century

DMA 1974 Cherry, George Schumann’s Davidsbündlertänze Considered in the Context of his Writings on Music


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DMA 1974 Gruber, Lucille Pachter An Analysis of Four Representative Keyboard Works of Jan Pieterzoon Sweelinck

DMA 1974 Gruber, Lucille Pachter 18th-‐Century French Artistic Expression and its Importance in the Interpretation of the Keyboard Music of François Couperin le Grand

DMA 1974 Ha, Jae Eun An Analysis of George Crumb’s Ancient Voices of Children

DMA 1974 Olmstead, Gary James Analysis and Comparison of Duettino Concertante by Ingolf Dahl and Sources III by David Burge

DMA 1974 Olmstead, Gary James Analysis and Comparison of Diversion for Two by Donald Erb and Etude for Taperecorder and Percussion by William Cahn

DMA 1974 Szaraz, Stephen Gabriel Faure and La Bonne Chanson, Opus 61

DMA 1973 Dreisbach, Paul Clark Twentieth-‐Century Bassoon Sonatas

DMA 1973 Olmstead, Gary James An Analysis of Four Twentieth-‐Century Percussion Works by William Cahn, David Maves, Alfred Fissihger, and Werner Tharichen

DMA 1973 Szaraz, Stephen Preparations for a Winter’s Journey

DMA 1973 Szaraz, Stephen Motive and Motivation

DMA 1973 Warne, Katharine M. An Analytical View of George Crumb’s Echoes of Time and the River

DMA 1972 Cherry, George Scoring and Dynamics in Three Keyboard Masterworks

DMA 1972 Stanton, Richard Tempo in the Harpsichord Partitas of J. S. Bach


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DMA 1972 Stanton, Richard Problems of Piano Technique in the B-‐Flat Concerto of Johannes Brahms

DMA 1972 Stanton, Richard Franz Liszt’s Influence on the Piano Music of Maurice Ravel

DMA 1972 Worth, David Beethoven’s Diabelli Variations: An Historical Study

DMA 1971 Kascher, Rosemarie Anne The First of Puccini’sTriptych, II Tabarro

DMA 1971 Kascher, Rosemarie Anne Castrati Evirati Musici

DMA 1971 Manildi, Donald Rachmaninoff’s Second Piano Concerto: A Study of the Composer’s own Recording

DMA 1991 McNair, Jonathan The Aesthetics and Practice of Luciano Berio as seen through his Sequenzas I, II and VII

DMA 1991 Rothbart, Peter L. John Corigliano’s Film Score for Altered States: An Analysis of Selected Cues to the Film

DMA Unknown Baldassarre, Joseph A A Baroque Lute Transcription of Johann Jakob Froberger’s Suite Number 10 in A Minor

DMA Unknown Curtis, Michael Steven Gilbert Biberian and Published Referential Works

DMA Unknown Dahn, Nancy Powell Bartok’s Violin Works: The Relationship Between Composer and Dedicatee

DMA Unknown Gruber, Lucille Pachter A Reconstruction of the First Movement of J.S. Bach’s Sonata for Flute and Harpsichord in A Major (BWV 1032), Based on a Study of Similar Movements in Bach’s other Solo Sonatas with Realized Keyboard


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Parts

DMA Unknown Holmgren, Robert Chopin’s B Minor Sonata in an Historical Perspective

MM 1981 Mead, Kay Maureen An Historical Overview of the Origin and Development of the Thoroughbass with an Aural Theory Program Utilizing the Figured Bass

MM 1977 Biggs, Bonnie Student Eartraining Handbook for Keyboard Harmony Practice Cassettes

MM 1970 Boyd, Evelyn S The Study of Theory as a Means of Improving Musicianship in the Elementary Vocal Music Classes in the Public School

MM 1970 Brown, Glenn A Basic Steps in Understanding and Teaching Jazz

MM 1970 Patton, Ruby H Edvard Grieg’s Little Known Pieces: Opera 66 and 72

MM 1969 Schubert, Juanita M The Application of Computer-‐Assisted Instruction in Teaching Theory at the Keyboard

MM 1968 Dinwiddie, Richard D Five Moral Carols from British Museum Additional Manuscript 5665: Their History, Analysis, and Performance

MM 1967 Snow, Rosemary A Correlation of Music History and Music Theory

MM 1966 Guy, Dean The Use of Improvisation in Music Today with Suggestions for its Practical Application

MM 1964 Hollis, Helen A Study of Songs of Francis Poulenc


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MM 1963 Lindsay, Margaret Anna The Symphonies of Ralph Vaughan Williams

MM 1962 Ebert, Lawrence E John Dewey, his Influence on Education in General and Music Education in Particular

MM 1962 Mathus, Wilma Fulton The Son of Gedron: A Medieval Music Drama from the Fleury Play-‐Book

MM 1962 Mathus, Wilma Fulton The Son of Gedron: a Medieval Liturgical drama Translated, Transcribed, and Prepared for Performance with Interpolated Polyphonic Music of the Medieval Period

MM 1960 Eaton, Joan Rosemary Modulation in the Baroque Era and its Association with the Rise of Tonality

MM 1960 Milac, Metod Marjan The Life and Works of Jacobus Gallus, Including an Edition and a Commentary on Missa Super Undique Flammatis

MM 1960 Salzinger, Alvin A Study of the Piano Sonatas of Franz Joseph Haydn

MM 1960 Schultz, Ralph C A Theoretical Analysis of Contemporary Protestant Church Music

MM 1959 Campbell, Charles J A Study of Eight Motets in Petrucci’s Canti C

MM 1959 Campbell, Charles J. Transcriptions of Eight Motets

MM 1959 Pozar, Phyllis Ann Philippus Basiron and his Messade Franza

MM 1959 Robinson, Joseph C Some Aspects of the Use of the Rhythmical Motive in Poetry and in Music


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MM 1957 Bingham, Gordon The Life and Music of Charles Edward Ives

MM 1956 Dallesandro, Gerald An Analysis of the Concerto Grosso as Employed by Bach and by Bartok

MM 1956 Simon, Martin Sebastian Mattheson on Melody: a Translation and Commentary of Chapter 5, Part III, as Contained in Der Vollkommene Capellmeister by Johann Mattheson (Hamburg, 1739)

MM 1954 Fields, Robert A The Theory of Melody: an Analytical Study of the Development of Melody

MM 1953 Ashley, Patricia An Analytical Critique of Paul Hindemith’s The Craft of Musical Composition from the Pedagog’s Viewpoint

BA 1973 Whitbeck, Donald D Computer Composition

BM Unknown Andrews, Donald H A Brief History of Anglican Church Music

BM Unknown Cergol, Susan Sing to the Lord a New Song

BM Unknown DiBello, Nancy American Folk Hymnody

BM Unknown Dvorak, Charles The Musical Theory of Ancient Greece

BM Unknown Froelich, Andrew i Analysis as a Tool in Eartraining

BM Unknown Schirmer, William Beethoven’s Variation Technique in the Recapitulation of Sonata-‐Allegro Movements in his Piano Sonatas


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BM 2005 Britton, Amy Christine Baroque Settings of Psalm 100

BM 1997 Tessi, Mark Aspects Of Form and Melody In Selected Treatises Of The Eighteenth Century

BM 1995 Steger, Monica A. A Brief Study Of The Theoretical Treatises Of Twelve Important Seventeenth and Eighteenth Century Theorists

BM 1988 Ficici, Sevan G. Haydn’s Motivische Arbeit in His Opus 53 String Quartets

BM 1980 Roth, Mollie The Infiltration of Theory into a Piano Lesson

BM 1980 Widdicombe, Paula Marie The Correlation of Piano and Theory in Private Lessons

BM 1977 Clark, Stephen F Applications of Music Theory to Performance: With Special Emphasis on the Flute

BM 1976 Wingate, Roger The Orchestra in Relief: an Examination of Some Unique Uses of Contrast in the Orchestration of Tchaikovsky

BM 1975 Biggs, Bonnie One Approach to Teaching Eartraining

BM 1974 Danchenka, Gary Varese: A Search for Motivic and Thematic Unity

BM 1973 Lann, Tampa The Use and Adaptation of Written Music in a Dalcroze Eurhythmics Classroom

BM 1972 Dzuman, Olga The Development of Ukranian Music

BM 1972 Ryan Jr, Michael E The Functions of the Wind Band


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BM 1971 Evans, Karen R The Value of Mathematics in the Teaching of Music

BM 1971 Young, Jane Man and Rhythm: Historical Survey of Their Interactions

BM 1969 Belkin, Betty The Role of the Private Music Teacher

BM 1969 Varga, John Robert A Comparison Study of the State of Church Music in the Diocese of Cleveland Before and After the Second Vatican Council

BM 1968 Ginter, Albert Wayne The Useful Supertonic Chord: Its Fifteen Variations as Used in Cadences

BM 1968 Murakami, Yoshiko The Education of a Musician in Japan

BM 1968 Patton, Ruby H Past, Present and Future of the Spiritual (The American Negro’s Folk Music)

BM 1968 Sadin, Robert Stravinsky Lives: A Translation of Pierre Boulez’s Essay Stravinsky Demure

BM 1967 Brzuski, Carole Marie Towards the Development of an Authentic Mass sung in English

BM 1967 Novak, Kenneth L An Analysis of Sight Singing Techniques Applicable to the Singing of Contemporary Music

BM 1967 Schubert, Juanita M A Survey of Music in the Baptist Church Today

BM 1966 Mormon, Linda The Junior Choir

BM 1965 Seboldt, Franklin O A Brief Overview of the Church Cantata as a Form, its Development


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and Historical Use as it is Applicable in the Lutheran Church

BM 1965 Wild, Nancy H The Treatment of the Dires Irae in Seven Requiem Masses

BM 1964 Waidelich, Josephine A Study Of Czech Musical Life In America with a special section on the Influences Of Charles V. Rychlik and other Czech Musicians Of Cleveland, Ohio

BM 1963 Wheeler, Theodore E The Program of Worship Music for the Church

BM 1963 Zale, Thomas M The Influence of Jazz on Aaron Copland

BM 1960 Glover, Donald Bach on Vivaldi: a Comparison of Vivaldi’s Concerto Grosso opus 3/11 and Bach’s Transcription thereof, the Organ Concerto in D Minor, S. 596

BM 1960 Pozar, Phyllis Ann Two Masses De Beata Virgine : Brumel’s and Josquin’s

BM 1959 Hall, Stanley A Study of Israel in Egypt: an Oratorio by George Frederick Handel

BM 1954 Anderson, Gladys C The Anderson Method of Rhythm Through Shapes

BM 1953 Lustig, Bette Modern German Opera

Unknown 1973 Butler, Jane Eurhythmics and its Value in Music Education

Unknown 1966 Newman, Elaine W Three Kyries from the Regensburg Manuscript

Unknown 1961 Slogar, Donald E Musical Notation

Unknown 1946 Mack, Marcile Theory and Performance


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Unknown Unknown Boehnlein, Frank Trois Poèmes D’henri Michaux-‐Witold Lutoslawski: Diagrammed Supplement To Paper Analyzing

Unknown Unknown Boehnlein, Frank Trois Poemes d’Henri Michaux-‐Witold Lutoslawski: An Analysis

Unknown Unknown Dzurilla, Barbara J The Teaching Methods of Arnold Schoenberg

Unknown Unknown Rubin, Jeanne The Oratorios of Carissimi

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