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CHINA TAKE AWAY PROJECT60 Take-Away-Boxes (ink and gouache on bamboo fibre)60 interviews, conducted in Beijing and Shanghai2013 / 2014
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The CHINA TAKE AWAY project started in 2013 in Shanghai. Until this day there have been over 80 interviews conducted with Chinese people from all ranges of age and diverse different social and economical backgrounds. Those interviews form the per-formative bases for the project.
Food playing a very important role in Chinese everyday culture and society is one as-pect of the performance. The artist meets her interview partners for lunch or dinner, in a private or formal setting, where they are eating from the most common form of food containers used in Chinese urban and migrant society : The Take-Away box. While inquiring and learning about the individuals‘ thoughts, ideas and their perception of the world Stein and her interview partners eat from these lunch boxes - a rather ordi-nary and common act. At the end of each conversation the interviewee signs his/her box with a red marker, resembling the stamp colour of traditional Chinese stamps but also referring to Chinese superstition where writing ones name in red refers to the endlessness of life.
From what the artist learns during the conversation, she creates a distinct pattern that retells and reflects the conversation. These designs are inspired by the pattern common for Ming dynasty porcelain painting. The contrast between the cheap paper and the exquisite Ming dynasty patterns - originally only found on precious porcelain vases and plates - reflects on the drastic change of China‘s culture within the last decades. The act of painting the boxes with a personal design is the attempt to sub-jectively capture the thoughts and aspects of each conversation and transform them into a semantic of patterns and images.
Elevating this throw-away item of no particular value into the context of one of the world‘s most precious materials comments on the value of each individual story in a society so well known for its collective mind-set.
CALL OF THE WILD - THE NOBLE SAVAGEShort film | 6:20 min.2014
03 NARCISSISM - TOUT S‘EFFACEShort film | 4:33 min.2013
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Narcissim shows the ordinary routine of a woman applying make-up, a simple, common gesture. However the finishing touch – the application of red lipstick – con-stantly fails - by simply missing the intended location for less than an inch riddicules the serious attempt of beautification. At the same time the video tackles the subject of the gaze; The young woman constantly watches herself in an imagined mirror – which directs her gaze directly at the audience - while she is performing her intimate routine. The image of the sad clown – a constant in art history creates a bridge between the genre of video to the visual world of painting.
The short film Call of the Wild deals with the opposition between the wilderness and urbanity, focussing on the issues of consumerism and the idividual, human identi-ty, vulnerability and the idea of the Noble Savage. With its beautifully constructed frames and over-aestheticized imagery Call of the Wild also follows a distinct visual aesthetic that recalls the history of landscape painting. Call of the Wild is intended to have multiple layers of meaning creating immediate affect, identification and at the same time conveying a Kafkaesque feeling of discomfort.
MINIMUM WAGE (MINDESTLOHN)Print | Aldi receipt on thermo-paper2012
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A receit from a discount supermarket, reading „Mindestlohn“ from top down, which had been manufactured through the manual labour of a cashier. „Mindestlohn“ reflects on the status quo of precarious employment situations of the underpaid, underinsured and mainly female employees of these discount supermarkets.
WINDOWSPainting | Oil on canvas, 80 x 120 cm2010
SELF-PORTRAIT IN FRONT OF THE NSA HEADQUARTERS EUROPE IN STUTTGART VAIHINGEN Painting | Oil on canvas, 70 x 100 cm2014
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TALENT BORROWS GENIUS STEALS Curated Pop Up Show in 10 Discount Supermarkets | 300 Print-Outs of Original Ideas for Artworks by 30 artists
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TALENT BORROWS GENIUS STEALS is a group exhibition curated by and with Charlie Stein, exposing over 30 instructions for art works by 30 globally known and active ar-tists such as Christian Jankowski, Liz Magic Laser, Birgit Brenner, Tjorg Douglas Beer, Lori Hersberger, Olaf Breuning and Costa Vece. The show was installed overnight in the public sphere in 10 discount supermarkets, displaying 300 unique ideas for art works designed specifically for this show.
The selected artists only contributed an outline for a future art piece they would like to see created. The act of giving away something for free that is as precious as the plan for an original art piece can be seen as a statement against the fear of plagia-rism. This gesture hints that really prolific and strong artistic minds do not share the fear that someone will steal their ideas, since they trust their own capability and authenticity when it comes to putting ideas into practice. These ideas are printed on paper in the shape of the inserts that go inside the handles of shopping carts, making them available in the public domain during the high season of shopping and consumerism - the last three days before Christmas holiday. By that anyone shop-ping in one of the targeted supermarkets is offered a kind of guide for the creation of an art piece.
The concept for the exhibition relates to the recurring debate on originality, plagia-rism and disputable authorship within the art world. The logical, perhaps somewhat radical conclusion to this seems to be taking it even one step further by making unique artistic ideas accessible to anyone, so they can freely chose to consume or ignore the potential within those ideas.
www.talentborrowsgeniussteals.blogspot.com
2009 – 2014 Postgraduate Studies Fine Arts at the Academy of Fine Arts, Stuttgart
Class of Christian Jankowski, Class of Rainer Ganahl
2013 Scholarship of the State of Baden-Württemberg in
Shanghai, China
2010 DAAD Scholarship , Beijing, China
2007 – 2010 Studies in Painting / Media Arts at the Academy of Fine Arts, Munich
Class of Gerhard Merz, Class of Klaus vom Bruch
Born in Germany, 1986
CV
EXHIBITION LIST
2015 Athina Art Fair | Athens, Greece
2015 Artrusk Gallery | Group Show, Geneva, Switzerland
2014 Talent Borrows Genius Steals | Pop Up Show in 10 Discount Supermarkets,
Stuttgart, Germany
2014 CI 90 Minute Shows | Contemporary Istanbul, Istanbul, Turkey
2014 FILMZ – Festival des deutschen Kinos | Gutenberg Museum, Mainz, Germany
2014 Continental Drift | Songjiang Art Museum, Shanghai, China
2014 Clair Obscur Filmfestival | Basel, Switzerland
2014 Urban Shades | Design Museum Holon, Holon, Israel (curated by Hadas Zucker)
2014 Tansmembran: Social Bodies And Their Framing | Kunstverein Feuerbach,
Stuttgart, Germany
2014 Call of the Wild | Galleria Fuori Orbita, Locarno, Switzerland
2014 Endlossschleife 2014 / 2041 | Württembergischer Kunstverein,
Stuttgart, Germany
2014 UCLA: Untitled Art Cafe | UCLA Broad Arts Center, Los Angeles, USA
2014 Just Episoden | Calwer Passage, Stuttgart, Germany
2013 Im Glashaus (Curator) | Galerie Jeseits Von Jedem, Suttgart, Germany
2013 No Place To Hide | Stuttgart, Germany (curated by Felix Ensslin and Ulf Aminde)
2012 Clair Obscur Filmfestival | Basel, Switzerland
2012 First World Problems | Stuttgart, Germany
2012 Show Me Yours, I Show You Mine | Wilhelmspalais, Stuttgart, Germany
2010 Schluesselangst | BBK Württemberg, Stuttgart, Germany
2010 Klett-Passage | Stuttgart, Germany
2010 Multi Level Analysis | Internationalgalerie, Stuttgart, Germany
2008 Mythos 68 (Award from the Heinrich Boell Stiftung) | Warszwa, Poland
German conceptual artist Charlie Stein graduated from the Academy of Fine Arts, Stuttgart where she studied at Professor Christian Jankowski. Prior to this she received a classical education in painting at Professor Gerhard Merz at the Academy of Fine Arts in Munich. She also holds a master‘s degree in political science from the department of social sciences and a degree in English literature and linguistics from the University of Stuttgart. In her work she focuses on the perception of cultural identities and their implications in a globalised, interconnected world which she then translates into installations and projects that contain both a tangible quality and a distinct visual notion. She works with different media, comprising installations, painting, sculpting , video and performance.
GRAPHIC DESIGN
Andreas Ströbel
PHOTOGRAPHERS
Nadine Bracht | MODERN MING VASE, CHINA TAKE AWAY PROJECT
Martin Stollberg | SELF-PORTRAIT IN FRONT OF THE NSA HEADQUARTERS
Achim Zweygarth | CHINA TAKE AWAY PROJECT
BIOGRAPHY
WWW.CHARLIESTEIN.COM