chapter 13 the medieval synthesis in the arts (ca. 1000–1300)

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Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

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Page 1: Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

Chapter 13

The Medieval Synthesis in the Arts

(ca. 1000–1300)

Page 2: Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

The Romanesque Pilgrimage Church

The role of relics

Santiago de Compostela

Romanesque style construction Saint-Sernin at Toulouse

Sainte Madeleine at Vézelay

Romanesque sculpture

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Page 3: Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

The Gothic Cathedral

“Bible in stone” Representations in stained glass and carvings to teach the illiterate congregation the stories of the Gospels

Virgin Mary Principle intercessor between God and the Christian believer

Chartres

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Page 4: Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

Gothic Sculpture and Stained Glass

Glass tapestries

Abbot Suger: lux nova

Light symbolism

The windows at Chartres

Sainte Chapelle: medieval “Jewel box”

Grotesques and gargoyles

Flying buttresses

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Page 5: Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

Medieval Painting

Decorative abstraction

Psalter of Saint Swithin

Psalter of Blanche of Castile

Medieval manuscripts

Altarpieces

Imitations of ornamental vocabulary of Gothic architecture and stained glass windows

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Page 6: Chapter 13 The Medieval Synthesis in the Arts (ca. 1000–1300)

Medieval Music

Early medieval embellishments

Liturgical drama

Development of notation

Polyphony

The dies irae (Day of Wrath) hymn

The motet

Instrumental music

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