chapter 2 teaching art

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Chapter 2 Teaching Art Teaching Art

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Chapter 2 Teaching Art. Colors speak all languages. - Joseph Addison. Our Learning Styles. Remember the first week of class when I gave you each post-it note cover? Please go to your “post - it note friend.” . - PowerPoint PPT Presentation

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Page 1: Chapter 2 Teaching Art

Chapter 2Teaching ArtTeaching Art

Page 2: Chapter 2 Teaching Art

“I have come to a f rightening conclusion. I am the decisive element in t he classroom. It is my personal approach that creates the climate. It i s my daily mood that makes the weather. As a teacher, I possess tremendous power to make a c hild’s lif e miserable or joyous. I c an be a tool of torture or an instrument of inspiration. I can humiliate or humor, hurt or heal. I n all situations, it is my response that decides whether a crisis will be e scalated or de -escalated, and a child humanized or de-humanized.”

-–Dr. Hiam Ginott Between Teacher and Child

Page 3: Chapter 2 Teaching Art

Colors speak all languages.

- Joseph Addison- Joseph Addison

Page 4: Chapter 2 Teaching Art

Our Learning Styles

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Solitary Social Logical physical verbal Visual Aural

Solitary Social Logical physical verbal Visual Aural

Page 5: Chapter 2 Teaching Art

Remember the first week of class when I gave you each post-it note cover? Please go to your “post -

it note friend.”

Page 6: Chapter 2 Teaching Art

State your name to your group members and tell

them one music experience you have had

in your life.

Page 7: Chapter 2 Teaching Art

Are you ready

for your parts???????????

Page 8: Chapter 2 Teaching Art

Red + Orange = Ee-e-e-um-um-a-weh and high swaying voice

Green + Yellow = Wemoweh - dancers

Blue + Purple = Lead singers

Page 9: Chapter 2 Teaching Art

Ee-e-e-um-um-a-weh Ee-e-e-um-um-a-wehWemoweh, wemoweh, wemoweh, wemoweh (4X) In the jungle, the mighty jungle The lion sleeps tonight. (voice)In the jungle, the quiet jungle The lion sleeps tonightEe-e-e-um-um-a-weh Wemoweh, wemoweh, wemoweh, wemoweh (2X)Ee-e-e-um-um-a-weh Wemoweh, wemoweh, wemoweh, wemoweh (2X)Near the village, the peaceful village, The lion sleeps tonight (voice)Near the village, the quiet villageThe lion sleeps tonight Hup -HupEe-e-e-um-um-a-weh Wemoweh, wemoweh, wemoweh, wemoweh (2X)(Trill tongue) Ee-e-e-um-um-a-wehWemoweh, wemoweh, wemoweh, wemoweh (2X) (voice)Hush my darling, don't fear my darlingThe lion sleeps tonight (voice)Hush my darling, don't fear my darlingThe lion sleeps tonightEe-e-e-um-um-a-weh Wemoweh, wemoweh, wemoweh, wemoweh (2X)Ee-e-e-um-um-a-weh Wemoweh, wemoweh, wemoweh, wemoweh (2X)Ee-e-e-um-um-a-weh Ee-e-e-um-um-a-weh

QuickTime™ and aTIFF (Uncompressed) decompressor

are needed to see this picture.

Page 10: Chapter 2 Teaching Art

What is the Teacher’s Role in Early Childhood Art?

Teachers must understand their own history.“I can’t draw a straight line”“I’m not good at art.”

Teachers need to model enthusiasm, enjoyment, and competency in art.

Art begins as a manipulation of the basic visual elements of line, shape, color, pattern, form and texture.

After much careful research it has been discovered that the artist Vincent Van Gogh had many relatives. Among them were:

Page 11: Chapter 2 Teaching Art

What is the Teacher’s Role in Early Childhood Art? Teachers need to maintain high levels of

personal creativity so that they can react and change in response to the uniqueness of the young children with whom they work.

How do you define art?

His obnoxious brother, Please Gogh.

Page 12: Chapter 2 Teaching Art

What is the Teacher’s Role in Early Childhood Art? Think about yours earliest art

memory in which an adult was involved and share this experience with a partner.

OR Share one aspect of your

timeline.

His dizzy aunt, Verti Gogh.

Page 13: Chapter 2 Teaching Art

What is the Teacher’s Role in Early Childhood Art?I would like the “partner” to

share with the class your experience.

Look for patterns in the experiences.

The brother who worked at a convenience store, Stop n' Gogh.

Page 14: Chapter 2 Teaching Art

How does the Teacher’s Behavior affect Young Artists?

Most children are not exposed to adults creating and talking about art.

Teachers must model artistic behavior

The grandfather from Yugoslavia, U Gogh.

Page 15: Chapter 2 Teaching Art

How does the Teacher’s Behavior affect Young Artists?

Self-confidence Fairness Enthusiasm Appearance Participation

1-5

Each group will look at pages 40-46

Explain each of these characteristics and why your

group feels it is important or not

important.

Try to give an example!

The brother who bleached his clothes white, Hue Gogh.

Page 16: Chapter 2 Teaching Art

How should teachers respond to young artists nonverbally?

Body language (be at their level)Sharing emotionsActive Listening

WaitingLookingResponding

The cousin from Illinois, Chica Gogh.

Page 17: Chapter 2 Teaching Art

How should teachers respond to young artists verbally?

What teachers say and how they respond to children is one of the most significant parts of the educational process, and it takes practice to choose words wisely and sparingly

Research indicates that the younger child, needs one to one communication.

When there are many warm, positive interactions between adults and young children, there is a beneficial effect on social and emotional development.

His magician uncle, Wherediddy Gogh.

Page 18: Chapter 2 Teaching Art

How should teachers respond to young artists verbally?

Reconsidering praise (p.42)GREEN

Avoiding value judgments (p.42) GREEN

Using positive feedback (p.42-43)RED

Using descriptive statements (p.43) RED

Describing artistic decisions (p.44)YELLOW

Paraphrasing and scaffolding (p.44) YELLOW

Responding to meaning (p.44)ORANGE

Asking questions (p.45) PURPLE

Starting a conversation (p.45-46)BLUE

The Mexican cousin's American half brother, Grin Gogh.

Page 19: Chapter 2 Teaching Art

How should teachers respond to problems?

Children do not develop skills when adults do it for them, or try to “improve their artwork.”

The nephew who drove a stage coach, Wellsfar Gogh.

Page 20: Chapter 2 Teaching Art

How should teachers respond to problems?

Giving Encouragement Never force a child Find out reason for resistance

(afraid of getting messy or dirty)

The ballroom dancing aunt, Tan Gogh.

Page 21: Chapter 2 Teaching Art

Exploring RelationshipsKamii & DeVries 1993

• Types of questions that help children learn how objects and events are related

• 1. Predicting

• 2. Creating an effect

• 3. Connecting events

• 4. Finding the cause

Page 22: Chapter 2 Teaching Art

How should teachers respond to problems?

Providing comfort Need to be in calm accepting

atmosphere

The bird lover uncle, Flamin Gogh.

Page 23: Chapter 2 Teaching Art

How should teachers respond to problems?

Providing direction Restate directions Restate safety rules Quick demonstration

His nephew psychoanalyst, E Gogh.

Page 24: Chapter 2 Teaching Art

How should teachers respond to problems?

Building self confidence Each artists creates in their own

way “Can you invent a new way….” “What would happen if……” “Have you tried……”

The fruit loving cousin, Man Gogh.

Page 25: Chapter 2 Teaching Art

How does teaching style affect program delivery?

The teacher as facilitator The creation of art reflects the

interrelationship of the child and the purposes of the teacher.

Provide open-ended activities There is no clear end-product. Think….. Were the children able to

make artistic decisions?

An aunt who taught positive thinking, Wayto Gogh.

Page 26: Chapter 2 Teaching Art

How does teaching style affect program delivery?

Provide a context The teacher must be

willing to follow the interests of the children.

The little bouncy nephew, Poe Gogh.

Page 27: Chapter 2 Teaching Art

How does teaching style affect program delivery?

Product-Oriented Art It’s safe - teachers may lack confidence

in their own art abilities It pleases parents - study the nature of

children’s art. It’s harmless fun - takes away from the

children’s self confidence

A sister who loved disco, Go Gogh.

Page 28: Chapter 2 Teaching Art

How does teaching style affect program delivery?

Product-Oriented Art It’s traditional - It is restrictive

and uncreative It’s convenient - It is easy to

grab a commercial pattern for the “art table.”

His Italian uncle, Day Gogh.

Page 29: Chapter 2 Teaching Art

Facilitating vs. Directive Find your color friend/activity partnerLook at the cards, decide if the

situation are closer to the directed approach or the facilitated approach.

Place the card on the board and tell why your team took that position.

His Mexican cousin, Amee Gogh.

Page 30: Chapter 2 Teaching Art

Delivering the thoughtful art programTeachers need to believe….

We are artists when we make artistic decisions

Our beliefs about ourselves as artists come from our past experiences

Everyone uses the creative process to solve problems and explore ideas

Our personal goal definition of art grows out of our past experiences with art.

I’m running out of Gogh’s

Page 31: Chapter 2 Teaching Art

Planning for ArtThings to consider

Consider the age of the children

What are their previous experiences with art?

Are there children with special needs?

Maybe I will have one more Gogh around!

Page 32: Chapter 2 Teaching Art

Planning for ArtThings to consider

• Time frame• Objectives• State standards• Setup• Materials• How and what to do?• LESSON PLAN FORMAT ON LINE

IS EXCELLENT!

And his niece who travels the country in a van, Winnie Bay Gogh.

Page 33: Chapter 2 Teaching Art

For Next MondayRead chapter three.

E-mail me one paragraph reaction about this class and about the art museum. Tell me at

least 3 things a teacher should do when teaching art... Or any subject.

Don’t forget! [email protected]... No class next Thursday!

Work on person art time line. (Due 1-25-10)

– Are you ready???????????????????????????????????????????????????

Page 34: Chapter 2 Teaching Art

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