Chambered Musicfor 12 instruments and sampler

Simon Steen-Andersen 2007

Instrumentation:

Flute (without mouthpiece and extension)

Clarinet in Bb

Piccolo trumpet in Bb (with a ”Yamaha Silent Brass” practice mute)

Horn in F

Trombone (off-stage with live video-feed of the conductor)

Percussion 1:

Vibraphone, long guiro, thin needle, piece of sandpaper, small piece of paper, large piece of cardboard, suitcase/briefcase (with old fashioned locks), 2 different slim jam glasses, sound-proof box with removable cover containing 3 metronomes (making clicks, not beeps), soft plectrum and a straw.

Percussion 2:

Large bass drum, piece of sandpaper, A4 sheet of normal paper, small piece of normal paper, large piece of cardboard, unpitchedmetallic object, pitched metal instrument (sounding F# 1,5 oct. above middle C), 1 crotali (F# 1,5 oct. above middle C, sounding 2 octaves higher), 2 different slim jam glasses, sound-proof box with removable cover containing 1 metronome producing a tuning tone, thin/light stick and an extremely soft bass drum stick.

Keyboard/sampler (5 octaves)

Violin 1 (with a metal practice mute)

Violin 2 (with a metal practice mute)

Viola (with a metal practice mute)

Cello (with a metal practice mute)

Double bass (with a heavy practice mute)

The samples trigged by the keyboard are played through a large speaker on stage and a small speaker placed inside a closed piano also on stage.

Score notated in the relevant transpositions

Staging:

Trb.

Percussion 1 Percussion 2Keyb./samper

Loudsp. inside

closed piano

Trp.

Horn

Cl.

Fl.

Vl.1

Vl.2Vla.

Vlc.

Db.

Loudsp.Conductor

Off-stage, ”locked up”

Camera sending cond. Image to trb. screen

Screen showing cond.

Audience

Notation and performance:

Concerning all instruments:

Dynamics:

Resulting / mutual dynamics are written without parenthesis, action dynamics arewritten in parenthesis and indicate the effort or the amount of energy to put into theaction although the resulting sound is either much softer or louder.

Crescendo and diminuendo should be performed very ”exponential” (late, explodingcrescendo (”zoom”) and early, ”reverberating” diminuendo (”reverse zoom”)).

The piece is extremely soft. If played in a very large or noisy hall general amplificationmight be considered, although it will destroy certain spatial ideas.

Tenuto+legato possibile:

All notes are to be held steadily their complete value making a virtual legato (no gap) to the following instrument playing on the next beat. When a sound is not tied to a ”point” it should be ended – where possible – with a cut right on the following beat: winds with tounge stop, strings by damping with left hand, etc.

Staccato is always as short /dry as possible no matter the note length.

Tremolo is always as dense as possible and unmeasured.

n: niente or ”quasi niente”.

Glissandos shoud start immediately and be distributed evenly.

Flute:Preparation:The piece is played without mouthpiece and extension.

”Pan flute”: The flute is mainly played ”like a pan flute”. The flute is held ”up side down”, so that one Can blow into the key holes in an optimal angle between key and hole (lips 1-2 cm. from instrument). The notated ”tone” indicates the key/hole – the lowD being the rightmost hole and the high C (fundamental) being the leftmost. (Whendoing a glissando the head should keep still and the flute moved from side to side.)

Signs:

air sound / blow. In combination with a trill: blow while trilling the single key. Above the system: blow into the tube (from the left end). Up-bow: breath in.

(single) key sound (no air) or if notated above the system: hit the left tube end with the palm of the hand.

whistle tone by blowing on the tube edge – below the system indicatesthe right end, above indicates the left end.

Clarinet:Dynamics: playing the ”normal” tones and scales in ppp should always have thesub-tone sound where the scales are not really heard as tones but more as some kind of directional mumble …

Signs:

air sound. A dotted arrow between a squared and a regular noteheadindicates a gradual transition between noise and pitch. Up-bow: breathin. Tremolo: hyperventilation (either with mouth or lounges).

+ slap tounge.

blow INTO the key holes with the lips very close to the hole/key (1-2 cm. - ”like a pan flute”). In combination with a trill: blow while trilling the single key/hole. (When doing a glissando the head should be still and theinstrument should be moved from side to side.)

(single) key sound (no air)

whistle tone. (Above system: blowing at the point of the reed. Below thesystem: blowing on the edge of the bell.) The last diamant shaped Bbindicates to whistle with the mouth into the bell (sound Ab) which shouldproduce a soft and nice but unstable multiphonic sounding approx. theminor 3rd Ab-Cb.

sticky sound removing the full underlip from the reed. (Always done withthe bell pointing forward – undramatiacally).

Piccolo trumpet (in Bb):Mute: The piece is played with Yamaha Silent Brass practice mute.

Signs:

air sound by blowing 1-2 cm. away from the mouthpiece.

the high E played as soft as possible does not have to be 100% stable. When slurred into the air sound it is an attempt to notate the sound of theair pressure that has to be let out anyway (notated or not). It should beaudible but not exagerated in any way. Later this sound should beimitated without the preceding tone by producing a similar pressurewithout a tone.

remove mute with a little twist to produce a high pitched ”squeak”sounding approx. a high F# 3,5 octaves above the middle C.

Horn (in F):Mute: no mute except as an alternative to stopping the glissando to the high

C#. In that case choose the mute easiest to change quickly and often(not necessarily imitating the sound of a stopped tone, but imitating thelevel of damping).

Signs:

air sound – blowing through the instrument.

glissando by gradually stopping the tone ”completely” – without changingthe fingering. (The stopped tone is not supposed to be nice – rather itshould be hampered or ”stuffed”.) Make a very late crescendo in order to make the stopped tone clearly the loudest.

The last part of the piece is played only with the mouthpiece:

hand pressed rather hard against the opening of mouthpiece well in advance lifted suddenly. The other end of the mouthpiece should beclosed – for example by supporting it on the leg.

whistle tone by blowing a focused air stream on the sharp edge of thetube of the mouthpiece.

Trombone:The trombone is placed off-stage, several walls or doors away from thehall, so that when the trombone is playing as loud as physically possible

it only sounds aproximately pp-mp in the hall.

A live video-feed of the conducter is needed for the trombone player to be able to follow. It probably would be helpfull if the player can hear thesound from the hall as well.

Percussion 1:Instuments:

vibraphone (played with a knuckle, a straw or air, the deepest unused 9th and the sharps could be used as a stand).

straw used to make a soft guiro-like glissando on the vibraphone and to touch the spinning fan between the keys (when the motor is on).

long guiro / vacuum cleaner pipe – on a stand or in another way fixed.soft plectrum / soft plastic / small piece of cardboard for the guiro.thin needle for dropping on a hard surface (“so silent that you can hear a

needle drop”).piece of sandpaper (with or without handle)large piece of cardboard to slide the sandpaper on.small piece of paper used for blowing a whistle tone on the edge.suitcase/briefcase with “old fashioned locks” used for the recognisable

sound of opening and closing the lock – the suitcase shouldn’t be too visible, though, to avoid making it too obvious.

2 different slim jam glasses (different from the ones used by the other percussion player) chosen for their ability to make a “swooping” sound or tone, when you lift your hand suddenly after pressing the palm rather hard against the opening (covering it). The glasses should both be semi-fixed (stable) and yet movable – for example by placing them in fitting holes in a fixed piece of foam.

sound-proof box containing 3 metronomes (making clicks, not beeps). The box should have an easy removable cover and when closed the clicking metronomes should be 100% inaudible. The metronomes should be started before the audience enters the hall or before bringing the box on stage and should be set to 140, 160 and 180 bpm.

Signs:

finger snap the jam glass (hitting it with a finger nail).

hit the two glasses against eachother.

rub the two glasses against eachother (evenly, in circles).

Percussion 2:Instuments:

large bass drum (played with hand or an extremely soft stick).piece of sandpaper (with or without handle)small piece of normal paperlarge piece of cardboard to slide the sandpaper and paper on.sheet of A4 paper to be rattled or shaken while held in one corner.2 different slim jam glasses (different from the ones used by the other

percussion player) chosen for their ability to make a “swooping” sound or tone, when you lift your hand suddenly after pressing the palm rather hard against the opening (covering it). The glasses should both be semi-fixed (stable) and yet movable – for example by placing them in fitting holes in a fixed piece of foam.

sound-proof box containing 1 metronome (making a tuning A). The box should have an easy removable cover and when closed the tone of the metronome should be 100% inaudible. The metronome should be started before the audience enters the hall or before bringing the box on stage.

unpitched metallic object (sharp metallic sound without a well defined pitch).

pitched metal instrument sounding F# 1,5 oct. above middle C (like a crotales of extended range (tuned disk?) or any other object that fits the description). The instrument shall be able to be gradually dampened until dampened completely (no recognisable pitch, only a percussive sound) with one hand while hitting it with the stick held in the other hand.

thin, light stick (for the metal and the pitched metal).1 crotali F# 1,5 oct. above middle C (sounding 2 oct. higher).extremely soft bass drum stick for hitting the crotali!

Signs:

finger snap the jam glass (hitting it with a finger nail).

hit the two glasses against eachother.

rub the two glasses against eachother (evenly, in circles).

gradually damp the pitched metal.

Keyboard/sampler: The keyboard should have a range of five octaves. Thekeyboard should be set to ”not touch sensitive”. A sample with a predefined dynamicwill be appointed to each key (exept some keys used for the sound of lifting the keys). The samples triggered by the highst 3,5 octave are panned to the right and will beplayed through a small speaker placed inside a closed piano. These sounds aremainly sounds recorded inside the piano and there are also some sounds of heavilyfiltered speech. The lowest half octave triggers samples panned to the left playedthrough a speaker at the left stage front. These sounds are all recorded and producedinside a wooden loudspeaker.

Signs:

guiro effect by sliding a small piece of cardboard (like a buisness card) over the black keys without pressing down the keys. The exact range and position of the glissando is unimportant – the direction is important.

lift previously pressed down keys (without samples) suddenly.

Strings:Mutes: a metal practice mute is used through the whole piece (double bass:

heavy plastic practice mute)

Scordatura: Viola: 2nd string down ½ a tone.Cello: 2nd string down ¾ of a tone, 4th string down about 1 octave.Double bass: 4th string down about 1 octave.

Signs:

noise sound. Above system: bow on body (treble side). Below system: bow on body (bass side).

percussive sound as indicated – col legno battuto.

+ left hand pizz.

tremolo along the string (in piano: close to the point, in forte: not tooclose to the frog).

vlc+db: bend 4th string outside fingerboard close to the head (producinga rattling, percussive sound when bowed).

vl1+vlc+db: one continous glissando movement while reattacking in different (indicated) ways.

arpeggio while doing a glissando (one string at the time, evenly filling out the complete note length).

arpeggio (while doing a glissando) as if on a six-stringed instrument (treating the body as string 1 and 6). (If no rythm is notated: fill out thecomplete note length.)

arpeggio while doing a glissando, moving the left hand in a more or lessfixed chord, starting the arpeggio on the large note and changing stringin the indicated rythm (the string being represented by the glissando line going back to the initial chord).

vl1: the same tilting technique as when changing legato back and forthbetween two strings.

Chambered Music was written for Ensemble Modern 2006-2007.

There is no program text for the piece.

Estimated duration: ~11 minutes.

Description – NO PROGRAMNOTE!

Chambered, as in compartmentalized and as in a limited or even locked up space.The piece consists of “chambered” musical elements in various interpretations of the word.

Special things in the setup: The pianist plays a sampler in the middle of the ensemble. A small speaker is placed inside a closed piano (without a player), through which is played sounds of a piano played inside (on the strings, on the metal frame, etc.) and the sounds of a muffled voice as if heard through a thick wall or a big pillow. The unrecognizable text is an excerpt from Nelson Mandelas diary, talking about the life as a prisoner. At one point in the middle of the piece, the voice gradually gets clearer for a few seconds, making understandable the words “in any prisoners life”.Another speaker is placed at the right stage front, and through this speaker is only played sounds recorded inside a speaker. The speaker finally gets to represent itself or at least its own kind, so to speak…

The trombone player is sitting off-stage, so far away and with so many walls or doors between him and the audience, that even though he is playing as loud as possible, it is only just audible in the hall, matching the very soft dynamics of the violin. The trombone player follows the conductor with a live video-feed.The beginning of the piece is rather loud, dense and confident, and the instruments are obviously connected by the sounds and tones, that they play together. The piece later gets extremely soft, transparent and fragile, and the very movements of the instrumentalists get to be more and more important, eventually being the “main theme” connecting the instruments and the musical lines. In the middle of the piece there is a kind of “movement cadenza”, where most of the instruments perform a “visual unison”.

Examples of chambered musical elements (apart from the locked up trombone and speaker inside the piano): Short loops as a kind of confined time. A piccolo trumpet with a practice mute (almost closing the trumpet, making it an air chamber), constantly playing a high tone, which needs such a high pressure, that, when the tone is stopped, the air bursts out of the player – sounding even louder than the tone he played. A percussion player plays on the locks of an old suitcase, changing the music as it opens and closes. The percussion players cover jam glasses with the palms of their hands, making a “vacuum sound” when suddenly lifting the hands. Insulated boxes with metronomes making (inaudible) tuning tones and rhythms through the whole piece are played on by opening and closing the lid, revealing the sound inside. Etc.

©2007 Simon Steen-Andersen : www.simonsteenandersen.dk / mail@simonsteenandersen.dk

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cl.(Bb)

Picc.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(off-stage)

Fl.

Keyb.

Perc.1

......

......

......

..

√

Ÿ~~~~~~~~~~~~~~~~

¤

q =~60legato+tenuto possibile

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈ ‰

(blow through instrument)("treble end")

(tounge stop)

(tap/hit d, e and f key only)

Flute (without mouthpiece and extension)

p

jœb œ

n ( f )

œ

+

≈

(slap tounge)

Œ ‰

( ∏ )œb

PRACTICE MUTE

Œ ‰

( ∏ )

œ

okeep same fingering

(F)

5

–

≥

–

≤

– – –Œ

( ƒ )

¿

>

. ≈ ‰Œ

(fast short scratch on GUIRO with plectrum)

SANDPAPER,back and forth on cardboard

(VIBRAPHONE: MOTOR OFF)

≈

(F)

¿m ¿>≈ Œ

dampened(no pitch)PITCHED

METAL

(THIN, LIGHT STICK)

5

œ œb œ œ œ Œ

SAMPLES played throughspeaker inside the closed piano

(dynamics defined in the samples)

‰

œ œm‰

SAMPLES played through speaker next to the double bass

[3 groups (m.1-15 and onwards when this material appears):fl., vl.1, perc.1, keyb. right handcl., trp., vl.2, vla.horn, perc.2, keyb. left hand, vlc., db.]

( f )

––>

n

‰

( f )

œ

o

‰

n

œ

≤

noise by bowingalong string

METAL PRACTICE MUTE

Œ ‰

( ƒ )

œm

JETÉMETAL PRACTICE MUTE

‰

n

œœm≤

( Ï )

œ

˘

≈

R

METAL PRACTICE MUTE

‰

(F)

¿>́

≈

( f )

Ͼ

‰

(tremolo along string)(not too close to the frog)col legno battuto

METAL PRACTICE MUTE4th string tuned down ~1 oct.

‰

(F)

¿fl

≈

pz

(∏)

O      

( f )

œ˘

≈

hit/tap 4th stringfor percussive sound

HEAVY PRACTICE MUTE4th string tuned down ~1 oct.

(gradually increase finger pressure)

∑

OFF-STAGE ("LOCKED UP") fffff=~pp-p

( ƒ )

¿́

≈ ‰ ‰

n (F)

¿¿¿æ

(hit left tube openingwhith palm)

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F)

j–b j

 

p π

jœ

air noise pitch

( Ï )

œ˘

≈ ‰

( f )

–fl

≈ ‰ ‰

AIR NOISE,blow 1-2 cm. away from mouthpiece

j

 

( f )

œbfl

+

≈ ‰

( f ) n–

air sound(any fingering)

≈

(F)

œm.

Œ Œ

‰

n

¿

æ(F)

¿

æ

VIBRAPHONE,with knuckle

GUIRO with plectrumStarting with single"clicks",accelerating fast

‰

(F)¿

≈ ‰

n (F)

–

SANDPAPER(on cardboard)

METALOBJECT(undefined pitch)

œ

3

œ œm œ

3

≈œm ≈

3

œ œ œm

Œ ‰

œ

‰

( Ï )

œmfl

≈ ≈

I

(F)

œ+  .  +  ́  

+  ́

π

—+

(lh pz)(arco)

(cl batt.)

(highest possition)

‰

( p )

jœm

( f )

–

fl

≈ ‰ ‰

pitch noise

II

( p ) 6

œm . .

 .

 .  .

 .

( ƒ )

jœ+o

Œ

n ( P )

jœœm

≤r

œÂ

(as if a mechanical repetitionof the preceding 7/8 figure)

(left hand pizz.)

n

jœœµ≤

( ƒ )

œœµ .

>

≈

n

j

œ

m

( ƒ )

œ.

>

≈ ‰

(unisonbecause ofscordatura)

(press string outside fingerboardto make the detuned 4th stringrattle even in soft dynamics)

‰

( p )

IVœ)(

( Ï )

œfl

≈ ‰

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

œ

(in this material both handsactivates samples played through the speaker inside the piano)

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

"parlando" ...

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈ ‰

(as if a mechanical repetitionof the preceding 9/8 figure)

π

œbn ( f )

œ

+

≈

( π ) 5

œ. œ.œb .

œ.

œ.

F

œb˘

≈

(as if a mechanical repetitionof the preceding 7/8 figure)

‰

( ∏ )œb

( Ï )

œ˘

≈ ‰

(as if a mechanical repetitionof the preceding 7/8 figure)

( ∏ )

‡

+

(F)

œm.

+

≈ Œ

(stopped "as much as possible")

(deepest possible tone)

(F)

5

–

≥

–

≤

– – –Œ

( ƒ )

¿

>

.≈ ‰ Œ

(as if a mechanical repetitionof the preceding 9/8 figure)

SANDPAPER

( f )

–fl

≈

(F)5

œm         ¿>≈

pitch, damp gradually

(as if a mechanical repetition of the preceding 11/8 figure)

PITCHED METAL

5

œ œb œ œ œ Œ

‰

œm‰

œ

( f )

––>

n

‰

( f )

œ

o

‰

n

œ

≤

(along string)

(as if a mechanical repetitionof the preceding 9/8 figure)

‰

( ƒ )

œm‰

( p )

œm

(as if a mechanical repetitionof the preceding 7/8 figure)

Â( P )

œœ

≤

( Ï )

œ

˘

≈

R

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

œ+o

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

(Bartok pizz., l.h. pizz., arco,one continous l.h. movement)

(as if a mechanical repetition of the preceding 11/8 figure)

(c.l.b.)

( f )

œb  +

( p )

—.

≈ ‰

(F)

¿fl

≈

(Bartok pizz., l.h. pizz., arco,one continous l.h. movement) (highest

possition)

∑

......

......

......

1

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cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~

¤

Ÿ~~~~~~~~~~~~~~~

¤

5

( ƒ )

¿́

≈ Œ

n

j

¿¿¿æ

(F)

–b  

p

œ

5

( f )

–fl

≈ ‰ Œ

‰

( ∏ )

œ

o

 

( f )

œbfl

+

≈

(as if a mechanical repetition of the preceding 11/8 figure)

5 ≈

(F)

œm.

‰ Œ

‰

n

¿

æ

¿

æ

VIBRAPHONE

GUIRO(sim. acc.)

Œ ‰

(F)¿

≈

METALOBJECT

5

œ

3

œ œm œ

3

≈œm ≈

3

œ œ

œm‰ Œ

5

( Ï )

œm˘

‰

I

(F)

œ+  .  +  ́  

+

( f )

–

fl

≈ ‰ Œ

Œ

n

œœm≤

( f )

Ͼ

‰

n

œœµ≤

( ƒ )

œœµ .

>

≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

( p )

IVœ)(

5

∑

¿¿¿æ

( ƒ )

¿¿¿

>

n

– –

( ƒ )

–.+>

≈

n ( f )

œ

+

≈

( π )5

œ. œ.œb.

œ.

œ.

F

œbfl

≈

(F)

–b

( ∏ )œb

( Ï )

œ

fl

≈ ‰

( f )

–fl

≈

‰

( f ) n–

( ∏ )

j

‡

+

‰

(F)

5

–

≥

–

≤

– – –‰

¿

æ

( ƒ )

¿

>

.≈ Œ

SANDPAPER

‰

n

–

( f )

–fl

≈SANDPAPER

3

œ œm5

œ œb œ œ œ ‰

‰

œ

Œ

 ́

π

—+

( f )

j

––>

n

‰

( f )

œ

o(along string)

( ƒ )

j

œm‰

( p )

œm( f )

–

fl

≈

( Ï )

œ

˘

≈

II

( p ) 6

œm . .

 .

 .  .

 .

r

( ƒ )

œ+o

‰

nœ

m

( ƒ )

œ.

>

≈ ‰

III

( f )3

œb  +

( p )

 .

 

( Ï )

œfl

≈ ‰

( f )

œb  +

∑

‰

( ƒ )

¿́

≈ Œ

j 

p

œ

n ( f )œ

+

≈

Œ ‰

( ∏ )œb

(F)

œm .+

≈ ‰ Œ

‰ ≈

(F)

œm.

Œ

Œ

n

¿

æ

VIBRAPHONE

GUIRO

(F)5

œm         ¿>≈ ‰

PITCHED METAL

‰

œ

3

œ œm œ

3

≈œm ≈

œm‰

œ œm

( Ï )

œmfl

≈ ≈I

(F)

œ+  .  +

nJœ

≤

Œ ‰

( ƒ )

œm

‰

n

œœm≤

  

( Ï )

œ

˘

≈

R

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

( f )

Ͼ

( p )

—.

≈ ‰

(F)

¿

˘≈

pz

(∏)

O      

∑

n¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F)

j–b j

 

p ∏

jœ

( Ï )

œ˘

≈ ‰

( f )

–fl

≈ ‰ ‰

( ∏ )

jœ

o

j 

( f )

œbfl

+

≈ ‰

( f ) π

j–

Œ

(F)

5

–

≥

–

≤

– – –‰

¿

æ( ƒ )

¿

>

.≈ ‰ ‰

SANDPAPER

Œ

(F)¿

≈ ‰ ‰

‰METALOBJECT

3

œ œ œm5

œ œb œ œ œ ‰

Œ Œ jœ

 ´  

+  ́

π

—+

( f )

j

––>

n

‰

( f )

jœ

o(along string)

‰

( p )

jœm

( f )

–

fl

≈ ‰ ‰

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

Jœ+o

Œ

n (F)

jœœm

≤r

œÂ

‰

n

jœœµ≤

( ƒ )

œœµ .

>

≈

n

j

œ

m

( ƒ )

œ.

>

≈

( f )

œ˘

≈ ‰

( p )

IVœ)(

( Ï )

œfl

≈

∑

......

......

......

......

......

......

2

&

&

&

&

&

&

&

?

&

&

B

?

t

?

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~

¤

9

∏–

played "like a pan-flute":blowing INTO to the notated keyholes

∑

9

ppppp possibile

œ

∑

9

pppppp

OWHISTLE TONE ON PAPER EDGE

(as if background noise)

pppppp

Ͼ

(as if background noise)

BASS DRUM

9

∑

∑

9

∏–

æ

tremolo on body(bass side)

∑

∑

∑

ppppppœ

(as if background noise)

9

∑

‰

( ƒ )

¿́

≈ Œ

∏œb

n ( f )œ

+

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œb˘

≈

‰

( ∏ )œb

( Ï )

œ˘

≈ ‰

π n–

( ∏ )

‡

+

(F)

œm .+

≈ ‰

‰ ≈

(F)

œm.

Œ

Œ

n

¿

æ

VIBR.GUIRO

n

–

( f )

–fl

≈

(F)5

œm        

SANDPAPER PITCHED METAL

‰

œ

3

œ œm œ

3

≈œm ≈

Œ

œm‰

( Ï )

œmfl

≈ ≈I

(F)

œ+  .  +

nJœ

≤

‰

( ƒ )

œm‰

( p )

œm

Â(F)

œœ

( Ï )

œ

˘

≈

R

II

( p ) 6

œm . .

 .

 .  .

 .

( ƒ )

œ+o

‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́ ¿́

‰

( f )

œb  +

( p )

—.

≈ ‰

∑

n¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

(F)

–bp

œ

( f )

–fl

≈ ‰ Œ

Œ

( ∏ )

œ

o

Œ

(F)

5

–

≥

–

≤

– – –

¿

æ( ƒ )

¿

>

.≈ ‰

SANDPAPER

¿>≈ ‰ Œ

3

œ œ œm5

œ œb œ œ œ

œ œmŒ

 ́  +  ́

π

—+

( f )

––>

n

‰

(along string)

( f )

–

fl

≈ ‰ Œ

Œ

n

œœm≤

(F)

¿́>

≈

( f )

Ͼ

‰

n

œœµ≤

(F)

¿

˘≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

∑

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈ Œ

n ( f )

œ

+

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F)

–b

( ∏ )

j

œb( Ï )

œ˘

≈ ‰

( f )

–fl

≈ ‰

( f )

œbfl

+

≈ ‰

( f ) n–

( ∏ )

j

‡

+

Œ ≈

(F)

œm.

Œ

Œ ‰

n

¿

æ

VIBR.GUIRO

(F)¿

≈ ‰

n

–

( f )

–fl

≈

METAL SANDPAPER

Œj

œ

3

œ œm œ

3

≈œm ≈

Œ jœ

Œ

( f )

œ

o

( Ï )

œmfl

≈

≈I

(F)

œ+  .  +

‰

nJœ

≤

( ƒ )

j

œm‰

( p )

jœm

( f )

–

fl

≈ ‰

( Ï )

œ

˘

≈

R

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

Jœ+o

Œ

( ƒ )

œœµ .

>

≈

n

j

œ

m

( ƒ )

œ.

>

≈ ‰

III

( f )3

œb  +

( p )

 .

( p )

IVœ)(

( Ï )

œfl

≈ ‰

( f )

œb  +

∑

......

......

......

..

......

......

......

..

3

&

&

&

&

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~ Ÿ~~~~~~

Ÿ~~~~~~~~~~~~~~~~

~~~~

~~~~

~~

~~~~~~~~~~

¤

13

n¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

p

œbn ( f )

œ

+

≈

( π )5

œ. œ.œb .

œ.

œ.

13

Œ

( ∏ )œb

( Ï )

œ

fl

≈

(F)

œm .+

≈ ‰ Œ

13 Œ

(F)

5

–

≥

–

≤

– – –

¿

æ( ƒ )

¿

>

.≈ ‰

SANDPAPER

(F)5

œm         ¿>≈ ‰

PITCHED METAL

13 3

œ œ œm5

œ œb œ œ œ

œm‰

œ œm

13  ́  +  ́

π

—+

( f )

––>

n

‰

(along string)

Œ

( ƒ )

œm‰

nœœm

≤

( Ï )

œ

˘

≈

II

( p ) 6

œm . .

 .

 .  .

 .

r

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

( f )

Ͼ

( p )

—.

≈ ‰

(F)

¿

˘≈

pz

(∏)

O      

13

∑

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈ ‰ ‰

n ( P )

¿¿¿

æ

F

œbfl

≈

(F)

–bp

œ

n ( f )œ

+

≈

‰

( f )

–fl

≈ Œ ‰

( ∏ ) ( f )

œb

( ∏ )

œ

o

( f )

œbfl

+

≈ ‰

( f ) n–

Œ ≈

(F)

œm.

‰ Œ

Œ ‰

n

¿

æ ( P )¿

æ

VIBR.

GUIRO

Œ

(F)¿

≈ ‰

n (F)

–

METAL SANDPAPER

Œ

œ

3

œ œm œ

3

≈œm ≈

3

œ œ

Œ Œ

œ

‰

( f )

œ

o

( Ï )

œmfl

‰

I

(F)

œ+

 .  +

π

‰

‰

n

œ

≤

( p )

œm( f )

–

fl

≈ Œ ‰

( ƒ )

œm

( ƒ )

œ+o

‰ ‰

nœœm

≤

  

( Ï )

œ

˘

≈

R

‰

n

œœµ≤

( ƒ )

œœµ .

>

≈

nœ

m

( ƒ )

œ.

>

≈ ‰

( f )

œ˘

≈ ‰

( p )

IVœ)(

( Ï )

œfl

≈ ‰

∑

∏

– – –Â j–

(by 1/4 tone raised F is just meant the hole just to the right of the G hole)

∑

ppppp

.œ

sim.

∑

pppppp

.O(whistle tone on paper)

pppppp

.Ͼ

BASS DRUM

∑

∑

∏

OOOO

mm–

æ

OOOO

mj

–

æ

∑

∑

∑

pppppp

.œ

∑

( P )

j¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

( π )5

œ. œ.œb.

œ.

œ.

F

œbfl

≈

(F)

j–b

( Ï )

œ˘

≈ ‰

( f )

–fl

≈

( ∏ )

j

‡

+

(F)

œm .+

≈ ‰

‰

(F)

5

–

≥

–

≤

– – –

( P )J

¿

æ

( ƒ )

¿

>

.≈ Œ

( f )

–fl

≈

(F)5

œm        

3

≈œm

5

œ œb œ œ œ

‰ jœm

‰

‰

( f ) n

j

––>

‰

(along string)

‰

( p )

jœm

( f )

–

fl

≈

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

Jœ+o

‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́ ¿́

( f )

œb  +

( p )

—.

≈ ‰

∑

......

......

......

......

......

......

4

&

&

&

&

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~~~~~~~~~~

¤

17

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈ ‰

j 

p

œbn ( f )

œ

+

≈

17

Œ ‰

( ∏ )œb

Œ

( ∏ )

œ

o

17 Œ ≈

(F)

œm.

‰

Œ ‰

n

¿

æ

VIBR.

GUIRO

¿m>≈ ‰ Œ

17

Œ

œ

3

œ œm œ

œ œmŒ

17

( f )

œ

o

( Ï )

œmfl

‰

I

(F)

œ+

‰

n

œ

≤

Œ ‰

( ƒ )

œm

‰

n

œœm≤

  

( Ï )

œ

˘

≈

R

(F)

¿́>

≈

( f )

Ͼ

‰

n

œœµ≤

(F)

¿

˘≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

17

∑

‰

n¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F)

–bp

jœ

( Ï )

œ˘

≈ ‰

( f )

–fl

≈ Œ

( f )

œbfl

+

≈ ‰

( f ) n–

( ∏ )

j

‡

+

Œ ‰

(F)

5

–

≥

–

≤

– – –

.¿

æ( ƒ )

¿

>

.≈ ‰

SANDPAPER

(F)¿

≈ ‰

n

–

( f )

–fl

≈

METALSANDPAPER

3

≈œm ≈

3

œ œ œm5

œ œb œ œ œ

Œ jœ

Œ

 .  

+  ´  

+  ́

π

—+

( f )

j––>

n

‰

(along string)

‰

( p )

jœm

( f )

–

fl

≈ Œ

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

Jœ+o

‰ ‰

n

jœœm

≤

( ƒ )

œœµ .

>

≈

n

j

œ

m

( ƒ )

œ.

>

≈ ‰

III

( f )3

œb  +

( p )

 .

( p )

IV

œ)(

( Ï )

œfl

≈ ‰

( f )

œb  +

∑

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈ ‰ ‰

n ( P )

¿¿¿

æ

œ

n ( f )œ

+

≈

( π )5

œ. œ.œb.

œ.

œ.

F

œb˘

≈

(F) p

–b rœ

‰

( ∏ )œb

( Ï )

œ˘

≈ ‰

( f )

–fl

≈ ‰

(F)

œm .+

≈ ‰ Œ

( ∏ ) (F)

œ

o +

rœB

Œ ≈

(F)

œm.

‰ Œ

Œ ‰

n

¿

æ ( P )

¿

æ

VIBR.

GUIRO

(F)5

œm         ¿>≈ ‰ Œ

PITCHED METAL

Œ

œ

3

œ œm œ

3

≈œm ≈

3

œ œ

œm‰

œ œmŒ

( f )

œ

o

( Ï )

œmfl

‰

I

(F)

œ+

 .  +

π

‰

‰

n

œ

≤

‰

( ƒ )

œm‰

( p )

œm( f )

–

fl

≈ ‰

  

( Ï )

œ

˘

≈

R

II

( p ) 6

œm . .

 .

 .  .

 .

( ƒ )

œ+o

Œ

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

( f )

Ͼ

‰

n (F)

œœµ≤

rœ

( p )

—.

≈ ‰

(F)

¿

˘≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

∑

......

......

......

.

......

......

......

.

5

&

&

&

&

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~

¤

20

∏

3

– ¿ –

∑

20

ppppp

˙

∑

20

pppppp

O OPAPER

ppppppæ̇

BASS DRUM

20

∑

∑

20

∏

3

–

æO

æ

–

æ

(trem. along string,close to the point)

∑

∑

∑

pppppp˙

20

∑

( P )

j

¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

p

œbn ( f )

œ

+

≈

‰ ‰

( ∏ )

j

œb

( f )

œbfl

+

≈ ‰

( f ) n

j–

‰

(F)

5

–

≥

–

≤

– – –

( P )J

¿

æ

( ƒ )

¿

>

.≈ ‰

GUIRO

SANDPAPER

(F)¿

≈ ‰

n

j–

METAL SANDPAPER

3

≈œm

5

œ œb œ œ œ

‰ ‰ jœ

‰

( f )

j––>

n

‰

(alongstring)

‰ ‰

( ƒ )

j

œm

n

œœm≤

( Ï )

œ

˘

≈

R

( ƒ )

œœµ .

>≤

≈

n

j

œ

m

( ƒ )

œ.

>

≈

( p )

IVœ)(

( Ï )

œfl

≈

∑

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈ ‰

( π )5

œ. œ.œb .

œ.

œ.

F

œb˘

≈

(F) p

–b rœ

( Ï )

œ˘

≈ ‰

( f )

–fl

≈ ‰

–

( ∏ )‡

+

(F)

œm .+

≈ ‰

Œ ≈

(F)

œm.

‰

VIBRAPHONE

–

( f )

–fl

≈

(F)5

œm       ¿

PITCHED METAL

Œ

œ

3

œ œm œ

Œ

œm‰

( f )

œ

o

( Ï )

œmfl

‰

I

(F)

œ+

rK

œ

‰

n

œ

≤

‰

( p )

œm( f )

–

fl

≈ ‰

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

œ+o

Œ

‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́

( P )

¿́

‰

( f )

œb  +

( p )

—.

≈ ‰

∑

‰

πJ–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ ‰

VIBRAPHONE"guiro" gliss. with straw

‰

π

J–

‰

PAPERlarge movement from right to left on the cardboard

"GUIRO"(fx with a "buisness card or a similar piece of cardboard across the black keys without pressing them down (direction important, exact range or location unimportant)

‰

π

J¿b

r¿b

‰

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

......

......

......

..

6

&

&

&

&

&

&

&

?

&

&

B

?

t

?

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~

Ÿ~~~~~~~~~~~~~~~

¤

24

‰

n¿¿¿æ

( ƒ )

¿¿¿

>

n

.–

p

œbn ( f )

œ

+

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

24

Œ

( ∏ )

j

œb( Ï )

œ˘

≈ ‰

Œ

( ∏ )

œ

o

( f )

œbfl

+

≈

24 Œ ‰

(F)

5

–

≥

–

≤

– – –

n

.¿

æ

( ƒ )

¿

>

.≈ ‰

GUIRO SANDPAPER

(F)

¿m>≈ ‰ Œ

(F)¿

≈

PITCHED METAL METAL

24 3

≈œm ≈

3

œ œ œm5

œ œb œ œ œ

œ œm‰ Œ

24

( P )

œ.  +  ́  +  ́

π

—+

( f )

j––>

n

‰

(alongstrings)

Œ

( ƒ )

j

œm‰

( p )

j

œm

n

œœm≤

( Ï )

œ

˘

≈

R

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

Jœ+o

(F)

¿́>

≈

( f )

JϾ

‰

n

jœœµ≤

( ƒ )

œœµ .

>

≈

(F)

¿fl

≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

( p )

IV

J

œ)(

24

∑

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈ ‰

(F)

–bp nœ

( f )

–fl

≈ ‰ Œ

‰

( f ) n–

( ∏ )( P )

j

‡

+r

œ

Œ ≈

(F)

œm.

‰

VIBRAPHONE

‰

n

– –

( f )

–fl

≈

SANDPAPER

Œ

œ

3

œ œm œ

‰

œ

Œ

( f )

œ

o

( Ï )

œmfl

≈ ‰

‰

n

œ

≤

( f )

–

fl

≈ ‰ Œ

Œ

n ( f )

œœm≤

rœ

nœ

m

( ƒ )

œ.

>

≈ ‰

III

( f )3

œb  +

( p )

 .

 

( Ï )

œfl

≈ ‰

( f )

œb

( P )

 +

∑

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰

œ œm

∑

∑

∑

∑

∑

( Ï )5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

∏

–               –

∑

ppppp

œ

∑

pppppp

OPAPER

pppppp

Ͼ

BASS DRUM

∑

∑

∏

O

OO

O

m˜

˜

˜˜

˜˜

˜–

æ

IV III II I II III III

∑

∑

∑

pppppp

œ

∑

......

......

......

7

&

&

&

&

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~

~~~~~~~~~~

¤

28

∑

∑

28.œ

∑

28.O

( f ) Jø ‰ ≈ . ˜

SUITCASE LOCK(OLD FASHION)

lock!open!

.Ͼ

28

∑

∑

28

∑

∑

∑

∑

.œ

28

∑

∏

.– –Â

∑

œ

∑

O

Ͼ

∑

∑

∏

.–

æ

OOOO

m

∑

∑

∑

œ

∑

‰

n¿¿¿æ

( f )œ

+

≈

( π ) 5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

( ∏ )

j

œb( Ï )

œ˘

≈ ‰

(F)

œm .+

≈ ‰ ‰

n.¿æ

GUIRO

(F)5

œm         ¿>≈

PITCHED METAL

3

≈œm ≈

3

œ œ œm

jœm

‰ j

œ

‰

p

ϫ

 +  ́

π

—+

( ƒ )

j

œm‰

( p )

j

œm

( Ï )

œ

˘≤

≈

R

II

( p )6

œm . .

 .

 .  .

 .

( ƒ )

Jœ+o

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

( p )

—.

≈ ‰

(F)

¿fl

≈

∑

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈ ‰

(F)

–bp nœ

( f )

–fl

≈ ‰ Œ

‰

( ∏ )

œ

o

( f )

œbfl

+

≈

(F)

5

–

≥

–

≤

– – –Œ

( ƒ )

¿

>

.≈ ‰ Œ

SANDPAPER

Œ ‰

(F)¿

≈

METAL

5

œ œb œ œ œ Œ

œm‰ Œ

( f )

––> n

‰

( f )

œ

o

‰

n

œ

≤

(alongstring)

( f )

–

fl

≈ ‰ Œ

Œ

n

œœm≤

( f )

Ͼ

‰

n

œœµ≤

( ƒ )

œœµ .

>

≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

( p )

IVœ)(

∑

( ƒ )

¿́

≈ Œ

n¿¿¿æ

( ƒ )

¿¿¿>

≈

( f )

œ

+

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F)

–bp ∏

jœ

( ∏ )œb

( Ï )

œ

fl

≈ ‰

( f )

–fl

≈ Œ

‰

( f ) n–

( ∏ )

j

‡

+

(F)

œm .+

≈ ‰

≈

(F)

œm.

‰ Œ ‰

(F)

3

–

≥

–

≤

–

‰

n

¿

æ

.¿

æ

( ƒ )

¿

>

.≈

VIBR.

GUIRO

SANDPAPER

‰

n

– –

( f )

–fl

≈

(F)5

œm       ¿SANDPAPER PITCHED METAL

œ

3

œ œm œ

3

≈œm ≈

3

œ œ

3

œ œm3

œ œb œ

‰

œ

Œ

œm‰

( Ï )

œm˘

‰

I

(F)

œ+  .  +  ́  

+  ́

π

—+

( f ) n

j

––>

(alongstring)

( ƒ )

œm‰

( p )

œm( f )

–

fl

≈ Œ

( Ï )

œ

˘

≈

II

( p ) 6

œm . .

 .

 .  .

 .

r

( ƒ )

œ+o

‰ ‰

n (F)

œœm≤

rœÂ

nœ

m

( ƒ )

œ.

>

≈ ‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́

( P )

¿́ ¿́

 

( Ï )

œfl

≈ ‰

( f )

œb  +

( p )

—.

≈ ‰

∑

......

......

.....

......

......

....

8

&

&

&

&

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~~~~~~~~

Ÿ~~~~~~~~~~~~~~~~~Ÿ~~~~~~~~~~~~~~~ Ÿ~~~~~~

~~

~~

~~~

~~

~~~~

~~~~

~~

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~

~~~~

~~

¤

33

∏– ¿ ¿ ¿ –

ppppp

–

≤

.≈ ‰ Œ

(breath in through the instrument)

33

Œ

ppppp

œ

ppppp

–≤.

≈ ‰ Œ

(breath in through the instrument)

33

pppppp

–.≤

≈ ‰O

(breath in)PAPER

pppppp

æ̇

BASS DRUM

33

∑

∑

33

∏–

æO

æ

œO

OOOO

m

ppppp

–≤.

≈ ‰ Œ

(bow on the body of the instrument (treble side))

∑

∑

˙

33

∑

– –Â – –

∑

˙

∑

O O

æ̇

∑

∑

–

æ

OOOO

mm –

æ

OOOO

mn

∑

∑

∑

˙

∑

j–

j¿

∑

œ

∑

O

Ͼ

∑

∑

J

–

æ JOm æ

∑

∑

∑

œ

∑

n

–

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈

∏œb

n ( f )

œ

+

≈

( π )5

œ. œ.œb.

œ.

œ.

F

œb˘

≈

‰

( ∏ )œb

( Ï )

œ˘

≈ ‰

Œ

( ∏ )

œ

o

(F)

–≤

–≥‰ ‰ ≈

(F)

œm.

SANDPAPER VIBRAPHONE

(F)

¿m>≈ ‰ Œ

PITCHED METAL

œb œ Œ j

œ

œ œmŒ

‰

( f )

œ

o

( Ï )

œmfl

≈

‰ ‰

nJœ

≤

‰

( ƒ )

œm‰

( p )

œm

(F)

 œœ

≤

( Ï )

œ

˘

≈

R

II

( p ) 6

œm . .

 .

 .  .

 .

( ƒ )

œ+o

(F)

¿́>

≈

( f )

Ͼ

‰

n

œœµ≤

(F)

¿

˘≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

∑

Œ

n¿¿¿æ

(F)

–bp nœ

( f )

–fl

≈ ‰ Œ

( f )

œbfl

+

≈ ‰

( f ) n–

n¿æ ¿æ

GUIRO

(F)¿

≈ ‰

n–

METAL

3

œ œm œ

3

≈œm ≈

3

œ œ œm

Œ

œ

‰

≈

I

(F)

œ+  .  +  ́  

+  ́

π

—+

( f )

–

fl

≈ ‰ Œ

Œ

nœœm

≤

( ƒ )

œœµ .

>

≈

nœ

m

( ƒ )

œ.

>

≈ ‰

( p )

IVœ)(

( Ï )

œfl

≈ ‰

∑

......

......

......

9

&

&

&

&

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~

~~~~

~~~

Ÿ~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~~

~~~~

~~~~

~

~~

~~~

~~

~~

Ÿ~~~~~~~38

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈ ‰

( f )œ

+

≈

( π ) 5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F) ( P )–b

38

( ∏ )œb

( Ï )

œ

fl

≈ ‰

( f )

–fl

≈

( ∏ )

‡

+

(F)

œm.

+

≈ Œ

38

(F)

5

–

≥

–

≤

– – –Œ

( ƒ )

¿

>

.≈ ‰ Œ

SANDPAPER

( f )

–fl

≈

(F)5

œm         ¿>≈

PITCHED METAL

38 5

œ œb œ œ œ Œ

‰

œm‰

œ

38

( f )

––>

n

‰

( f )

œ

o(along strings)

( ƒ )

œm‰

( p )

œm( f )

–

fl

≈

( Ï )

œ

˘

≈

II

( p )6

œm . .

 .

 .  .

 .

r

( ƒ )

œ+o

‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

( f )

œb  +

( p )

—.

≈ ‰

(F)

¿fl

≈

38

∑

∏

j¿ ‰ ‰

∑

ppppp

.œ

∑

pppppp

.OPAPER

pppppp

.Ͼ

BASS DRUM

‰

œ

∑

∏

JOm æ

‰ ‰

∑

∑

∑

pppppp

.œ

∑

–Â – – – ¿ ¿ ¿ –Â

‰

ppppp

–

≤

.≈ Œ Œ

œ

∏–( )

≈ ‰œ œ

Let out air "naturally" (don't try to match written dynamic or length)

‰

ppppp

–≤.

≈ Œ Œ

O –≤.

≈ ‰O O

‰

ppppp

–.≈ Œ Œ

.˙

æ

PAPER ON CARDBOARD

∑

∑

OOOO

mm –

æ

OOOO

mn–

æ

Omæ œO O

OOOn

‰

ppppp

–≤.

≈ Œ Œ

‰

ppppp

–≤.

≈ Œ Œ

(bow on the body of the instrument (treble side))

‰

ppppp

–

≤

.

≈ Œ Œ

(bow on the body of the instrument (bass side))

.˙

∑

¿

3

¿ ¿ –

∑

˙

∑

O O

æ̇

∑

∑

O

æ

œ

3

O œ O

OOOO

m

∑

∑

∑

˙

∑

......

......

......

10

&

&

&

&

&

&

&

?

&

&

B

?

t

?

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~~

~~

~~~

~~

~~

~~~~

~~~~

~~

Ÿ~~~~~~~~~~~~~~

¤

42

( ƒ )

¿́

≈ ‰ ‰

n¿¿¿æ

( P )

.–bp

œj

œ

n ( f )œ

+

≈

( π )5

œ. œ.œb.

œ.

œ.

42

Œ ‰

( ∏ )

j

œb( Ï )

œ˘

≈

‰

( ∏ )

œ

o

( f )

œbfl

+

≈ ‰

42 ≈

(F)

œm.

‰ Œ ‰

‰

n

¿

æ

¿

æ

VIBR.

GUIRO

Œ ‰

(F)¿

≈ ‰

METAL

42

j

œ

3

œ œm œ

3

≈œm ≈

3

œ œ œm

j

œm‰ ‰ Œ

42

‰ ≈

I

(F)

œ+  .  +  ́  

+  ́

π

—+

Œ ‰

( ƒ )

j

œm‰

‰

n

œœm≤

( Ï )

œ

˘

≈

R

II

( p )6

œm . .

 .

 .  .

 .

( f )

JϾ

‰

n

jœœµ≤

( ƒ )

œœµ .

>

≈

n

j

œ

m

pz

(∏)

O      

( f )

œ˘

≈ ‰

( p )

IVœ)(

42

∑

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈

F

œbfl

≈

(F)

–bp nœ

‰

( f )

–fl

ŠΠ.

( f ) n–

( ∏ )

j

‡

+

(F)

œm .+

≈ ‰

(F)

5

–

≥

–

≤

– – –Œ ≈

(F)

œm.

( ƒ )

¿

>

.≈ ‰ Œ ‰

SANDPAPER VIBR.

n

–

( f )

–fl

≈

(F)5

œm       ¿SANDPAPER PITCHED METAL

5

œ œb œ œ œ Œ j

œ

jœ

‰ ‰ jœm

‰

( f )

j––>

n

‰

( f )

œ

o

( Ï )

œmfl

≈

‰

nJœ

≤(alongstrings)

( p )

jœm

( f )

–

fl

ŠΠ.

( ƒ )

Jœ+o

‰ ‰

n ( f )

œœm≤

rœ

( ƒ )

œ.

>

≈ ‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́

( P )

¿́

( Ï )

œfl

≈ ‰

( f )

œb  +

( p )

—.

≈ ‰

∑

∏

– –Â –Â – –

Œ ‰

ppppp

–

≤

.≈

ppppp

.œ

–( )

≈

Œ ‰

ppppp

–≤.

≈

pppppp

.O –.≤

≈

PAPER

pppppp

Œ ‰

ppppp

–.≈

˙

æ

BASS DRUM

PAPER

∑

∑

∏

–

Om OOOOm –

æ

OOOO

mn

Œ ‰

ppppp

–≤.

≈

Œ ‰

ppppp

–≤.

≈

Œ ‰

ppppp

–

≤

.

≈

pppppp

˙

∑

∑

∑

‰ Jœ .œ

∑

‰ JO .O

Ͼ .Ͼ

˙

‰

Œ Œ jœ

∑

∑

∑

∑

œ .œ

∑

......

......

.....

11

&

&

&

&

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~Ÿ~~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~

~~~~~~~

46

¿ –

–

æ – ¿

hyper ventilation

Œ . ‰

ppppp

–

≤

.≈

46.œ

Jœ

–( )

≈

Œ . ‰

ppppp

–≤.

≈

46.O

JO –.

≤

≈

Œ . ‰ –.≈

.œ

æ

œ

æ

46

∑

∑

46Om æ

–

æ

OOOOm –

æO

æ

vibr. extremo,senza arco

Œ . ‰

ppppp

–≤.

≈

Œ . ‰

ppppp

–≤.

≈

Œ . ‰

ppppp–

≤

.

≈

.œ œ

46

∑

––

–

∑

‰œ

∑

‰O

.Ͼ

∑

∑

10

–

OOOO

m˜

˜

˜–

˜˜

˜O

j

–

æ

∑

∑

∑

.œ

∑

∑

Œ Œ

ppppp

–

≤

.≈

œ œ

–( )

≈

Œ Œ

ppppp

–≤.

≈

O O –.≤

≈

Œ Œ –.≈

œ

æ.œ

æ

œ .œ

∑

∑

Œ Œ

ppppp

–≤.

≈

Œ Œ

ppppp

–≤.

≈

Œ Œ

ppppp–

≤

.

≈

œ .œ

∑

Œ

n ( f )

¿¿¿æ

( f )œ

+

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œbfl

≈

(F) ( P )

–b

( ∏ )œb

( Ï )

œ

fl

≈ ‰

( f )

–fl

≈

Œ

( ∏ ) (F)

œ

o +

rœB

n¿æ

( f )

¿æ

GUIRO

(F)

¿m>≈ ‰ Œ

PITCHED METAL

3

œ œm œ

3

≈œm ≈

3

œ œ œm

œ œmŒ

≈

I

(F)

œ+  .  +  ́  

+  ́

π

—+

( ƒ )

œm‰

( p )

œm( f )

–

fl

≈

( Ï )

œ

˘

≈

II

( p ) 6

œm . .

 .

 .  .

 .

r

( ƒ )

œ+o

‰

(F)

¿́>

≈

( f )

Ͼ

‰

n ( f )

œœµ≤

rœ

(F)

¿

˘≈

pz

(∏)

O      

( f )

œ˘

≈ ‰

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

œ

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

......

......

....

12

&

&

&

&

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~~~

~~

Ÿ~~~~~~~~~~~~~~

¤

51

( ƒ )

¿¿¿

>

n

.–

( ƒ )

–.+>

≈ ‰

( P )

.–bp

.œ

n ( f )œ

+

≈

51

Œ ‰

( ∏ ) ( f )

œbr

œ

( f )

œbfl

+

≈ ‰

( f ) n–

51

(F)

5

–

≥

–

≤

– – –Œ

¿.

>( ƒ )

≈. ‰ Œ

SANDPAPER

GUIRO

(F)¿

≈ ‰

n (F)

–

SANDPAPERMETAL

51 5

œ œb œ œ œ Œ

Œ

œ

‰

51

( f )

––>

n

‰

( f )

( f )

œ

or

œm‰

n

œ

≤

(alongstrings)

Œ ‰

( ƒ )

œm

‰

n

œœm≤

( Ï )

œ

˘

≈

R

( Ï )

œœµ .

>≤

≈

nœ

m

( ƒ )

œ.

>

≈ ‰

( p )

IVœ)(

( Ï )

œfl

≈ ‰

51

∑

∑

‰ ‰

∏

–

œ

r–b

F major scale,air to tone to air

‰

ppppp

œ

∑

‰

pppppp

OPAPER

pppppp

.Ͼ

BASS DRUM

∑

œ

‰

∑

‰ ‰

∏

J

–

OOOO–

m

(square=body (bass/treble side),arpeggio played as if a 6 stringed instrument)

‰ ‰

∏

J

–

OOOO–

m

(square=body (bass/treble side),arpeggio played as if a 6 stringed instrument)

‰ ‰

∏J

–

OOOO–

m

(square=body (bass/treble side),arpeggio played as if a 6 stringed instrument)

pppppp

.œ

∑

∏

–

5

– –Â – – –

10

–                 –

∑

˙

∑

O O

æ̇

∑

∑

∏

OOOO

–

m

5

–

Om–

O

–

10

OO

O

Om˜

˜˜

˜

˜˜ ˜

˜O

∑

∑

∑

˙

∑

∑

‰

ppppp

–

≤

.≈ Œ

œ

–( )

≈ ‰œ

‰

ppppp

–≤.

≈ Œ

O –.≤

≈ ‰O

‰

ppppp

–.≈ Œ

˙

æ

PAPER

˙

∑

∑

‰

ppppp

–≤.

≈ Œ

‰

ppppp

–≤.

≈ Œ

‰

ppppp

–

≤

.

≈ Œ

˙

∑

∑

∑

œ

∑

O

( f )

Jø ‰

SUITCASE LOCK

Ͼ

∑

∑

∑

∑

∑

∑

œ

∑

......

......

.....

13

&

&

&

&

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

56

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

56

∑

∑

56

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movement from right to left

56

‰

π

J¿b

‰

GUIRO

∑

56

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

56

∑

∑

∑

ppppp

.œ

∑

pppppp

.O

‰ ‰ ≈ ®

( f )

˜

PAPER

SUITCASE LOCK

pppppp

.Ͼ

BASS DRUM

∑

∑

∑

∑

∑

∑

pppppp

.œ

∑

∑

∑

œ

∑ ?

O

Ͼ

œ

∑

∑

∑

∑

∑

œ

∑

∑

Â( Ï )

j–

œppppp

–

≤

.≈

bend tonewith leg

let out air while producing tone

Jœ

‰

(Î)

jœb

ppppp

–≤.

≈

JO –.

≤

≈

(Î)j

–æ ‰

œ

æ

RATTLEPIECE OFA4 PAPER(held inone corner)

‰ j

œ

∑

∑

‰

ppppp

–≤.

≈

‰

ppppp

–≤.

≈

(Î)

j

œ

m

ppppp

–

≤

.

≈

bend string outside finger board

(Î)

jœ

m

pppppp

jœ

bend string outside finger board

∑

∑

∑

‰œ

∑

‰O

.Ͼ

∑

.œ

∑

∑

∑

∑

.œ

∑

14

&

&

&

?

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~

~~~~

~~~~

~~

~~~~

~~~~

~~

~~~~~~~~~~

~~~~

~~~~

~~~~

~~~

~~~~

~

61

∑

∏–æ

≥ ≤

3

œ

œ

œ –

‰

trem.= air in and out(hypervent. orwith mouth)

61˙

∑&

61O O

æ̇

61

∑

∑

61

∑

∏–

æ

OOOO

m–

æ

OOOO

m

∏–

æ

OOOO

m–

æ ≈

∏–

æ

OOOO

m–.

‰

˙

61

∑

( ƒ )

¿́

≈ Œ

n

¿¿¿æ

( ƒ )

¿¿¿>

≈

( π )5

œ. œ.œb .

œ.

œ.

F

œb˘

≈

(F)

–bp nœ

( Ï )

œ˘

≈ ‰

( f )

–fl

≈ ‰ Œ

( ∏ )

‡

+

(F)

œm.

+

≈ Œ ‰

(∏)( P )

œ

o +o

rœb

≈

(F)

œm.

‰ Œ ‰

(F)

3

–

≥

–

≤

–

‰

n

¿

æ

¿

æ

( ƒ )

¿

>

.≈

VIBR.

GUIRO

SANDPAPER

( f )

–fl

≈

(F)5

œm         ¿>≈ Œ

SANDPAPER PITCHED METAL

œ

3

œ œm œ

3

≈œm ≈

3

œ œ

3

œ œm3

œ œb œ

‰

œm‰

œ œm‰

( Ï )

œm˘

‰

I

(F)

œ+  .  +  ́  

+  ́

π

—+

( f ) n

j

––>

‰

( p )

œm( f )

–

fl

≈ ‰ Œ

II

( p ) 6

œm . .

 .

 .  .

 .

( ƒ )

œ+o

Œ

n ( f )

œœm≤

rœ

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́ ¿́ ¿́

(F)

¿́>

≈

( f )

Ͼ

‰

( f )

œb  +

( p )

—.

≈ ‰

(F)

¿fl

≈

pz

(∏)

O      

( f )

œ˘

≈

∑

∏

5

– – – – – – –

∑

ppppp

œ

∑

pppppp

OPAPER

pppppp

Ͼ

BASS DRUM

∑

∑

∏

5

–

O

–

O

–

OOOO

m –

æ

∑

∑

∑

pppppp

œ

∑

∑

∑

˙

∑ ?

O O

æ̇

˙

∑

∑

∑

∑

∑

˙

∑

15

&

&

&

?

&

&

&

?

&

&

B

?

t

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

87

87

87

87

87

87

87

87

87

87

87

87

87

87

87

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

65

∑

Â( Ï )

.

.

–

œ

‰

3

–

œ

‰ ‰

sim.

65 –( )

≈ ‰˙

(Î)

.œb ‰

3

œ

‰ ‰

65–.≤

≈ ‰O O

(Î)

–æ‰ Œ

3

–æ ‰ ‰

.˙

æ

RATTLEPIECE OFA4 PAPER

65

Œ Œ

3

‰

œ

œ

∑

65

∑

ppppp

–≤.

≈ ‰ Œ Œ

ppppp

–≤.

≈ ‰ Œ Œ

(Î)

.œ

m‰

3

œ

‰ ‰

bend string outside finger board

(Î)

.œ

m‰

3j

œ

pppppp

œ

bend string outside finger board

65

Œ ‰

( fffff )

œbŒ

∑

∏

j

–æ ¿b æ

key trill (no air)on one key

.œ

∑

.O

.Ͼ

∑

∑

∑

∏

j

–æ O

æ

(trem. along string,close to the point)

∏

j

–æ O

æ

(trem. along string,close to the point)

∏

j

–æ O

æ

(trem. along string,close to the point)

.œ

∑

∏O

whistle tone on tube edge

‰

ppppp

–

≤

.≈

Jœ

–( )

≈

‰

ppppp

–≤.

≈

JO –.

≤

≈

‰

ppppp

–.≈

œ

æ

PAPER

∑

∑

∏

OœOœ

m

‰

ppppp

–≤.

≈

‰

ppppp

–≤.

≈

‰

ppppp

–

≤

.

≈

œ

∑

∑

∏¿b æ

–æ

sim.

‰ Jœ

∑

‰ JO

Ͼ

∑

∑

∑

∏

j

O

æj

–æ

∏

j

O

æj

–æ

∏

j

O

æj

–æ

œ

∑

∑

Œ . Œ

ppppp

–

≤

.≈ ‰

.œ œ–( )

≈ ‰

Œ . Œ

ppppp

–≤.

≈ ‰

.O O –.

≤

≈ ‰

( f )Jø Œ Œ ‰ ≈ ®˜

SUITCASE LOCK

Œ . Œ –.≈ ‰

.œ

æ

œ

æ

œ

æ

∑

∑

∑

Œ . Œ

ppppp

–≤.

≈ ‰

Œ . Œ

ppppp

–≤.

≈ ‰

Œ . Œ

ppppp

–

≤

.

≈ ‰

.œ œ œ

∑

16

&

&

&

?

&

&

&

?

&

&

B

?

t

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

~~~~~~~~~~~~~~~~~~

~~~~

~~~~

~~~

~~~~

~~~~

~~

~~~

~~~

~~~

Ÿ~~~~~~~

......

..........

..

¤

~~~~~~~~~~~~~~~~~~~~

~~~~~~~~~~

70

∑

∏

œ

rK

œ–

æ

–æ

3

œ

œ

œ–æ

Œ

(F major scale)

70˙

–.≤

( )

≈ ‰

Œ Œ

ppppp

–≤.

≈ ‰&

70O O –.

≤

≈ ‰

Œ Œ –.≈ ‰

.˙

æ

PAPER

70

∑

∑

70

∑

∏

O

OO

O

m˜

˜

˜˜ ˜

˜

O –

æ

–

æ

OOOO

m

–

æ

O

æ

rœ

‰

∏

O

OO

O

m˜

˜

˜˜ ˜

˜

O –

æ

–

æ

OOOO

m

–

æ

O

ær

œ

∏

O

OO

O

m˜

˜

˜˜ ˜

˜

O –

æ

–

æ

OOOO

m

–

æ

O

ær

œ

.˙

70

∑

n

–

( ƒ )

–.+>

≈ ‰

( ƒ )

¿́

≈

( f )

œ

+

≈

( π )5

œ. œ.œb.

œ.

œ.

F

œbfl

≈

(F) ( P )–b

( ∏ )œb

( Ï )

œ

fl

≈ ‰

( f )

–fl

≈

( P )

œbo+

( f )

œbfl

+

≈ ‰

( f ) ( p )

–

(F)

–≥

–≤

‰ ‰ ≈

(F)

œm.

SANDPAPERVIBRAPHONE

‰

(F)¿

≈ ‰

n ( P )–

METAL SANDPAPER

œb œ Œ j

œ

Œ ‰

œ

‰

( f )

œ

o

( Ï )

œmfl

≈

‰

nJ

œ

≤

( ƒ )

œm‰

( p )

œm( f )

–

fl

≈

( Ï )

œ

˘

≈

II

( p ) 6

œm . .

 .

 .  .

 .

r

( ƒ )

œ+o

‰

n

œœµ≤

( ƒ )

œœµ .

>

≈

nœ

m

( ƒ )

œ.

>

≈

‰

( p )

IVœ)(

( Ï )

œfl

≈

∑

∑

∏¿bæ

¿bæ

¿b æ

3

œ

œ

œ

J

–

æ

ppppp

.œ

∑

pppppp

.OPAPER

pppppp

.Ͼ

BASS DRUM

∑

∑

∑

∏

j

œ

æ

O

OOOO

mJ

–

æ

∏

j

œ

æ

O

OOOO

mJ

–

æ

∏

j

œ

æ

O

OOOO

mJ

–

æ

pppppp

.œ

∑

∏

j– rK

–

‰ ‰

‰

ppppp

–

≤

.≈ ‰

Jœ

–.≤

( )

≈ ‰

‰

ppppp

–≤.

≈ ‰ ?

JO –.

≤

≈ ‰

‰

ppppp

–.≈ ‰

.œ

æ

PAPER

‰

œ

∑

∏J

–

OOOO–

m ‰ ‰

‰

ppppp

–≤.

≈ ‰

‰

ppppp

–≤.

≈ ‰

‰

ppppp

–

≤

.

≈ ‰

.œ

∑

17

&

&

&

?

&

&

&

?

&

&

B

?

t

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

165

165

165

165

165

165

165

165

165

165

165

165

165

165

165

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

74

∑

Â( Ï )

.

.

–

˙

74œ

–.≤

( )

≈ ‰œ

(Î)

.˙b

74O –.

≤

≈ ‰O

(Î)

–æ –æ –æ

.˙

æ

RATTLEA4 PAPER

74

∑

∑

74

∑

Œ

ppppp

–≤.

≈ ‰ Œ

Œ

ppppp

–≤.

≈ ‰ Œ

(Î)

.˙

m

bend string outside finger board

(Î)

.˙

m

bend string outside finger board

74

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰

œ œm

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

∑

‰

ppppp

–

≤

.≈ ‰

Jœ

–.≤

( )

≈ ‰

‰

ppppp

–≤.

≈ ‰

JO –.

≤

≈ ‰

‰

ppppp

–.≈ ‰

.œ

æ

PAPER

∑

∑

∑

‰

ppppp

–≤.

≈ ‰

‰

ppppp

–≤.

≈ ‰

‰

ppppp

–

≤

.

≈ ‰

pppppp

.œ

( fffff )

.œb

∑

Ó

ppppp

–

≤

.≈ ‰ Œ

˙–( )

≈ ‰œ

Ó

ppppp

–≤.

≈ ‰ Œ

O O –.

≤

≈ ‰ O

( f )

ø ‰ Œ Œ ‰ ≈ . ˜

SUITCASE LOCKŒ Œ –.

≈ ‰ Œ

w

æ

∑

∑

∑

Ó

ppppp

–≤.

≈ ‰ Œ

Ó

ppppp

–≤.

≈ ‰ Œ

Ó

ppppp

–

≤

.

≈ ‰ Œ

w

∑

∑

( Ï )Â

.

.

–

œ

‰

.Jœ

Jœ

(Î)

.j

œb ‰(sim.)

.JO

JO

(Î)

.j

–æj

–æ

.Jœ

æ Jœ

æ

RATTLEA4 PAPER

‰ .

œ

œ

∑

∑

∑

∑

(Î)

.j

œ

m‰

(sim.)

(Î)

.j

œ

m

pppppp

jœ

(sim.)

∑

18

&

&

&

?

&

&

&

?

&

&

B

?

t

?

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

45

45

45

45

45

45

45

45

45

45

45

45

45

45

45

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~

~~~~~~~~~~

~~~~

~~~~

~~

~~~~~~

~~~~~~~~~~

~~~~

~~~~

~~

~~~~~~

~~~~~~~~~~

~~~~

~~~~

~~

~~~~~~

79

∑

∏

3

œ

œ

œ –æ

3

œ

œ

œ

j

–æ

j

¿b æj

¿

æ

scratchthe bell's"assembly crack"

79

Jœ

–( )

≈ ‰œ

‰

ppppp

–≤.

≈ Œ ‰

79

JO –.

≤

≈ ‰O

‰

ppppp

–.≈ Œ .

œ

æ.œ

æ

PAPER

79

ΠΠ.

∑

79

ΠΠ.

∏

OOOO

mm –

æ

OOOO

mnJ

–

æ

J

Om æj

OOOO

vibr.estremo,senza arco

∏

OOOO

mm –

æ

OOOO

mnJ

–

æJOm æ

J

OOOO

vibr. estr.,senza arco

∏

OOOO

mm –

æ

OOOO

mnJ

–

æ

J

Om æj

OOOO

vibr. estr.,senza arco

˙j

œ

79

∑

∏.O

Œ

whistle tone on tube edge

Œ . ‰

ppppp

–

≤

.≈

˙–( )

≈

Ó

ppppp

–≤.

≈

.OJO –.

≤

≈

Œ . ‰ –.≈

.œ

æ

œ

æ

Π.

3

œb œ œ

∑

∏

.

.OOm

Œ

Œ . ‰

ppppp

–≤.

≈

Œ . ‰

ppppp

–≤.

≈

Œ . ‰

ppppp

–

≤

.

≈

˙j

œ

∑

∑

∑ ‰

ppppp

–

≤

.≈

‰œ .˙ œ

–( )

≈

Œ Œ Œ Œ ‰

ppppp

–≤.

≈&

( f )

‰ O O O O O –.

≤

≈

ø ‰ Œ Œ Œ ‰ ≈ . ˜

SUITCASE LOCK

Œ Œ Œ Œ ‰ –.≈

w

æ

œ

æ

∑

∑

∑

Œ Œ Œ Œ ‰

ppppp

–≤.

≈

Œ Œ Œ Œ ‰

ppppp

–≤.

≈

Œ Œ Œ Œ ‰

ppppp

–

≤

.

≈

w œ

∑

‰ ‰

n ( P )

j

¿¿¿æ

( P ).–b

p n.œ

∑

( P ) n

j–

( ∏ )

j

‡

+

(F)

œm .+

≈

‰

n (F)

¿æ

GUIRO

( P )

j–

( f )

–fl

≈

(F)

œm œSANDPAPER

PITCHED METAL

3

œ œm œ

3

≈œm ≈

3

œ œ

‰ ‰ jœm

≈

I

(F)

œ+  .  +  ́

p

 + œ

∑

‰

n ( f )

œœm≤

rœ

‰

III

( f )3

œb  +

( p )

 .

≈

(∏)

¿́

‰

( f )

œb  +

( p )

—.

≈

∑

19

&

&

&

&

&

&

&

?

&

&

B

?

t

?

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

165

165

165

165

165

165

165

165

165

165

165

165

165

165

165

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

~~~~~~~~~~

~~~~~~~~~~~

~~~~

~~~~

~~

~~~~~~~~~~~

~~~~

~~~~

~~

~~~~~~~~~~

~~

~~

~~

~~

~

83

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

83

∑

∑

83

‰

π

J

œ

rK

œ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

83

‰

π

J¿b

‰

GUIRO

∑

83

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

83

∑

∑

∑

‰œ

∑

‰

pppppp

OPAPER

pppppp

Ͼ

BASS DRUM

∑

5

œ œ œ œ œ

∑

∑

∑

∑

pppppp

œ

∑

‰

∏.

j

O

whistle tone on tube edge

∑

Jœ .

Jœ

∑

JO .

JO

jϾ .

jϾ

œb œ

‰ .

∑

‰

∏

.

.J

OOm

∑

∑

∑

jœ .

jœ

∑

‰ ‰ – ≈

∏

3

œ

œ

œ –æ

3

œ

œ

œ

‰

.œ

∑ ?

.O

.Ͼ

‰ ‰ ≈

œ

∑

‰ ‰

OOOO

m ≈

∏

OOOO

mm –

æ

OOOO

mn‰

∏

OOOO

mm –

æ

OOOO

mn‰

∏

OOOO

mm –

æ

OOOO

mn‰

.œ

∑

∑

Â( Ï )

–

œ

œ

(Î)

œb

O

(Î)

–æ

œ

æ

RATTLEA4 PAPER

∑

∑

∑

∑

∑

(Î)œ

m

(Î)œ

m

∑

20

&

&

&

?

&

&

&

?

&

&

B

?

t

?

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

47

47

47

47

47

47

47

47

47

47

47

47

47

47

47

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

88

∑

Œ

ppppp

–

≤

.≈ ‰ Œ Œ Œ Œ

88œ

–( )

≈ ‰w

Œ

ppppp

–≤.

≈ ‰ Œ Œ Œ Œ

88O –.

≤

≈ ‰ O O O O

( f )

ø ‰ Œ Œ Œ Œ ‰ ≈ . ˜

SUITCASE LOCK

Œ

ppppp

–.≈ ‰ Œ Œ Œ Œ

.w

æ

PAPER

88

∑

∑

88

∑

Œ

ppppp

–≤..

≈ ‰ Œ Œ Œ Œ

Œ

ppppp

–≤..

≈ ‰ Œ Œ Œ Œ

Œ

ppppp

–

≤

.

≈ ‰ Œ Œ Œ Œ

pppppp

.w

88

∑

∑

Â( Ï )

.

.

–

˙

–( )

≈ ‰˙

(Î)

.˙b

–.≤

≈ ‰O O

(Î)

–æ –æ –æ

.˙

æ

RATTLEA4 PAPER

∑

∑

∑

ppppp

–≤..

≈ ‰ Œ Œ

ppppp

–≤..

≈ ‰ Œ Œ

(Î)

.˙

m

(Î)

.˙

m

∑

∑

Œ

ppppp

–

≤

.≈ ‰ Œ Œ –

≤

.≈ ‰ Œ ‰ –

≤

.≈

œ–( )

≈ ‰œ œ

–( )

≈ ‰.œ

–( )

≈

Œ

ppppp

–≤.

≈ ‰ Ó –≤.

≈ ‰ Ó

O –.

≤

≈ ‰ O O –.

≤

≈ ‰ .O –.

≤

≈

( f )

ø ‰ Ó Ó Œ ‰ ≈ . ˜

Œ

ppppp

–.≈ ‰ Œ Œ –.

≈ ‰ Œ ‰ –.≈

.˙

æ

˙

æ

˙

æ

PAPER

∑

∑

∑

Œ

ppppp

–≤..

≈ ‰ Œ Œ

–≤..

≈ ‰ Œ ‰

–≤..

≈

Œ

ppppp

–≤..

≈ ‰ Œ Œ

–≤..

≈ ‰ Œ ‰

–≤..

≈

Œ

ppppp

–

≤

.

≈ ‰ Œ Œ

–

≤

.

≈ ‰ Œ Œ

pppppp. .w

∑

∑

Â( Ï )

–

œ

‰

ppppp

–

≤

.≈

‰œ

–( )

≈

(Î)

œb ‰

ppppp

–≤.

≈

‰O –.

≤

≈

(Î)

–æ ‰

ppppp

–.≈

˙

æ

RATTLEA4 PAPER PAPER

∑

∑

∑

Œ ‰

–≤..

≈

Œ ‰

–≤..

≈

(Î)œ

m‰

ppppp

–

≤

.

≈

(Î)œ

m

ppppppœ

Œ

( fffff )

œb

21

&

&

&

?

&

&

&

?

&

&

B

?

t

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

92

∑

∑

92

∑

∑

92

∑

∑

92

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

92

∑

∑

∑

∑

∑

92

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

∑

Œ –

≤

.≈ ‰ Œ –

≤

.≈ ‰

‰œ

–( )

≈ ‰œ

–( )

≈ ‰

Œ

ppppp

–≤.

≈ ‰ Œ

ppppp

–≤.

≈ ‰

‰ O –.

≤

≈ ‰ O –.

≤

≈ ‰

ø ‰ Œ Ó

Œ –.≈ ‰ Œ –.

≈ ‰

w

æ

∑

∑

∑

Œ

–≤..

≈ ‰ Œ

–≤..

≈ ‰

Œ

–≤..

≈ ‰ Œ

–≤..

≈ ‰

Œ

–

≤

.

≈ ‰ Œ

–

≤

.

≈ ‰

w

∑

( P )

j

¿¿¿æ

( ƒ )

¿¿¿>

≈

( f )œ

+

≈

( π )5

œ. œ.œb .

œ.

F

œ.

( ∏ )

j

œb( Ï )

œ˘

≈

∑

‰

(F)

3

–

≥

–

≤

–

( P )J

¿

æ

( ƒ )

¿

>

.≈

SANDPAPER

GUIRO

(F)3

œm     ¿>≈

PITCHED METAL

3

≈œm ≈

3

œ œb œ

‰ j

œ

p

ϫ

π

—+

( f ) n

j––>

(alongstrings)

( ƒ )

j

œm‰

( Ï )

œ

˘

≈

R

II

( p )6

œm . .

 .

 .  .

( f )

 .

( π )

¿́ ¿́

(F)

¿́>

≈

‰

(F)

¿fl

≈

∑

......

......

......

22

&

&

&

?

&

&

&

?

&

&

B

?

t

?

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

49

49

49

49

49

49

49

49

49

49

49

49

49

49

49

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

95

∑

Œ ‰

ppppp

–

≤

.≈ Ó

95

ppppp

.œ–( )

≈˙

Œ ‰

ppppp

–≤.

≈ Ó

95

pppppp

O O –.≤

≈O

PAPER

SUITCASE LOCK

Œ ‰

ppppp

–.≈ Ó

pppppp

w

æ

BASS DRUM

PAPER

95

∑

∑

95

Œ ‰

ppppp

–≤..

≈ Ó

Œ ‰

ppppp

–≤..

≈ Ó

Œ ‰

ppppp

–≤..

≈ Ó

Œ ‰

ppppp–

≤

.

≈ Ó

pppppp

w

95

∑

∑

–

≤

.≈ ‰ ‰

–( )

≈ ‰ Jœ

–≤.

≈ ‰ ‰

( f )

–.

≤

≈ ‰j

O

J˜ ‰ ‰

–.≈ ‰ ‰

.œ

æ

∑

∑

–≤..

≈ ‰ ‰

–≤..

≈ ‰ ‰

–≤..

≈ ‰ ‰

–

≤

.

≈ ‰ ‰

.œ

( fffff )

.œb

∑

Œ Œ –

≤

.≈ ‰ Œ Œ Œ –

≤

.≈ ‰ Œ Œ

˙–( )

≈ ‰.˙

–( )

≈ ‰˙

ΠΠв.

≈ ‰ Œ Œ Œ –≤.

≈ ‰ Œ Œ

O O –.

≤

≈ ‰ O O O –.

≤

≈ ‰ O O

ø ‰ Œ Œ Œ Œ Œ Œ Œ Œ

Œ Œ –.≈ ‰ Œ Œ Œ –.

≈ ‰ Œ Œ

w

æ

w

æ

œ

æ

∑

∑

Œ Œ

–≤..

≈ ‰ Œ Œ Œ

–≤..

≈ ‰ Œ Œ

Œ Œ

–≤..

≈ ‰ Œ Œ Œ

–≤..

≈ ‰ Œ Œ

Œ Œ

–≤..

≈ ‰ Œ Œ Œ

–≤..

≈ ‰ Œ Œ

Œ Œ

–

≤

.

≈ ‰ Œ Œ Œ

–

≤

.

≈ ‰ Œ Œ

W œ

∑

∑

∑

œ

∑

O

˜ ‰

Œ

œ

æ

∑

∑

∑

∑

∑

∑

œ

( fffff )

œb

23

&

&

&

?

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

410

410

410

410

410

410

410

410

410

410

410

410

410

410

410

81

81

81

81

81

81

81

81

81

81

81

81

81

81

81

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

99

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

99

∑

(keep pressure)

∑

99 ‰

πj

œ

rK

œ

‰

Jø ‰ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

99

‰

π

J¿b

‰

GUIRO

∑

99

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

99

∑

∑

Œ Œ Œ Œ ‰ –

≤

.≈ Œ Œ Œ Œ ‰ –

≤

.≈

–( )

≈ ‰.˙ œ

–( )

≈w œ

–( )

≈

ppppp

–≤.

≈ ‰ Œ Œ Œ ‰

ppppp

–≤.

≈ Œ Œ Œ Œ ‰

ppppp

–≤.

≈

pppppp

–.≤

≈ ‰O O O O –.

≤

≈O O O O O –.

≤

≈

PAPER

ppppp

pppppp

–.≈ ‰ Œ Œ Œ ‰ –.

≈ Œ Œ Œ Œ ‰ –.≈

w

æ

w

æ

˙

æ

PAPER

BASS DRUM

∑

∑

ppppp

–≤..

≈ ‰ Œ Œ Œ ‰

–≤..

≈ Œ Œ Œ Œ ‰

–≤..

≈

ppppp

–≤..

≈ ‰ Œ Œ Œ ‰

–≤..

≈ Œ Œ Œ Œ ‰

–≤..

≈

ppppp

–≤..

≈ ‰ Œ Œ Œ ‰

–≤..

≈ Œ Œ Œ Œ ‰

–≤..

≈

ppppp

–

≤

.

≈ ‰ Œ Œ Œ ‰

–

≤

.

≈ Œ Œ Œ Œ ‰

–

≤

.

≈

pppppp

W ˙

∑

( f )

∑

∑

∑

∑

j˜

SUITCASE LOCK

‰

Jœ

æ

∑

∑

∑

∑

∑

∑

jœ

( fffff )

J

œb

24

&

&

&

?

&

&

&

?

&

&

B

?

t

?

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

81

81

81

81

81

81

81

81

81

81

81

81

81

81

81

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

47

47

47

47

47

47

47

47

47

47

47

47

47

47

47

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

102

∑

∑

102w

∑

102O O O O

ø ‰ Œ Ó

wæ

102

∑

∑&

102

∑

∑

∑

∑

w

102

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰

œ œm ?

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

( f )nJ

–

F

œbfl

≈

∑

∑

(F)3

–≤ –≥ –≤

SANDPAPER

∑

3

œb œ œ

j

œm

∑

( p ) (F)

j

œm r

–

( ƒ )

Jœ+o

( f )

JϾ

pz

(∏)

O    

(F)

œ

∑

Œ

ppppp

–≤.

≈ ‰

(breath in through tube)

Œ

ppppp

–

≤

.≈ ‰

œ–( )

≈ ‰

Œ

ppppp

–≤.

≈ ‰

pppppp

O –.≤

≈ ‰

PAPER

Œ –.≈ ‰

˙

æ

∑

∑

Œ

ppppp

–≤..

≈ ‰

Œ

ppppp

–≤..

≈ ‰

Œ

ppppp

–≤..

≈ ‰

Œ

ppppp

–

≤

.

≈ ‰

pppppp

˙

∑

25

&

&

&

?

&

&

&

?

&

&

B

?

t

?

47

47

47

47

47

47

47

47

47

47

47

47

47

47

47

48

48

48

48

48

48

48

48

48

48

48

48

48

48

48

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

106

Œ Œ Œ Œ Œ Œ

–≤.

≈ ‰

Œ Œ Œ Œ Œ Œ –

≤

.≈ ‰

106.w

–( )

≈ ‰

ΠΠΠΠΠΠв.

≈ ‰

106O O O O O O –.

≤

≈ ‰

Œ Œ Œ Œ Œ Œ –.≈ ‰

.w

æ

œ

æ

106

∑

∑

106

Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ

–

≤

.

≈ ‰

. .w

106

∑

Œ Œ Œ Œ Œ Œ

–≤.

≈ ‰

Œ Œ Œ Œ Œ Œ –

≤

.≈ ‰

Œ Œ Œ Œ Œ Œ

–( )

≈ ‰

Make same pressure as before but without a tone

ΠΠΠΠΠΠв.

≈ ‰

O O O O O O –.≤

≈ ‰

Œ Œ Œ Œ Œ Œ –.≈ ‰

.w

æ

œ

æ

∑

∑

Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ

–

≤

.

≈ ‰

. .w

∑

Œ Œ Œ Œ Œ Œ Œ

–≤.

≈ ‰

Œ Œ Œ Œ Œ Œ Œ –

≤

.≈ ‰

Œ Œ Œ Œ Œ Œ Œ

–( )

≈ ‰Sim.

ΠΠΠΠΠΠΠв.

≈ ‰

Œ Œ Œ Œ Œ Œ Œ–.≤

≈ ‰

Œ Œ Œ Œ Œ Œ Œ–.

≈ ‰

∑

∑

Œ Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ Œ

–≤..

≈ ‰

Œ Œ Œ Œ Œ Œ Œ

–

≤

.

≈ ‰

∑

∑

26

&

&

&

?

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

46

46

46

46

46

46

46

46

46

46

46

46

46

46

46

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

24

24

24

24

24

24

24

24

24

24

24

24

24

24

24

48

48

48

48

48

48

48

48

48

48

48

48

48

48

48

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

109

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

109

∑

∑

109

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

109

‰

π

J¿b

‰

GUIRO

∑

109

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

109

∑

∑

∑

∑

∑

∑

∑

∑

∑&

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

œ

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

Œ Œ

ppppp

–≤.

≈ ‰

Œ Œ

ppppp

–

≤

.≈ ‰

Œ Œ

–( )

≈ ‰

ΠΠв.

≈ ‰

Œ Œ

ppppp

–.≤

≈ ‰

Œ Œ

ppppp

–.

≈ ‰

∑

∑

Œ Œ

ppppp

–≤..

≈ ‰

Œ Œ

ppppp

–≤..

≈ ‰

Œ Œ

ppppp

–≤..

≈ ‰

Œ Œ

ppppp

–

≤

.

≈ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

27

&

&

&

?

&

&

&

&

&

&

B

?

t

?

48

48

48

48

48

48

48

48

48

48

48

48

48

48

48

47

47

47

47

47

47

47

47

47

47

47

47

47

47

47

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

114

≈

–≤.

‰ Œ Œ Œ Œ Œ Œ Œ

≈ –

≤

.‰ Œ Œ Œ Œ Œ Œ Œ

114 –( )

≈ ‰ Œ Œ Œ Œ Œ Œ Œ

≈ –≤.

‰ Œ Œ Œ Œ Œ Œ Œ

114

≈–.≤

‰ Œ Œ Œ Œ Œ Œ Œ

≈–.

‰ Œ Œ Œ Œ Œ Œ Œ

114

∑

∑

114

≈

–≤..

‰ Œ Œ Œ Œ Œ Œ Œ

≈

–≤..

‰ Œ Œ Œ Œ Œ Œ Œ

≈

–≤..

‰ Œ Œ Œ Œ Œ Œ Œ

≈

–

≤

.

‰ Œ Œ Œ Œ Œ Œ Œ

∑

114

∑

‰

–≤.

≈ Œ Œ Œ Œ Œ Œ

Œ Œ

n

.˙

ppppp n˙

–( )

≈ ‰ Œ Œ Œ Œ Œ Œ

‰ –≤.

≈ Œ Œ Œ Œ Œ Œ

‰–.≤

≈ Œ Œ Œ Œ Œ Œ

‰–.

≈ Œ Œ Œ Œ Œ Œ

∑

∑

‰

–≤..

≈ Œ Œ Œ Œ Œ Œ

‰

–≤..

≈ Œ Œ Œ Œ Œ Œ

‰

–≤..

≈ Œ Œ Œ Œ Œ Œ

‰

–

≤

.

≈ Œ Œ Œ Œ Œ Œ

∑

∑

‰ ≈

–≤.

‰

‰ ≈

ppppp

–

≤

.‰

–( )

≈ ‰

ppppppossibile

Jœ

‰ ≈ –≤.

‰

‰ ≈–.≤

‰

‰ ≈–.

‰

∑

∑

‰ ≈

–≤..

‰

‰ ≈

–≤..

‰

‰ ≈

–≤..

‰

‰ ≈

–

≤

.

‰

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

28

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

118

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

118

∑

∑

118

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

118

‰

π

J¿b

‰

GUIRO

∑

118

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

118

∑

∑

Œ

n

.œ

ppppp

j

œ

(gradually bend tone with leg)

USE AS MUCH AIR AS POSSIBLE(too make the need for "real")

.˙

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

j

  Â( Ï )

j–

œr

œ

∏

j–

≤

gradually let out more and more air

gradually less and less air

breath in(quasi)naturally

.œ

n

jœb

( Ï )

jœ

n

‰

∑

n

J

–

æ

( Ï )

J

–

æ

n‰

RATTLEA4 PAPER

∑

∑

∑

∑

∑

n

j

œ

m

( Ï )

œ

n

‰

n

jœ

m

( Ï )

œ

n

‰

∑

‰ ≈

ppppp

–≤.

‰

∑

–( )

≈ ‰ ‰

‰ ≈

ppppp

–≤.

‰

‰ ≈–.≤

pppppp

JO

PAPER

‰ ≈

ppppp–.

pppppp

j

Ͼ

PAPER

BASS DRUM

∑

∑

‰ ≈

ppppp

–≤..

‰

‰ ≈

ppppp

–≤..

‰

‰ ≈

ppppp

–≤..

‰

‰ ≈

ppppp

–

≤

.

‰

‰ ‰

pppppp

jœ

∑

29

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

122

∑

Œ

ppppp

œ

sim.

122˙

Œ ≈

n.œb

122

∑

Œ ≈

n

.–

æ

RATTLEA4 PAPER

122

∑

∑

122

∑

∑

∑

Œ ≈

n.œ

m

Œ ≈

n.œ

m

122

∑

∑

Â( Ï )

–

œr

œ

∏

j–

≤

.œ

( Ï )

.œ

n

≈ ‰

∑

( Ï )

.–

æ

n

≈ ‰

∑

∑

∑

∑

∑

( Ï )

.œ

n

≈ ‰

( Ï )

.œ

n

≈ ‰

∑

‰ ≈

–≤.

Œ

∑

–( )

≈ ‰ Œ

‰ ≈

ppppp

–≤.

Œ

‰ ≈–.≤

pppppp

O

‰ ≈

ppppp–.

ppppppϾ

PAPER

BASS DRUM

∑

∑

‰ ≈

–≤..

Œ

‰ ≈

–≤..

Œ

‰ ≈

–≤..

Œ

‰ ≈

ppppp

–

≤

.

Œ

Œ

ppppppœ

∑

∑

∑

Jœ

‰ Jœ

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

ppppp

J

œ( )≤

‰

suono reale

&t

∑

∑

( Ï )

Â

.

.

–

œr

œ

∏

j–

≤

˙

( Ï )

œbn

Œ

∑

( Ï )

–

æ

n

Œ

RATTLEA4 PAPER

∑

∑

∑

∑

∑

( Ï )œ

m

n

Œ

( Ï )œ

m

n

Œ

∑

‰

–≤.

≈ Œ Œ

∑

–( )

≈ ‰ Œ Œ

‰

ppppp

–≤.

≈ Œ Œ

‰–.≤

≈

pppppp

O‰

¿

drop needle on hard surface

‰

ppppp–.

≈

ppppppϾ

Œ

PAPER

BASS DRUM

∑

∑

‰

–≤..

≈ Œ Œ

‰

–≤..

≈ Œ Œ

‰

–≤..

≈ Œ Œ

‰

ppppp

–

≤

.

≈ Œ Œ

Œ

ppppppœ

Œ

∑

∑

∑

∑

∑

JO

‰ ‰

j

œæ‰ ‰

∑

∑

∑

∑

∑

∑

jœ

∏

j–––

≥

ppppp

J

œ)(≤

bow on bridge"flautando"

&

∑

30

&

&

&

?

&

&

&

&

&

&

B

?

&

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

129

∑

∑

129

∑

∑

129

∑

∑

129

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

129

∑

∑

∑

∑

∑

129

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

®

œm‰

œ≈

œ œm œ

˙

∑

∑

∑

∑

∑ t

5

œb .œ œB .

œœA .

®

Jœ

5

®

œµ≈

œn .

≈ ≈

∑

( Ï )

Â

–

œr

œ

∏

j–

≤

.œ

( Ï )

.œbn

≈ ‰

∑

( Ï )

.–

æ

n

≈ ‰

RATTLEA4 PAPER

∑

∑

∑

∑

∑

( Ï )

.œ

m

n

≈ ‰

( Ï )

.œ

m

n

≈ ‰

∑

3

‰

–≤.

‰ Œ Ó

∑

–( )

≈ ‰ Œ Ó

3

‰

ppppp

–≤.

‰ Œ Ó

3

‰–.≤

‰

pppppp

O‰

¿O

drop needle on hard surface

3

‰

ppppp–.

‰

ppppppϾ

Œœæ

PAPER

BASS DRUM

∑

∑

3

‰

–≤..

‰ Œ Ó

3

‰

–≤..

‰ Œ Ó

3

‰

–≤..

‰ Œ Ó

3

‰

ppppp

–

≤

.

‰ Œ Ó

Œ

ppppppœ

Œ

œ

∑

31

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

133

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

133

∑

∑

133

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

133

‰

π

J¿b

‰

GUIRO

∑

133

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

133

∑

∑

Œ

Â( Ï )

–

œr

œ

∏

–

≤

Œœ

Œ

( Ï ) nœb ‰

∑

Œ

( Ï )

–

æ

n

‰

RATTLEA4 PAPER

∑

∑

∑

∑

∑

Œ

( Ï )

œ

m

n

‰

∏

...–––

≥

ppppp

ϲ.

( Ï )œ

m( )

n

‰

sim.

&t

∑

≈

ppppp

–≤.

‰ Œ

∑

–( )

≈ ‰ Œ

≈

ppppp

–≤.

‰ Œ

≈

pppppp

–.≤

.O

PAPER

≈

ppppp–.

pppppp

.Ͼ

PAPER

BASS DRUM

∑

∑

≈

ppppp

–≤..

‰ Œ

≈

ppppp

–≤..

‰ Œ

≈

ppppp

–≤..

‰ Œ

≈

ppppp

–

≤

.

‰ Œ

‰

pppppp.œ

∑

∑

∑

(empty loungs silently)

∑

∑

‰ J

¿

JO

drop needle on hard surface

‰ ‰ j

Ͼ

∑

∑

∑

∑

∑

∑

‰ ‰ jœ

∑

‰ ‰ ≈

–≤.

‰

∏

j–

≤‰

sim. breath in quasi naturally

‰ Jœ

–( )

≈

‰ ‰ ≈

ppppp

–≤.

‰ ‰ ≈–.≤

‰ ‰ ≈

ppppp

–.

∑

∑

‰ ‰ ≈

–≤..

‰ ‰ ≈

–≤..

‰ ‰ ≈

–≤..

‰ ‰ ≈

–

≤

.

∏

3

–––

≥

ppppp

ϲ.

‰ ‰&

∑

32

&

&

&

?

&

&

&

&

&

&

B

?

&

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

138

∑

∑

138

∑

∑

138

∑

∑

138

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

138

∑

∑

∑

∑

∑ t

138

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

∑

∑sim.

∑

∑

O O‰

¿

drop needle on hard surface

pppppp

æ̇Œ

∑

∑

∑

∑

∑

∑

pppppp˙

Œ&

∑

‰ ‰ ≈

–≤.

‰

∏

j–

≤‰

‰ ≈œ

–( )

≈

‰ ‰ ≈

ppppp

–≤.

‰ ‰ ≈–.≤

‰ ‰ ≈

ppppp

–.

∑

∑

‰ ‰ ≈

–≤..

‰ ‰ ≈

–≤..

‰ ‰ ≈

–≤..

‰ ‰ ≈

–

≤

.

∏

–––

≥

ppppp

ϲ

‰ ‰ t

∑

∑

∑

∑

∑

O O O

pppppp

.æ̇

∑

∑

∑

∑

∑

∑

pppppp

.˙

∑

33

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

142

∑

‰ ‰ ≈ –

≤

142

∑

∑

142

‰ J

¿

‰

drop needle on hard surface

∑

142

∑

∑

142

∑

∑

∑

∑

‰ ‰

∏

–––

≥

≈

142

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

œ

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

≈

–≤.

‰ ‰

‰j

–

≤‰

–( )

≈ ‰

–( )

≈

≈ –≤.

‰ ‰

≈–.≤

‰ ‰

≈

ppppp

–.

‰ ‰

∑

∑

≈

–≤..

‰ ‰

≈

–≤..

‰ ‰

≈

–≤..

‰ ‰

≈

–

≤

.

‰ ‰

∑

∑

∑

∑

∑

∑

O OŒ

pppppp

æ̇Œ

∑

∑

∑

∑

∑

∑

pppppp˙

Œ

∑

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

34

&

&

&

?

&

&

&

&

&

&

B

?

t

?

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

147

≈

ppppp

–≤.

‰ Œ

Œ

∏

j–

≤‰

147

‰

–( )

≈ ‰

–( )

≈

≈ –≤.

‰ Œ

147

≈

pppppp

–.≤

‰ Œ

≈

ppppp

–.

‰ Œ

147

∑

∑

147

≈

ppppp

–≤..

‰ Œ

≈

ppppp

–≤..

‰ Œ

≈

ppppp

–≤..

‰ Œ

≈

ppppp

–

≤

.

‰ Œ

∏

–––

≥

≈ ‰ Œ

147

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

∑

j–

≤‰ ‰

∑

∑

‰O

‰

ppppppϾ

∑

∑

∑

∑

∑

∑

‰

ppppppœ

∑

≈

–≤.

‰ ‰ Œ

Œj

–

≤‰

j–

≤

‰

–( )

≈ ‰

–( )

≈ ‰

≈ –≤.

‰ ‰ Œ

≈–.≤

‰ ‰ Œ

≈

ppppp–.

‰ ‰ Œ

∑

∑

≈

–≤..

‰ ‰ Œ

≈

–≤..

‰ ‰ Œ

≈

–≤..

‰ ‰ Œ

≈

–

≤

.

‰ ‰ Œ

∏

–––

≥

≈ ‰ ‰ Œ

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

35

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

152

∑

∑

152

∑

∑

152

∑

∑

152

3

‰ œ ‰

®

œm‰

œ≈

œ œm œ

˙

152

∑

∑

∑

∑

∑

152

5

œb .œ œB .

œœA .

®

Jœ

5

®

œµ≈

œn .

≈ ≈

∑

‰j

–

≤Œ

j–

≤

–( )

≈ ‰ ‰

–( )

≈ ‰

∑

ΠJO

Œ

Œj

œæŒ

∑

∑

∑

∑

∑

∑

Œ

pppppp

jœ

Œ

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

36

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

156

∑

∑

156

∑

∑

156

∑

∑

156

3

‰ œ ‰

®

œm‰

œ≈

œ œm œ

˙

156

∑

∑

∑

∑

∑

156

5

œb .œ œB .

œœA .

®

Jœ

5

®

œµ≈

œn .

≈ ≈

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

3

‰ œ ‰

®

œ

≈

œb œœm

≈ ‰

˙

∑

∑

∑

∑

∑

3

œµ . œm . œµ œm .

3

œB œ œB≈

rK

œn.

3

œµ .œn œB .

‰

∑

‰

∏

j–

≤‰

–( )

≈ ‰

–( )

≈

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

discretely remove mouthpieceand put aside the instrument.

∑

∑

3

‰ œ ≈œœ œm œn

≈

3

œm œ

≈ ‰ ®œ œm œ œm

œ ˙m

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

®

œm‰

œ≈

œ œm œ

˙

∑

∑

∑

∑

∑

5

œb .œ œB .

œœA .

®

Jœ

5

®

œµ≈

œn .

≈ ≈

37

&

&

&

?

&

&

&

&

&

&

B

?

t

?

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

161

∑

∑

161

∑

∑

161

∑

∑

161

3

‰ œ ‰

3

‰ œ ‰

®

œ

≈

œb œœm

≈ ‰

˙

161

∑

∑

∑

∑

∑

161

3

œµ . œm . œµ œm .

3

œB œ œB≈

rK

œn.

3

œµ .œn œB .

‰

∑

∑

∑

∑

∑

∑

5

≈

œm œ œn œm œ œm≈ ‰

˙m

∑

∑

∑

∑

∑

5

œµ œµ œ œb .œµ œµ œµ .

5

œB .œm .

≈ ≈ ≈

∑

j–

≤‰

‰

–( )

≈

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

3

‰ œ ≈œœ œm œn

≈

œ

∑

∑

∑

∑

∑

5

≈

rK

œ œ œB . krK

œ œµ œn .

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

38

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

81

81

81

81

81

81

81

81

81

81

81

81

81

81

81

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

166

∑

∑

166

∑

∑

166

∑

∑

166

3

œm œ

≈ ‰ ®œ œm œ œm

˙m

166

∑

∑

∑

∑

∑

166

5

œB≈

rK

œB œnœm œµ . œm

ϵ

5

≈

rK

œm œB .rK

œm œµ .

®

œB . œn œµ

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

®

œm‰

œ≈

œ œm œ

˙

∑

∑

∑

∑

∑

5

œb .œ œB .

œœA .

®

Jœ

5

®

œµ≈

œn .

≈ ≈

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

3

‰ œ ‰

®

œ

≈

œb œœm

≈ ‰

˙

∑

∑

∑

∑

∑

3

œµ . œm . œµ œm .

3

œB œ œB≈

rK

œn.

3

œµ .œn œB .

‰

∑

∑

∑

∑

∑

∑

5

≈

œm œ œn œm œ œm≈ ‰

˙m

∑

∑

∑

∑

∑

5

œµ œµ œ œb .œµ œµ œµ .

5

œB .œm .

≈ ≈ ≈

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

œ œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œµ . œ.

œn .

∑

∏

j–

≤

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

39

&

&

&

?

&

&

&

&

&

&

B

?

t

?

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

172

∑

∑

172

∑

∑

172

∑

∑

172

3

‰ œ ≈œ Œ

œ œm œn≈

3

œm œ

≈ ‰

Œ

œ ˙m

172

∑

∑

∑

∑

∑

172

5

≈

rK

œ œ œB . krK

œ œµ œn . œB≈ ‰ Œ

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

∑

∑

∑

∑

∑

∑

∑

˙m

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

3

œµ . œm . œµ œm .

3

œB œ œB≈

rK

œn.

3

œµ .œn œB .

‰

40

&

&

&

?

&

&

&

&

&

&

B

?

t

?

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

176

∑

∑

176

∑

∑

176

∑

∑

176

5

≈

œm œ œn œm œ œm≈ ‰

∑

176

∑

∑

∑

∑

∑

176

∑

∑

∑

∑

∑

∑

∑

∑

œ œm

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

( f )

J

‚˘

GLASS 1 (right hand):suddenly lift hand (well inadvance silently pressed hard to cover opening)

∑

∑

∑

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

œm œ

≈ ‰

œm

∑

∑

∑

∑

∑

5

œB≈

rK

œB œnœm œµ . œm

ϵ

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

41

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

181

∑

∑

181

∑

∑

181

∑

∑

181

3

‰ œ ‰

®

œm‰

œ≈

œ œm œ

˙

181

∑

∑

∑

∑

∑

181

5

œb .œ œB .

œœA .

®

Jœ

5

®

œµ≈

œn .

≈ ≈

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

3

‰ œ ‰

®

œ

≈

œb œœm

≈ ‰

˙

∑

∑

∑

∑

∑

3

œµ . œm . œµ œm .

3

œB œ œB≈

rK

œn.

3

œµ .œn œB .

‰

∑

∑

∑

∑

∑

∑

5

≈

œm œ œn œm œ œm≈ ‰

˙m

∑

∑

∑

∑

∑

5

œµ œµ œ œb .œµ œµ œµ .

5

œB .œm .

≈ ≈ ≈

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

œ œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œµ . œ.

œn .

42

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

185

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

185

∑

∑

185

‰

π

J

œ

rK

œ ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

185

‰

π

J¿b

‰

GUIRO

∑

185

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

185

∑

∑

∑

∑

∑

3Œ

( f )

‚

˘

‚

˘

sim.GLASS 1 and 2

∑

∑

∑

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

3

‰ œ ‰

3

‰ œ ‰

®

œ

≈

œb œœm

≈ ‰

˙

∑

∑

∑

∑

∑

3

œµ . œm . œµ œm .

3

œB œ œB≈

rK

œn.

3

œµ .œn œB .

‰

∑

∑

∑

∑

∑

∑

5

≈œm œ œn œm œ œm

≈ ‰

œ œm≈ ®

œm≈

˙m œ

∑

∑

∑

∑

∑

5

œµ œµ œ œb .œµ œµ œµ .

5

œB .œm .

≈ ≈ ≈

3

œµ . œœm œµ œn . œµ œB

43

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

189

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

189

∑

∑

189

‰

π

J

œ

rK

œ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

189

‰

π

J¿b

‰

GUIRO

∑

189

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

189

∑

( Ï )

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

œ œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œµ . œ.

œn .

∑

∑

∑

∑

‰

( f )

‚˘

‚˘

‰ Œ

Œ ‰

( f )

‚˘

≈ ‚˘

‰

GLASS 1 (rh) and 2 (lh):suddenly lift hand (well in advance silently pressed hard to cover opening)

∑

∑

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

5

≈

œm œ œn œm

œm

∑

∑

∑

∑

∑

5

œµ œµ œ œb .œµ œµ œµ .

44

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

193

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

193

∑

∑

193

‰

π

J

œ

rK

œ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

193

‰

π

J¿b

‰

GUIRO

∑

193

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

193

∑

( Ï )

∑

∑

∑

∑

∑

∑

5

≈

œm œ œn œm œ œm≈ ‰

˙m

∑

∑

∑

∑

∑

5

œµ œµ œ œb .œµ œµ œµ .

5

œB .œm .

≈ ≈ ≈

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

œ œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œµ . œ.

œn .

∑

∑

∑

∑

3

‰

( f )

‚˘

‚˘

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

45

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

198

∑

∑

198

∑

∑

198

∑

( f )

‚˘

π

¿́ ‰

( f )

‚˘

fingersnap (nail) glassand let the tone ring

198

∑

∑

198

∑

∑

∑

∑

∑

198

∑

∑

∑

∑

∑

∑

∑

∑

‰œm œ

.

Œ?

Œ

( f )

¿¿fl

≈ ‰

suddenly lift bow straight up(in advance pressed hardagainst dampened strings)

Œ

( f )

¿¿fl

≈ ‰

suddenly lift bow straight up (in advance pressed hard against dampened strings)

Œ

( f )

¿¿fl

≈ ‰

suddenly lift bow straight up (in advance pressed hard against dampened strings)

Œ

( f )

¿¿fl

≈ ‰

suddenly lift bow straight up (in advance pressed hard against dampened strings)

Œ

( f )

¿¿fl

≈ ‰

suddenly lift bow straight up (in advance pressed hard against dampened strings)

∑

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

∑

∑

‰

π

J

œ

rK

œ‰

VIBRAPHONEgliss. with straw

‰

π

J–

‰

PAPERlarge movementfrom right to left

‰

π

J¿b

‰

GUIRO

∑&

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

∑

( Ï )

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œm4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

5

‰

œ

‰

œ œm œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œµ . œ.

œn .

5

œœµ œµ . œ.

œn .

46

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

202

‰

π

J–

rK

–

‰

‰

π

j—

rK

—

‰

(blow INTOthe key holes)

202

∑

∑

202

∑

‰

π

J–

‰

PAPERlarge movementfrom right to left

202

‰

π

J¿b

‰

GUIRO

∑

202

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

‰

π6

–Oœ

Oœm Oœm Oœ

–

‰

202

∑

∑

∑

∑

∑

( f )

‚˘

‚˘

‰ ‰

π

––

rub glassesagainst each other (in circles)

‰

( f )

J

‚˘

π

J

¿́ ¿¿ ‰

hit glasses againsteach other

∑

∑

∑

∑

∑

∑

∑

∑

J–

rK

–

‰

j—

rK

—

‰

∑

∑

∑

–‰

J¿b

‰

∑

6

–

Oœ Oœm Oœm Oœb –

‰

6

–

Oœ Oœm Oœm Oœb –

‰

6

–Oœ Oœm Oœ Oœb –

‰

6

–Oœb Oœ

OœmOœ

–

‰

6

–Oœ

Oœm Oœm Oœ

–

‰

∑

∑

∑

∑

∑

J

–– ‰ ‰

‰J

¿́

( f )

J

‚˘

∑

‰ ‰

3

‰œm

?

∑

∑

∑

∑

∑

∑

π

.–rK

–

≈

.—rK

—

≈

∑

∑

.œ

≈

VIBRAPHONE with straw

.–≈

.¿b≈

œ

–

Oœ Oœm Oœm Oœb –

≈

–

Oœ Oœm Oœm Oœb –

≈

–Oœ Oœm Oœ Oœb –

≈

–Oœb Oœ

OœmOœ

–

≈

–Oœ

Oœm Oœm Oœ

–

≈

∑

47

&

&

&

?

&

&

&

?

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

165

165

165

165

165

165

165

165

165

165

165

165

165

165

165

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

207

∑

∑

207

∑

∑

207

∑

∑

207

∑

3

œ œ.

≈ ‰

207

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

207

∑

π

–rK

–

‰

π

—rK

—

‰

∑

‰ ‰

( f )

‚˘

≈

MOUTHPIECE: suddenly lift hand (in advance pressed hard againstone end's opening, the other endclosed by fx supporting on the leg)

π

œ

‰

VIBRAPHONEwith straw

π

–‰

π

¿b‰

∑

π 6

–

Oœ Oœm Oœm Oœb –

‰

π 6

–

Oœ Oœm Oœm Oœb –

‰

π 6

–Oœ Oœm Oœ Oœb –

‰

π

6

–Oœb Oœ

OœmOœ

–

‰

π 6

–Oœ

Oœm Oœm Oœ

–

‰

∑

– r–

— r

—

∑

∑

œ

Rœ

–R–

(right to left movement)

left to right(back)

¿br

¿b

∑

6

–

Oœ Oœm Oœm Oœb –

Oœ

Oœ

Oœ

Oœ

6

–

Oœ Oœm Oœm Oœb –

Oœ

Oœ

Oœ

Oœ

6

–Oœ Oœm Oœ Oœb –

Oœ

Oœ

Oœ

Oœ

6

–Oœb Oœ

OœmOœ

–Oœ

Oœ

Oœ

Oœ

6

–Oœ

Oœm Oœm Oœ

–OœO

œOœO

œ

∑

– r–

— r

—

∑

∑

œ

Rœ

–R–

¿br

¿b

∑

6

–

Oœ Oœm Oœm Oœb –

Oœ

Oœ

Oœ

Oœ

6

–

Oœ Oœm Oœm Oœb –

Oœ

Oœ

Oœ

Oœ

6

–Oœ Oœm Oœ Oœb –

Oœ

Oœ

Oœ

Oœ

6

–Oœb Oœ

OœmOœ

–Oœ

Oœ

Oœ

Oœ

6

–Oœ

Oœm Oœm Oœ

–OœO

œOœO

œ

∑

– r–

— r

—

∑

∑

œ

Rœ

–R–

¿br

¿b

∑

6

–

Oœ Oœm Oœm Oœb –

Oœ

Oœ

Oœ

Oœ

6

–

Oœ Oœm Oœm Oœb –

Oœ

Oœ

Oœ

Oœ

6

–Oœ Oœm Oœ Oœb –

Oœ

Oœ

Oœ

Oœ

6

–Oœb Oœ

OœmOœ

–Oœ

Oœ

Oœ

Oœ

6

–Oœ

Oœm Oœm Oœ

–OœO

œOœO

œ

∑

.J– j

–

.j

— j

—

∑

∑

.

J

œ

Jœ

.J–

J–

.

J

¿bj

¿b

∑

5:3

–

Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–

Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–Oœb Oœ

OœmOœ

5:4

– Oœ Oœ Oœ Oœ

5:3

–Oœ

Oœm Oœm Oœ

5:4

–Oœ Oœ Oœ Oœ

∑

.J–

–.

®≈

.j

— j

—

∑

∑

.

J

œ

Jœ

.J–

J–

.

J

¿bj

¿b

∑

5:3

–

Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–

Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–Oœb Oœ

OœmOœ

5:4

– Oœ Oœ Oœ Oœ

5:3

–Oœ

Oœm Oœm Oœ

5:4

–Oœ Oœ Oœ Oœ

∑

J–

.j

–

j—

.

j

—

∑

∑

J

œ

.Jœ

J– .

J–

J

¿b.

j

¿b

∑

5:4

–

Oœ

Oœm

Oœm

Oœb

5:3

–Oœ

Oœ

Oœ

Oœ

5:4

–

Oœ

Oœm

Oœm

Oœb

5:3

–Oœ

Oœ

Oœ

Oœ

5:4

–

Oœ

Oœm

Oœm

Oœb

5:3

–Oœ

Oœ

Oœ

Oœ

5:4

–Oœb O

œ

Oœm O

œ

5:3

– Oœ Oœ Oœ Oœ

5:4

–Oœ

Oœm O

œm O

œ

5:3

–Oœ Oœ Oœ Oœ

∑

.J– j

–

.j

—

—

®≈

∑

∑

.

J

œ

Jœ

.J–

J–

.

J

¿bj

¿b

∑

5:3

–

Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–

Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–Oœ Oœm Oœm Oœb

5:4

–Oœ

Oœ

Oœ

Oœ

5:3

–Oœb Oœ

OœmOœ

5:4

– OœOœ Oœ Oœ

5:3

–Oœ

Oœm Oœm Oœ

5:4

–OœOœ Oœ Oœ

∑

48

&

&

&

?

&

&

&

?

&

&

B

?

t

?

164

164

164

164

164

164

164

164

164

164

164

164

164

164

164

163

163

163

163

163

163

163

163

163

163

163

163

163

163

163

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

216

J–

.j

–

j—

.

j

—

216

∑

∑

216

J

œ

.Jœ

J– .

J–

216

J

¿b.

j

¿b

∑

216

5:4

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

5:4

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

5:4

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

5:4

–Oœb O

œ

Oœm O

œ

– Oœ Oœ Oœ Oœ –

5:4

–Oœ

Oœm O

œm O

œ

–Oœ Oœ Oœ Oœ –

216

∑

R–

–

r—

—

∑

∑

R

œ

œ

R– –

R

¿b¿b

∑

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

∑

R–

–

r—

—

∑

∑

R

œ

œ

R

– –

R

¿b¿b

∑

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

∑

–. ®–

r—

—

∑

∑

R

œ

œ

R

– –

R

¿b¿b

∑

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

∑

R–

.j

–

r—

.

j

—

∑

∑

R

œ

.Jœ

R

– .

J

–

R

¿b.

j

¿b

∑

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

–Oœ Oœ Oœ Oœ –

∑

R–

.j

–

r—

.

j

—

∑

∑

R

œ

.Jœ

R

– .

J

–

R

¿b.

j

¿b

∑

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

–Oœ Oœ Oœ Oœ –

∑

R– j

–

r— j

—

∑

∑

R

œ

Jœ

R

–

J

–

R

¿bj

¿b

∑

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

∑

49

&

&

&

?

&

&

&

?

&

&

B

?

t

?

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

223

R– j

–

r— j

—

223

∑

∑

223

R

œ

Jœ

R

–

J

–

223

R

¿bj

¿b

∑

223 Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

223

∑

R– j

–

r— j

—

∑

∑

R

œ

Jœ

R

–

J

–

R

¿bj

¿b

∑

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

∑

R– j

–

r— j

—

∑

∑

R

œ

Jœ

R

–

J

–

R

¿bj

¿b

∑

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœ

Oœm

Oœm

Oœb

6

–Oœ

Oœ

Oœ

Oœ

–

Oœb O

œ

Oœm O

œ

6

– Oœ Oœ Oœ Oœ –

Oœ

Oœm O

œm O

œ

6

–Oœ Oœ Oœ Oœ –

∑

‰ j–

rK

–

‰ j

—

rK

—

∑

∑

‰Jœ

rœ

‰J

–

(left to right)

‰j

¿b

∑

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœ

OœmOœ

–

‰

6

– Oœ Oœm Oœ Oœb –

‰

6

–Oœ Oœm Oœm Oœ –

∑

‰ j–

rK

– ‰

‰ j

—

rK

—‰

‰ ‰

( P )

‚.

≈

REMOVE MUTEwith a little twist to make a high pitched squeek

∑

‰Jœ

rœ

‰

‰J

–‰

‰j

¿b‰

∑

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

‰

6

–Oœb Oœ

OœmOœ

–

‰

‰

6

– Oœ Oœm Oœ Oœb –

‰

‰

6

–Oœ Oœm Oœm Oœ –

‰

∑

‰ j–

rK

–

‰ j

—

rK

—

∑

silentlyPUT ON MUTE

∑

‰Jœ

‰J

–

‰j

¿b

∑&

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

– Oœ Oœm Oœ Oœb –

‰

6

–Oœ Oœm Oœm Oœ –

∑

( Ï )

∑

∑

∑

∑

∑

∑

œ œm≈ ®

œm≈

œ

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

50

&

&

&

?

&

&

&

&

&

&

B

?

t

?

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

81

81

81

81

81

81

81

81

81

81

81

81

81

81

81

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

230

‰ j–

rK

–

‰ j

—

rK

—

230

∑

∑

230

‰Jœ

‰J

–

230

‰j

¿b

∑

230

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœ

OœmOœ

–

‰

6

– Oœ Oœm Oœ Oœb –

‰

6

–Oœ Oœm Oœm Oœ –

230

∑

( Ï )

∑

∑

∑

∑

‰ ‰

πJ

‚˘

arrow down:cover opening and keep high pressureuntil lift

GLASSES

∑

4

‰ . rœ

œm‰

5

‰

œ

‰

‰

œm ‰

∑

∑

∑

∑

∑

5

œœµ œµ . œ.

œn .

‰

‰ j–

rK

–

‰ j

—

rK

—

∑

∑

‰

π

Jœ

VIBRAPHONEwith straw

∑

‰j

¿b

∑

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœm Oœm

Oœ

–

‰

6

–Oœb Oœ

OœmOœ

–

‰

6

– Oœ Oœm Oœ Oœb –

‰

6

–Oœ Oœm Oœm Oœ –

∑

∑

∑

∑

∑

‰

( f )

‚˘

π

‚˘

( f )

3

‚‚˘

( f )

‚˘

‰

GLASSES

π

J‚˘

3

‚˘

( f )

‚˘

‚˘

‰

π3

‚˘

( f )

‚˘

≈

arrow down:cover opening and keep high pressure until lift

GLASSES

∑

∑

∑

∑

∑

∑

∑

∑

j–

rK

–

j

—

rK

—

∑

∑

πJœ

VIBRAPHONEwith straw

πJ

–PAPER

j

¿b

∑

6

–Oœb Oœm Oœm

Oœ

–

6

–Oœb Oœm Oœm

Oœ

–

6

–Oœb Oœ

OœmOœ

–

6

– Oœ Oœm Oœ Oœb –

6

–Oœ Oœm Oœm Oœ –

∑

∑

∑

∑

∑

‰

π

..––

(rub against each other)

π

¿́ ¿¿ Œ

(snap)(hit against each other)

∑

∑

∑

∑

∑

∑

∑

∑

51

&

&

&

?

&

&

&

&

&

&

B

?

t

?

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

163

163

163

163

163

163

163

163

163

163

163

163

163

163

163

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

164

164

164

164

164

164

164

164

164

164

164

164

164

164

164

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

236

∑

∑

236

∑

∑

236..–

–

∑

236

∑

∑

236

∑

∑

∑

∑

∑

236

∑

j–

rK

– ≈

≈ j

—

rK

—

∑

∑

π

Jœ ≈

VIBRAPHONEwith straw

≈

πJ

–

PAPER

j

¿b≈

∑

6

–Oœb Oœm Oœm

Oœ

–

≈

≈

6

–Oœb Oœm Oœm

Oœ

–

≈

6

–Oœb Oœ

OœmOœ

–

≈

6

– Oœ Oœm Oœ Oœb –

∑

∑

∑

∑

∑

Œ ‰ ≈

( f )

‚˘

π

–– ‰ Œ

GLASSES

‰

π

¿́

( f )

‚˘

Œ

(snap)

GLASSES

∑

Œœm œ

.

‰?

Œ ‰

( f )

¿¿fl

≈

Œ ‰

( f )

¿¿fl

≈

Œ ‰

( f )

¿¿fl

≈

Œ ‰

( f )

¿¿fl

≈

Œ ‰

( f )

¿¿fl

≈

∑

∑

3

‰

( f )

‚˘

‰ ‰

REMOVE UNDER LIPFROM REED (full underlip in advance pressedagainst reed)(BELL UP)

( P )

‚.

‰ ‰

sim. REMOVE MUTE

silentlyPUT ON MUTE

∑

‰ ‰

( f )

J

‚‚˘

‰ ‰

( f )

J

‚‚˘

∑

3

‰ ‰

( f )

OOOOOfl

‰

LIFT KEYS(pressed downsilently in advance -no samples apointedto these keys)

&

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

œ œm≈ ®

œm≈

œ

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

52

&

&

&

?

&

&

&

&

&

&

B

?

t

?

164

164

164

164

164

164

164

164

164

164

164

164

164

164

164

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

165

165

165

165

165

165

165

165

165

165

165

165

165

165

165

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

241

j–

rK

– ‰

‰

π

j

—

rK

—

241

∑

∑

241

≈

π

Jœ ≈

VIBRAPHONEwith straw

‰

πJ

–

PAPER

241

≈

π

j

¿b≈

∑

241

π6

–Oœb Oœm Oœm

Oœ

–

‰

≈

π6

–Oœb Oœm Oœm

Oœ

–

≈

‰

π 6

–Oœb Oœ

OœmOœ

–

∑

∑

241

∑

( Ï )

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œm

5

‰

œ

‰

œm

∑

∑

∑

∑

∑

5

œœµ œµ . œ.

œn .

∑

∑

∑

∑

π

¿́ ¿¿ Œ

fingersnap (nail) glassand let the tone ring

GLASSES

‰

π

..––

rub glassesagainst each other (in circles)GLASSES

∑

∑

∑

∑

∑

∑

∑

∑

∏

j

O

Œ Œ

(whistle tone on tube edge)

∏

J

O

Œ Œ

whistle tone by blowing focused air on reed (lips 1-2 cm. from the reed point)

∑

∏

J

O

Œ Œ

whistle tone by blowing softly (focused) on sharpedge of mouthpiece

∏

J

OŒ Œ

(whisle tone)PAPER

‰ ––

––

j

œ

Œ Œ

∑

∑

∑

∑

∑

∑

∑

π

j–

rK

– ‰ .

‰ ≈

π

j

—

rK

—

∑

∑

≈

πJœ ‰

VIBRAPHONEwith straw

‰ ≈

πJ

–PAPER

‰j

¿b≈

∑

≈

6

–Oœb Oœm Oœm

Oœ

–

‰

‰

6

–Oœb Oœm Oœm

Oœ

–

≈

∑

∑

∑

∑

53

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

166

166

166

166

166

166

166

166

166

166

166

166

166

166

166

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

246

∑

∑

246

∑

∑

246

∑

π

¿́

( f )

‚˘

Œ

GLASSES

246

∑

Œ3

œm jœ.

?

246

Œ

3

‰

( f )

¿¿fl

‰

Œ

3

‰

( f )

¿¿fl

‰

Œ

3

‰

( f )

¿¿fl

‰

Œ

3

‰

( f )

¿¿fl

‰

Œ

3

‰

( f )

¿¿fl

‰

246

∑

∑

Œ

3

‰

( f )

‚˘

‰

REMOVE LIPFROM REED

≈

( P )

‚.

‰

( P )

‚.

≈ ‰

REMOVEMUTE

PUT ON MUTE(no squeking sound intended)

( f )

‚˘

≈ ‰ Œ

∑

∑

‰

œbŒ

Œ

3

‰ ‰

( f )

OOOOOfl

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

( f )3

‚˘

‚˘

‰

π3

‚˘

( f )

‚˘

π

‚˘

( f )

‚˘

GLASSES

π

‚˘

3

‚˘

( f )

‚˘

‚˘

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

J¿´

J

¿¿ ‰

‰

π

––

∑

∑

∑

∑

∑

∑

∑

∑

j–

rK

– ‰ ‰

‰ ‰

π

j

—

rK

—

∑

∑

‰

π

Jœ ‰

VIBRAPHONEwith straw

‰ ≈

πJ

–≈

PAPER

‰

π

j

¿b‰

∑

π

≈

6

–Oœb Oœm Oœm

Oœ

–

≈ ‰

∑

∑

∑

∑

∑

54

&

&

&

?

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

84

84

84

84

84

84

84

84

84

84

84

84

84

84

84

166

166

166

166

166

166

166

166

166

166

166

166

166

166

166

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

251

‰

∏O

‰

‰

∏

O

‰

251

∑

‰

∏

O

‰

251

‰

∏

O‰

PAPER

π

–– ‰ Œ

GLASSES

251

‰

œ

j

œb

∑

251

∑

∑

∑

∑

∑

251

∑

O

‰ Œ

O

‰ Œ

∑

O

‰ Œ

O

π

–– Œ

GLASSES

Œ

π

¿́

( f )

‚˘

œ

‰ Œ

∑&

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

œ œm ?

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œ. œ.

œn .

∑

‰ ≈

( f )

‚˘

Œ

‰

( P )

‚.

≈ Œ

REMOVE MUTEsilentlyPUT ON MUTE

≈

( f )

‚˘

‰ ‰ ≈

‚˘

∑

∑

∑

œm œ œ.

jœ

Œ

( f )

¿¿fl

≈ ‰

Œ

( f )

¿¿fl

≈ ‰

Œ

( f )

¿¿fl

≈ ‰

Œ

( f )

¿¿fl

≈ ‰

Œ

( f )

¿¿fl

≈ ‰

∑

j–

rK

– ‰ ‰

‰ ‰ j

—

rK

—

∑

∑

‰Jœ ‰

VIBRAPHONEwith straw

‰ ≈J

–≈

PAPER

≈j

¿b≈ ‰

.œ

∑

∑

∑

∑

∑

∑

55

&

&

&

?

&

&

&

?

&

&

B

?

t

?

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

256

∑

≈

( f )

‚˘

‰

256

( P )

‚.

≈ ‰

REMOVE MUTEsilentlyPUT ON MUTE

∑

256

∑

∑

256

∑

.œ œ.

256

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

‰

( f )

¿¿fl

≈

256

∑

Œ Œ

∏O

Œ Œ

∏

O

‰

( fffff )

œ

( P )

‚.

≈ ‰ Œ

REMOVE MUTE

silentlyPUT ON MUTE

( f )

‚˘

≈ ‰ Œ

∏

O

Œ Œ

∏

OPAPER

∑

Œ ‰

œb œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

..–– Œ

GLASSES

Π.

π

¿́

( f )

‚˘

GLASSES

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

( f )

‚˘

‚˘

3

‰

π

‚˘

‰

π

3‚˘

J

‚

˘

( f )

‚˘

‚˘

∑

∑

∑

∑

∑

∑

∑

∑

π

j–

–. ® ≈ ‰

‰ ‰

π

j

—

rK

—

∑

∑

‰

πJœ

œ

® ≈

VIBRAPHONEwith straw

∑

∑

∑

∑

∑

∑

∑

∑

∑

56

&

&

&

?

&

&

&

?

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

261

∑

∑

261

∑

∑

261

( f )

π

‚‚˘

( f )

‚˘

π 3

‚˘

‚˘

‰

GLASSES

3

‰

π

‚˘

‚˘

( f )

‚˘

3

‚˘

π

‚˘

261

∑

∑

261

∑

∑

∑

∑

∑

261

∑

∑

∑

∑

∑

3‰

π

‚

fl

‚

fl

3‰ ‰

‚

fl

( f )

‚˘

‚˘

‰

5

‚˘

‚˘

≈ ≈

‚˘

‚˘

( f )

‚˘

‚˘

π

5

≈ ≈

( f )

‚

fl

‚

fl

≈

3

‚

fl

‚

fl

‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

.› ›

3

‰

π

‚˘

( f )

‚˘

Œ

LIFT AND PUT BACK COVEROF INSULATEDBOX WITH METRONOMES

GLASSES

Œ

π

‚˘

‚˘

( f )

‚˘

‚˘

Œ

∑

Œ Œ

3

‰œm œ

.

∑

∑

∑

∑

∑

∑

∑

‰ ‰

3

≈

( f )

‚˘

≈

‰

3

‰

( P )

‚.

‰

REMOVE MUTE silentlyPUT ONMUTE

‰

( f )

‚˘

‰

∑

∑

∑

∑&

∑

∑

∑

∑

∑

∑

( Ï )

∑

∑

∑

∑

∑

∑

4

‰ . rœ

œmœ œm≈ ®

œm≈

5

‰

œ

‰

œ œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œ. œ.

œn .

57

&

&

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?

&

&

&

&

&

&

B

?

t

?

83

83

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83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~

266

∑

‰ ‰

3

≈

( f )

‚˘

≈

266

‰

3

‰

( P )

‚.

‰

REMOVE MUTE silentlyPUT ONMUTE

‰

( f )

‚˘

‰

266

∑

∑

266

∑

∑

266

( f )

¿¿fl

® ≈ ‰ ‰

(all string players juxtaposedby 1/32nd quintuplet (- onlystatistic precision intended))

( f )

5

®¿¿fl

®®®‰ ‰

(all string players juxtaposedby 1/32nd quintuplet (- onlystatistic precision intended))

5

®®

( f )

¿¿fl

®®‰ ‰

(all string players juxtaposedby 1/32nd quintuplet (- onlystatistic precision intended))

5

®®®

( f )

¿¿fl

®‰ ‰

(all string players juxtaposedby 1/32nd quintuplet (- onlystatistic precision intended))

5

®®®®

( f )

¿¿fl

‰ ‰

(all string players juxtaposedby 1/32nd quintuplet (- onlystatistic precision intended))

266

∑

π

j–

–. ® ≈ Œ .

Œ

π

j

—

j—

j—

rK

—

∑

∑

‰Jœ

œ

®≈ ‰ ‰

VIBRAPHONE:TURN ON MOTOR:MAX SPEED

VIBRAPHONEwith straw

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ ‰

3

≈

( f )

‚˘

≈

‰

3

‰

‚.

‰

REMOVE MUTE silentlyPUT ONMUTE

‰

‚˘

‰

∑

∑

∑

∑

( f )

¿¿fl

® ≈ ‰ ‰

( f )

5

®¿¿fl

®®®‰ ‰

5

®®

( f )

¿¿fl

®®‰ ‰

5

®®®

( f )

¿¿fl

®‰ ‰

5

®®®®

( f )

¿¿fl

‰ ‰

∑

∑

∑

‰

3

‰

( fffff )

œ

( P )

‚.

REMOVE MUTE

‰

‚˘

‰

∑

∑

∑

∑

( f )

¿¿fl

® ≈ ‰ ‰

( f )

5

®¿¿fl

®®®‰ ‰

5

®®

( f )

¿¿fl

®®‰ ‰

5

®®®

( f )

¿¿fl

®‰ ‰

5

®®®®

( f )

¿¿fl

‰ ‰

∑

∑

∑

( pppppp )

Jœ

‰ ‰

silentlyPUT ONMUTE

∑

∑

∑

‰

œb

∑

∑

∑

∑

∑

∑

∑

∏.O

∏

.O

∑

∏

.O

∏

.OPAPER

∑

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∑

∑

∑

∑

∑

∑

∑

58

&

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B

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t

?

42

42

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42

42

42

42

42

42

42

42

42

42

42

42

83

83

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83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

44

44

44

44

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44

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44

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

45

45

45

45

45

45

45

45

45

45

45

45

45

45

45

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~

272

∑

∑

272

∑

∑

272

π

..–– ≈

3

‰

( f )

‚˘

‚˘

GLASSES

∑

272

∑

∑

272

∑

∑

∑

∑

∑

272

∑

∑

∑

∑

∑

.›

BOX WITH METRONOMES

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

› ≈ ‰j

›

› › ≈

LIFT AND PUT BACK COVEROF INSULATEDBOX WITH METRONOME

∑

∑ ?

∑

∑

∑

∑

∑

∑

∑

∑

Œ

3

‰ ‰

( fffff )

œ

Œ

3

‰

( f )

‚˘

‰

› ≈ ‰ Œ

∑

∑

œb œ.

≈ ‰

®œ œ œ œ œ œ œ

Œ

∑

∑

∑

∑

∑

∑

Œ Œ

π

–

–. ®≈ Œ

‰

π

—

— —

—.

®≈ ‰ Œ

[tr. on the deep E keywhile blowinginto the F hole]

∑

∑

π

œ

œ®≈ Œ ‰ œ

¿

æ

STRAWON "FAN"

VIBRAPHONEwith straw

∑

∑

∑

∑

∑

∑

∑

∑

∑ B

∑

∑

‰

( P )

J

‚.

REMOVE MUTE

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

( fffff )

œµ‰

Œ3

‰

∏

O O

Œ

3

‰

∏

O O

( pppppp )

3œ‰ Œ Œ

silentlyPUT ONMUTE

Œ

3

‰

∏

O O

Œ

3

‰

∏

O O

PAPER

∑

3Œ

œb œ œ

∑

∑

∑

∑

∑

∑

∑

59

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&

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&

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&

B

?

t

B

45

45

45

45

45

45

45

45

45

45

45

45

45

45

45

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

83

83

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83

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83

83

83

83

45

45

45

45

45

45

45

45

45

45

45

45

45

45

45

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

279

∑

∑

279

∑

∑

279

∑

› › › › ›

LIFT COVER OF BOXWITH METRONOME (gradually cover) (gradually open)

279

∑

∑

279

∑

∑

∑

∑

∑

279

Œ

∏

˙B( fffff ) ∏

˙

∑

∑

∑

∑

› ›

BOX

› ≈ ‰ Œ

(closebox)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰ ‰

3

≈

( fffff )

œ

‰

3

‰

( f )

‚˘

‰

› ≈ ‰ ‰

∑

∑

j

œb œ.

≈ ‰

Ù

œœœœœœœ

∑

∑

∑

∑

∑

∑

π–

–. ®≈ Œ Œ –

O O

Œ Œ ‰

π

—

—.

®≈ ‰ Œ

∑

∑

‰

π

œ

¿

æ

–

æ

–

–.

®≈ Œ Œ

blow afocusedair streamon "fan"

gliss. blowing a focused air stream close tothe keys

VIBRAPHONEwith straw

∑

∑

∑&

∑

∑

∑

∑

∑

∑ ?

60

&

&

&

?

&

&

&

&

&

&

B

?

t

?

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

85

85

85

85

85

85

85

85

85

85

85

85

85

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

( Ï )

283

∑

∑

283

∑

∑

283

∑

Œ ›

BOX

283

5

≈

œm œ œn œmŒ

œm Œ

283

∑

∑

∑

∑

∑

283

5

œµ œµ œ œb .œµ œµ œµ .

Œ

∑

∑

∑

∑

∑

› ≈ ‰ ‰ ›

œ œm≈ ®

œm≈

5

‰

œ

‰

œ œm

∑

∑

∑

∑

∑

3

œµ . œœm œµ œn . œµ œB

5

œœµ œµ .

≈ ≈B

∑

∑

3

‰

( P )

‚.

( pppppp )

œŒ

REMOVE MUTE silently

PUT ONMUTE

∑

∑

› ≈ ‰

( Ï )

œm>‰

CROTALES WITH BD STICK

Œ ‰

œb

∑

∑

∑

∑

∑

∑

( fffff )3

œµ‰ ‰ Œ

∏

j

O

‰ Œ .

Œ ‰

∏

J

O

‰

∑

Œ

∏

J

O

‰ ‰

Œ Œ

∏

JO

PAPER

∑

‰ j

œ

Π.

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

.› .›

BOX

∑

∑

∑

∑

∑

∑

∑

∏

.œB

( fffff ) ∏

.œ

61

&

&

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&

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&

&

B

?

t

B

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

85

85

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85

85

85

85

85

85

85

85

85

85

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

163

163

163

163

163

163

163

163

163

163

163

163

163

163

163

83

83

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83

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83

83

83

83

83

83

83

83

83

83

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~288

∑

∑

288

∑

∑

288

› › ›

BOX

› ≈ ‰ ‰

288

∑

∑

288

∑

∑

∑

∑

∑

288

∑

∑

∑

∑

∑

πJ–

–

æ

VIBRAPHONE

blow onkeys

blow on "fan"

∑

∑

∑

∑

∑

∑

∑

∑

∑

π

– –

O

∑

∑

∑

–.

®≈ ‰ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

O.

®≈ ‰ Œ .

π

O O

j

—

rK

—

whistle toneby softly blowing a focused air streamon the edge of the bell

∑

∑

∑

∑

∑

∑ ?

∑

∑

∑

∑

∑

∑

∑

∑

Œ ‰

( P )

‚.

REMOVE MUTE

Œ ≈

( f )

‚˘

‰

∑

∑

Œ ‰ .

œb

œb œ.

≈ ‰

Ù

œœœœ

3

œ œ œ

∑

∑

∑

∑

∑

∑

∏.

j

O

∏

.

J

O

∑

silentlyPUT ONMUTE

∏

.

J

O

∏

.JO

PAPER

∑

.

j

œ

∑

∑

∑

∑

∑

∑

∑

62

&

&

&

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&

&

&

?

&

&

B

?

t

B

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

294

∑

∑

294

∑

∑

294

.›

BOX(gradually open)

.›

BOX

294

∑

∑

294

∑

∑

∑

∑

∑

294

∑

∑

∑

∑

∑

› ≈ ‰ ‰

(close)

∑

∑

.œbÙ

œœœ.œ œ

3

œœœ

∑

∑

∑

∑

∑

∑

∑

∑

‰

( P )

‚.

Œ Œ

REMOVE MUTE silently

PUT ONMUTE

∑

Œ ‰ › › ≈ ›

Œ › › ≈ › › ≈

∑

œ.

≈ ‰ Œ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

› ≈ ‰ Œ Œ

∑

∑

.˙bÙ

œœœ.œ

œ.œ

3

œœœ

∑

∑

∑

∑

∑

∑

∑

π

j—

—.

®≈ ‰

∑

∑

‰

πJ– J

–

æ

VIBRAPHONE

(blow)("fan")

∑

∑

.œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

.¿

æ

.¿

æ

(strawon fan)

MOTOR RIT. ACC.

∑

∑

.˙

∑

∑

∑

∑

∑

∑

63

&

&

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&

&

&

?

&

&

B

?

t

B

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

41

41

41

41

41

41

41

41

41

41

41

41

41

41

41

83

83

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83

83

83

83

83

83

83

83

83

83

82

82

82

82

82

82

82

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82

82

82

82

82

82

82

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~300 3

‰

π

¿

¿≈ Œ

gliss. on keys with fingers

3

‰ ‰

π

¿

¿

≈ ‰

gliss. on keys with fingers

300

∑

∑

300

3

œ

œ ≈ ‰

¿

æ

–

æ

strawon fan

air on fan

(gliss.withstraw)

∑

300

∑

˙

300

∑

∑

∑

∑

∑

300

∑

– –

O

Œ

∑

∑

∑

–.

®≈ ‰ ‰

n

–

( f )

œ>

PEDAL

blow on key and let the tone ring

∑

∑

.˙

∑

∑

∑

∑

∑

∑

∑

∑

3

‰

( P )

‚.

‰

REMOVE MUTE

∑

3

‰ ‰ ›

BOX

∑

∑

œ.

≈ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

› ≈ ‰ ‰

∑

∑

.œbÙ

œœœ.œ œ

3

œœœ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

‰j

›

∑

∑

œ.

≈ ‰

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

› ≈ ‰ ‰ ›

∑

∑

œb œ.

≈ ‰

Ù

œœœœ

3

œ œ œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

› ≈ ‰ ‰ ›

∑

∑

œb œ.

≈ ‰

®œ œ œ œ œ œ œ

∑

∑

∑

∑

∑

∑

64

&

&

&

?

&

&

&

?

&

&

B

?

t

B

82

82

82

82

82

82

82

82

82

82

82

82

82

82

82

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

Ÿ~~~~~~ Ÿ~~~~~~~

307

∑

∑

307

∑

∑

307

› ≈j

›

∑

307

∑

jœb œ

.

≈

Ù

œ œ œ œ œ œ œ

307

∑

∑

∑

∑

∑

307

∑

∑

∑

∑

∑

› ≈j

›

∑

∑

jœb œ

.

≈

Ù

œ œ œ œ œ œ œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

› ≈j

›

∑

∑

jœb œ

.

≈

Ù

œ œ œ œ œ œ œ

∑

∑

∑

∑

∑

∑

3

‰

π–

–. ≈ Œ

3

‰ ‰

π

—

— —

[tr. on deepE key]

∑

∑

π3

–

–.

≈ ‰ ‰

›≈ ‰ Œ

VIBRAPHONE(blow on keys)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

— —

O

(whistle tone on beel edge)

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

O– O–

whistle tone and pitched air noise by blowing on the tube edge (treble end) with the instrument pointing away and with all keys down

O.

≈ ‰ Œ

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

∑

65

&

&

&

?

&

&

&

?

&

&

B

?

t

B

44

44

44

44

44

44

44

44

44

44

44

44

44

44

44

83

83

83

83

83

83

83

83

83

83

83

83

83

83

83

42

42

42

42

42

42

42

42

42

42

42

42

42

42

42

43

43

43

43

43

43

43

43

43

43

43

43

43

43

43

cl.(Bb)

P.trp.(Bb)

Cor.

Perc. 2

Vl.1

Vl.2

Vla.

Vlc.

Db.

Trb.(o-s)

Fl.

Keyb.

Perc.1

313 O–.

≈ ‰ Œ Œ Œ

Ob O O O

whistle the tone (with mouth) into the bell (instrument pointingaway) in such a distance that it produces a multiphoniclike sound (sounding approx. the minor 3rd Ab-Cb)

313

∑

∑

313

Œ Œ Œ

n

–

PEDAL

(blow on key and let the tone ring)

∑

313

∑

∑

313

∑

∑

∑

∑

∑

313

∑

∑

∑

∑

∑

( f )

.œ>

∑

∑

∑

∑

∑

∑

∑

∑

∑

( Ï )

3

O

j–

rK

– Œ

∑

∑

∑

œ.

≈ ‰ Œ

∑

Œ

4

‰ . rœ

œm

Œ5

‰

œ

‰

Œ œm&

∑

∑

∑

∑

∑

Œ

5

œœµ œµ . œ.

œn .

?

3

‰ ‰ –

3

–.

≈ ‰–

–. ≈ ‰

3

‰

—

—.

≈

3

‰ —

—.

≈

3

‰

—

rK

—‰

∑

∑

π3

–

– ≈ ‰

3

–

–

≈ ‰

3

–

– ≈ ‰

(blow on keys)

∑

∑

∑

∑

∑

∑

∑

∑

∑

66