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Chapter 2 Part 2 / Principles of Composition

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Page 1: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Chapter 2 Part 2 / Principles of Composition

Page 2: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Principles of Composition-Balance

-Rhythm

-Proportion and Scale

-Emphasis

-Unity and Variety

Page 3: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Balance Balance

Page 4: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Leonardo Da VinciThe Last Supper

Fresco 1495-1498

A wall of the Refectory, Santa Mariadelle Grazie, Milan, Italy

Balance symmetrical

Page 5: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Angkor WatCentral Temple Complex c. 1113 - 1150 CE

Cambodia

Balance symmetrical

Page 6: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Balance Asymmetrical

Joan MiróThe Birth of the World 1925

Oil on canvas

Page 7: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

MarisolThe Family

Painted wood & other materials in 3 sections 1962

Balance Asymmetrical

Page 8: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Mark RothkoBlue, Orange, Red

Oil on canvas 1961

Balance Asymmetrical

Page 9: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Rhythm

... . . . . . . . . . . . . …

Page 10: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Churning of the Ocean of MilkCarved stone Angkor Wat, Cambodic 1113 - 1150 CE

Rythm

Page 11: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Magdalena AbakanowiczBacks 1976-1982

Burlap and glue 80 pieces

Rhythm

Page 12: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Islamic Mosque in Cordoba, Spain

Rhythm

Page 13: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Proportion and Scale

Page 14: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Michelangelo Buonarroti

David , 150413’ high

Proportion

Venus of WillendorfStone 25,000 BCE

Leonardo Da VinciProportions of the Human Figure

(‘Vetruvius Man’)

http://library.thinkquest.org/27890/applications6.html

Page 15: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Scale Subverted

René MagrittePersonal Values 1952

Oil on canvas 31 5/8” x 39 1/2”

Page 16: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Jan Van EyckMadonna in the Church c.1437

Oil on Panel

Scale Hierarchical

Page 17: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Claes Oldenburg & Coosje van Bruggen & Frank Gehry The Binocular Entrance to the Chiat Building

Venisce, CA 1985 - 91

Proportion and Scale

Page 18: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Claes OldenburgBat c.1977Chicago, IL

Proportion and Scale

Page 19: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Claes Oldenburg & Coosje van BruggenDropped Bowl with Scattered Slices and Peels 1990

Steel, reinforced concrete, fiber-reinforced plastic; painted with polyurethane enamel; stainless steelSeventeen parts 16 ft. 9 in. x 91 ft. x 105 ft.

Metro Dade Open Space Park, Miami

Proportion and Scale

Page 20: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Root 5 Rectangle

(based on the Golden Mean

Length = √ 5 x height )

A B C

Proportion

Classical Greek design principle

The Golden Mean

The Golden Rectangle

Page 21: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Proportion

MichelangeloThje Fall of Man and the Expulsion from

the Garden of Eden 1508-1512Fresco on ceiling of Sistine Chapel, Rome, Italy

Based on the root 5 rectangle

Page 22: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Robert SmithsonSpiral Jetty

Great Salt Lake, UT 1970

Nautilus

Golden Rectangle Spiral

Proportion

Classical Greek principle

Page 23: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Emphasis

Page 24: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Emphasis [ and Focal Point ]

Richard Hamilton

Richard HamiltonMy Marilyn 1966

Silkscreen

Page 25: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Jasper JohnsBetween the Clock and the Bed 1981

Encaustic on canvas 6’ x 10 1/2’

Emphasis [ and Focal Point ]

Page 26: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

* Emphasis and Focal Point - Radial

Chuck CloseLucas II 1987

Oil on canvas

Page 27: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Unity and Variety

Page 28: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Thomas Hart BentonPalisades 1919-1924

Oil

Unity

Page 29: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Marcel Duchamp

Nude Descending a Staircase Oil on canvas 1912

Unity and Variety

Page 30: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Exercise 3

Page 31: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Edward HopperNighthawks 1942

Oil on canvas30” x 60”

Page 32: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Claude MonetHaystack at Sunset Near Giverny 1891

Oil on canvas28” x 36”

Page 33: Chapter 2 Part 2 / Principles of Composition. Principles of Composition -Balance -Rhythm -Proportion and Scale -Emphasis -Unity and Variety

Continue to Chapter 2

Part 3 / Architecture