choral music by franz m. herzog - helblingchoral.com · poser and as an expert for choral...

Short biographyBorn 1962, conductor, composer and music educationalist.He studied composition and choral conducting at Graz University of Music and Performing Arts (KUG). Post-graduate studies with Eric Ericson (Stockholm). In 1994 Herzog founded CANTUS, an ensemble specializing in contemporary music. He is founder and artistic director of the chamber choir Vocalforum Graz and director of the Styrian youth choir Cantanima. With all of these ensembles he achieved numerous successes. Since April 2012 Herzog is artistic director of the Austrian Choral Association.As a composer, Herzog published several choral compo-sitions at Helbling. His Ave Maris Stella (� see page 3)won him second prize in the 2010 “Goldene Stimm-gabel” (Golden Tuning Fork) international competition for composers held by AGEC.Herzog is internationally active as a conductor and com-poser and as an expert for choral conducting and choral voice training. He is currently head of choral conducting course at the Johann Joseph Fux Conservatory in Graz and a lecturer at KUG. Furthermore, he was one of the artistic directors of the 5th World Choir Championships in Graz in 2008. For his achievements, he was awarded the merit prize of the Federal Ministry of Science and Re-search.

In recent years, composition has played an ever increasing role in his musical work. Com-missions for new works and performances worldwide provide evidence of his musical activity.

Choral Music by Franz M. Herzog

Franz M. Herzog

CD Lux caelestisSacred Choral MusicFranz M. Herzog has developed a fascinating and highly original musical lan-guage, which is almost impossible to classify and is at the same time characte-rized by its haunting appeal and atmospheric density. He repeatedly combines vivid melodic lines with terse rhythmic patterns in ways that are never the same, giving rise to cluster-like layerings which form the tonal background.In this he links, completely unconstrained, seemingly tonal elements with expressively dissonant tones.

In the present recording, the Vienna Chamber Choir, conducted by MichaelGrohotolsky, presents us with a cross-section of Herzog’s sacred choral work.In addition to the large-scale, concertante Missa "Lux caelestis", (� see

page 2) the CD contains Herzog’s award-winning Ave Maris Stella (� see page 3) and his Lux aeterna (� see page 3), which excels in its dramatic interpretation of the text.

www.helblingchoral.comMore information, audio samples and ordering at:

Geistliche Chormusik | Sacred Choral MusicLux caelestisFranz M. Herzog

Wiener Kammerchor | Vienna Chamber Choir · Michael Grohotolsky

CD Lux caelestis – HI-C6781CD • € 17,80Interpret: Vienna Chamber Choir (direction: Michael Grohotolsky)

2 Missa "Lux caelestis"

Franz M. Herzog

Missa "Lux caelestis"Latin Mass for Mixed Choir and Soprano Solo (Percussion ad lib)

With its extensive structure, this Missa “Lux caelestis” by Franz M. Herzog follows in the tradition of the great settings of the Mass. It is characterised by an outstandingly vivid musical language, which presents both concert and chamber choirs with a stimulating challenge. All sections of the Mass can also be performed independently of one another.The treatment of the Kyrie text is outstanding for the atmospheric density of its musical language. Expressive melodic lines and terse rhythmic patterns are repeatedly combined in ways which are always new and vividly convey the messages of the text to the audience. Equally emphatic is the way in which Herzog fashions the Gloria, the climax of which is an intense and powerful soprano solo (Lux caelestis). Following on musically from the fi rst two sec-tions, long passages of the Credo present themselves in highly rhythmical

form and fascinate the listener by the subtlety with which the credo intonation is handled and by organ points, powerful melodies, a powerfully dramatic Crucifi xus and expressive harmonic fl ows. Herzog juxta-poses the largely calm and smoothly fl owing Sanctus with a livelier Hosanna in excelsis. The closing Agnus Dei with its marching 5/4 time is initially imbued with a solemn mood, but closes in complete accordance with the text with a peaceful Dona nobis pacem.

Franz M. Herzog

Missa Latin Mass for Mixed Choir and Soprano Solo

MissaLux caelestis

Lateinische Messe für gemischten Chor und Sopran-Solo

(Perkussion ad lib.)

Latin Mass for Mixed Choir and Soprano Solo

(Percussion ad lib)

In ihrer großfl ächigen Anlage an die Tradition der großen Messvertonungen anknüpfend, ist diese

Missa „Lux caelestis“ von Franz M. Herzog durch eine überaus eindringliche Musiksprache gekennzeichnet,

die eine anregende Herausforderung für Konzert- und Kammerchöre darstellt. Alle Messteile können auch

unabhängig voneinander aufgeführt werden und sind als Einzelausgaben in der Serie Chorus XXI erhältlich.

Die Verarbeitung des Kyrie-Textes zeichnet sich durch eine atmosphärisch dichte Klangsprache aus.

Expressive melodische Linien und prägnante rhythmische Patterns werden immer wieder neu miteinander

kombiniert und vermitteln die Textaussagen in eindringlicher Art. Ebenso nachdrücklich gestaltet Herzog

das Gloria, dessen Höhepunkt ein intensiv-kraftvolles Sopran-Solo (Lux caelestis) bildet. Musikalisch an

die ersten beiden Abschnitte anschließend, gibt sich das Credo über weite Strecken sehr rhythmisch

betont und fasziniert durch den subtilen Umgang mit der Credo-Intonation, durch Orgelpunkte, kraftvolle

Melodien, ein ausdrucksstarkes Crucifi xus und expressive harmonische Verläufe. Dem eher ruhig fl ießenden

Sanctus stellt Herzog ein bewegteres Hosanna in excelsis gegenüber. Das abschließende Agnus Dei ist mit

seinem schreitenden 5/4-Takt zunächst von ernster Stimmung erfüllt, endet aber ganz dem Text ent-

sprechend mit einem friedvollen Dona nobis pacem.

Lux caelestis – Gesamtaufnahme mit dem Wiener Kammerchor unter der Leitung von Michael

Grohotolsky, HI-C6781CD

With its extensive structure, this Missa “Lux caelestis” by Franz M. Herzog follows in the tradition of the

great settings of the Mass. It is characterised by an outstandingly vivid musical language, which presents

both concert and chamber choirs with a stimulating challenge. All sections of the Mass can also be

performed independently of one another and are available separately in the Chorus XXI series.

The treatment of the Kyrie text is outstanding for the atmospheric density of its musical language.

Expressive melodic lines and terse rhythmic patterns are repeatedly combined in ways which are always

new and vividly convey the messages of the text to the audience. Equally emphatic is the way in which

Herzog fashions the Gloria, the climax of which is an intense and powerful soprano solo (Lux caelestis).

Following on musically from the fi rst two sections, long passages of the Credo present themselves in

highly rhythmical form and fascinate the listener by the subtlety with which the credo intonation is handled

and by organ points, powerful melodies, a powerfully dramatic Crucifi xus and expressive harmonic fl ows.

Herzog juxtaposes the largely calm and smoothly fl owing Sanctus with a livelier Hosanna in excelsis. The

closing Agnus Dei with its marching 5/4 time is initially imbued with a solemn mood, but closes in complete

accordance with the text with a peaceful Dona nobis pacem.

Lux caelestis – Complete recording with the Vienna Chamber Choir directed by Michael

Grohotolsky, HI-C6781CD

Franz M. Herzog

ISBN 978-3-85061-814-4

9 78385 0 61 81 44

9 7905 02 025 441

ISMN M-50202-544-1

Lux caelestis

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www.helblingchor.com

www.helblingchoral.com

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Missa “Lux caelestis“, Full score – HI-C6796 € 24,90

All Mass sections are available as single editions in the series Chorus XXI:• Kyrie, HI-C5729 • Sanctus, HI-C6429• Gloria, HI-C5730 • Agnus Dei, HI-C6430• Credo, HI-C5844 Each single edition: € 3,80 (from 30 copies: -15% / from 40 copies: - 20%), Minimum order: 20 copies

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i son,- e lee le-e le i- son,-

∑∑ ∑∑ ∑∑

œœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ œœœœœœœœœœœœœœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ

œœœJJJ œœœœ œœœœ œœœ œœœ ˙. ˙.

œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœœœœœœœœœœœœ

œœœJJJ œœœœ œœœœ œœœ œœœ ˙. ˙.

Franz M. Herzog, MISSA „LUX CAELESTIS“ · © Helbling, innsbruck · esslingen ·

{

¢¢¢

T 1/2

B 1/2


Glo ri- a,- Glo riGlo ri-Glo ri a,-

Glo

f

ri- a,- Glo riGlo ri-Glo ri a,-

22

22

22

22

&&&&&&‹

&‹

& ∑ ∑ ∑ ∑∑ ∑ ∑ ∑∑ ∑ ∑ ∑∑ ∑ ∑ ∑∑ ∑ ∑ ∑

????? > > > > > >

&&&&&&

?????

˙.. œœœœJJJJJ˙.. ŒŒŒŒ ˙ ˙ wwwww

˙.. œœœjjjjj ˙ .. ŒŒŒŒ ˙.. œœœjjjjj wwwwwwwwwww

˙.. œœœœJJJJJ˙.. ŒŒŒŒ ˙ ˙ wwwww

{

°°°

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q = 1249

Glo

mp

ri- a- in ex celin ex cel-in ex cel sis- De o,De o,-De o, Glo riGlo ri-Glo ri a-

Glo

mp

ri- a- in ex celin ex cel-in ex cel sis- De o,De o,-De o,

78

78

78

78

78

78

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&&&&&&

∑∑ ∑∑

&&&&&& ∑∑ ∑∑

&&&&&&‹

&‹

& > >

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&&&&&& ∑∑ ∑∑

?????∑∑

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœ œœœœ. œœœœ ŒŒŒŒ œœœœ œœœœ œœœ

œœœ œœœ œœœ œœœ œœœ œœœ œœœœ œœœ.

œœœ œœœ œœœ œœœ œœœ œœœ œœœœ .œœœœœœœœœœ œœœ œœœ œœœœœœœœœœ œœœ Œœœœ œœœœ œœœ.œœœœœœœœœœœœ œœœ œœœ

47


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¢

{

°

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°

¢

Franz Herzog, Sanctus aus „Missa“ • SATB divisi • © Copyright 2010 HELBLING, Rum/Innsbruck • Esslingen. All rights reserved.

Djembe(Conga)

Tubular bells /Röhrenglocken

S 1

S 2

A 1

A 2

T

B


q. = ca. 90

p

Sanc

mp

tus-

Sanc

p

tus,- Sanc tus,- Sanc tus,- Sanc tus,-

Sanc

p

tus,- Sanc tus,- Sanc tus,- Sanc tus,-

T.B.

S 1

S 2

A 1

A 2

T

B

9

Sanc

mp

tus- Sanc

simile

tus-

Sanc tus- Sanc tus-

Sa Sa

Sa

Sanc

mp

tus,- Sanc

simile

tus,- Sanc tus,- Sanc tus,-

Sanc

mp

tus,- Sanc

simile

tus,- Sanc tus,- Sanc tus,-

6868

68

68

68

68

68

68

68

68

/

*) Tubular bells (or vibraphone) and Djembe (Conga)**) until bar 70: sounding like bells

∑ ∑ ∑ ∑ ∑

*)

∑ ∑ ∑

SanctusSATB divisi, Solo (Mezzo-soprano), Percussion ad lib. Musik: Franz M. Herzog

© Helbling, Rum/Innsbruck

&bb ∑ ∑ ∑ ∑ ∑ ∑

&bb ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&bb ∑ ∑ ∑ ∑ ∑ ∑**) >

&bb ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&bb ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑

&‹

bb

?bb

& bb ∑ ∑ ∑ ∑ ∑ ∑

? bb

&bb ∑ ∑ ∑ ∑ ∑ ∑ ∑

&bb**) >

∑>

∑

&bb ∑simile>

∑>

&bb ∑ ∑ ∑ ∑> >

&bb ∑ ∑ ∑ ∑ ∑ ∑>

&‹

bb

?bb

& bb

? bb

œ. Œ. œ. Œ.

˙. ˙.

œœ.. œœ.. ˙.. œœ.. œœ.. ˙.. œœ.. œœ.. ˙.. œœ.. œœ.. ˙..

œ. œ. ˙. œ. œ. ˙. œ. œ. ˙. œ. œ. ˙.

˙. ˙.œœœ... œœœ..

. ˙... œœœ... œœœ..

. ˙... œœœ... œœœ..

. ˙... œœœ... œœœ..

. ˙...

œ. Œ.

˙. ˙. ˙. œ. œ. ˙. ˙.

˙. œ. œ. ˙. ˙. œ. œ. ˙.

œ œ œ œ. ˙. ˙. Œ ‰ œ œ œ

œ œ œ œ. ˙.

œœ.. œœ.. ˙.. œœ.. œœ.. ˙.. œœ.. œœ.. ˙.. œœ.. œœ.. ˙..

œ. œ. ˙. œ. œ. ˙. œ. œ. ˙. œ. œ. ˙.

˙. ˙. œ. œ. ˙. œ œ œ œ. ˙. œ œ œ œ. œ. œ œ œœœœ... œœœ..

. ˙... œœœ... œœœ..

. ˙... œœœ... œœœ..

. ˙... œœœ... œœœ..

. ˙...


Franz M. Herzog, MISSA „LUX CAELESTIS“ · © Helbling, innsbruck · esslingen · bern-belp

Cre do- in u num- De

Cre

mf

do- in u num- De


∑∑ ∑∑ ∑∑

∑∑ ∑∑ >

.> . . .> . .> . .> . . .> . .> . .> . . .> . .>

∑∑ ∑∑

ŒŒŒŒ. œœœ œœœœ

œœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœœœœ

ŒŒŒŒ. œœœœœœœœ œœœœœœœ

œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ

Cre

f

Pa trem- om ni- po- ten-


Pa trem- om ni- po- ten-


44 34 44

44 34 44

44 34 44

44 34 44

44 34 44

44 34 44

44 34 44

∑∑ ∑∑>

>

> > > >

>

. . .> . .> . .> . . .> . .> . .> . . .> . .

ww

œ wœ w4œ w4œ wœ wœ w ˙ ŒŒŒŒ œœœ

œœœ œœœ œœœ œœœœjjjjj œœœ œœœjjjjj œœœ œœœ œœœ œœœ œœœ ww

œ wœ w4œ w4œ wœ wœ w ˙ ŒŒŒŒ œœœ

œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ

œœœœ wœ w4œ w4œ wœ wœ wœ wœ wœ wœœœ œœœ œœœ œœœœJJJœJœœJœœJœ œœœ ˙œœœJJJJœJœœJœœJœ œœœ œœœ œœœ œœœ œœœŒŒŒŒ œœœœœœœœ

œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ œœœœœœœœ

Franz M. Herzog, MISSA „LUX CAELESTIS“ ·

¢¢¢

{Cre do- in u num- De um,- Cre do- in u num- De um,- Cre do- in u num- De um,- Cre do- in u -

7878

78

78

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&&&&&&‹&‹&

?????

&&&&&&

?????

um-

um-


∑∑

>

∑∑

>

. .>

œœœœ œœœœ

œœœœ œœœœ

œœœœœœœœ œœœœœœœœ

œœœœœœœ œœœœœœœ

œœœœœœœœœœœ œœœœœœœœœœœsslingen · bern-belp HI- C6796

Glo ri- a,- Glo riGlo ri-Glo ri a.-

Glo ri- a.-

78

78

78

78

> > > U

U

U

˙.. œœœœJJJJwwwwwwwwwww ˙ œœœœ. œœœJJJJJ

wwww

wwwww ˙ ˙ œœœ. œœœJJJJJ˙ wwwwwwwwwww

˙..wwwwwwwwwwww œœœœjjjj ˙ ..wwwwwwwwwwww ŒŒŒŒ ˙.... œœœœœœœœœœJJJJwwwwwwwwwwwwwwwwwwwwwwww

˙..www œœœjjœjœ ww˙ ˙ ˙œœœ. œœœœœœœœœœœœœœœœ ..œœœJJJJJ ˙ œœœjjœjœ wwwwwwwwwwwwww

Glo

mf

- -

in ex celin ex cel-in ex cel sis- De o,De o,-De o,

De o, Glo riGlo ri-Glo ri a- in ex celin ex cel-in ex cel sis- De o,De o,-De o,

∑∑ ∑∑>

∑∑ ∑∑ ∑∑

∑∑

>

∑∑ ∑∑

œœœ œœœœ œœœœ œœœ œœœœ œœœœ œœœ

œœœœ œœœœ œœœœ œœœ œœœœ. œœœœ ŒŒŒŒ

œœ ŒŒŒŒ œœœ œœœ œœœ œœœ œœœ œœœ œœœœ œœœ. œœœ ŒŒŒŒ

œœœ œœœœ œœœœ œœœ œœœœ œœœœ œœœ

ŒŒŒœœœœœœœ œœœ œœœ œœœœ .œœœœœœœœœœ œœœ œœœ œœœœœœœœœœ œœœ Œ œœœ. œœœ ŒŒŒŒœœœ œœœœ

sslingen ·

∑ ∑ ∑ ∑∑ ∑ ∑ ∑

a in ex cel

De o,

∑∑

∑∑

∑∑

œœœœ œœœ

œœœ

œœœœœœœœœ

59


°

¢

°

¢

{

°

¢

Franz Herzog, Sanctus aus „Missa“ • SATB divisi • © Copyright 2010 HELBLING, Rum/Innsbruck • Esslingen. All rights reserved.

Bass drum

Tubular bell (e’’)Röhrenglocken

Solo

S 1

S 2

A

T 1

T 2

B

Piano/Klavier(for rehearsal)

p

q = 54

A

mp

gnus- De i,-

A

p

gnus- De i,- A gnus- De i,- A gnus- De i,- A gnus- De i,-

A

p


A

p


A

p


A

p


A

p


54

54

54

54

54

54

54

54

54

54

54

/

*) Tubular bell or vibraphone

SATB divisi, Solo (Mezzo-soprano), Percussion ad libAgnus Dei

Music: Franz M. Herzog© Helbling, Rum/Innsbruck

&*) ∑ ∑ ∑ ∑

& ∑ ∑

&

&

&

&‹

&‹

?

& b bb

?

Ó Œ Œ œ œ Œ Œ Œ œ œ Œ Œ Œ œ œ Œ Œ Œ œ

Œ œ œb . œj œ œ ˙b . ˙b

œ œ œ ˙ œb œ œ ˙ œ œ œ ˙ œb œ œ ˙


œ œ œ ˙ œ œ œ ˙ œ œ œ ˙ œ œ œ ˙


œ œ œ ˙ œ œ œ ˙ œ œ œ ˙ œ œ œ ˙

œ œ œ ˙ œb œ œ ˙ œn œ œ ˙ œb œ œ ˙

œ œ œ ˙ œœb œœ œœ ˙ œŒ

œœ œ.

œ ˙ œ œ œ ˙.œœ œœ œœ ˙

œœœœœœ

œœœ˙˙

œœœbb œœœ œœœ ˙ œœœnœœœ

œœœ˙˙

œœœbb œœœ œœœ ˙


3Contemporary sacred choral works

� More sample pages at www.helblingchoral.com

2 HI-C6219 Franz M. Herzog, Ave Maris Stella • SSAATTBB • © 2010 Helbling, Rum/Innsbruck • Esslingen. All rights reserved.

°

¢

°

¢

Sopran I

Sopran II

Alt I

Alt II

Tenor I

Tenor II

Bass I

Bass II

A

p

ve,- A ve,-

A

pp

A

pp

A

pp

ve- - - - - - - -

A

pp

ve- - - - - - - -

S I

S II

A I

A II

T I

T II

B I

B II

A ve- ma ris- stel la,- stel la,- stel la,- A ve- ma ris-

5

ma ris- - - - - - -

ma ris- - - - - - -

A

pp

44

44

44

44

44

4444

44

& ∑

nd

∑(Solo)

SSAATTBB a cappella

Ave Maris Stella

2. Preis beim Internationalen AGEC-Kompositionswettbewerb „Goldene Stimmgabel“ 2010

2 prize in the 2010 international “Golden Tuning Fork” competition for composersFranz M. Herzog


&

& ∑

& ∑

&‹∑

&‹∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑

&

&

&

&

&‹&‹

∑

? ∑ ∑ ∑ ∑

? ∑ ∑ ∑ ∑

Ó œ œJ ‰ Œ ‰ œ œ œ ‰

w w w w

œœ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

w w w

w w w

œ ™ œJ œ œ œ œ œ Œ Ó œ œ Œ Œ œ œ Œ ‰ œ œ œ œ œ

w w w w

œœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœ œœœœœœœœœœœœœœœœ

w# w w ww# w w w

w w œœœœœœœœœœœœœœœœ

C6219_Ave_Maris_Stella_12s.indd 2 07.07.2010 17:01:05 Uhr

Franz M. Herzog

Ave Maris StellaSSAATTBB a cappella

This impressive Ave Maris Stella by Franz M. Herzog, arranged in cyclical form and symbolising eternity, was commissioned as part of the “styria cantat 2” project of the Styrian Singers Association, and won 2nd prize in the 2010 international “Golden Tuning Fork” competitionfor composers. “The sea gains its symbolism from the vast expanses and depths of its masses of water. It is fed by innumerable rivers, which, in their turn, are gradually swollen to their full volume by their many tributaries. The sea consists of a sole element, water, which, like a single organism is constantly in motion, sometimes powerfully, sometimes less so. The soul of humankind, which senses the fullness of life within itself, recognises in the sea a fi tting symbol of its own emotions.” (Franz M. Herzog)Lyrics in Latin only, English preface included.

Franz M. Herzog

Lux aeterna SATB divisi a cappella

With Lux aeterna, Franz M. Herzog presents an impressiveconcert piece for mixed voices that with its dramatic interpretation of the content of the requiem mass repre-sents a fascinating challenge for every dedicated choir. With an exceptionally expressive musical language, full of tension and suspense and characterized by cluster-like overlays of melodic lines and differing sound surfaces and pattern structures, he has produced a vivid, closely-woven musical setting of the fi nal plea for eternal light. Lyrics in Latin only, English preface included.


HI-C5846 Franz M. Herzog, Lux aeterna • SATB divisi • © Helbling, Rum/Innsbruck • Esslingen. All rights reserved.4

&

&

&

V

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####

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####

####

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43

43

43

43

43

43

43

S1

S2

T1/2

B1/2

F

F

quasi come campanelli

quasi come campanelli

q = 88

‰ œn> œn> Jœ>

Re

œ> œ> œ>Re

�

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�

Jœ œ> œn> Jœn>

qui em,

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simile

simile

Jœ œn œn JœRe

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Jœ œ œn Jœnqui em,

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T1/2

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œœ-p

Œ ŒRe

œœ-p

Œ ŒRe


œœœœ Œ Œ


œ œ œqui em,

jœœ ‰ jœœ ‰ Œqui em

jœœ ‰ jœœn ‰ Œqui em

œ# œ œ œn œ œnjœœœœ ‰

jœœœœn ‰ Œ

Jœ œn œn JœRe

œ œ œRe

Œ jœœ ‰ œœ-ae ter

Œ jœœa ‰ œœ-ae ter


Œjœœœœa ‰ œœœœ


œ œ œqui em,

Œ jœœ ‰ œœ-nam, Re

Œ jœœn ‰ œœ-nam, Re


Œjœœœœn ‰ œœœœ

Jœ œn œn JœRe

œ œ œRe

Œ Œ jœœ ‰qui

Œ Œ jœœ ‰qui


Œ Œjœœœœ ‰

- - - - - - - - - - - - -

- - - - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - -

Lux aeternaSATB divisi a cappella



Lyrics: Communio of the Requiem Mass

A1/2

specially commissioned for the 44th International Choir Competition,

Porcia Castle, Spittal an der Drau, Austria

C5846 Lux_Aeterna_Neu12seit 29.01.2007 13:35 Uhr Seite 4

� SATB divisi a cappella – HI-C5846€ 3,80 (Minimum order: 20 copies)

Audio-Sample atwww.helblingchoral.com

CHORUS XXIN e w P e r s p e c t i v e s i n C h o r a l M u s i cP e r s p e k t i v e n n e u e r C h o r m u s i k

SATB divisi a cappella

L u x a e t e r n a

F R A N Z M . H E R Z O G

C5846 Lux_Aeterna_Neu12seit 29.01.2007 13:35 Uhr Seite 1

� SSAATTBB a cappella – HI-C6219€ 3,80 (Minimum order: 20 copies)


CHORUSXXIN e w P e r s p e c t i v e s i n C h o r a l M u s i cP e r s p e k t i v e n n e u e r C h o r m u s i k

SSAATTBB a cappella

F r A N z M . H e r z o g

A v e M a r i s S t e l l a

HI - C6219

C6219_Ave_Maris_Stella_12s.indd 1

07.07.2010 17:01:04 Uhr

4 Sacred choral works – from contemporary to Gospel & Jazz


4 HI-C6772 Franz M. Herzog, Laudato si, mi Signore • SATB divisi a cappella • © Helbling, Rum/Innsbruck • Esslingen. All rights reserved.

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Jœœ Jœœ ..do na no

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poco a poco cresc.

poco a poco cresc.

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‰ Jœ Jœ Jœ# Jœjœ jœ ‰

et tri bu la tio ne,

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œn œ œ3

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œ# œn œ œ3œœn œ œ œ œ#3

‰ œ œ œ# œ œ œ ‰

- - - - - - - - - - - -

- - - - - - - - - -

- - - - - - - - -

- - -

- - - - - - - - - - -

Franz M. Herzog, …per quelli ke perdonano • © Copyright 2011 HELBLING, Rum/Innsbruck • Esslingen. All rights reserved. HI-Cxxxx

S1

S2

A1

A2

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und Krankheit ertragen und Drangsal,

durch jene, die verzeihen um deiner Liebe willen

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divisi

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∑

divisi

divisi

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œœ œœLau da to

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œœœœ

.. œœmi Si

.. œœmi Si

œœ œœsi, mi Si

œœ œœsi, mi Si

.... œœœœœœœœ

œœœœ

œœ ..gno re,

œœ ..gno re,

œœ ..gno re,

œœ ..gno re,

œœœœ ....œœœœ

....

œœ œœlau da to,

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œœœ œœœœœœœ

œœœ

œœ œœlau da to

œœn œœlau da to

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wwsi,

œœœœn œœœœww

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œœ œœsi, mi Si

œœ œœsi, mi Si

.. œœmi Si

.. œœmi Si

œœœœ œœœœ... œœœ

œœ ..gno re,

œœ ..gno re,

œœn ..gno re,

œœ ..gno re,

œœœœœn .....œœœ

...

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F

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œœ œœlau da to,

œœ œœlau da to,

œœb œœlau da to,

œœ œœlau da to,

œœœœ œœœœœœœbb œœœœ

cresc.

cresc.

cresc.

cresc.

œœ lau da to,

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œœ lau da to,

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œœ œœsi, mi Si

œœœœœ œœœœœ

œœœ œœœ

U

gno re,

U

gno re,

U

gno re,

U

gno re,

U

U

- - - - - - - - - -

- - - - - - - - - -

- - - - - - - - - -

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Franz M. Herzog, …per quelli ke perdonano • © Copyright 2011 HELBLING, Rum/Innsbruck • Esslingen. All rights reserved. HI-Cxxxx

Laudato si, mi Signore… per quelli ke perdonano


S

Music: Franz M. Herzog,Canticle of the Sun V

A

T

B


Lyrics: San Francesco d'Assisi (1181/1182–1226)

mein Herr, gelobt seist du, mein Herr,

Gelobt seist du, mein Herr, gelobt seist du,

C6772_Laudato si mi Signore.indd 4 19.10.11 15:54

Franz M. Herzog

Laudato si, mi SignoreSATB divisi a cappella

Franz M. Herzog composed his seven-part cycle Canticleof the Sun on behalf of the US-based Raschèr Saxo-phone Quartet which gives concerts all over the world. This cycle for eight-part choir SATB, soli, percussion and saxophone quartet or string quartet (chamber or-chestra) is based on the Old Italian Canticle of the Sun text by Francis of Assisi, who in it invokes humans to the glorifi cation of God through all his creations. In the fi fth part Laudato si, mi Signore the suffe-rers are induced to praise God. For the sake of His love they endure their pain. In a sensitive manner, refl ec-ting the atmosphere of the text, Herzog lets the atmos-phere of the text become perceptible in a very striking manner!

Trad. Spiritual, arr. Franz M. Herzog

Ride on, King JesusSATB a cappella(also SAA)

This moving gospel highlight for choir is based on the well-known traditional song from the Deep South of the USA. With this effective arrangement, Franz Her-zog succeeds in underscoring the deep spiritual content in an expressive choral form.


2

HCCS-6629Fotokopierengrundsätzlichgesetzlichverboten

Photocopying this copyright

material is ILLEGAL

© Copyright 2011 HELBLINGAustrIA: Kaplanstrasse 9, 6063 rum/Innsbruck | GErMANY: P.O. Box 100754, 73707 Esslingen

All rights reserved

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A

(stamp in a walking movement / in gehender Bewegung stampfen)

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f

f

Marching

Jœ œ œ œ œ œ ŒRide on, King Je sus,

jœ œ œ œ œ œ ŒRide on, King Je sus,

Jœ œ œ œ œ œ Œ

D

Ride on, King Je sus,jœ œ œ œ œ œ Œ

Ride on, King Je sus,

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jœœœ œœœ œœœ œœœ œœœ œœœ Œ

Jœ œ œ œ œ œ Œ

simile

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Jœ œ œ œ œ .œ œno man can a hind er

jœ œ œ œ Œ œ .œno man can a hind er

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no man can a

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Jœ œ œ œ œ œ œ œ œ œride on, King Je sus, ride,

jœ œ œ œ œ œ œ œ œ œride on, King Je sus, ride,

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ride on, King Je sus, ride,

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jœ. œ- œ œ œ œ œ->≈ œ œ œ

no man can a hind er me, no




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jœœ œœ œœ œœ œœ œœ œœ≈ œœ œœ œœ

jœ œ œ œ œœ œœ œœ ≈ œœ œœ œœ‰ Jœ œ

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Ride on, King JesusSATB a cappella

Music: Trad. SpiritualArrangement: Franz M. Herzog

Lyrics: Trad. Spiritual


B

S

A

T

______________*) a = inserted as a rhythmic accent / eingefügter Vokal als rhythmischer Akzent

6629_Ride on_SATB.indd 2 20.01.11 09:11

� SATB divisi a cappella – HI-C6772€ 2,20 (Minimum order: 20 copies)


CHORUSXXIN e w P e r s p e c t i v e s i n C h o r a l M u s i c P e r s p e k t i v e n n e u e r C h o r m u s i k



L a u d a t o s i , m i S i g n o r e

HI -C6772

No. 5 of “Canticle of the Sun”

C6772_Laudato si mi Signore.indd 1

19.10.11 15:54

� SATB a cappella – HCCS-6629� SAA a cappella – HCCS-6630€ 2,80 (Minimum order: 20 copies)

6629_Ride on_SATB.indd 1

20.01.11 09:11


5Traditional sacred songs newly arranged


HI-C6340Fotokopierengrundsätzlichgesetzlichverboten


material is ILLEGAL

F. M. Herzog (Arr.), Glorwürd’ge Königin / Glorious Queen • SATB, Solo, Organ ad lib • © 2010 HELBLInGAuSTrIA: Kaplanstrasse 9, 6063 rum/Innsbruck | GErMAnY: P.O. Box 100754, 73707 Esslingen

Alle rechte vorbehalten / All rights reserved

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TuttiAndante

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soul,

˙ Ó

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--- - -

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- -

- --

- -

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- -

Franz M. Herzog, GLORWÜRDIGE KÖNIGIN • © HELBLING, Rum/Innsbruck • Esslingen HI - Cxxxx

Glorwürd'ge KöniginGlorious Queen

SATB a cappella and Solo, Organ ad lib

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Music: J. Em. Veith in ÖlzweigeArrangement: Franz M. Herzog


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T

B

Organ(ad lib)

German lyrics: J. Em.Veith in ÖlzweigeEnglish lyrics: Lucy Bauer

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S

Organ(ad lib)

Organ(ad lib)

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TuttiAndante


fairwürd' ge

and

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niri

gin,ous,

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∑

˙ œ œhimm

lali

dysche

of

˙ œ œ

∑

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heav'n,

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∑

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˙ œ œmilmild

dein

Fürter

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che rin,sor,

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∑

˙ œ œreinspur

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˙ Ófrau.

heav'n.

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de,on

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˙ Ódu,

soul,

˙ Ódu,

soul,

˙ Ódu,

soul,

˙ Ódu,

soul,

˙ Ó

˙ Ó

--- - -

- --

- -

- --

- -

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- -




S



A

T

B

Organ(ad lib)


S

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Organ(ad lib)

Organ(ad lib)

Glorwürd’ge KöniginGlorious Queen


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TuttiAndante


fairwürd' ge

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of

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heav'n,

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˙ œ œmilmild

dein

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che rin,sor,

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∑

˙ œ œreinspur

teest

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˙ Ófrau.

heav'n.

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de,on

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de,on

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de,on

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˙ œœ œœ

˙ œ œ

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terer,

undbring


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undbring

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˙ œ œ

˙ œ œTrösbalm

teto

rinour


teto

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teto

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˙ œ œ#Trösbalm

teto

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˙ Ódu,

soul,

˙ Ódu,

soul,

˙ Ódu,

soul,

˙ Ódu,

soul,

˙ Ó

˙ Ó

--- - -

- --

- -

- --

- -

- --

- -




S



A

T

B

Organ(ad lib)


S

S

Organ(ad lib)

Organ(ad lib)

C6340_Glorwuerdge Koenigin_SATB.indd 2 25.09.12 18:19

J. Em. Veith in Ölzweige, arr. Franz M. Herzog

Glorwürd’ge Königin /Glorious QueenSATB a cappella and Solo

The well-loved song in praise of the Blessed Virgin in a highly atmospheric arrangement by Franz M. Herzog! The haunting melody is sung initially by the soprano voices alone, before the sound is swelled by the full choir, which, as the piece continues, is expressively spanned by a solo voice. The singable English lyrics by Lucy Bauer have made the song accessible to additio-nal groups of singers.

Alpine Traditional, arr. Franz M. Herzog

Es wird scho glei dumpa /When Darkness is FallingSAATBB a cappella, Cymbal ad lib

Franz M. Herzog’s treatment of the Christmas carol Es wird scho glei dumpa (When Darkness is Falling), well known throughout the Alpine region, may be un-conventional, but is enormously atmospheric. Above the surging expanses of sound of the lower voices, the drawn out soprano melody rings out in 4/4 time, spheri-cally completely transported, and in addition harmo-nically estranged. The middle section is in familiar 3/4 time. An effective arrangement!


3

Franz M. Herzog (Arr.), Es wird scho glei dumpa • SAATBB • © 2010 HELBLInG, rum/Innsbruck • Esslingen HI-C6428

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Cymbal(ad lib)

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B


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ba,

ba,

ba

ba,

Du, du, du,

Du

Du

mba- -

mba- -

du

du

mba,- -

mba,- -

du

du

mba- -

mba- -

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2. Ver1. Es wird

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sweet

dumKinfalba

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ba du

du

du du

mba- -

ba du

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444444

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44

4444

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• Das Stück kann auch einen Halbton höher gesungen werden (As-Dur). / The piece can also be sung a semitone higher (Ab major).

• du = doo / ba = b / dum = dm

∑

Music: Alpine Traditional

Arrangement: Franz M. Herzog


German lyrics: Traditional

English lyrics: Lucy Bauer

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Es wird scho glei dumpaWhen Darkness is Fal l ing

SAATBB a cappel la, Cymbal/Triangle ad l ib

C6428_Es wird scho glei dumpa_SAATBB.indd 3 11.11.2010 10:36:02 Uhr

� SATB a cappella and Solo – HI-C6340€ 2,20 (Minimum order: 20 copies)


SATB a cappella and Solo – HI-C6340

SATB a cappella and Solo

mixed choirGemischter Chor

Glorwürd’geKönigin

Glorious QueenEnglish lyrics: Lucy BauerArrangement: Franz M. Herzog

HI-C6340C6340_Glorwuerdge Koenigin_SATB.indd 1

23.10.2009 14:06:00 Uhr

� SAATBB a cappella, Cymbal ad lib – HI-C6428€ 2,20 (Minimum order: 20 copies)


mixed choirGemischter Chor SAATBB a cappella, Cymbal/Triangle ad lib

Es wird schoglei dumpaWhen Darkness is Falling

Alpine TraditionalEnglish lyrics: Lucy BauerArrangement: Franz M. Herzog

Franz M. Herzog (Arr.)

HI-C6428C6428_Es wird scho glei dumpa_SAATBB.indd 1

11.11.2010 10:36:01 Uhr

6 Contemporary secular choral works


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Text: Josef Hopfgartner© 1982 Verlag Johannes Heyn, Klagenfurt

Musik: Franz M. Herzog© by Helbling, Rum/Innsbruck

HI-C5522 Franz M. Herzog, Bekenntnisse • SATB divisi • © Helbling, Rum/Innsbruck • Esslingen. Alle Rechte vorbehalten.6

I. AufschreiSATB a cappella

C5522 Bekenntnisse 12.03.2007 15:44 Uhr Seite 6

Franz M. Herzog

Bekenntnisse (Confessions)Aufschrei (Scream) • Stunde in die Nacht (Hour into the Night)SATB (divisi) a cappella

The cycle Bekenntnisse contains two pieces which plumb the shadow regions of human existence on a very personal level: Aufschrei deals with artistic inspi-ration perceived as a burden: shrill, tortured screams, glissandi and the absence of a tonal center give distinc-tion to the musical language characterized by extreme expression. Stunde in die Nacht paints the dark scene of approaching death with reverberant sounds, a con-tinuous circling of the melodic lines, dissonant imita-tions as well as a free rhythmic structure.Lyrics in German only.

3Franz M. Herzog, Mond zwischen dir und mir / Moon between you and me • SSATB • © Helbling, Innsbruck • Esslingen • Bern-Belp. All rights reserved. HI -C6761

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& ∑ ∑ ∑ ∑ ∑ ∑

German lyrics: Alois Hergouth© By courtesy of Georg Frena.English lyrics: Lucy Bauer

Mond zwischen dir und mir (Moon between you and me)

SSATB a cappella

Music: Franz M. Herzog© Helbling, Rum/Innsbruck

Auftragswerk von styria cantat IV (2011)gewidmet dem Arkadia Arnfels-Jugendensemble und der Dirigentin Ulla Kriebernegg

Comissioned by styria cantat IV (2011)dedicated to the Arkadia Arnfels-Youth Ensemble and the conductor Ulla Kriebernegg

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C6761_Mond zwischen Dir und mir.indd 3 16.08.12 14:04

Franz M. Herzog

Mond zwischen dir und mir /Moon Between You and MeSSATB a cappella

Alois Hergouth’s language is music in itself, euphonic and rhythmical. The tender dialogue hinted at in the text is refl ected in Herzog’s music by seconds and octa-ves. Extensive harmonies are spanned by a lyrical line, drawn for the most part in octaves, until the fi nal sec-tion is formed by onomatopoeic elements (“ticking”). A sensitive musical portrayal of the text! For this printed version, Herzog carried out a further comprehensive reworking of the composition.

� SSATB a cappella – HI-C6761€ 2,80 (Minimum order: 20 copies)


CHORUSXXIP e r s p e k t i v e n n e u e r C h o r m u s i k N e w P e r s p e c t i v e s i n C h o r a l M u s i c

SSATB a cappella


Mond zwischen dir und mir /Moon between you and me

HI -C6761

C6761_Mond zwischen Dir und mir.indd 1

16.08.12 14:04

� SATB (divisi) a cappella – HI-C5522€ 3,80 (Minimum order: 20 copies)


n a c h G e d i c h t e n v o n J o s e f H o p f g a r t n e rf ü r g e m i s c h t e S t i m m e n

Aufschrei Stunde in die Nacht

CHORUS XXIP e r s p e k t i v e n n e u e r C h o r m u s i kN e w P e r s p e c t i v e s i n C h o r a l M u s i c


B e k e n n t n i s s e

F R A N Z M . H E R Z O G

•

C5522 Bekenntnisse 12.03.2007 15:44 Uhr Seite 1


7Moving pop ballads

� SATB a cappella and Solo, Piano ad lib – HCCS-6151

€ 2,20 (Minimum order: 20 copies)


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CITYOF MY HEART

MUSICFranz M. Herzog

LYRICSFranz M. Herzog,Aja, Elli Bauer

6151 The City of my Heart_SATB.indd 1

25.09.12 18:26


2

HCCS-6151Fotokopierengrundsätzlichgesetzlichverboten


material is ILLEGAL

© Copyright 2009 HELBLINGAustrIA: Kaplanstrasse 9, 6063 rum/Innsbruck | GErMANY: P.O. Box 100754, 73707 Esslingen

All rights reserved

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City of My HeartSATB a cappella and Solo, Piano ad lib

Music: Franz M. HerzogLyrics: Franz M. Herzog / Aja / Elli Bauer

Piano/Klavier(ad lib)

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6151 The City of my Heart_SATB.indd 2 25.09.12 18:26

Franz M. Herzog

City of My HeartSATB a cappella and Solo, Piano ad lib

Franz M. Herzog composed this moving pop ballad to open the “World Choir Games 2008” in Graz, where it was sung by thousands of choral singers in unison. A real concert highlight, it can be sung a cappella or with piano accompaniment.

Franz M. Herzog

Time to LeaveSATB and Solo (S/T), a cappella or with piano (also SAA, TTBB)

A farewell song for a friend in an atmospheric pop ballad style. With or without piano accompaniment – a moving highlight for the choral concert.


3

© Copyright 2003 Helbling, Innsbruck • Esslingen • bern-belp. All rights reserved HCCS - 5403

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Time to LeaveSATB a cappella, Tenor (Soprano) Solo and Optional Piano

Lyrics: Franz M. Herzog Music: Franz M. Herzog

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5403 Time to Leave_SATB_orig.indd 3 09.10.12 12:45

� SATB and Solo – HCCS-5403� SAA and Solo – HCCS-5447� TTBB and Solo – HCCS-5748€ 2,20 (Minimum order: 20 copies)


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HCCS - 5403

TIME TO LEAVE

MUSICFranz M. Herzog

LYRICSFranz M. Herzog

5403 Time to Leave_SATB_orig.indd 1

09.10.12 12:45

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AUSTRIAHelbling Verlagsgesellschaft m.b.H.6063 Rum · Kaplanstraße 9Phone (+43) 0512/26 23 33-0Fax (+43) 0512/26 23 33-111E-Mail: offi [email protected]

GERMANYHelbling Verlag GmbH73728 Esslingen · Martinstraße 42–44Phone (+49) 0711/75 87 01-0Fax (+49) 0711/75 87 01-11E-Mail: [email protected]

SWITZERLANDHelbling Verlag AG3123 Belp-Bern · Aemmenmattstrasse 43Phone (+41) 031/812 22 28Fax (+41) 031/812 22 27E-Mail: [email protected]


3

© Copyright 2007 Helbling, Innsbruck • Esslingen • Bern-Belp. All rights reserved HCCS-5820

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Un poquito cantasSATB a cappella and Soprano or/and Baritone Solo

Music: Trad. Latin AmericaArrangement: Franz M. Herzog

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5820 Un poquito cantas SATB.indd 3 12.04.12 14:23

Trad. Latin America, arr. Franz M. Herzog

Un poquito cantas SATB a cappella and Solo (Soprano or/and Baritone)(also SSAA, TTBB)

Franz Herzog’s infectious, rhythmically accented choral arrangement of this Latin American dance song is captivating in its tone-painting, forward striving accompanying patterns. The solo part sets expressive accents. A thoroughly effective highlight for concerts, celebrations and festive occasions.

� SATB a cappella, Solo – HCCS-5820� SSAA a cappella, Solo – HCCS-5883� TTBB a cappella, Solo – HCCS-5884€ 2,20 (Minimum order: 20 copies)


5820 Un poquito cantas SATB.indd 1

12.04.12 14:23

www.helblingchoral.com

Terms and conditionsThe octavos of our choral series are available for purchase in choir sets only. (Minimum order: 20 copies, from 30 copies: -15% / from 40 copies: -25%) Postage and packing is at cost.!

Ordering:

� Telephone: 0043 512 / 26 23 33-0

@ e-mail: offi [email protected]

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Prices are subject to change without notice. March 2013.

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