Western Europe During WWIPicturing the Waste Land

Right Side

Hugo Ball

reciting the poem Karawane at the Cabaret Voltaire, Zurich,

1916

Photograph

28-1⁄8 × 15-3⁄4”

Kunsthaus, Zurich

[Fig. 10-02]

Jean (Hans) Arp

Collage Arranged According to the Laws of Chance

1916–17

Torn and pasted paper

19-1⁄8 × 13-5⁄8”

The Museum of Modern Art, New York

[Fig. 10-03]

Sophie Taeuber

Dada Head

1920

Painted wood

height 13-3⁄8”

Fondation Arp Clamart, France

[Fig. 10-05]

Marcel Duchamp

Bottle Rack and Fountain

1917

Installation photograph

Stockholm

1963

[Fig. 10-08]

Marcel Duchamp

Tu m’

1918

Oil on canvas, with bottle brush, three safety pins, and one bolt

2’ 3-1⁄2” × 10’ 2-3⁄4”

Yale University Art Gallery, New Haven [Fig. 10-11]

Marcel Duchamp

The Bride Stripped Bare by Her Bachelor Even

or The Large Glass

1915–23

Oil, lead wire, foil, dust, and varnish on glass

8’ 11” × 5’ 7”

Philadelphia Museum of Art

[Fig. 10-12]

Man Ray

Gift

replica of lost original of 1921

c. 1958

Flatiron with nails

height 6-1⁄2 × 3-5⁄8 × 3-3⁄4”

The Museum of Modern Art, James Thrall Soby Fund

1966

[Fig. 10-17]

Raoul Hausmann

The Spirit of Our Time (Mechanical Head)

1919

Wood, leather, aluminum, brass, and cardboard

12-5⁄8 × 9”

Musée National d’Art Moderne, Centre d’Art et

de Culture Georges Pompidou, Paris

[Fig. 10-19]

Max Ernst

1 Copper Plate 1 Zinc Plate

1 Rubber Cloth 2 Calipers

1 Drainpipe Telescope 1 Pipe Man

1920

Gouache, ink, and pencil on printed reproduction

9-1⁄2 × 6-1⁄2”

Whereabouts unknown

[Fig. 10-25]

Käthe Kollwitz

The Volunteers

(Die Freiwilligen)

Plate 2 from

Der Krieg (War)

1922–23

Woodcut

35 × 49”

[Fig. 10-27]

Ernst Barlach

The Avenger

1914

George Grosz

Dedication to Oskar Panizza

1917–18

Oil on canvas

55-1⁄8 × 43-1⁄4”

Staatsgalerie, StuttgartNew York, NY.

[Fig. 10-30]

George Grosz

Pillars of Society

1926

Oil on Canvas

78 3/8 ” × 42 ½”

The Museum of Modern Art, New York

[Fig. 10-32]

Otto Dix

Corpse in Barbed Wire (Flanders)

(Leiche im Drahtverhau [Flandern])

from The War (Der Krieg)

1924

Etching and aquatint from a portfolio of fifty etchings, aquatints, and drypoints

plate: 11-3⁄4 × 9-5⁄8”; sheet:

18-9⁄16 × 13-3⁄4”

Publisher: Karl Nierendorf, Berlin. Printer: Otto Felsing,

Berlin. Edition: 70

[Fig. 10-34]

Max Beckmann

Self-Portrait with Red Scarf

1917

Oil on canvas

31-1⁄2 × 23-5⁄8”

Staatsgalerie, Stuttgart

[Fig. 10-38]

Max Beckmann

Departure

1932–33

Oil on canvas

triptych

center panel 7’ 3⁄4” × 3’ 9-3⁄8”

side panels each 7’ 3⁄4” × 3’ 3-1⁄4”

The Museum of Modern Art

New York

Fig. 10-41]