chick corea - wikipedia, the free encyclopedia
TRANSCRIPT
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Chick Corea
Background information
Birth name ArmandoAnthony Corea
Born June 12, 1941 [1]
Chelsea, Massachusetts, United
States
Genres Jazz, jazzfusion, post-bop, latin
jazz, classical music, avant-garde
jazz, bebop
Occupation(s) Musician, composer, bandleader
Instruments Piano, keyboards, synthesizers,
organ, vibraphone, drums
Years active 1962present[2]
Labels ECM, Polydor, Stretch, Warner
Bros.
Associated
acts
Return to Forever, Miles Davis,
Five Peace Band, Chaka Khan,
Chick Corea Elektric Band, Chick
Chick CoreaFrom Wikipedia, the free encyclopedia
Armando Anthony"Chick" Corea(born June 12, 1941)[3]
s an American jazz and fusion pianist, keyboardist, and
omposer.
Many of his compositions are considered jazz standards. As a
member of Miles Davis' band in the 1960s, he participated in
he birth of the electric jazz fusion movement. In the 1970s
he formed Return to Forever.[3]Along with Herbie Hancock,
McCoy Tyner, and Keith Jarrett, he has been described as
one of the major jazz piano voices to emerge in the postJohn
Coltrane era.[4]
Corea continued to pursue other collaborations and to explore
various musical styles throughout the 1980s and 1990s. He is
also known for promoting and fundraising for a number of
ocial issues, such as eradicating social illiteracy.[5]
Contents
1 Life and career
1.1 Youth
1.2 Early career
1.3 Avant garde period
1.4 Jazz fusion
1.5 Duet projects
1.6 Later work
2 Scientology
3 Discography
4 Awards
5 See also
6 References
7 External links
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Corea's Akoustic Band, Circle,
Stanley Clarke, Joe Farrell, Joe
Henderson, Hubert Laws, Herbie
Mann, Miroslav Vitous, Blue
Mitchell, Gary Burton, Pat
Metheny, Dave Holland, Eddie
Gmez, John Patitucci, FrankGambale, Anthony Braxton, Hiro
Uehara, Al Di Meola, Herbie
Hancock, Bla Fleck, John
McLaughlin, Brian Blade, Bobby
McFerrin, Steve Gadd
Website www.chickcorea.com
(http://www.chickcorea.com)
Life and career
Youth
Armando Corea was born in Chelsea, Massachusetts. He is of
outhern Italian and Spanish descent.[6][7]His father, a jazz
rumpet player who had led a Dixieland band in Boston in the930s and 1940s, introduced him to the piano at the age of
our. Growing up surrounded by jazz music, he was
nfluenced at an early age by bebop and stars such as Dizzy
Gillespie, Charlie Parker, Bud Powell, Horace Silver, and
Lester Young. At eight Corea also took up drums, which
would later influence his use of the piano as a percussion
nstrument.
Corea developed his piano skills by exploring music on his
own. A notable influence was concert pianist Salvatore Sullo, from whom Corea started taking lessons at ageeight and who introduced him to classical music, helping spark his interest in musical composition. He also
pent several years as a performer and soloist for the St. Rose Scarlet Lancers, a drum and bugle corps based
Chelsea.
Given a black tuxedo by his father, he started playing gigs when in high school. He enjoyed listening to Herb
Pomeroy's band at the time, and had a trio that played Horace Silver's music at a local jazz club.
He eventually decided to move to New York City, where he studied musical education for one month at
Columbia University and six months at Juilliard. He quit after finding both disappointing, but liked the
atmosphere of New York, and the music scene became the starting point for his professional career.
Early career
Corea's first major professional gig was with Cab Calloway. Corea started his professional career in the 1960
playing with trumpeter Blue Mitchell and Latin musicians such as Herbie Mann, Willie Bobo and Mongo
Santamara. One of the earliest recordings of his playing is with Mitchell's quintet on The Thing To Do. This
album features his composition "Chick's Tune", a retooling of "You Stepped Out of a Dream" that demonstra
he angular melodies and Latin-and-swing rhythms that characterize, in part, Corea's personal style.
Incidentally, the same tune features a drum solo by a very young Al Foster.)
His first album as a leader was Tones for Joan's Bonesin 1966, two years before the release of his albumNo
He Sings, Now He Sobs, with Roy Haynes on drums and Miroslav Vitou!on bass.[3]
He made another sideman appearance with Stan Getz on 1967's Sweet Rain(Verve Records).[3]
Avant garde period
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From 1968 to 1971 Corea had associations with avant garde players, and his
olo style revealed a dissonant orientation. His avant garde playing can be heard
on his solo works of the period, his solos in live recordings under the leadership
of Miles Davis, his recordings with Circle, and his playing on Joe Farrell's Song
of the Windalbum on CTI Records.
n September 1968 Corea replaced Herbie Hancock in the piano chair in Davis'
band and appeared on landmark albums such as Filles de Kilimanjaro,In aSilent Way, andBitches Brew. In concert, Davis' rhythm section of Corea, Dave
Holland, and Jack DeJohnette combined elements of free jazz improvisation and
ock music. Corea experimented with using electric instruments, mainly the
Fender Rhodes electric piano, in the Davis band.
n live performance he frequently processed the output of his electric piano with
a device called a ring modulator. Using this style, he appeared on multiple Davis
albums, includingBlack Beauty: Live at the Fillmore WestandMiles Davis at
Fillmore: Live at the Fillmore East.His live performances with the Davis band
ontinued into 1970, with a touring band of Steve Grossman, tenor sax, Keith Jarrett, additional electric pianand organ, Jack DeJohnette, drums, Dave Holland, bass, Airto Moreira, percussion, and Davis on trumpet.[3]
Holland and Corea left to form their own group, Circle, active in 1970 and 1971. This free jazz group feature
multi-reed player Anthony Braxton and drummer Barry Altschul. This band was documented on Blue Note a
ECM. Aside from soloing in an atonal style, Corea sometimes reached in the body of the piano and plucked t
trings. In 1971 or 1972 Corea struck out on his own. In April 1971 he recoded the sessions that became Pian
mprovisations Vol. 1 and Piano Improvisations Vol. 2 for ECM.
The concept of communication with an audience became a big thing for me at the time. The reasonI was using that concept so much at that point in my life in 1968, 1969 or so was because it was
a discovery for me. I grew up kind of only thinking how much fun it was to tinkle on the piano and
not noticing that what I did had an effect on others. I did not even think about a relationship to an
audience, really, until way later.[8]
Jazz fusion
n the early 1970s, Corea took a profound stylistic turn from avant garde playing to a crossover jazz fusion st
hat incorporated Latin jazz elements with Return To Forever. Named after their eponymous 1971 album, theband relied on both acoustic and electronic instrumentation and drew upon Latin American musical styles mo
han on rock music. On their first two records, Return to Forever featured Flora Purim's vocals, Corea's Fend
Rhodes electric piano, Joe Farrell's flute and soprano saxophone, Airto Moreira on drums & percussion, with
Stanley Clarke rounding up the group on acoustic bass. [3]Drummer Lenny White and guitarist Bill Connors
ater joined Corea and Clarke to form the second version of the group, which expanded upon the earlier Latin
azz elements with a more hard-edged rock and funk-oriented sound inspired by Corea's admiration for his
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Bobby McFerrin and Chick Corea,
New Orleans Jazz and Heritage
Festival in 2008
Bitches Brew bandmate John McLaughlin's Mahavishnu Orchestra. This
ncarnation of the group recorded the album Hymn of the Seventh
Galaxy, before Connors' departure and replacement by Al Di Meola,
who would be present on the subsequent releases Where Have I Known
You Before, and the best selling Romantic Warrior.
Corea's composition "Spain" first appeared on the 1972 Return to
Forever albumLight as a Feather. This is probably his most popularpiece, and it has been recorded by a variety of artists. There are also a
variety of subsequent recordings by Corea himself in various contexts,
ncluding an arrangement for piano and symphony orchestra that
appeared in 1999, and a collaborative piano and voice-as-instrument
arrangement with Bobby McFerrin on the 1992 album Play. Corea usually performs "Spain" with a prelude
based on Joaqun Rodrigo's Concierto de Aranjuez(1940), which earlier received a jazz orchestration on Dav
and Gil Evans' Sketches of Spain.
n 1976, he issuedMy Spanish Heart, influenced by Latin American music and featuring vocalist Gayle Mor
Corea's wife) and electric violinist Jean-Luc Ponty. The record was somewhat misunderstood at the time, bus considered nowadays as a true example of Corea's ability to write fusion material. The album combined ja
and flamenco, supported by Minimoog backup and a powerful horn section.
Duet projects
n the 1970s Corea started working occasionally with vibraphonist Gary Burton, with whom he recorded sev
duet albums on ECM, including 1972's Crystal Silence. They reunited in 2006 for a concert tour. A new reco
alled The New Crystal Silencewas issued in 2008 and won a Grammy award in 2009. The package includes
disc of duets and another disc featuring the Sydney Symphony.
Toward the end of the 1970s, Corea embarked on a series of concerts and two albums with Hancock. These
oncerts were presented in elegant settings with both pianists formally dressed, and performing on Yamaha
oncert grand pianos. The two traded playing each other's compositions, as well as pieces by other composer
uch as Bla Bartk.
n 1982, Corea performed The Meeting, a live duet with the classical pianist Friedrich Gulda.
n December 2007 Corea recorded a duet album, The Enchantment, with banjoist Bela Fleck.[9]Fleck and
Corea toured extensively behind the album in 2007. Fleck was nominated in the Best Instrumental Composit
ategory at the 49th Grammy Awards for the track "Spectacle".[10]
n 2008 Corea collaborated with Japanese pianist Hiromi Uehara on the live albumDuet (Chick Corea and
Hiromi). The duo played a concert at Tokyo's Budokan arena on April 30.[11]
Later work
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Corea performs with Bla Fleck,
March 1, 2008
Corea's other bands include the Chick Corea Elektric Band, its
raditional jazz trio reduction called Akoustic Band, Origin, and its
raditional jazz trio reduction called The New Trio.
Corea signed a record deal with GRP Records in 1986 which led to the
elease of ten albums between 1986 and 1994, seven with the Elektric
Band, two with the Akoustic Band and a solo album "Expressions".
The Akoustic Band released a self-titled album in 1989 and a live
ollow-up, "Alive" in 1991, both featuringJohn Patitucci on bass and
Dave Weckl on drums. It marked a turn back toward traditional jazz in
Corea's career, and the bulk of his subsequent recordings have been
acoustic ones. The Akoustic Band also provided the music for the 1986
Pixar shortLuxo Jr.with their song "The Game Maker".
n 1992 Corea started his own label, Stretch Records.[3]
n 2001 the Chick Corea New Trio, with Avishai Cohen and Jeff Ballard on bass and drums, respectively,eleased the album Past, Present & Futures. The 11-song album includes only one standard composition (Fa
Waller's "Jitterbug Waltz"). The rest of the tunes are Corea originals.
He also participated in 1998'sLike Minds, which features Gary Burton on vibes, Pat Metheny on guitar, Dav
Holland on bass and Roy Haynes on drums.
Recent years have also seen Corea's rising interest in contemporary classical music. He composed his first pi
oncerto and an adaptation of his signature piece, "Spain", for a full symphony orchestra and performed i
999 with the London Philharmonic Orchestra. Five years later he composed his first work not to feature any
keyboards: his String Quartet No. 1 was specifically written for the Orion String Quartet and performed by th
at 2004's Summerfest.
Corea has continued releasing jazz fusion concept albums such as To the Stars(2004) and Ultimate Adventur
2006). The latter album won the Grammy Award for Best Jazz Instrumental Album, Individual or Group.
n 2008, the third version of Return to Forever (Corea, keyboards; Stanley Clarke, bass; Lenny White, drums
Di Meola, guitar) reunited for a worldwide tour. The reunion received positive reviews from most jazz and
mainstream publications.[12]Most of the group's studio recordings were re-released on the compilationRetur
o Forever: The Anthologyto coincide with the tour. A concert DVD recorded during their performance at th
Montreux Jazz Festival was released in May 2009. He also worked on a collaboration CD with the vocal gro
The Manhattan Transfer.
A new group, the 5 Peace Band, which features Corea and guitarist John McLaughlin, began a world tour in
October 2008. Corea had previously worked with McLaughlin in Davis' late 1960s bands, including the grou
hat recorded Davis' albumBitches Brew. Joining Corea and McLaughlin were saxophonist Kenny Garrett an
bassist Christian McBride. Drummer Vinnie Colaiuta played with the band in Europe and on select North
American dates; Brian Blade played all dates in Asia and Australia, and most dates in North America. The
http://en.wikipedia.org/wiki/Brian_Bladehttp://en.wikipedia.org/wiki/Vinnie_Colaiutahttp://en.wikipedia.org/wiki/Christian_McBridehttp://en.wikipedia.org/wiki/Kenny_Garretthttp://en.wikipedia.org/wiki/John_McLaughlin_(musician)http://en.wikipedia.org/wiki/Montreux_Jazz_Festivalhttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-12http://en.wikipedia.org/wiki/Lenny_Whitehttp://en.wikipedia.org/wiki/Stanley_Clarkehttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Concept_albumhttp://en.wikipedia.org/wiki/Summerfesthttp://en.wikipedia.org/wiki/Orion_String_Quartethttp://en.wikipedia.org/wiki/String_quartethttp://en.wikipedia.org/wiki/London_Philharmonic_Orchestrahttp://en.wikipedia.org/wiki/Signature_songhttp://en.wikipedia.org/wiki/Piano_concertohttp://en.wikipedia.org/wiki/Contemporary_classical_musichttp://en.wikipedia.org/wiki/Roy_Hayneshttp://en.wikipedia.org/wiki/Dave_Hollandhttp://en.wikipedia.org/wiki/Pat_Methenyhttp://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/Like_Minds_(album)http://en.wikipedia.org/wiki/Fats_Wallerhttp://en.wikipedia.org/wiki/Jeff_Ballard_(musician)http://en.wikipedia.org/wiki/Avishai_Cohen_(bassist)http://en.wikipedia.org/wiki/Chick_Corea#cite_note-ALLMUSIC-3http://en.wikipedia.org/wiki/Stretch_Recordshttp://en.wikipedia.org/wiki/Luxo_Jr.http://en.wikipedia.org/wiki/Dave_Wecklhttp://en.wikipedia.org/wiki/John_Patituccihttp://en.wikipedia.org/wiki/GRP_Recordshttp://en.wikipedia.org/wiki/Chick_Corea_Elektric_Bandhttp://en.wikipedia.org/wiki/B%C3%A9la_Fleckhttp://en.wikipedia.org/wiki/File:B%C3%A9la_Fleck_and_Chick_Corea_2,_March_1,_2008.jpg -
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variety of Corea's music was celebrated in a 2011 retrospective with Corea playing with the Jazz at Lincoln
Center Orchestra in the Lincoln Center for the Performing Arts; aNew York Timesreviewer had high praise
he occasion: "Mr. Corea was masterly with the other musicians, absorbing the rhythm and feeding the solois
t sounded like a band, and Mr. Corea had no need to dominate; his authority was clear without raising
volume."[13]
A new band for 2013, Chick Corea & The Vigil, featured Corea along with bassist Hadrien Feraud, Marcus
Gilmore on drums (carrying on the lineage of jazz from his grandfather, Roy Haynes), saxes, flute, and bass
larinet from Tim Garland, and guitarist Charles Altura.
Scientology
Corea says that Scientology has helped deepen his relationships with others, and helped him find a renewed
path.[4]Under the "special thanks" notes in all of his later albums, Corea mentions that L. Ron Hubbard,
ounder of Scientology, has been a continual source of inspiration. In 1968 Corea discoveredDianetics,
Hubbard's principal work, and in the early 1970s developed an interest in Hubbard's science fiction novels. T
wo exchanged letters until Hubbard's death in 1986, and Corea had three guest appearances on Hubbard's 19album Space Jazz: The Soundtrack of the Book Battlefield Earth, noting, "[Hubbard] was a great composer a
keyboard player as well. He did many, many things. He was a true Renaissance Man."[14]Corea said that
Scientology became a profound influence on his musical direction in the early 1970s: "I no longer wanted to
atisfy myself. I really want to connect with the world and make my music mean something to people."[15]
n 1993, Corea was excluded from a concert during the 1993 World Championships in Athletics in Stuttgart,
Germany. The concert's organizers excluded Corea after the state government of Baden-Wrttemberg had
announced it would review its subsidies for events featuring avowed members of Scientology.[16][17]After
Corea's complaint against this policy before the administrative court was unsuccessful in 1996,[18]members
he U.S. Congress decried a violation of Corea's human rights in a letter to the German government.[19]
However, Corea is not banned from performing in Germany and even had several appearances at the
government-supported International Jazz Festival in Burghausen, where he was awarded a plaque in
Burghausen's "Street of Fame" in 2011.[20]
n 1998, Corea and fellow entertainers Anne Archer, Isaac Hayes, and Haywood Nelson attended the 30th
anniversary of Freedommagazine, the Church of Scientology's investigative news journal, at the National Pr
Club in Washington, D.C., to honor 11 human rights activists.[21]
Discography
Awards
Up to and including 2013, Corea has been nominated for sixty-one Grammy Awards, out of which he has wo
20:
http://en.wikipedia.org/wiki/Grammy_Awardhttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-21http://en.wikipedia.org/wiki/National_Press_Club_(United_States)http://en.wikipedia.org/wiki/Investigative_journalismhttp://en.wikipedia.org/wiki/Church_of_Scientologyhttp://en.wikipedia.org/wiki/Freedom_(magazine)http://en.wikipedia.org/wiki/Haywood_Nelsonhttp://en.wikipedia.org/wiki/Isaac_Hayeshttp://en.wikipedia.org/wiki/Anne_Archerhttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-ovbonline-20http://en.wikipedia.org/wiki/Burghausen,_Alt%C3%B6ttinghttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-billboard-19http://en.wikipedia.org/wiki/Chick_Corea#cite_note-18http://en.wikipedia.org/wiki/Chick_Corea#cite_note-Scientology_SZ-17http://en.wikipedia.org/wiki/Chick_Corea#cite_note-Laut.de-16http://en.wikipedia.org/wiki/Baden-W%C3%BCrttemberghttp://en.wikipedia.org/wiki/Stuttgarthttp://en.wikipedia.org/wiki/1993_World_Championships_in_Athleticshttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-15http://en.wikipedia.org/wiki/Chick_Corea#cite_note-allaboutjazz-14http://en.wikipedia.org/wiki/Polymathhttp://en.wikipedia.org/wiki/Dianeticshttp://en.wikipedia.org/wiki/L._Ron_Hubbardhttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-losangelestimes-4http://en.wikipedia.org/wiki/Scientologyhttp://en.wikipedia.org/wiki/Tim_Garlandhttp://en.wikipedia.org/wiki/Roy_Hayneshttp://en.wikipedia.org/wiki/Hadrien_Feraudhttp://en.wikipedia.org/wiki/Chick_Corea#cite_note-13http://en.wikipedia.org/wiki/Lincoln_Center_for_the_Performing_Artshttp://en.wikipedia.org/wiki/Jazz_at_Lincoln_Center_Orchestra -
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Year Award Album/song
1976Best jazz instrumentalperformance, group
No Mystery(with Return to Forever)
1977Best arrangement of aninstrumental recording
Leprechaun's Dream, The Leprechaun
1977
Best jazz instrumental
performance, group The Leprechaun
1979Best jazz instrumentalperformance, group
Friends
1980Best jazz instrumentalperformance, group
Duet(with Gary Burton)
1982Best jazz instrumentalperformance, group
In Concert, Zrich, October 28, 1979(with Gary Burton)
1989Best R&B instrumentalperformance
Light Years, GRP Super Live In Concert(with Elektric Band)
1990Best jazz instrumentalperformance, group
Akoustic Band
2000 Best instrumental solo Rhumbata,Native Sense(with Gary Burton)
2001Best jazz instrumentalperformance
Like Minds(with Gary Burton, Pat Metheny, Roy Haynes and DaveHolland)
2002 Best instrumental arrangement Spain for Sextet & Orchestra, Corea.Concerto
2004 Best jazz instrumental solo Matrix,Rendezvous in New York
2007Best jazz instrumental
performance, groupThe Ultimate Adventure
2007 Best instrumental arrangement Three Ghouls, The Ultimate Adventure
2008 Best jazz instrumental album The New Crystal Silence(with Gary Burton)
2010 Best jazz instrumental albumFive Peace BandLive(with John McLaughlin, Kenny Garrett,Christian McBride, Vinnie Colaiuta)
2012 Best improvised jazz solo 500 Miles High,from Forever(with Stanley Clarke, Lenny White)
2012 Best jazz instrumental albumForever (with Corea, Clarke & White)(with Stanley Clarke, LennyWhite)
2013 Best improvised jazz solo Hot House, fromHot House(with Gary Burton)2013 Best Instrumental Composition Mozart Goes Dancing, fromHot House(with Gary Burton)
Corea has also won two Latin Grammy Awards.
http://en.wikipedia.org/wiki/Latin_Grammy_Awardhttp://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Instrumental_Compositionhttp://en.wikipedia.org/wiki/Grammy_Awards_of_2013http://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Improvised_Jazz_Solohttp://en.wikipedia.org/wiki/Grammy_Awards_of_2013http://en.wikipedia.org/wiki/Lenny_Whitehttp://en.wikipedia.org/wiki/Stanley_Clarkehttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_2012http://en.wikipedia.org/wiki/Lenny_Whitehttp://en.wikipedia.org/wiki/Stanley_Clarkehttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Improvised_Jazz_Solohttp://en.wikipedia.org/wiki/Grammy_Awards_of_2012http://en.wikipedia.org/wiki/Vinnie_Colaiutahttp://en.wikipedia.org/wiki/Christian_McBridehttp://en.wikipedia.org/wiki/Kenny_Garretthttp://en.wikipedia.org/wiki/John_McLaughlin_(musician)http://en.wikipedia.org/wiki/Five_Peace_Bandhttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_2010http://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/The_New_Crystal_Silencehttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_2008http://en.wikipedia.org/wiki/The_Ultimate_Adventurehttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Instrumental_Arrangementhttp://en.wikipedia.org/wiki/Grammy_Awards_of_2007http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_2007http://en.wikipedia.org/wiki/Rendezvous_in_New_Yorkhttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Solohttp://en.wikipedia.org/wiki/Grammy_Awards_of_2004http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Instrumental_Arrangementhttp://en.wikipedia.org/wiki/Grammy_Awards_of_2002http://en.wikipedia.org/wiki/Dave_Hollandhttp://en.wikipedia.org/wiki/Roy_Hayneshttp://en.wikipedia.org/wiki/Pat_Methenyhttp://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/Like_Minds_(Gary_Burton_album)http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_2001http://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Solohttp://en.wikipedia.org/wiki/Grammy_Awards_of_2000http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_1990http://en.wikipedia.org/wiki/Chick_Corea_Elektric_Bandhttp://en.wikipedia.org/wiki/Light_Years_(Chick_Corea_album)http://en.wikipedia.org/wiki/Grammy_Award_for_Best_R%26B_Instrumental_Performancehttp://en.wikipedia.org/wiki/Grammy_Awards_of_1989http://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/In_Concert,_Z%C3%BCrich,_October_28,_1979http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_1982http://en.wikipedia.org/wiki/Gary_Burtonhttp://en.wikipedia.org/wiki/Duet_(Gary_Burton_%26_Chick_Corea_album)http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_1980http://en.wikipedia.org/wiki/Friends_(Chick_Corea)http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_1979http://en.wikipedia.org/wiki/The_Leprechaun_(Chick_Corea_album)http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_1977http://en.wikipedia.org/wiki/The_Leprechaun_(Chick_Corea_album)http://en.wikipedia.org/wiki/Grammy_Award_for_Best_Instrumental_Arrangementhttp://en.wikipedia.org/wiki/Grammy_Awards_of_1977http://en.wikipedia.org/wiki/Return_to_Foreverhttp://en.wikipedia.org/wiki/No_Mysteryhttp://en.wikipedia.org/wiki/Grammy_Award_for_Best_Jazz_Instrumental_Album,_Individual_or_Grouphttp://en.wikipedia.org/wiki/Grammy_Awards_of_1976 -
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Categories: 1941 births American jazz composers American jazz musicians American jazz pianists
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Latin Grammy Award winners Living people Miles Davis Musicians from Massachusetts
People from Chelsea, Massachusetts Post-bop pianists Return to Forever members
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