chicago studio spring 2014 - john sturniolo

114
Chicago Studio Spring 2014 John Anthony Sturniolo College of Architecture and Urban Studies Virginia Tech

Upload: john-sturniolo

Post on 07-Mar-2016

220 views

Category:

Documents


1 download

DESCRIPTION

Virginia Tech Chicago Studio Spring 2014 John Anthony Sturniolo

TRANSCRIPT

  • Chicago StudioSpring 2014

    John Anthony SturnioloCollege of Architecture and Urban Studies

    Virginia Tech

  • Special thanks goes out to Program Director Andrew Balster, Von Weise Associates, GREC, CannonDesign, SOM and many others for hosting, teaching, instructing, and supporting the students of Virginia Tech.

  • Contents

    Urban Mapping

    Professional PracticeInterviewsLectures

    Chicago StudioConjecturesRedmoon

    Photography

    page 8

    page 30page 42

    page 68page 76

    page 102

  • Urban MappingSustainabilityAccessibility

    DiversityOpen SpaceCompatibility

    IncentivesAdaptability

    DensityIdentity

  • Urba

    n M

    appin

    g

    page 8 of 114

    Principle #1: SustainabilityHeather RosenMaru Padilla

    ThefirstprincipleofthebookCityBuilding:NinePlanningPrinciplesforthe21stCenturyissustainability.Itischosentoheadthelistbecauseitisanoverarchingprinciplewhichimpactsalltheothers.Itiscrucialforurbanplannerstoconsiderthesustainabilityofaprojectthroughouttheentiredesignprocess.Theprincipleofsustainabilitydoesnotonlyrefertoenvironmentalfactors,butincludessocialandeconomicissues.Sustainabilityisaholisticdesignapproach. Sustainableurbanplanningcanbebrokendownintotwomainefforts:conservationofthenaturalenvironmentandsmartcitybuilding.Thenaturalenvironmentneedstobecarefullyconsideredwheneverdesigningacity.Itisimportanttocalculatetheenvironmentalcarryingcapacityoftheland,managethelanduseinanarea,maintaincleanairandwater,conserveopennaturalspace,anduselocalresources.Thebuiltenvironmentmustalsobeconstructedinasmartway.Strategicplansincludeusingenergyefficientsystems,makingdensedevelopments,implementingefficientinfrastructure,andutilizinglocalbuildingmaterials. Designingandbuildingdensecitiesisacriticalsteptowardsachievingsustainability.Densedevelopmentsallowformaximumconservationofnaturallandscapeandresultsinmorelivablespaces.Inordertorealizethiscondition,thereneedstobecooperationandcollaborationbetweenregionalandlocalgovernments.Thesegroupsworkingtogethercanimplementzoningandlandusepolicies,inter-citytransitinfrastructure,economicsufficiencyplans,andbuildingcodestandards.Combiningtheseelementswillresultintheplanningofeconomically,socially,andenvironmentallysustainablecities.

    BUILD-ING A CITY

  • Urba

    n M

    appin

    g

    page 9 of 114

    Plannedvs.Unplanned

    Densityvs.Sprawl

    GuidingPopulations

    IntercityTransit

    EnergyEfficientMaterials

    UrbanInfill

  • Urba

    n M

    appin

    g

    page 10 of 114

    Principle #2: AccessibilityKelsey DressingAndrew Economou

    Accessibilityisaboutfacilitatingeaseofmovementandmaximizingcirculation.Inordertodesignamoreaccessiblecity,oneofthemostimportantaspectstoconsideristheconcentrationofdensitywithinanefficienttransitnetwork.Compactdevelopmentscanaidinreducingtraveltime,discouragingautomobileuseandencouragingwalkability.Byconnectingconcentratedpedestrian-friendlydestinationswithmasstransitsystems,theuseofcarsisreduced.Inordertobetterservethepedestrian,breakingdownlargeareasintosmallblocksandstreetscanprovidesaferandeasiercrossings,whilealsogivingtheroadsystemredundancy.Ifabreakdownoccurs,parallelroutescanprovidetrafficalternatives.Whendesigningtransitsystems,havingtheabilitytohandlemultiplemodesoftransportisbeneficial. Transportation,circulationandaccesscorridorsshouldbeconsideredwhendesigningacity.Settingasideareasaslandreservesforfuturetransportationusecanpreventpossibledemolitionofbuildings.Transitcorridorsshouldbelocatedattheboundariesofdistrictswithoutblockingimportantviewstocreatemorewalkableareas.Byreducingthesizeandradiusofturns,trafficisforcedtoslowdown,whichmakestheareasaferforpedestrians.Anotherwaytoincreasepedestriancomfortistoconsiderthestreettypesanddesigntreatments.Widersidewalks,designatedmasstransit,automobile,andbikelines,andlandscapetreatmentscanallworktogethertocreateamorepedestrian-friendlyarea.Inconclusion,consideringtheneedsofpedestriansandtransitrequirementsindesigncanleadtoamoreaccessiblecity.

    MultipleModesofTransportation

    EASE OF MOVEMENTMULTIPLE MODES

  • Urba

    n M

    appin

    g

    page 11 of 114

    SmallBlocks&Streets

    ConcentratedDestinations

    Geometry&Scale

    EASE OF MOVEMENTCONCENTRATED DESTINATIONS

    EASE OF MOVEMENTSMALL BLOCKS AND STREETS

    CIRCULATIONGEOMETRY & SCALE

  • Urba

    n M

    appin

    g

    page12of114

    Principle #3: DiversityAnna Knowles-BagwellAaron Williams

    REDUCING SPRAWLMIXED USE

    Diversificationofaplaceoccurswithintwomaincategories;thebuiltenvironmentandtheresidents.Thebuiltenvironmentcanbevariedthroughtheconservationofnaturallandscapesorsignificanthistoricbuildings,allowingforthecharacterofaplacetodevelopovertimeandauthenticallyreflectitshistory.Whendevelopingnewstructures,designvariationisimportantbecauseithelpstoincreasevisualvariety.Thiscanbeaccomplishedbybreakinglargerparcelsoflandintosmallerparcelsandallowingdifferentdesignapproachestotakeplace.Designvariationmaybeinfluencedbyzoninglaws,whichovertimevarybuildingstock,orbysimplyallowingmultipledesignlanguagestobeimplemented.Thesestrategiescombinetocreateanurbanlandscapewhichisvisuallydynamicandrepresentativeofthepeoplewhoinhabitit.However,simplycreatinganinterestinganddiversebuildingstockisnotenoughtokeeppeoplelivingandthrivinginanarea. Mixedusecanbeusedastheumbrellastrategyfordiversifyingtheculturalelementswhichdrawpeopletoaplace,allowingthemtofindtheirnicheandstaythere.Inthiscase,mixedusemeansmorethanjustvariationintheamenitiesandprogramofadevelopment.Instead,itincorporatesalargerscaleofthinking,includingaccessibletransitandpracticalproximitybetweenamenities.Thisconceptofimmediacyreducestheamountofsprawl,creatingcommunitieswhichareoverallmoreviableforresidents.Itisalsoimportanttoretainmultiplelevelsofaffordabilitywithinamixedusedevelopment,thusmaintainingeconomicdiversityandcombattingsocialstratification.Whenalloftheseelementsarebroughttogether,incombinationwithotherprovenurbanstrategies,theresultisaplacewhichisrichincharacteraswellasvisualandintellectualinterest.

    MixedUseToReduceUrbanSprawl

  • Urba

    n M

    appin

    g

    page 13 of 114

    CONSERVATIONVISUAL VARIETY

    + =

    AVOIDING SAMENESSSMALL PARCELS

    OptimizingAdjacencyBetweenUses

    MultipleVoicesWithinADevelopment

    ConservationOfHistoricStructures

  • Urba

    n M

    appin

    g

    page 14 of 114

    Principle #4: Open SpaceBryce BeckwithAdrienne Milner

    Thepresenceofopenspacewithinanurbanenvironmentisimperativeforreasonspertainingtohumanhealth,naturalhabitats,andthequalityoflivingenvironment. Openspaceshouldtakeintoaccountthepreexistinghabitatandnaturalsystems.Whendesigninglargeopenspacessurroundingwildlife,migrationcorridorsshouldbepreserved.Thegroundplaneneedstoremainporoustoaccommodatewatershedsthatoftenexistsurroundingfloodplains,rivers,anddrainagecorridors.Theisolationofparkspacesshoulddistancehabitatfromhumancontact,creatingvariousspacesofsensitivitytonaturalhabitats. Recreationandurbanlandscapeisanimportanttypeofopenspaceforthehealthandqualityoflifewithindenselivingconditions.Openspaceintendedforrecreationaluseandhumanactivitiesshouldbeprogrammedaccordingly.Theurbanlandscapeshouldcontaingreenspaces forenvironmentalpurposesthatimprovethequalityoflifesuchascoolingair,filteringpollutedrunoff,andabsorbingcarbondioxide.Variousscalesofopenspacesshouldbedistributedwithinanurbanfabricinaccordancetoeasyaccessibility. Lastly,openspaceisacrucialelementofanybuiltenvironmentforthevisualandspatialreliefthatitoffers.Conservingman-madeandnaturallandscapesuchashills,rivers,parks,andskylightstrengthenscontextualcharacteristics.Viewsshouldbepreserved,providingvisualrelieffromthebuiltenvironment,andhighlightinglandscapedcontextualcharacteristics.Physicalconnectiontothesepreservedviewsareimportantasitcreatesareleasefromcitiesandpreventstheapplicabilityoftheislandeffectonthebuiltenvironment.

    INDUSTRIALProgrammedopenspacesforhumanactivitiesversusopenspacesthataccommodateindustrialandinfrastructuralneeds.

    INDUSTRIALINFRASTRUCTURAL

  • Urba

    n M

    appin

    g

    page 15 of 114

    TOP:Largeopenspacesforhabitatandnaturalsystemssuchaswaterrunoffandwatersheds.MIDDLE:Differentscalesofopenparkspacesforrecreationinproximitytolivingareas.BOTTOM:Denselivingconditionssurroundopenspacecreatingislandsthatisolatewildlife.

    PHOENIX, ARIZONA

    NEW YORK, NEW YORK

    QUNLI PARK, CHINA

  • Urba

    n M

    appin

    g

    page 16 of 114

    Principle #5: CompatibilityIsaac CurreyLindsey Currey

    In deciding whether buildings are to stand out or fit in, the principle [of compatibility] suggests that elements of similarity are just as important in establishing a recognizable, identifiable sense of place as elements of singularity. Throughouttheprocessofdesign,contextshouldconstantlyinfluenceaproject.Thismeanscheckingtheproposalagainstcurrentconditions,andlookingatitasapartofthewholeofthecity.Designersshouldreferencenotonlythesurroundingurbanlandscapeoftoday,butalsothecityshistoricalcontext.Inaddition,designersshouldtrytoaccountforfutureconditions,evenpostulateastowhatchangestheirprojectmightsparkintheurbanfabric. Attheresolutionofindividualbuildings,scaleisamajorfactorinestablishingcompatibility.Parcelsize,aswellasheightandsetbackscanberegulatedtoformanurbanconsensus.However,allowancesshouldbemadeforsomevariation,interestandrelief.Ifdesired,aheightdifferenceofuptotwotimescancreatealandmarkbuilding,butanythingmuchabovethatwillseemoutofplaceandfreakish.Likewise,overlargeparcelsizesbreakthecontinuityofthecity.

    A building should be respectful of its surroundings and of its time. Beyondscale,designersareconfrontedwiththetemporalmatterofstyle.Inmanyways,thebuiltenvironmentisavisualtimelineofhistory.Everyarchitectorplannerofanewprojecthastoaskthemselveshowmuchtheywanttoreferenceandreflectthecontext,respect[the]surroundings,andhowmuchdotheywanttodeviate,inordertobeof[the]time?Howshouldthecharacterofthebuildingsitinthistimeline?Thesequestionsareansweredprimarilythroughdecisionsofmaterialanddetailing,colorandhistoricalpreservation. Compatibilityisaboutthebroadersenseofplace;aboutbothsimilarityanddifference.Seekingtorespecttheexistingcharacterandqualitiesofasite,compatibilityindesignmakeswayforthevaluesoftodayandthepossibilitiesofthefuture.

  • Urba

    n M

    appin

    g

    page 17 of 114

  • Urba

    n M

    appin

    g

    page 18 of 114

    Principle #6:IncentivesPatrick McMinnJohn Sturniolo

    Incentivesforexpandingorbuildingacitygenerallyfocusonareasthathaveunderusedland,infrastructureorbuildings,suchasspacesthatareineconomicdeclineorbrownfields.Thisdevelopmentiscommonlycarriedoutbygovernmentalorprivateorganizationstofacilitatefurtherinvestment.Themostcommonincentivesare:taxreductions;subsidiesforlandcosts;siteassemblyandpreparation;newinfrastructurefortransportationandutilizes;healthcare,education,andpublicsafetyservices;openspaceandlandscapebeautification;andadditionaldensityallowances.Agrowing,livablecityisanattractionfortalentedindividualswhointurnwillacceleratethesuccessandexpansionofthecitylifeandattractivespaces.Thisdevelopprocessisfound,planned,anddefinedthroughmasterplanningandinfrastructureimprovement.Themasterplanprovidesastrategicapproachforattractingnewinvestments,citygrowthanddevelopment,andadefinedfocusforthefutureofthecity.Themasterplanisdesignedarounddevelopmentquality,beautification,andvalueenhancement.DevelopmentQualityfocusesoncirculation,openspaces,andphasesofbuildingconstructionasaframeworkforpotentialinvestors.LandscapeBeautificationofstreets,parks,andwaterfrontsareoneofthemainmethodsofattractinginvestmentstoaparticulararea.ValueEnhancementconsolidatesexistinglandparcelsandaddsadditionaldensitytotheplotwhichinturnaddsfurthervaluetotheproperty.Theseconddirectionforcitydevelopmentisthroughinfrastructureimprovements,whicharedonethroughaccessimprovementsandthecreationofpublicfacilities.Byimprovingtheinfrastructureofaspacetofacilitatetheeaseofaccessintothoseareas,transitorienteddevelopmentfollowstheseconstructs;malls,restaurants,hotels,andotherlikefacilitiesbeingcommonlyfoundnearamajoraccesspointsuchasasubwaystation.Thiscanbeaccomplishedthroughtransitandstreetredesign,newbicyclepaths,pedestrianwalkways,parking,andotheraccessimprovements.Thecreationofpublicfacilitiessuchasairports,conventioncenter,ballparks,museums,performancehalls,culturalandeducationalfacilitiesallcreatenewjobsanddrawinvisitorsandeconomicrevenue.Thesefacilitiescanalsoaddvalueandrevenuetooneanother,suchasanewconventioncenterattractingnewhotelswhichattractsnewrestaurantsandentertainmentvenues.

    SOCIALCENTER

    SCHOOLRESIDENTIAL

    MAINTRANSITAXIS

  • Urba

    n M

    appin

    g

    page 19 of 114

    UNUSEDDEVELOPMENTRIGHTSTRANSFERRED

    HISTORICBUILDINGPRESERVED

  • Urba

    n M

    appin

    g

    page20of114

    Principle #7: AdaptabilityRachel MontagueGregory Dalfonzo

    Adaptability,asframedbyKriken,isfocusedonthegoalofcreatingcitiesthatareflexibleovertime.Moreflexibilityenablesdesignerstoconserveresourcesandhistoryasacityages.Designersareexpectedtotakeintoaccounttheneedsofaprogressiveurbanlandscape,whilemaintainingthevibrancyofthebuiltenvironment.The mainpointsofadaptabilityarecentralizedexpansion,smallermodules,conservationofopenspace,andviabilityofcommunities.Allofthesetopicsoverlapintheireffectsandintentions,developingabalancebetweenadaptationandinnovation. Centralizedexpansionsupportsanefficientandunderstandablecityscape.Bymaintainingfocalzonesofestablishedareas,boththesenseofincompletenessanddebrisfromnewconstructionareseparatedfromdailylife.Thefinishedcenterservesasanorientationdeviceforvisitors. Planningwithsmallerparcelsoflandencouragesthemostefficientuseofvaluablespacethatcentersonthepedestrian.Parcelscanbecombinedtocreatedistinctprogrammaticgroupingsthatcanlaterbereallocatedasuseschange.Ahighdegreeofwalkability,supportedbymaintainingaccessiblewalkwaysthroughlargerbuildings,connectsthesedisparateelementsofthecityandsupportscollaboration. Openspaceisapreciouscommodityinthecity.Forurbandwellerstoreceiveashareofwind,sun,view,andgreenspaces,citiesmustprioritizethemaintenanceanddevelopmentofflexibleopenspaces. The economicsofthecityaresuchthatthesupportingelementsofdailylifemustbeintegratedintoeverycommunity.Shops,gyms,residences,andbusinessescanbedevelopedinamutuallysupportiveway.Theviabilityofcommunitiesalsoreliesonsimplespatialdecisions.Engagingthestreetandpedestriansresultsinamorecomprehensiveuseofbuildings,whichcansupportachangeinprogramlaterintime. Mostofthemovesthatsupportadaptabilityarecommonsense,buttheyarealsooftenoverlooked,asdesignersseektodeveloptheirpersonalideas.Whiletheexpressionofconceptisimportantinthesuccessofadesign,theawarenessofandengagementwithmoregeneralissuesisjustascrucial.Adaptabilitywillmakeanydesignmuchmorevaluable,especiallyascitiesbecomemorecrowdedandadaptivereusebecomesmandatory.

    60s 00s90s80s70s

    DIRECTION OF EXPANSION

    MIX ADDRENOVATEREUSEADAPT

    PRINCIPLE SEVEN: ADAPTABILITYBENEFITS

    DIRECTION OF EXPANSION

  • Urba

    n M

    appin

    g

    page21of114

    VACANTLOTS

    INCOMPLETEINCOMPLETENEIGHBORHOOD

    OPEN SPACE

    COMPLETECORE

    PLANNEDEXPANSION

    PERMANENT OPEN SPACE

    SCALED CITY PLANNINGPARK

    DEVELOPMENTSDEVELOPMENTS

    PERMANENT OPEN SPACE

    SCALED CITY PLANNINGPARK

    General Practice Optimal Practice

  • Urba

    n M

    appin

    g

    page22of114

    Principle #8: DensityEthan BingemanAlec Yuzhbabenko

    Densityisdefinedbythenumberofpeoplelivingorworkingonagivenunitofland.Itvariesbasedonmanyfactors,butcultureisthemostinfluential.Developingcountriestendtohaveadensityofabout100squarefeetperfamilywhilemoredevelopedcountrieshaveabout1,000squarefeetforevery2people.Anotherdeterminantofdensityistheterraininthelocationofaplace.Mountains,rivers,oceansandothernaturalboundariesimposelimitsanddictatetheurbanfabric. Whendealingwithcitydesign,therearethreeelementstoconsiderinanefforttoachievealivablecity: +Integratingtransitwithshopping,business,andentertainmentwithresidentialareastosupportefficienttransitandencouragewalking. +Asuggesteddensityof300dwellingsperacretomaximizeviews,sunlight,andadequateopenspace. +Establishingamenities(recreational,cultural,andsupportiveservices)toactivatethestreetatalltimes. Implementingtheseelements,higherdensity,mixed-usecorridorsconnectareasbymeansofpublictransportation.Strengtheningneighborhoodsprovideabaseforthedensitytoform.Protectinglandmarks,parks,andindustrialareas,whichareessentialtoacityandneighborhoodcharacter,bringeconomicbenefitforthedensitytothrive.Lastly,expandingopenspacesbeginstomakethehigherdensitymoreenjoyableforresidents. Sprawlingdevelopmentdestroysirreplaceableland,wastesenergyandinfrastructure,andcausesmillionsofhourslostincommutes.Throughtransitorienteddevelopment,carefulplanning,andprovidingadequateamenities,thesedensitiesaresustainable,livable,andachievable.

    S ARCH

    ER AVE S STATE ST

    CERMAK RD

    S CALUMET AVE

    S PRARIE AVE

    S INDIANA AVE

    S MICHIGAN AVE

    S WABASH AVE

    S CLARK ST

    S WENTW

    ORTH AVE

    S WENTW

    ORTH AVE

    S PRINCETON AVE

    S STATE ST

    S PRARIE AVE

    S INDIANA AVE

    S MICHIGAN AVE

    S WABASH AVE

    S CLARK ST

    S WOLCOTT AVE

    S DAMEN AVE

    S WOOD ST

    S ASHLAND AVE

    S LAFLIN ST

    S LOOMIS ST

    S THROOP ST

    S RACINE AVE

    S MAY ST

    S CARPENTER ST

    S MORGAN ST

    S PEORIA ST

    S HALSTEAD ST

    S JEFFERSON ST

    S CANAL ST

    S ALLPORT ST

    S WOLCOTT AVE

    S DAMEN AVE

    S WOOD ST

    S PAULINA ST

    S ASHLAND AVE

    S LAFLIN ST

    S LOOMIS ST

    S THROOP ST

    S RACINE AVE

    S MAY ST

    S CARPENTER ST

    S MORGAN ST

    S PEORIA ST

    S HALSTEAD ST

    S JEFFERSON ST

    S CANAL ST

    S ALLPORT ST

    S PRINCETON AVE

    CERMAK RDCERMAK RDCERMAK RDCERMAK RD

    W COUL

    TER ST

    S BLUE I

    SLAND A

    VE

    S BL

    UE IS

    LAND

    AVE

    CERMAK RDCERMAK RDCERMAK RD

    S CALUMET AVE

    S PRARIE AVE

    S INDIANA AVES INDIANA AVES INDIANA AVE

    S MICHIGAN AVE

    S WABASH AVE

    S STATE STS STATE ST

    S PRARIE AVE

    S INDIANA AVES INDIANA AVE

    S MICHIGAN AVE

    S WABASH AVE

    S CLARK ST

    S ASHLAND AVE

    S PAULINA ST

    S ASHLAND AVE

    S LAFLIN ST

    S LOOMIS ST

    S THROOP ST

    S RACINE AVE

    S MAY ST

    S CARPENTER ST

    S MORGAN ST

    S PEORIA ST

    S HALSTEAD ST

    S JEFFERSON ST

    S ALLPORT ST

    S BL

    UE IS

    LAND

    AVE

    S ARCH

    ER AVEAVE S W

    ENTWORTH AVE

    S WENTW

    ORTH AVE

    S PRINCETON AVE

    S CANAL ST

    S PRINCETON AVE

    S PRINCETON AVE

    S PRINCETON AVE

    S PRINCETON AVE

    S PRINCETON AVE

    CERMAK RD

    S LAFLIN ST

    S LOOMIS ST

    S THROOP ST

    S RACINE AVE

    S MAY ST

    S CARPENTER ST

    S MORGAN ST

    S PEORIA ST

    S HALSTEAD ST

    S JEFFERSON ST

    S ALLPORT ST

    S CANAL ST

    CERMAK RDCERMAK RDCERMAK RDCERMAK RD

  • Urba

    n M

    appin

    g

    page23of114

    FINANCIAL DISTRICT FINANCIAL DISTRICT

    RESIDENTIAL

    Infrastructure

    FinancialDistricts

    EstablishGrid GreenSpace

    SensibleGrowth

    EstablishNeighborhoods

    CityFabric

    BrownfieldSites

    ResidentialDistricts

  • Urba

    n M

    appin

    g

    page24of114

    Principle #9: IdentityErin YoungCatherine Ives

    Identityiscreatingandpreservingauniqueandmemorablesenseofplace.Theprimarysourcesthroughwhichcitiesachieveidentityarenaturalfeatures,climate,culture,anddesign.Becauseeachoneoftheseelementscanvary,itgivesuniquenesstocitiesbecauseoftheinfinitecombinations.Thegreatestchallengeformoderncitybuildersisdesigningfast-growing,yetlivablecities.Suchfastdevelopmentcanhinderbuildersfromrecognizingandutilizingattributesofaspecificcity,causingtheseelementstonothavetimetodevelopintorichanddeepideas. Ontheotherhand,genericcomponentsofacitycanstitchtogethertheurbanfabricinanotherwisedenseareawithtoomanyvariables.Thegenericthenbecomesthebackgroundforspecificlandmarksandculturestodevelopasenseofplace. Agoodcitymustinvolvethepublicinteresttoprotectandenhancethecitysuniquenessovertheprivateinterestthatthreatenit.However,thedevelopmentofidentitycanbeinhibitedbyconflictinginterests,suchastoomanymonumentaliconsthatdontrespecttheirexistingcontext. Establishingidentitywithinacityisdifficultandcanbefacedwithmanychallenges.Manyoftheissuesarecommonamongcities,suchasenvironmentalsameness,repetitionofelements,placesthatarehardtocomprehend,asenseofbeinglost,andalackofnaturalfeatures. Byutilizingexistingconditionsandrecognizingacityspotential,itispossibletocreateasenseofidentity.

    Balancebetweengenericandunique

  • Urba

    n M

    appin

    g

    page25of114

    Issues:environmentalsameness,repetitionofelements,placesthatarehard tocomprehend /senseofbeing lost, and lackof naturalfeatures

  • Urba

    n M

    appin

    g

    Pilsen

    Industrial Corridor

    Chinatown

    Cermak Rd

    18th St

    S H

    alst

    ed S

    t

  • Urba

    n M

    appin

    g

    page27of114

    Pilsen

    Industrial Corridor

    Chinatown

    Cermak Rd

    18th St

    S H

    alst

    ed S

    t

  • Urba

    n M

    appin

    g

    page28of114

    ThediagramonthepreviouspagereflectsthegeneralconditionslocatedaroundRedmoonTheater, situated on the corner ofCermakRoad andSouth JeffersonStreet. The nearbyneighborhoods includePilsen,theIndustrialCorridor,andChinatown.Intermsofaccessibilityandinfrastructure,themainpointsofaccessarealongCermakRoadandSouthHalstedStreet,whichisclearlylimitingtothesurroundingarea.ThereisaRedLineStopinChinatowntotheEast,aGreenlinestoponHalstedtotheNorth,andPinkLinestopstothefarWestinPilsen.Thepointbeing,thattheexistinginfrastructureoftheareadoesnot immediatelysupportthegrowthofthearea.Thereisonlyacoupleavailablebusroutesthroughthearea,thestreetsarenotnecessarilybikefriend,andwalkingispossible,butnotcompletelysupportedbytheexistingconditions.ThereisnotaneaseofaccessintoplacessuchasRedmoonwithoutwalkingforseveralblocks(sometimesthroughquestionableareas)orhavingaprivatecartogetaround.Inshort,theinfrastructureislackingonvariousbasis. ThesurroundingenvironmentaroundRedmooncouldbedescribedasthegeneratedsprawlfromtheclusterdevelopmentsinChinatownandPilsen.However,thisalsohasamoreprogrammatic importance.Theclustereddevelopments inPilsenandChinatownare largelyresidentialhomesandsmallercommercialbusinesses,whileintheoutwardsprawl, industrialbuildings,highdensityhousing,andanassortmentofcommunity-focusedbuildingscanbefound.Insomeways,thisurbanplanningbasisiscompletelyintentional,byhavingaculture-heavycommunityclusteredaway frommain transitaccesspoint itallowsthatcommunity tobecomean island in itself, thuspreservingtheheritageof those individuals. Thateffecthaspositiveandnegativeconsequences in termsof its futuredevelopment. Ononehand,asalreadystated,theculturewillremainmoreintactinthoseareasandindividualstherewillhavemorechoiceoverthefuturedevelopmentoftheirneighborhoods.However,thatmeansthattheinwardgrowthofthoseneighborhoodsisdependentonanincreaseoflike-culturedindividualscontinuing tomove into thoseareas. Also, it ismuchharder to imposenewdevelopmentandstrategicplanningthroughcreatingafocalpointtodrawothersinandcreatingeconomicgrowth; that theeconomics thatgo through that areaare individualswho live therealreadyor individualswhogo to thoseareas forspecific intent. Creatingan islandeffectessentiallyeliminatesthewholebigflashinglightsmentalitytodrawinnewbusinessesandrevenue. In termsof future improvement, Ibelieve that there issomecriticalpoints thatcanbeaddressed to improve theCermakCorridor. Primarily, the largestpointof interestwouldbeimprovingtheexistinginfrastructure,allowingforcloseraccesspointswiththeLtrainsystem,improvingthebustransitnetworkthroughoutthearea,andallowingfortheusageofbikelinesandbikesharing.However,thisalmostmeanscreatedastrongerpointof interesttocreateincentivesfortheseareas.Thiscouldmeanadaptingexistingprogrambuildingsforotherusesandrestructuringthearrangementofsomeofthevastundevelopedspacesfornewbusinessandhousing.Thebiggestquestionofallthispotentialredevelopment,however, isshoulditbedone?PilsenandChinatowndohaveidentitiesthatneedtobepreservedandanysortofmasschangingoftheexistingsystemdependslargelyonthesuccessofpreservingthethoseareas,orifthoseareasneedchangeatallinthefirstplace.

  • Professional PracticeInterviews

    Winn ChenJohn JandaCarl D SilvaHayes Brister

    Taylor MckinleyLuis MonterrubioChip von Weise

  • Profes

    siona

    lPractice

    page 30 of 114

    Role:Architect1,B;entry-levelarchitecturalstaff,taskedforavarietyofthingsonaproject;project-to-projectbasisresponsibilities;model-making,constructiondocuments,development,etc.;Signifyinghowmanyyearsofexperience,2.5yearscurrently CurrentlyaBIMManagerforprimaryproject Evaluations:technicallyhasasupervisorwhoconductshisreview,buttheproject

    team andpeersreallydotheevaluation,beingshuffledfromteamtoteam;individualsinthehierarchyvary Nobodyintheprojectisoverlyspecializedonwhattheyaredoingday-to-day,unless

    theyaretheprojectmanagerorsomethingsimilar;everydayisalittledifferent,dependsonwhatneedstobedone Forthemostofthetime,workingonasingleproject,butmultiplepartsofthatproject Architecture,aniceintersectionofbeingcreativeandbeingpractical(reasonfor

    choosingprofession) Professionisbothvilifiedandglorifiedinculture Alwaysthoughthewouldbedesigningsomething;learningaboutdesigninschoolin

    truth Ifnotcurrentlyinarchitecture10yearsago,wouldhavelikedtodoAppleProduct

    design;Now,sciencefictioncityscapedesignandrendersinmovies,doingthesketchingandrenderings,doesnotneedtomakesense,justlookcool Rewarding:workingwithpeople,coordination,designdevelopment,reallyenjoys

    figuringoutdetails Withacademia,therearesomanyassumptionsthataremadethatareinherently

    untestable,thekeyisthebuiltenvironment Changesineducation/bepreparedfor:

    Theproductisnotthedesign,inmanycasesitisthepresentationofthedesign;pushforhowtopresent.Period.Considerdoingapowerpoint/slideshow,theamountofcontrolyouhavenowoverwhatsequencepeopleseethingsandwhen! Collaboration,butalwayshardinschool,becausethereisnotaboss Studiocultureisfun,butcanbeunhealthy,justtakeitselfalittlelessseriously,be

    morecomfortable Changesinthepractice/futureprojections:

    Thingsaregettingfaster,schedules,demands Despitethespeed,itdoesnothinderdesign,everyonehastoreallyconsiderevery

    decisionmade;designcomesoutofweirdplaces,andtheonlythingthathampersdesignisthequalityoftheclient

    Everyonestartingtheirownpracticeisnotsustainable

    Winn Chen, CannonDesignLow-Level Architect InterviewDuration: 50 minutes

  • Profes

    siona

    lPractice

    page 31 of 114

    John Janda, von Weise AssociatesMid-Level Architect InterviewDuration: 41 minutes

    Becameanarchitectbecauseofhisbrother,influencedinhighschool;marriageofartandtechnicality Role:Quality-controlPosition,butfunctioningasaProjectManager,keeping

    Chipuptospeedontheproject;TheSecondChip SmallFirmrole,everyonehastobeabletodoeverythingessentially;learning

    processquicklyanddevelopment Gratificationofseeingsomethingdreamtuprealized;complicationofthe

    processalsointerestingandgratifying;alwaysdesigningwouldgetboring Criticalimportanceofbudget,butisunfortunatelynotandcannotbetaughtin

    school,justhavetolearnbyexperience Design,Bid,Build Alotofintuition,experience,andtrialanderrorseemtodeterminemanyunsure

    moments,suchaspricing,contracts,daytodayoperations;thethingsthatarenottaughtinschool;cannotalwaysimmediatelyknowhowmuchaprojectwillcost,butcanlookatpreviousprojects,howthingsareinthemarket,materials,andmakeeducatedestimationsforabid Preferencetowardsmaller-firmsizeduetoflexibility,butlarger-firmsdohave

    thatbenefitofexperience,numbers,andprojectsize,butindividualsaremorecategorized,partofamachine Inthenext10-years,takeoveroftheRevitModel,however,existingissue

    withtheinflexibilityofRevit;thatwhencreatingsomanycustom-madedesignstheefficiencyisdefeated,goodforstandardizeditems,notcustomization Revitpushfromgeneralpractice,contractors,clients;theefficiencyforthemto

    seethingsin3Dspaceversustheold2Ddrawings Architectsarestartingtobeexpectedtogreatanentirebuildingin3Dbeforeits

    everevencreated;positivesandnegativestoboth Coordinationismoreimportantandgettingeasier(potentially) Allthisextraworkdoesnotnecessarilyshortentheprojecttimeline,justmakes

    thingsalittleeasierforconstructionlater Advice:donothavetofollowthemodel,donotbeafraidtomovearound,

    besttoknowwhatelseisouttherewhenyouareyounger,dothingsoutsideofarchitecture

  • Profes

    siona

    lPractice

    page32of114

    Role:Vice-PresidentandPrincipalArchitect PrincipalArchitect:Immediateindividualundermaindesigner;takeinitialconceptdesignsand

    turn thatintoabuilding;architecturalsystems,coordinationwithengineers;developmentanddeliveryofthejob Vice-President:termreservedfortheofficersinthefirm;LLC(LimitedLiabilityCooperation);

    cooperateterm,notanarchitecturalterm Reasonforbecomingarchitect:testin9th/10thgrade,listofwhatanindividualwould

    begoodat.SisterwenttoWashington-SaintLouisforArchitecture,understandingofwhatarchitectureschoolwouldbelike,wasnotleaningtowardsanythingelsesoliterallyjustcheckedtheboxontheVirginiaTechapplication LooselythoughtaboutgoingintographicsforDisneyyearsago,butdidnothaveareasonto

    switchout EnjoymentofcurrentworkatJAHN

    Typeofprojects,size/location;startingtoenjoylargerprojectsmore Largecomplexjobs=longertimeframe;abletoworkondifferentphases Enjoysdoingdetails,lookingoverRFIs,shopdrawings Alwayssomethingdifferent,complexityofprojectsandcoordination

    Theonlypersonresponsibleforyourdevelopmentasanarchitectisyou;notTech,notyourprofessors,notthefirmyougoworkfor Againsttheideaforfirmstobreakdowndepartmentsintospecialgroupsforonlycertainparts

    ofaproject;onlydetails,structure,technical,designingorhatteamfortowers Understandingdesignmakesbettertechnicalandviceversa Passingoffjobstoothergroupswithinthefirms,individualsdonotnecessarilyknowwhere

    thatdesign/intentcamefrom;alwayshavesomeonethatfollowsthrougheachstep Consistentlybringingupthatthosethatarepigeon-holedintoaparticularpartoftheproject,

    neverreallyhaveanyotherunderstandingoftheproject(orpotentiallydesignasawhole) Principal>AssociatePrincipal>CoreArchitects Evaluations:usedtobedonebyanofficemanager(recentlyretired),nocurrentformal

    staffingpolicy;projectbased,thedesignersstaywiththeprojecteachstep,donotjustpassitoffaftertheinitialconcept,notsoautonomous,ex.SuchaswithFoster UseofAutoCAD,someRevit,difficulttouseRevitfortheprojectstheyhave,willnotuse

    unlessaclientrequestsit,otherwiseitssolelyfortheirownpurpose;localclientsdonotcare Dependsallontheclients ContractorsreallycannotforceanarchitecttodothingsinRevit JAHNhasbeennaturallyfocusingonenergycodeforyears;reallyitsjustunderstanding

    fundamentalsbetterthankeepingtocertaincode;reducingtheloadsandthepassivearchitecture;energyconsultantandstructuralengineerareengagedintheearlyconcept Wholesocietyismovingtowardssustainability Forstudentstoknow:howyouwanttodevelopyourcareerandwhatyouwanttodowith

    yourcareer;giveathoughttowhattypeofarchitecturetheywanttoworkin;chooseprojects/thesistowardthosetypeoffirmsthatinterestyou

    Carl DSilva, JAHNHigh-Level Architect InterviewDuration: 49 minutes

  • Profes

    siona

    lPractice

    page 33 of 114

    Hayes Brister, Account Executive, HenricksenAlternative Professional Interview #1Duration: 37 minutes

    Originallydidtrainandpursueacareerasanarchitecture Justshowup;beinfrontofopportunities,justgoplaces,nevermissan

    opportunity Eventhoughisnolongerinarchitecture,beingabletoknowtheterminology

    andunderstandspaceplanningmakesiteasiertoconveyandtalktocertainclients Architectsnaturallyseemtothinkdifferentlythanotherpeopleandthinkingin

    suchadiverseandmultifacetedway,whichissometimeshardtoconvinceothersthatarchitectsthinksodifferentlyandhavethecapacityforotherfields 5-yearprogramatMississippiStateUniversity InternshipforayearinschoolwithGensler Workexperience

    SCB AdrianSmith,GordonGill;spinoffofSOM SmithGroup

    Aftermanyyearsrealizedthatthecareerofanarchitectjustwasnotforhim,evenafterworkingatsuchbigfirms,ifthepersonalityandfitofthosedidnotwork,thenthelifeofanarchitectwasnottherightchoice;neverfeltdedicated;wasnevergoingtobethatpersonwiththatmotivationanddrive Evenifsomeotheropportunitycomesupthatisnotnecessarilyarchitecture,

    thatdoesnotmeanthattheopportunityshouldbepassedup ShiftfromArchitecturetoFurniture;friendfromIA,knewofadealershipstartup

    andwantedtoswitchoutfromarchitectureanyway;companyfoldedshortlyafterbutthedealershipsuccessintheareacreatedotherconnectionsandopportunities Dealership-sideisallaboutconnectionsandkeepingthoseconnections Abitridiculousforfirmswhengoingintoaninterviewandthefirmactslikeyou

    aredoingthemafavor;Expectationthatyouareluckytobehere Managementsideofwork;handsinalotmore;facepersonforaproject;

    workingwiththemanufacturesandexchanginginformation Couldstayatsalesandcurrentpositionandstaywithit;comfortable,enjoysthe

    position,enjoysthework,andtheworkpaysoff Trends;fluxofpeoplechangingjobs,moremovementofpeoplebetween

    places;furniturestyleofopenworkstationsstartingtohavesomeback-lash,sobackingupslightlysomemorebalancewitholdcubicalstyleandpersonalspace

  • Profes

    siona

    lPractice

    page 34 of 114

    Taylor Mckinley, Navigator and Urban Planner, RedmoonAlternative Professional Interview #2Duration: 40 minutes

    Donotalwaysrelyonbureaucracytofacilitatechange,justgodoit,getfriendsandmakeachange Interestinurbanplanning:5yearsoldandfamilymovingtoapedestrian

    friendlyenvironment(Toronto)fromaplacethathadamorelackinginfrastructure;subconsciousinfluenceofthelittlethingsoftheeaseofgoingacrosstowntoseefriends,walkingaround,cleanspaces ElementarySchoolprojectonGlobalWarmingandUrbanPlanning Originallywenttocollegeasacivilengineer,notsatisfied,tookanenvironmental

    geographycourse;mindblown! Cananalyzeanythingwithamap;pros,cons,assets,etc. Death&LifeofAmericanCitiesbyJaneJacobs;Urbanized(film);Suburban

    Nation(film);Chinatown(film) Activatingpeopleinpublicspaces Interestinginmeetingandinterviewingpeople,findoutwhatpeoplearedoingin

    theirfreetime Knowingtogoouttoaneighborhoodandaskingpeoplewhatmakesthem

    angry,whatneedstobeimprovedon,andactonit Meetpeople,talktothem,inaparkorcoffeeshop,andfindoutwhatthey

    arethinking;combinesocialmediaanddesign,circumventtheslowbureaucraticplanningprocess(wasteoftime);outreachandplansandreports,butdoesnotactuallyengagethecommunity,notrealgrassrootsplanning

    Meetwithanyone Fulfillmentcomesfromlittlemeetingsandbringingeveryonetogethertoreacha

    criticalmass TransitOrientedDevelopment(TOD),goodidea,buthardtoimplementunless

    onealreadyprocessesthenecessaryfunds,needstobeaccomplishedfast Meetings;addressissuesandholdacharrette;createaframeworkforacouple

    ofissues;outreachtocommunitygroups;regroupandbuildonthatidea Jeffersonian/Enlightenedindividualswhoareexperiencedinmultiplefields,

    gettingtheminvolvedtocreatedsomethingextraordinary ActivatetheSpace:createsomethingsimple,unique,thatdrawspeopleinan

    letthoseindividualsfilltheactivity UrbanPlannersjustcopyandreplicatetheprocessthatothersdobecausethat

    isallthatneedstobedone,spreadtheideas Activatingspacesandpeoplethroughtheuseoftechnology

  • Profes

    siona

    lPractice

    page 35 of 114

    Luis Monterrubio, Coordinating Planner, City of Chicago Planning and DevelopmentAlternative Professional Interview #3Duration: 80 minutes

    PrimaryfunctionwithinthePlanningDivision;managementofthehundredsofplanswithinthecity;adoptingplansthatconfirmwithexistingcitypolicies Howtomakeplanshappen,where,andinwhatcapacity LicensedarchitectfromMexicoCity;thesisinChicago;internshipwiththefirm

    thatwouldeventuallybecomeGREC;3monthinternshipturnedinto14yearsandhiredbythecity Residentialandcommercialplanningdevelopment Sellingthesite,butalsoseeingtheproposedprojectproposalandhowthatfits

    intothecityplanatlarge Stilllearningsomethingneweveryday;moreinvolvedwithurbanplanningvs

    individualprojectsinrecentyears Concentrationclustersofdiversecommercialzoning,especiallyaroundexisting

    assets Placementandarrangementofprograms;transportation,commercial,

    entertainment,housing,etc.andtheinfluencesofeach Projectson-goingoverthecourseofmultipleyears;5,10,20years Fulfillment:seeingsomethingeventuallyconstructed;communitymeetings

    andconversations;knowingthattheplanningisimpactingthecitylandscapeandindividualslivelihoods Incityplanning,eachzoningtaxdistrictisallocatedacertainamountofmoney

    basedonexistingspacecriteria,soevenifthecityhasalargerpotofmoney,thatmoneyisnotavailabletoeachspace Reviewingthefeasibilityanduseofplans Cannotbeanexpertoneverything,soneedtohaveconversationswiththose

    individuals Knowingwhatisthecorrectlocationofcertainbusinesstypes;onthecorner

    versusthecenterofablock,especiallylargerbusinesses UrbanPlanningimprovementsbasicallydependentonnewemerging

    technologyandadvances;willbecomemoredatamanagers Architecturetourbanplanningtransition,sameprinciples,justchangeofscale

  • Profes

    siona

    lPractice

    page 36 of 114

    Afterspeakingtoeachoftheseindividuals,onemajorthinghasbecomeextremelyclearthroughouteachoftheconversations,thattheseindividualsareextremelypassionateandfindfulfillmentandenjoymentintheirwork,whateveritmaybe.ForyearsIwouldhavetosaythatIdidnotnecessarilyknowthedifferencebetweenajobandacareer.Theseindividualsdonothavejobs,theyhavecreatedcareers.PartofitIbelievehastodowithmyownbackgroundandwhatIhaveseenfromindividualsIhavemet,thatpeoplethathavejobsdonotnecessarilyfindthesameenjoymentandfulfillmentinwhattheydo.Jobspay,putfoodonthetable,getthebillspaid,butareanendstoameans.Thejobsalsodonotcontributetothegrowthoftheindividual;theyaresimplysomethingthatneedstogetdone.

    Sowhatdoesthismeanforthefuture?Well,findacareer,notajob,clearly.However,thatcareerdoesnotnecessarilyhavetobeinarchitecture.TalkingtoHayeswasprobablyoneofthemostinterestingandinsightfulconversations,purelybecauseoftherelationhehastoarchitectureasabackground.Itisonetothingtotalktoanindividualwhohashadamorestraightforwardcareerpath(likeCarlandWinn),buttotalktosomeonewhostartedasuccessfulpathtowardbeinganarchitectandthenrealizethatthereisanotherpathtotakeisincrediblyimportant!Thereareotherthingsthatcanbedonewithanarchitecturedegree!Sure,wehavehadlecturesonwhatotherpathsonecantake,butitisanotherthingtositdownwithsomeoneandheartheirstoryonhowtheymadethattransition.

    Anotherthingthatkeptcomingupwastheimportancetotakeopportunitiesastheycomealong.Partofmedoesthinkthatthisislargelyduetotheenvironment,thatChicagoofferssomuchmoreversatilityandopportunitiesthananormalcity(asidefrommaybecitieslikeD.C.,NewYorkandLosAngeles).Opportunitiesaresometimesalittlehardertocomebythatpeoplemakethemseemandsometimestheyjustariseoutofseeminglynowhere.Ibelievethatcertainopportunitiesshouldneverbepassedup,thatsometimesyouhavetofollowuponthoseastheycomealong.Atthesametime,someopportunities,whiletheymightbenewandinterestingarenotalwaysthebestchoiceforthemoment.Ithinkeachoftheseindividualshavecarefullyweighedeachopportunityandpotentialchangethathascomealongandassessedifitwastherightthingforthem.Carl,forexample,foundagreatspotwithJAHNearlyonandsimplyhasnothadareasontochangewherehewas,whileHayes,ontheotherhand,jumpedattheopportunitytotransitionoutofarchitectureandhasbeenhappierbecauseofit.Itreallyjustdependsonwhereanindividualisintheirownlife,theirownpath,whenthosechancehappeningscomealong.

    Ibelievethatspeakingtoeachoftheseindividualshasmadeasignificantcontributiontomyunderstandingofarchitectureandtheworldingeneral,eachintheirownway.Itmaybeareasonjustassimpleashearingsomeoneelseslifestoryandwhattheyhadtogothrough.Asastudenttryingtostartoutintheworld,somuchisuncertainandthefutureisalwaysinflux,butatsomepointlifewillfallintoplaceandthingswillbeclearerthantheyeverhavebeen.Ittakestime,ittakesmistakes,butultimatelythepathwewishtotravelisalluptousandsomehowweeachseemtomakeitworkinonewayoranother.

    Sothereisthatlittleglimmerofhope

  • Profes

    siona

    lPractice

    page 37 of 114

    Chip von Weise, Architect and Principal, Von Weise AssociatesEthics Interview: PMI Cannon, FairnessDuration: 37 minutes

    Cannon:impartial,withoutself-interestobjectiveandwithoutprejudice,etc. Conflictsofself-interest:budgeandFeeaspercentagesofconstruction;balance

    betweenclientsbudgetandrunningabusinessthathastosupportfamilies;seldominbestlong-terminteresttoscrewtheclient;Ex.Schematicdesign,tablefinishofacertainmaterial,feebasedonapercentage;moreexpensivematerial,largerfee,moremoneyforthedesigner Pushingclientstospendmoremoneyequalsareputationfordrivingupaclients

    budget Goodreputationfordesigningwellandtreatingclientsfairlyinordertogetthenext

    project Meshofclientsexpectationsforthedesignandexpectationsofcost;alwaysleadsto

    ValueEngineeringatsomepoint Therearenonormscurrentlyfordesign;previously,15%forresidence,10%for

    commercial Hourly;Flatfeeforeachstageofdesign;Percentageofconstructioncosts;Flatfee

    perdollarpersquarefootage(usuallyforinteriorprojects) Forhiring,knowingpeoplehelpsgetyourfoodinthedoor,butnotunderany

    obligationtohirethatindividual,butwillinterviewthemasacourtesyfortheircolleagueorfriend Bestpossiblecandidatefortheleastamountoftime Hiringisarisk;individualisnotgood,canstealfromtheemployer,actunethically,

    potentiallylooseaclient Cannotdiscriminateonthebasics[race,gender,sexualorientation,etc.],butalso

    cannotdiscriminateoraskindividualsmarriagestatus,familystatus,location;biasedassessmentforemployersinterestinthecompany Needtocompartmentalizewhenmakingadecisionandwhenrunningabusinessin

    general Onlypromisewhatyoucandeliver Negativeconsequencesoffairness;errorindrawings,actingethnicallyhasfinancial

    consequencestothebusiness,insteadofpassingtheerrorofftosomeoneelse Conflictofinterestswithdesigns:coolandinterestingideasarenotalwaysthebest

    onethatrepresentstheclient,couldloseaclientbypushingadesignforward;theclientbecomesameanstoanends,notanendstoitself Integrityofthedesignwiththeintegritywiththeclientsobjectives HowardRoarkmythofarchitecture Finelinebetweeneducationyourclientandbeingarrogant

  • Profes

    siona

    lPractice

    page 38 of 114

    The cannonofchoicewasFairness,asoutlinedintheCodeofEthicsandProfessionalConductguidelinessetbytheProjectManagementInstitute.Fairnessisourdutytomakedecisionsandactimpartiallyandobjectively.Outconductmustbefreefromcompetingself-interest,prejudice,andfavoritism.Forarchitects,beingimpartialandactingwithoutself-interestinafieldthatdevotessomuchtime,energy,andpersonalityintothework,createsvariousinstanceswhereactingfairlycomesintoconflict.Tofacilitateabetterunderstandingofthiscannon,ChipvonWeise,PrincipalArchitectofVonWeiseAssociateswaschosentobeinterviewed.ThischoicewasmadeduetoChipsroleasheadofthearchitecturefirmandexperienceasanarchitectandbusinessowner.

    The mainpointsofconflictwithself-interestcomefromthebusinesssideofafirmandtheindividualdesignersegoandideasofadesign.Whilethearchitectistheretofacilitatethedesignoftheclientsintent,thearchitectandthefirmdohavetobepaidforthoseservices.Thisconflictforgeneratingprofitforthecompanycancomeupinthepaymentofthecontract,primarilythroughafeegeneratedbythepercentageoftheconstructioncost.Forexample,ifthedesignfeeis15%oftheconstructioncost,andthefinishmaterialofatabletopis$10K,thecompanywillmake15hundreddollarsofthedesignversusthesametabletopbeingfinishedwithamuchlessexpensivematerial.Whilethebusinessdoeshavetopayitsemployeesandprovideforthosefamilies,itisgenerallynotinthefirmsinterestinthelongtermtodriveuptheclientsbudget.Thiscancausethefirmtodevelopareputationofbeingmoreexpensive,potentiallyloosingotherperspectiveclients.AtVonWeiseAssociates,theystriveforagoodreputationfordesigningwellandtreatingtheclientsfairlyinordertogetthenextproject.

    Inthepracticeofarchitectureandclientbudgeting,therearevariousmethodsthatarebeingusedtodeterminethecostofthearchitectsdesign.Theworkcanbedonehourly;aflatfeeforeachstageofthedesign;apercentageoftheconstructioncosts;oraflatfeeperdollarpersquarefootage,whichisusuallydoneforinteriorprojects.Thepreviousnormwas15%forresidentialbuildingsand10%forcommercialormulti-familybuildings.Thathasshiftedmoreduetothenatureofmakingtheclientmoreuncomfortablethroughoutthedesignprocess,plusthearchitectseasyofabilitytoincreasethepriceoftheirdesign.

    The othermajorpointofconflictwiththearchitectsself-intereststemsforthedesignitself,beinganextensionofthearchitectsideas,vocabulary,ego,personality,and

  • Profes

    siona

    lPractice

    page 39 of 114

    generalpreferenceofdesign.Thebuiltdesignofthearchitectisamonumentoftheirworkandideastosomedegreeandbecauseofthisintrinsicvaluethatisgenerated,thearchitectmightpushadesignforwardthatdoesnotmeetupwiththeideasoftheclient.Interestingandradicalideasarenotalwaysthebestdesignsthatrepresent theclientandonecouldloseaclientbypushingadesignforward.Inthiscase,theclientbecomesameanstoanends,notanendstoitself.Itisprimarilyunfairtotheclient,toreceiveawork(whilebeingofsoundarchitectureanddesign)thatdoesnotrepresenttheirownimageandstillhastopayforthework.

    Nowfrommyownviewpointsandperception,thefairnessofhiringandscreeningforcandidateswasbroughtup.Thenotionthatindividualswhohavecontactswithinafirm,whoareabletogettheirresumestotherightindividualsandessentiallygetmorefocusontheirresumeandportfolio,thefairnessofthatpracticewasbroughtintoquestion.Intheprofessionalrealm,havingacontactwithinafirmdoesmake iteasiertogetonesfootinthedoor,however,thatdoesnotmeanthattheemployerisunderanyobligationtohirethatindividual.AsChipnoted,hewouldlookmorecloselyatthatrecommendedindividualsresumeandcalltheminforaninterview,purelyasacourtesyforthecolleagueorfriend,butthelackofobligationtohirethatindividualstillstands.Nowthispracticeisacceptedmostlybecause,fromabusinessperspective,theyneedtohirethebestcandidateforthepositionwithintheleastamountoftime.Itisnoteffectiveforthebusiness,usually,tocreateabroadpostingthengothroughhundredsofapplications.Also,justonthebasiclevel,hiringanyindividualisarisktothebusiness;thatindividualmaynotbegoodattheirjob;theymaystealfromtheemployer;actunethicallyinsomeway;orpotentiallyactinawaythatlosesaclienttothebusiness.Bygettingarecommendationfromatrustedindividual,ithelpseliminatesomeoftheriskandtimeofscreeningthroughcandidatesandgoingthroughnumerousinterviews.

    AfterlookingovertheethicalconductofFairnessasdescribedintheCodeofEthicsandProfessionalConductguidelinessetbytheProjectManagementInstitute,theethicalimplicationsandadherencetothisprincipleiscriticaltoafirmsbehavior,butalsolargelycommonsenseincertainaspects.Clearlyitisunethical(andillegal)todiscriminateanindividualonthebasesofgender,race,andsexualorientation,andpurelyneedtobestatedforlegalitypurposes.Ontheotherhand,theethicalactsoffairnessinthearchitectureprofessionandbusinessmarketareinitiallyhardertotheorizeandareslightlyblurredwhenapproachingfromapurelyacademicbasis.Whileafirmdoeshaveagoaltoproducearchitectureandmakemoney,it

  • Profes

    siona

    lPractice

    page 40 of 114

    stillhastorunabusiness.Thefairnessofthatbusinesslargelyhastodowithhowthatindividualdecidestoruntheirbusinessandgeneratesariskofthesuccessoftheirwork.Itisnotunfairorunethicaltodesignbasedoncostofconstructionandgettingapercentageofthatworkandthusdriveupthefeeofthearchitectswork,however,thatbusinessisunlikelytosucceedinthelongrunifitdoesnotmaintainahealthyenvironmentwiththeclientsandpotentialreferredfutureclients.Thisalsoappliestohowtheindividualpushesforwardwiththeirdesigns;iftheyfacilitatetheclientmoreoriftheypushforwardwiththeirownwork.Neitherofthoseareinherentlyunethicalpractices,butnotnecessarilygoodbusinesssense.Onthesubjectofhiringhowever,thelinesoffairnessinwhoisinterviewedorwhoseresume isgivenmoreattentionisblurredfromjustapurelyacademicdebatestandpoint.Onecouldarguethateveryresumeandindividualshouldbelookedatandassessedonthesamemeritwitheachindividualhavinganequalopportunitytobehiredfortheintendedposition.However,thatisextremelydifficult,timeconsumingandnotcosteffectiveforthebusinesstogothrougheachresumewiththesamefocus.Itisslightlydisappointingthatthispracticeofgettingyourfootinthedoorissowidelyaccepted,butontheotherhand,itmakessense.Creatinganetworkofconnectionsinordertofacilitatetheeaseofgettingajobandestablishingonesvaluesandmakingthoseknowtoapotentialemployerisextremelyhelpful,butthatalsomeansthatequalopportunityisnotnecessarily100%equal.Therealsituationandinfluencesonthematterarenotpurelyblackandwhite,asacademicswouldleadonetobelieve,butaswiththerestoflifelaysomewhereintherealmofvaryingshadesofgrey.

  • Professional PracticeLectures

    Randy GuillotDrew Ranieri

    Brian LeeNatasha Krol Mauskapf

    Carl D SilvaIker Gil

    Geoff WaltersLaura FisherFrank WeinerDon Copper

    Peter EllisAdam WhippleJohn Syversten

  • Profes

    siona

    lPractice

    page42of114

    Randy Guillot, AIA, LEEDPrinciapl Designer, CannonDesign6.2.2014

    Buildmeaningfulrelationshipsthroughhardwork Keepyourearsopenhangoutafterworkbereadyforanything IntegrityandCharactercouldbemorevaluablethantalent Surroundyourselfwithbroadinfluencesandmentors Communicationiseverything Yourclientisyourdesignpartner Listen[tome&ignoreme] Dontexpecttheoutcome;setyourselfupfordiscovery Promoteyourstrengths Begenerousandbecourageous Thereisalwaysmorethanonerightanswer

  • Profes

    siona

    lPractice

    page 43 of 114

    RandyGuillotslecturewasprimarilyfocusedonabasicthoughtsandexperiencethathehasgainedthroughouttheyearsasanarchitect.Thisculminatedmoreintoanintroductionintotheprofessionalpracticelecturesandadviceforthoseabouttostartacareerinarchitecture.Thediscussionwasnotabouttimestampsorprojectdeadlinesorhowtodealwithcertaineventsthatmightcomeupinaprojectslifetime,butratherjustaframeofmindthatoneshouldbeawareofastheygrowasanarchitect.Asheputit,thisisnotatalkaboutarchitecture;thisisatalkaboutgettingtoarchitecture.

    Communicationcannotbestressedenough.Thatisprobablythemostimportantpointthatanyindividualinthefieldhastosay,thatcommunicationiskey.Communicationisthekeyforeverything;fortheproject,gettingajob,buildingclients,producingwhatistrulyneeded,etc.Abetterwaytoputitis,communicationisgod,orlifeorbloodoroxygenoranyotheranalogytosignifytheimportanceofcommunicationresidingatthepinnacleforanythinggettingdone.Communicationprobablyholdsmoresignificancethanthedesignitselfattheendofitall,becausesomuchoftheprojectdependsonthesuccessofthatdialoguebetweenclient,designer,contractor,andprojectmanager.

    Whengoingintoacareer,anindividualmustbereadytothrowthemselvesoutthereandbeopentoeverythingthatcomesalong.Beasponge,lookuptothosethathaveexperience,talktothoseindividualsandlearnfromthem.Findamentor,havemorethanone,someonethatcandirectyoualongyourchosenpath.

  • Profes

    siona

    lPractice

    page 44 of 114

    Drew Ranieri, AIAAssociate Principal, Solomon Cordwell Buenz (SCB)19.2.2014

    Contracts Money Schedule Roles Responsibilities/Risks Scope Expectations Accountability

    FourStages: SchematicDesign DesignDevelopment ConstructionDocuments ConstructionAnalysis

    Risk,Responsibilities;specs,design,buildingwarranty/insurance

    O.A.C.Meetings OwnerArchitectConsultants

    Thedigitalworldhasheldthedesignermoreaccountable;producemore,showmore,rendermore;takingonmoreliabilityinanefforttominimizerisk

  • Profes

    siona

    lPractice

    page 45 of 114

    Brian Lee, FAIADesign Partner, Skidmore, Owings & Merrill (SOM)26.2.2014

    ViewSOMasgenerationsofarchitects,afocusonresearchanddevelopment,innovation,andenergyefficiency Duetothelargeraspectofthecompanyandthespreadovertheworld,SOM

    hasdevelopedthislargecorporationaspect(yetimpliedthatdoesntfeellikeabloatedcorporationmentality,alsoseeabovebulletpoint) Peopledontalwaysthinkalike,butcanbelikedriven UrbanBuildingsInteractionwiththecity Leverageproblems Communicatepurpose Connecttothecommunity Programs>connect HumanizetheExperience;scale,naturallight,tactilematerials,linktothe

    landscape

    Usingascreen,designofdetailingalsofunctionsasastructuralimportance

    Theimportancetogobacklaterafteraprojectisdonetoseehowitturnedout,doesitreallylookhowitwasenvisioned,howitwasrendered,iseverythingconveyedproperly.

  • Profes

    siona

    lPractice

    page 46 of 114

    Natasha Krol MauskapfMcKinsey & Company5.3.2014

    Recordingthoughts,views,breakingassumptions Psychology&neuroscienceofspace Whatistheproblem?Whoareyoudesigningitfor?Whatisthebestwaythey

    willreceiveit? facilitatecollaborativethinking youthinkabouthowyouthink

    Communication Starttalkingtotheangriestpeoplefirst(usuallyasignofpassion)[appliesmore

    toNatashaspersonaljobcriteria] learning-by-doingenvironment itsonethingtobepolite&open,itsanothertobeempathetic

  • Profes

    siona

    lPractice

    page 47 of 114

    NatashaMauskapfslecturestartedoffwithaquickexerciseofmakingarecordingofoneofthesurroundingblocks;nolimitations,nosetwayofmakingtherecording,justgoanddo.Itwasmoreacommentaryonhowweasdesignersandarchitectsaretrainedtotakeasimpleideaorpropositionandcreatesomethingwithoutneededguidelinesordirectionsimposedonus.Therestofthelecturefocusednotondesignoranythingparticularlyrelatedtoarchitectureingeneral,butratherjusthowtoengagepeople.Sowhileitmightnothavebeenaboutarchitectureandhow todealwithacontract,butgenerallyjusthowtointeractwithindividualsandsettingupanenvironmenttogetthingsaccomplished.AsNatashanoted,inasituationwhereyouwishtobringaboutmajorchange,firsttalktotheangriestpersonintheroom,sincetheywillhavethemostpassionaboutmakingthatchange.

    Inaway,thisturnedintoanothercommunicationiskeylectures.However,thelecturewentbeyondjustbeingabletotalktoanindividual,butratherjusthowtocreateanetworkand workingdialoguewithsomeone.Sincearchitectureisstartingtobecomemoreofaprofessionofurbanengagement,masterplanning,urbanplanning,andcommunitydevelopment,wehavetoengageindividualsonabroaderscale,ratherthansimplyproducingalimitedconfinementofspace.Ibelievethatcertainindividualsinarchitecturearebecomingmoreinvolvedwithurbandevelopment,andthatarchitectureisnotjustlimitedtoasinglebuildingonalandscapebutchangingtheentirelandscapeasawhole.Iguessinsomepartthatisunavoidable,asmuchassomebelievethatarchitecturedoesntnecessarilyneedtosomesavetheworldvanityproject,atsomecorelevel,wedefinethestatusofoursocietybyourarchitecture.Forexample,thebestwayforfilmmakerstoexpressafuturisticenvironmentistohavefuturisticandradicalarchitecture,andthatarchitectureexpressesachangeinsocietyslifestyle.Asridiculousasitsounds,atsomepointarchitectswillhavetoengageindividualsbeyondourbuildingsanddefinewhatsocietyandinteractionswillbelikeinthefuture.Architectswilldefinethefuture,oratleastdesignit.

  • Profes

    siona

    lPractice

    page 48 of 114

    Carl D Silvia, AIAPrincipal Architect, Vice President, JAHN6.3.2014

    BangkokInternationalAirport,PassengerTerminalComplex,94DesignCompetition Heavyinternationalpoliticsinfluencedthespeedanddurationoftheproject Modernairportdesignsallhaveparallelrunwayssincejetenginesplanesarent

    asdependentonthedirectionofthewindaspreviouspropellerplanes Sogofordumb,richclients

  • Profes

    siona

    lPractice

    page 49 of 114

    Thislecturecameacrossmoreasabuildingconstructionlecture,thanmoreofaprofessionalpracticelecture,focusingmoreonanexampleofarchitecture(TheBangkokInternationalAirport)andthedetailsandstagesoftheconstructionprocessthroughoutthatproject.However,certainthingscanbenoted,suchastheinteractionofthoseinvolvedwithinaproject.Commonly,thereisatriagebetweenanowner,designer,andcontractor,thatallhavetointeractthroughaprojectmanager.However,therearelimitationstothatinteraction,suchaseverythinggoingthroughonedirectindividual,thespeedatwhichthatisconveyed,certainredtape,requestforinformation,etc.Thisalsodependsprimarilyonthescopeofthecontractbetweentheseindividualsandanyflexibilityitallows.Also,onmoreofajokingmatter,itisbettertogofordumb,richclients.Thismeansclientsthathavemoneytospendanddonothaveafullunderstandingofthedesignprocessoramajorconcernfortheproducedarchitecture,butarejustproducingsomethingforproductionsake.Thisallowsthedesignerthemostamountsoffreedomandexpressionthatmightnotalwaysbepossiblewiththeusualclient.Forexample,withtheBangkokTerminal,itisextremelyunlikelythatitwouldhaveeverbeenallowedtobeconstructedintheUnitedStates,asitwouldhavebeenshotdownforpricinglongbefore.

  • Profes

    siona

    lPractice

    page 50 of 114

    Iker GilMas Studio17.3.2014

    Scaleofarchitectureandcity[building&urbanplanning] Whatassetsdocertaincitieshave? Smallerspacecommonwithinalargernetwork Noteverythingislinear Doingthingsthatyoufindinterestingasprimarydrivingfactor

    Projects MasContext,Quarterlypublication Smallscalegardenobject

    Providetheidea/framework,evenifprogram/contextislimited Cheapplywoodsheetmaterial

    Pedwayintervening/mapping Dontneedtoimmediatelylabeleverything,justanidea,diagramsandsets

    ofimages Newspaperasmostdomesticitems Someonemakesfunofsomething,embraceit MarinaCityphotographyexhibition Dothingsthatmaynothaveanimmediateoutcome,itwillfinditsway Ifyouwanttodothings,itwillbefiguredout

  • Profes

    siona

    lPractice

    page 51 of 114

    Geoff Walters, AIA, LEEDDirector of Quality, Standards Development, CannonDesign18.3.2014

    TechnicalDetails Process,performance,detailing,documentation,buildingsystems,delivery

    Buildingperformanceexpectationsneedtobeengagedwiththeclientearlyon;acoustic,durability,healthcare,etc.

    Earlydialoguesusuallyneedtobebroughtupbythedesigner Oldergenerationmassivebuilding,soincrediblyenergyinefficientthatituses

    morenetenergythantransportation(?) Architecture2030challengepathtonetzeroby2030,energyreduction,

    CBECs;2015,70%reductiongoal Envelopeimpact,userinterfacebroadercomfortrange

    Thesearentissueforaprofession;theseareissuesforasociety Howtodesignanetzero

    Fundamentally,form,massing,siteorientation,openings,etc. Needtostartenergymodelingallprojects;codesareabitoutdated

    ArticlebyNASAonfutureeffectsofincomeequalityandnetzeroandotherswillleadtocivilizationcollapseindecades Findmentors,resources,somuchwhichwillhavetobecontinuouslylearned

  • Profes

    siona

    lPractice

    page52of114

    GeoffWaltersprofessionalfocusandviewpointsonexistingarchitecturestruckmeatdifferentlevelsandsortofcreatedsomemixedthoughtstowardsit.Ononehand,Iamanindividualwhoisalwaysdrawntowardsthedetails,theprocess,andthesmallnuancesofaproject.So,thefactthatWaltersunderstandstheimportanceofabuildingsperformanceandcreatingthatearlydialogueearlyon,Ifindextremelysatisfyingandcompelling.BuildingsshouldbeabletoperformasintendedandIbelievethattheprofessionisstartingtomovetowardsapathwherebuildingsandarchitecturalsystemsarebecomingmoreversatile,doingmorethaneverbefore.Housesarebecomingsmarter.Ontheotherhand,WaltersispartofCannonDesigndedicatedtowardsenergyefficiencyandnetzero.

    Architecturethatisslatedtowardsnetzero,greenhouses,energyefficiency,isagreyareaformeinthefocusofdesign.Idobelieveonsomelevelthatasasocietywehavetodesignmoreefficiently,ourbuildingscannotbewasteful,mustbenefittheenvironment(bothnaturalandphysical),andshouldbecomehealthierplacesinavarietyofways.However,thisoutlook/designfocusfornewarchitectureseemstocomeacrossasmoreofabusinessstrategy,tocreatebuildingsthatareenergyefficient,justforthesakeofcreatingsuchbuildings.Attimesitalmostsoundslikethedrivingfactorofthesebuildingstocreateandtestoutanewgreen-technologyandoftentimesIwonderifthebuildingisreallyarchitecture.Now,Iknowthathalfofthatthoughtprocessiscompletelyridiculous;creatingbuildingsnotforarchitecture/programsake,butratherforbusinessenergyefficiencysake.Itisridiculous,whichiswhyImtalkingnotaboutthebuilding,butthedrivingidea,theideabehindthebuildingiswhatIquestion.Ifcoreideaoftheprojectseemstobetheadaptationandexpansionofagreenidea,notsomeotherprecedent,doesthatmakethebuildingarchitecture?

    InaninterviewwithCarlDSilvaofJAHN(SeeProfessionalPracticeInterviewSection),thisnet-zerofocuswasbroughtintoquestion,astotheimportanceofnewzero/energyreduction/ASHRAE/LEEDinJAHNspractice.Thereitwasnotedthatthisideaofenergyreductiondoesnotmakeupanentiredepartmentintheirfirm,nordotheyfollowsomelong-term2030challenge.Forthem,itisnotsomuchtheactofcreatinganetzerobuilding,ornewgreentechnologyorguidelines,butratherjustknowingthefundamentalprinciplesofefficientdesignandalreadyimplementingthoseprinciplesintheinitialdesignstages.Theprojectstheycreatearenotgreendriven,butratheraredrivenbyadesignideathatintelligentlyincorporatesgreenelements.Nowgranted,IdonotknowenoughaboutCannonsdesignprocess,

  • Profes

    siona

    lPractice

    page 53 of 114

    especiallyinthatparticulardepartment,noranyofthefirmsgeneralpracticestandards.WhatIammerelypointingoutisthisideaandquestionofhowimportantgreen-technologyshouldbeinthedrivingforceforanarchitecturaldesign.Ibelievethatitisbettertounderstandbasicenergyefficiencyprinciples,understandinglayout,site,context,andifitispossibletoincorporatevariousmethodsofgreendesign,thenoneshoulddoso,butIammerelyskepticalonthisideathataprojectisenhancedandelevatedbyincorporatedgreendesign.Atowershouldbesignificantbecauseitisanarchitecturalpieceandshouldnotbeexpressedasasalespitchduetonewlow-Ecoatedwindowsandvariableenvironmentalcontrols.

  • Profes

    siona

    lPractice

    page 54 of 114

    Laura Fisher, FAIA26.3.2014

    alternativecareersrangeofthingsthannormal WentfromArchitecttoCorporateRealEstatetoInteriorDesign;bank

    management/bidding,rezoning Knowwhentogetridofindividualsonacontractteamwhentheyclearlydont

    knowwhattheyaredoing Oldofficereuse;lackofbeinguptocode,simplereusewouldbeanissue,;

    changeinworkpracticesover20years,morecollaborationvs.privateoffice Onceyoufigurehowwellsomethingworks;reuse&adjust Figureoutwhatyourskillsetis Knowthevalueofyourservices Presentingyourself:

    Looktotheleaders,notnecessarilyyourpeers Representthefirmtotheclient Professionalbehavior Getyournamearound[maybeaprofessional/personalwebsite] prepared,performed,assisted

    CareerFolder Keeptrackofparticularthings,work,eventsoranythingthatmaybebrought

    backup Talks,oldworkatfirms,committees

  • Profes

    siona

    lPractice

    page 55 of 114

    LauraFisherbeganthislecturestatingthatthefollowingwouldadifferenttypeoflecture,primarilyimplyingwhataBachelorofArchitecturedegreeoffersbeyondjustworkingatanarchitecturalfirm.Itwasnotadirectlistofalternativecareers,butratherjustanexamofhowonecanprogressfrompositiontopositionthroughouttheyears.FishertrainedasanArchitect,butsteadilymovedthroughInteriorDesign,CorporateRealEstate,andBankManagement,sometimesjustbyhowconnectionsweremadeandwhatbecameavailable.Thepointthatitwasnotthedegreethatenablesanindividualtotakeonthisrangeoffields,butratherknowingwhatskillsanindividualhaslearnedorinherentlyhasandknowinghowtocapitalizeonthoseskills.

    Especiallyasoflate,IhavewonderedwhatIwoulddowithmyfuturecareerifIdidnotworkasanarchitect,whatskillsIhavepickedupthatIcoulduse.Graphicdesign,carpentry,furnituredesign,orindustrialdesignareallfieldsthatIhaveconsideredatsomepointintimethatIwouldbeperfectlyhappybeinginforanextendedperiodoftime.Forme,thereisnotanythingdifferentfromdesigningahouse,boat,chair,orhand-heldobject,onlythescaleoftheprojectinthecontexttothehumanelement.AslongasIamdoingsomethingdesignrelatedIfeelthatIwillfindenjoymentandgratificationinmywork.Icouldspendallmytimeinawoodshopandcoveredinsawdust,workingondetailingatableandchairset,butaslongasIwasabletospendmytimesketching,makingdrawings,workingoutdetailsonhowitallfitstogether,Iwouldbehappy(notcaringaboutmoneyatthetimeobviously).Oureducationforourdegreeisnotsolelyfocusedonlyknowinghowtodesignbuildings,itsreallyaboutknowingdesigningeneralandhowtolookandthinkdifferentthanthenorm.Ifweunderstandourowncapabilities,wecanapplyourskillstoavarietyofdifferentfieldsandchoosesomeothercareerpathifnecessary.

  • Profes

    siona

    lPractice

    page 56 of 114

    Carl D Silvia, AIAPrincipal Architect, Vice President, JAHN26.3.2014

    Site/Context>Programming>Planning>Detailing Analyzing > Designing Whatareyoutryingtodo?

    pitfallofagreenfieldsite,goingoffonsomeidea/tangent,hardtoworkyourwayback

    TheLouvre,thevariousadditions,add-onsandexpansions Beforebeginningsiteanalysis,havinganideaofwhatyouwanttofocuson,

    whatareyoulookingat,whatistheeffectofthatanalysis;whatisthere? Havingaclearlogic Beingclearinhowyourideasmanifestintophysicalform Beingabletoexplainaprojectin20-30secondsorjustacoupleslides;clarity

    ofpresentations

  • Profes

    siona

    lPractice

    page 57 of 114

    Generallyspeaking,thedesignprocessgoesfromthesite/context,toprogramdevelopment,toplanning,andendingatfinaldetailing.Thiscanbeputmoresimplyasagradualcontinuousprocessofanalyzingtodesigning.Formostofthetime,thisishowdesignprojectsareapproached;asiteisgiven,aprogramisestablished,roughplansandsectionsarecreated,andthenfinaldetailingandconstructiondocumentsarecompleted.Throughoutthisprocess,thedesignergoesthroughvariousanalysisofthesiteandoncetheyaccumulateenoughinformation,thentheyswitchintodesign.Therearelimitationsandbenefitsofthatlinearprocess,boththatarearguedconsistentlyintheeducationalrealm,soIwillsimplystatethatatsomepointadecisionhastobemadeandlineshavetobedrawn.

    Whatareyoutryingtodo?isasimpleyethorriblycomplexquestionthatalwaysseemstoleavetheindividualaskingcompletelyunsatisfiednomatterwhatissaid.Thebiggestissuewithhavingaperfectoridealorblankslatesiteisthatthedesignermightgooffonsomerandomideaandoftentimesitishardtofindtheirwaybacktoaconcretenotionofwhattheyaretryingtodo.ByhavingaSandboxdesignspace,sometimesitishardertoconveythepurposeandpointofthedesign,becausedesignfordesignssakeisapparentlynotenough.Itisstrangetonoticethatbyhavingasituationperfectofdesign,exploration,andessentiallyaspacewithoutlimitationsisalwaysmetbytheconfinesthatitistobesomethingbeyondthevisualesthetics.

    Thisjustcomesdowntothesimplefactof:knowwhatyouaredoing.Knowthepurpose,placement,incentives,constructs,andlimitationsofthedesign.Thedesignshouldhavesomeinherentlogicbehindit;somethinggivingaclearindicationonitcameabout.Thedesignshouldbeabletobeexplainedquicklyandclearlywithinafewshortsentencesanddirectlytothepoint.Inessence,thedesignsimplyneedstoactuallyhaveanideabehindit,toknowwhatthatideais,andhowthatideaisrepresentedtoavoidconfusion.Inmyownopinion,ifittakesmorethanaminutetostatewhattheideaisbehindtheproject,theindividualactuallyhasnoideawhattheprojectisorwhattheyaredoing.

  • Profes

    siona

    lPractice

    page 58 of 114

    Frank WeinerVirginia Tech Professor of Architecture1.4.2014

    Fundament&Firmament

    Pearls;takesabout7-8yearsforeachpearltoform,butunlikeadiamond,onceitiscreated,itisdone,itisnotshinedandpolished

    SanIvoalleSapienza,Roma;Borromini Sapienza;wisdom Knowledgevs.Wisdom,TheBaroque Atlas(Greekmythology);talent;howmuchyoucanbear remembertolookupbutwhenyoulookup,youcansometimesfallintoa

    hole Forcesofsocietycauseustolookatordown,andarchitecturealways

    supposedtocauseustolookup,thereisadisconnect/issue

    Pedagogy[ped-a-go-gy]n.Themethodandpracticeofteaching,esp.asanacademicsubjectortheoreticalconcept

    Perceptionisasensethathasbeenintellectualizedandhistorized Sense-awillfulactofreachingtowardsomething;onlypartiallyfulfilled Processdestroyssense canonlysensewhatyoulove

    Black=Details,Section;White=Space,Plan Stilllife;naturamorta(il.)

    EquilateralTriangleGods ScaleneTriangleMan IsoscelesTriangleDemigods --PlutarchsTheObsolescenceofOracles

    Foundationistheclarifyingmomentofthefloorplan,somuchsimplerthantheplanthatisclearsoutthemindinthehassleoftheplan Flatnessvs.Curvatureandtheovergeneralizationofboth Knowledgeresisttrivialchangeandmorecomfortableintherealmofgeneralities

    anduniversals

  • Profes

    siona

    lPractice

    page 59 of 114

    Don CooperPrincipal Architect, GREC17.4.2014

    AceHotelLosAngeles AdaptivereuselandmarkbuildinginolddowntownLA Live-Workrezoning;retailandnewhotels Theateratbaselevel1972,foundedbyUnitedArtistslikeCharlieChaplin&

    officebuildingtopper Convertedintohotel,restaurant,lobby,conferencespacewhilekeepingand

    renovatingthetheater Addedconcreteframeonexteriorwallstosupportlateralloadsduetonew

    seismiccodes BuildingoverseenbyCity,State,andFederalLandmarkBuildingCodes;planes

    hadtobecheckwitheachlevelofcode Site/Context---FloorPlans---BuildingSectionsandElevations---Enlarged

    Plans---Calledout/ReferenceDetails---Schedules&Inventory AsArchitectswearejustarticulatingsomethingthateveryonealreadyknows

    artisticallyandtechnicallywearemoreconscientiousofit Everymistakecostssomebodysomething Disclaimerthatthearchitectisnotresponsible/haveanycontrolover

    constructioncosts;laborcosts,economyflux,rawmaterialprices,shipping

  • Profes

    siona

    lPractice

    page 60 of 114

    Peter Ellis, FAIALead Designer, City Design, CannonDesign22.4.2014

    BeginningwithIndiaProject+spawnedoffintodesignbranch Blankcanvasvs.existingcityconstructs&conditionsasapplicabletofuture

    changingconditions[sustainability,climatechange,etc.] 21stcenturymeets2,000B.C.land urbanspongenetworkofconnectedparkstocollectrainfallduringmonsoon

    season openspacethatstructuresthecity 120degrees6monthsoftheyear;havetodesignthecityinfavorofthesun Bettertohavemany,smallerroadsclosertogetherthanlargerroadsspaced

    apart Decentralizedutilitynetworklocatedintheneighborhoodsbettersupportthecity

    thanfromonelocationmilesandmilesaway

    ChangingAmericanCities: Transforminginfrastructuregradually Collectingstormwaterongrade Stitchtogethereverybitofabandoned/vacantlandandcreateanurban

    space Natureisthenewcityinfrastructure[notsci-fithemed] ForChicago:takeeveryblock/4streetsandcreatewiththisgreengrid Eachtechniqueisbeingdoneinatleastonecity,butnotonecityhas

    stitchedthemtogetherintooneurbanplan Developapublicconsciousness

  • Profes

    siona

    lPractice

    page 61 of 114

    PeterEllisshouldprobablyredesigneverycitymasterplanforthefuturebecausehe actuallyunderstandswhatneedstobedone.Asarace,wehaveturnedtheactualnaturalforest/jungleinthelargelyclichanddeadurban/concretejungle.However,itiscompletelytrue,greenspaceisallbuteradicatedformostofacityplan.Ofcoursethereisalwayssomeordinancecodethattheremustbeadesignatedgreenspaceeverysomanyblocks,butrealisticallythebasichighrisecitycouldbedescribedaslivinginaprehistoriccarvedoutcaveofrockandstone.Butbacktothelecture

    Therewasaconversationmomentarilygeneratedaboutthefutureofacityisalwaysportrayedasheavilyinfluencedbysciencefiction.Acityofglimmeringlights,cleanstreets,flyingcars,whitebuildings,butonlyevercontainsasubtlehintofgreenspaces.Forsomereasonitiseasierforustoimagineartificialspacesthanmanagingnaturalones.IagreewithPeterEllisthough,thatthefutureofcityplanningwillhaveanatureandgreenspaceasthenewinfrastructure.Ontheotherhand,Ialsobelievethatthemoreweallowthelandtoberecoveredbynature,themorewewillextendcitiesmoredownwardundertheground.

    EllissproposalsdostriveforahealthiercityscapeandatsomepointIbelievearadicalshiftincityplanningwilloccur.Thenatureandcauseofthatradicalshiftissomewhatmoreofanuncertainty,butonecouldtheorizethattopushthemassesintosuchachangewouldalmostbeonthebrinkofcatastrophe.Radicalcausesbringuponradicalchanges.

  • Profes

    siona

    lPractice

    page62of114

    Adam Whipple, AIA23.4.2014

    ProjectManagement&theBroadenedFiledofArchitecture

    Skills: ProblemSolving;PresentationandCommunicationSkills;Coordination;

    Breakdowncomplextasks;Spatialunderstanding;Designandcreativity;Broadtraininginmultiplefields

    ProjectManagementScienceoforganizingthepartsofaproject;defining,planning,organizing,etc. Inarchitecture,responsibleforprojectdelivery,schedule,budge Inasmallerfirm,PMGmoreintegratedindesignandtechnicalcoordinationvs.

    largefirmcompartmentalization RangeofresponsibilitiesforthePMcanvaryforeachproject;canbepotentially

    veryhands-onbutsometimescanonlybelimitedtocoordination,schedulesandbidding

    DesignThinkingifthearchitecturaldegreeisworthless,whyarealltheseothercompaniestakingthewaythatarchitectsthinkintotheirprojects?

    ArchitecturePracticecanbleedoutintootherfieldsandsubstrates;RealEstate,Government,Construction,Engineering

    Professionalcodeofethics Interestinprotectingpublicwelfare Interestinpromotingpublicdomain

  • Profes

    siona

    lPractice

    page 63 of 114

    Anarchitecturedegreehasbeenregardforsometimenowasbeingworthless,almostbelowLiberalArts.Societydevelopmentaside,adegreeinarchitectureofferssomuchmorethanitisaccredited.Asstudents,welearnavarietyofcriticalskillsthatcanbeappliedtootherfields.Weknowhowtopresentandcommunicateourideas,managingourtime,coordinatingtasks,design,andmanyofustrytobeanactualEnlightenedIndividualandhaveskillsandknowledgemultiplefields.ThesefieldscanbeRealEstate,Government,Construction,Engineering,ProjectManagementorjustgeneraldesignwork.

    Thishasbeenthesecondorthirdlecturethathastakenplacethattriestoapplythedegreeofarchitecturetoanotherfield.Partofmedoesbelieveitispossibletoswitchintoanotherfieldwithouthavingtogothroughanentireprocessofgettinganewdegree,butatthesametimepartofmedoubtsthesuccessofthis.Idonotbelieveitisentirelyimpossible,butIwouldsaythedifficultyintransferringintoadifferentfieldistheabilitytoconvinceanemployerthatonecontainsthosenecessaryskills.Itseemstodaythatemployersaremoreconcernedabouthavinganindividualthatsatisfiesaspecificchecklistandanyoneoutsidethatlistisautomaticallyexcluded.Riskistoomuchtoaskfor.Chancesarehardertocomeby.Ifanindividualistryingtochangeoutoftheirdegree,itisaneffortthattheymighthavetototallydevotetheirenergytowardthatgoal.However,itispossible,butthereisanunderstandingthattherehastobesomeonewillingtomakethatrisk.

  • Profes

    siona

    lPractice

    page 64 of 114

    John Syversten, FAIA, LEEDSenior Principal, CannonDesign30.4.2014

    Inchargeoftheadvancementofurbanandsocialsustainability Connectmultiplepeopletoopportunities;legacyofimprovingpeopleslives Bringattentiontothepowerofdesigninordertoimpact&improvepeoples

    livesandwellbeing;DepartmentofGood FordFoundation;1%Program(probonowork);Brownsville,TX,citydecay

    duetosocialandeconomiccollapseprimarilyduetoneighboringtownsandsafetyfactors;MasterPlannersforUniversityofTexasBrownsvilleCampus;projectthatbeginaspuregenerosityleadstotrust Dreamofgettingcommunitiesinvolved,cultureoftheoffice;environmental

    laboratory Risk=valueofwork Rewardasquiet&profound;humble;humility J.B.Jackson,HarvardProfessor,howtheinventionofbarbedwirechanged

    theAmericanlandscape;howtoseemovingthroughaplace;beautyderivesfromhumanpresense Influences:Team10,AldovanEyck;LouisKahn;MyStrugglebyKarlOve

    Knausgard;JohnAdamsbyDavidMcCullough;TeamofRivalsbyDorisKearnsGoodwin

  • Profes

    siona

    lPractice

    page 65 of 114

    The responseforthislecturewasphrasedmuchdifferentlythantheotherlectures.Insteadofwritingasimpleresponse,forthislecturethepremiseisbasedonifyouweretogivethislectureatthepinnacleofyourcareer,wherewouldyouseeyourself/whatwouldyoutalkabout.Sohereitgoes

    Letssetthedateatleast20yearsfromnow,Iwouldbeabout45,wouldhavebeenalicensedarchitectforatleasthalfofthattime,knowledgeandexperiencewouldhavehopefullygrownsignificantlyatthispoint.AtonetimeIwouldhavethoughtaboutcreatingmyownfirm,ofbeingabletomakemyownschedule,manageaproject,andmakemyscarupontheworld.Nowhowever,thatglimmerofmakingmyownbusinessseemsalittletoostressfulrightnow;itcouldbepossible,butImightnotsureifitisabsolutelynecessaryasitoncewas.Istillwishtobealicensedarchitectthough,thatisstillagoal.

    ForthelectureitselfandwhatgetssaidIwouldtalkaboutmyprocessofhowIendedupgettingtowhereIam,whereIendedupworkingandwhatIamcurrentlyfocusingon.Themostimportantfocusofthelecturewillbetheprocessofwhatmythoughtswhereaboutlifeandarchitectureandmycareerovertheyears.IhavealwaysbeenmoreinterestedintheintimateprocessofthingsratherthanthebulletlistfromAtoG.IhavebeenkeepinganelectronicjournalforyearsandIhopethatIwillcontinuetouseitmoreoften,writingdownnotjustmymentalstateandthoughtsatthetime,butmyplansforthefuture,quotesofconversationsthataresaid,specialmomentstoremember,thingsofthatnature.Butmostly,Iwanttobeabletotalktothestudentsonalevelthattheycouldeasilyunderstand;talktothemaboutwhatwasgoingthroughmymind20yearsbefore,andwherethatchangedanddeveloped.Mostofthetimewhenaprofessionalgivesalecture,theyalwaystalkabouttheconclusionsthattheyhavecometoatthismomentbutrarelytheirthoughtsfromwhentheywereastudentandhowtheysawthefuture.Itislikegivingtheanswertoanequation,withouthavinganyconcreteunderstandingonhowtheanswerisreached.Itispossiblethattheydonottellustheprocessofhowtheyfoundtheirownanswerbecausetheywantustofindourownprocessforourselves.Thatwouldbetoohorriblysimple.

    Sotoanswertheothersideofthequestion,whatdoIwanttobedoingwithmycareerbythatpoint.Honestly,partofmestillisnotsure.Istilllikefocusingonthedetailsandcreatingthefocusandimportanceonthosedetails.Iviewthehumanscaleastobeasintimateaspossible;itisimmediatetouchandtextureandsight;

  • Profes

    siona

    lPractice

    page 66 of 114

    itisspacejustwithinreach(orjustbarelyoutofreach).Asoneprogressesinarchitecturehowever,thegreateryoubecomeandthemoreresponsibilitiesthatyoutakeon,theharderitistobeablesitdownandworkonthoseintimatedrawings.IwouldliketobeabletofindabalancebetweenfocusingonthepartsofadesignthatIenjoyandnotjustbeingaCADmonkeythatspendsallthetimecrunchingoutdrawings.Iwouldliketobeabletosketch,makehanddrawingsandintricatephysicalmodels.IwanttobeabletofeellikeIhavedoneasufficientamountofworkinadesignandnotsimplydotheschematic/idealisticworkforitandsimplypassofftherestoftheprojecttosomeoneelse.Twentyyearsfromnow,Istillwanttobegettingmyhandsdirty.

  • Chicago StudioRadical Conjectures

    Chinatown IslandMegaBLOCK

    SensesCermak Context

    Redmoon Theater

  • Con

    jectures

    page 68 of 114

    Conjecture #1: Chinatown Island

  • Con

    jectures

    page 69 of 114

    Ao

    W Cermak Rd

    S Arch

    er Av

    e

    S Wentw

    orth Avvvve

    A damping wave from a linear source wrapped back on itself and focused inward. Like a water drop on a pond, crashing in on itself from the rim then rippling back outward.

  • Con

    jectures

    page 70 of 114

    Conjecture #2: MegaBLOCK

    DysonSphere,ahypotheticalmegastructureoriginallytheorizedbyFreedmanDyson.Asystemoforbitingsolar-powersatellitesmeanttocompletelyencompassastarandcapturemost,ifnotall,ofitsenergyoutput.

    DysonSwarm-alargenumberofindependentconstructsorbitinginadenseformationaroundthestar;componentssizedappropriatelyandconsructredincrementally

    DysanRing-SimplestformofDysonSwarm,orbitis1AUinradius

  • Con

    jectures

    page 71 of 114

  • Con

    jectures

    page72of114

    Conjecture #3: Senses

    Acartographersworkshopinspiredbythesenseoftouch,butnotintheliteralsense,ratherthesightofthesenseoftouch.TherubbingsaboveweretakenononesurfaceofeachbuildingalongthenorthsideofCermakRoad,fromSouthDamenAvetoMcCormickPlace.

  • Con

    jectures

    page 73 of 114

    1 ft 20 ftN

    N

    2

    3

    4

    KEY1 MAGNETIC 2 WORK3 CATALOG4 PROJECT5 SORT6 SIT

    1

    5

    6

  • Con

    jectures

    page 74 of 114

    Conjecture #4: Cermak Context

    Pilsen

    Chinatown

    Near South Side/ Bronzeville

    Douglas

    South Loop

    Prairie District

    BridgeportMcKinley Park

    Industrial Corridor

  • Con

    jectures

    page 75 of 114

    Pilsen

    Chinatown

    Near South Side/ Bronzeville

    Douglas

    South Loop

    Prairie District

    BridgeportMcKinley Park

    Industrial Corridor

  • Redm

    oon

    page 76 of 114

    LastofMySpecies:TheFearlessSongsofLaarnaCortaan(2009)Sink.Sank.Sunk...(2004)

    AstronautsBirthday(2010)

  • Redm

    oon

    page 77 of 114

    UrbanInterventions(2012) Boneshaker(2012)

  • Redm

    oon

    page 78 of 114

  • Redm

    oon

    page 79 of 114

  • Redm

    oon

    page 80 of 114

  • Redm

    oon

    page 81 of 114

  • Redm

    oon

    page82of114

  • Redm

    oon

    page 83 of 114

  • Redm

    oon

    page 84 of 114

    Cedric Price, Fun Palace

  • Redm

    oon

    page 85 of 114

  • Redm

    oon

    page 86 of 114

    ConradRoland,Drawingofanexhibitionhallwithfloatinglevels,1963

    RichardRogersandRenzoPiano.Auca.331977:41

  • Redm

    oon

    page 87 of 114

    RichardRogersandRenzoPiano.Auca.331977:18

    RichardRogersandRenzoPiano.Auca.331977:42

  • Redm

    oon

    page 88 of 114

    RedmoonWarehouseSketch#1,4.3.2014

    RedmoonWarehouseSketch#2,13.3.2014

  • Redm

    oon

    page 89 of 114

    EXTERNAL DEPLOYMENTDAY-TO-DAY

    production

    storage

    performance

    production

    performance

    production

    storage production

    CURRENT SPECTACLES

    OBJECT MAKE DAY

    FUTURE SPECTACLES

  • Redm

    oon

    page 90 of 114

  • Redm

    oon

    page 91 of 114

    20 ft. 20 ft. 20 ft. 22 ft.

    308 ft.

    182 ft.

    156 ft. 152 ft.

    157 ft.

    2

    2 2010

    2

    34

    5

    6

    1

    1. West Hall - used by Redmoon for storage, performance and production. Also used for outreach programs and as rentable space.

    2. Spectacle Hall - performance space.

    3. Wood Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    4. Metal Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    5. Water Closet

    6. Office - houses the day-to-day administrative functions of the theater.

    20 ft. 20 ft. 20 ft. 22 ft.

    182 ft.

    308 ft.

    156 ft. 152 ft.

    157 ft.

    2

    2 2010

    2

    34

    5

    6

    1

    77

    1. West Hall - used by Redmoon for storage, performance and production. Also used for outreach programs and as rentable space.

    2. Spectacle Hall - performance space.

    3. Wood Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    4. Metal Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    5. Water Closet

    6. Office - houses the day-to-day administrative functions of the theater.

    7. Catwalk - used as a VIP lounge during events.

    ExistingFirstFloorPlan

    ExistingSecondFloorPlan

  • Redm

    oon

    page92of114

    20 ft. 20 ft. 20 ft. 22 ft.

    182 ft.

    308 ft.

    156 ft. 152 ft.

    157 ft.

    2

    2 2010

    11111

    22

    3344

    5

    66

    1. West Hall - used by Redmoon for storage, performance and production. Also used for outreach programs and as rentable space.

    2. Spectacle Hall - performance space.

    3. Wood Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    4. Metal Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    5. Water Closet

    6. Office - houses the day-to-day administrative functions of the theater.

    1 5 100

    ExistingStructurePlan

  • Redm

    oon

    page 93 of 114

    CONTRAPTIONIZED ENVIRONMENTephemeral spatial conditions

  • Redm

    oon

    page 94 of 114

    20 ft. 20 ft. 20 ft. 22 ft.

    182 ft.

    308 ft.

    156 ft. 152 ft.

    157 ft.

    2

    2 2010

    1

    2

    34

    5

    6

    1. West Hall - used by Redmoon for storage, performance and production. Also used for outreach programs and as rentable space.

    2. Spectacle Hall - performance space.

    3. Wood Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    4. Metal Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    5. Water Closet

    6. Office - houses the day-to-day administrative functions of the theater.

    20 ft. 20 ft. 20 ft. 22 ft.

    182 ft.

    308 ft.

    156 ft. 152 ft.

    157 ft.

    2

    2 2010

    1

    2

    34

    55555555555555555555555555555555555555555555555555555555555555555555555555555555

    6

    1. West Hall - used by Redmoon for storage, performance and production. Also used for outreach programs and as rentable space.

    2. Spectacle Hall - performance space.

    3. Wood Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    4. Metal Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    5. Water Closet

    6. Office - houses the day-to-day administrative functions of the theater.

    7. Catwalk - used as a VIP lounge during events.

    8. Platforms - each individually adustable to allow for dynamic performances, as well as out of the way storage or spatial elements for dening smaller rooms within the large hall.

    9. Elevated Bar - Fixed platforms above W/C used as a bar or incorporated into performances.

    77

    8

    9

    ProposedGroundFloorPlan

    ProposedLowerStructurePlan

  • Redm

    oon

    page 95 of 114

    20 ft. 20 ft. 20 ft. 22 ft.

    182 ft.

    308 ft.

    156 ft. 152 ft.

    157 ft.

    2

    2 2010

    11111111111111111111

    22

    3344

    5555555555555555555555555

    66

    1. West Hall - used by Redmoon for storage, performance and production. Also used for outreach programs and as rentable space.

    2. Spectacle Hall - performance space.

    3. Wood Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    4. Metal Shop - used for production of sets and props, and storage/auxiliary functions for performances.

    5. Water Closet

    6. Office - houses the day-to-day administrative functions of the theater.

    ProposedUpperStructurePlan

  • Redm

    oon

    page 96 of 114

    VariableProgramUsage

  • Redm

    oon

    page 97 of 114

  • Redm

    oon

    page 98 of 114

    ProposedBathroomPlatforms

    ProposedBathroomPlatforms,Mid-LineSection

  • Redm

    oon

    page 99 of 114

    PILSEN CHINATOWN

    MOTORROW

    MCCORMICKPLACE

    temporarysignage

    TemporaryExternalSignage

    InternalGeneration-ExteriorDeployment-InternalRegeneration

  • PhotographyRedmoon

    Guthrie TheatreChrist Church Lutheran

    Harley-Davidson MuseumMilwaukee Art Museum

  • Photog

    raph

    y

    page102of114

  • page 103 of 114

    Photog

    raph

    y

  • Photog

    raph

    y

    page 104 of 114

  • page 105 of 114

    Photog

    raph

    y

  • Photog

    raph

    y

    page 106 of 114

  • page 107 of 114

    Photog

    raph

    y

  • Photog

    raph

    y

    page 108 of 114