chapter iii collecting, presenting, chapter i mobilizing · 58 59 table of contents introduction 61...

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58 59 Table of Contents Introduction 61 Barbara Büscher, Fluid Access: Archiving Franz Anton Cramer Performance-Based Arts Chapter I Approximations 66 Barbara Büscher Lost & Found. Archiving Performance 83 Wolfgang Ernst Movement and Archive. Dance in a Media-Archaeological Perspective 93 Heike Roms Eventful Evidence. Historicizing Performance Art Chapter II Medial Transformations 102 Franz Anton Cramer Experience, Description, Relation. Movement Artefacts Transformed 109 Isa Wortelkamp Performative Writing — Writing as the Art of Recording 120 Babette Mangolte Balancing Act between Instinct and Reason. Or How to Organize Volumes on a flat Surface in Shooting Photographs, Films, and Videos of Performance 132 Eric Padraic Morrill What can we learn from Photographs of Happenings? Allan Kaprow’s Transfer 151 Ulrike Hanstein Framing Performance Art: Acts of Documenting in Being and Doing (1984) 167 Jana Horáková Reco(r)ding the Scene of Crime. Processing the Ontology of Disappearance Chapter III Collecting, Presenting, Mobilizing 181 Living Archives A Conversation with Stefanie Schulte Strathaus (Arsenal—Institute for Film and Video Art) 190 Barbara Clausen Staging the Documentary. Babette Mangolte and the Curatorial ‘Dispositif’ of Performances’ Histories 200 Laurence Rassel Choreographic Art in the Museum? 211 Scott deLahunta, The Digital and back again: Florian Jenett A Conversation on Motion Bank 225 Gabriele Blome Staging the Archive. Interfaces for Online Resources on Media Art in Context 239 Susanne Holschbach Viral Collections Chapter IV Re-Writing Histori(es) 249 Daryl Chin Mistaken Identities, Part II 262 Andi Otto STEIM. A History of Shortcuts between Body and Sound 272 Ieva Astahovska Parallel Chronologies: The 1970s in Latvia. New Art in the System’s Breaches 288 Otmar Wagner, An Encyclopaedia of Florian Feigl Performance Art. Wagner-Feigl-Forschung / Research 302 Bibliography 316 Authors 323 Photo Credits 325 Imprint Table of Contents

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58 59 Table of Contents

Introduction 61 Barbara Büscher, Fluid Access: Archiving Franz Anton Cramer Performance-Based Arts

Chapter IApproximations66 Barbara Büscher Lost & Found. Archiving Performance83 Wolfgang Ernst Movement and Archive. Dance in a Media-Archaeological Perspective93 Heike Roms Eventful Evidence. Historicizing Performance Art

Chapter II Medial Transformations102 Franz Anton Cramer Experience, Description, Relation. Movement Artefacts Transformed109 Isa Wortelkamp Performative Writing — Writing as the Art of Recording120 Babette Mangolte Balancing Act between Instinct and Reason. Or How to Organize Volumes on a flat Surface in Shooting Photographs, Films, and Videos of Performance132 Eric Padraic Morrill What can we learn from Photographs of Happenings? Allan Kaprow’s Transfer151 Ulrike Hanstein Framing Performance Art: Acts of Documenting in Being and Doing (1984)167 Jana Horáková Reco(r)ding the Scene of Crime. Processing the Ontology of Disappearance

Chapter IIICollecting, Presenting, Mobilizing 181 Living Archives A Conversation with Stefanie Schulte Strathaus (Arsenal — Institute for Film and Video Art)190 Barbara Clausen Staging the Documentary. Babette Mangolte and the Curatorial ‘Dispositif’ of Performances’ Histories200 Laurence Rassel Choreographic Art in the Museum?211 Scott deLahunta, The Digital and back again: Florian Jenett A Conversation on Motion Bank225 Gabriele Blome Staging the Archive. Interfaces for Online Resources on Media Art in Context239 Susanne Holschbach Viral Collections

Chapter IVRe-Writing Histori(es) 249 Daryl Chin Mistaken Identities, Part II262 Andi Otto STEIM. A History of Shortcuts between Body and Sound272 Ieva Astahovska Parallel Chronologies: The 1970s in Latvia. New Art in the System’s Breaches288 Otmar Wagner, An Encyclopaedia of Florian Feigl Performance Art. Wagner-Feigl-Forschung / Research 302 Bibliography316 Authors323 Photo Credits325 Imprint

Table of Contents