ceiga issue 17

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    s e v e n t e e n

    s a d d i n g t o n b a y n e s

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    s f m

    sl m

    sb LImages from some of SaddingtonBaynes experimental work

    Four or more images from onecampaign

    One or two images from acampaign

    c e i g a . c o . u k

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    C o n t e n t s

    8

    24

    14

    30 40

    46 48 58

    6

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    er Lr

    er ic my dparur from h CG idury io h wb abou a yar ad a half ago I

    p a lo of im rarchig wb i, (pcially rally bauiful o) for ipiraio.

    Durig o of h radom arch for pry i I umbld acro h lk lookig

    saddigo Bay i ha mad my jaw drop.

    now Id hard of saddigo Bay bfor bu i wa uil I oicd a w abou hirsrogbow dark frui campaig ha I dcidd o chck ou hm ou, urly if a compay i

    big ough o b doig campaig for srogbow hy mu b wll ablihd ad ry

    good a wha hy do.

    thir i i lap ad boud ahad of ay ohr crai producio compay. I cla,

    rpoi, ad coai a lo of ouch-fridly lm. thi iiably lad m o chck

    ou hir work, which i o oly impri bu rally wll porrayd o hir i. each

    projc pag coai o of iformaio abou hir crai proc, hi-r imag,

    imoial, om coai bhid h c imag.

    thr wa o way I could ddica a impl blog po or a fw pag i h magazi o

    hi compay, o I mad h dciio o ddica a whol iu o h work of saddigo

    Bay, which i a fir im hi ha b do for a iu of Ciga.

    Ayway ough of m harpig o abou how amazig hi compay i l chck ou om

    of hir work.

    Rchr br

    e D I t O R

    richbray.m

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    Ink SplatsFl dmc

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    Saddington Who?

    Hw d thy d ll ths thns nd d thm s wll y s? its ll dwn t thr nwld nd

    ndrstndn f wht s pssbl, bs f tht thy n thn tst th bx, psh th rtv bndrs

    nd rt th bst pssbl sltn wth ll th hhly dvnd ps f th thy hv t thr dspsl.

    Prtl ntnt dsnd fr th pst-dtl , vsl ntnt tht tlls stry, ns th sr

    mtnlly, nd ll dn by n mpt, l tm. Bt yr mprssd?

    Saddington Baynes dsrb thmslvs s hybrd rtv prdtn ny nd d vrythn

    frm, ntrtv dsn, rtv drtn, cgi nd rthn t lr rdn.

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    Hvn wrd n prvs Strnbw mpns, St. Ls sd Sddntn

    Byns t llbrt n th ntl pthn sts, tn thr m p vsls fr

    th pstr mpn nd dvlpn th npt frthr fr th lnt. Strnbw

    lvd th vsls s mh tht thy sppd th ntl tstn phs nd wnt

    strht nt prdtn, whh rdd bdt nd tm t mrt.

    Cl: srac: s. L

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    stRongbow - daRk FRuit

    Dtl tdr pstr mpn fr bvr brnd.

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    Th cR-V s Hnds ldn r rn n erp. Th mn mpn bjtv

    ws t hlp t mntn ts pplrty wthn th mrt. as Sddntn Byns wr

    rtn th ssts thy sd s mny dt tpts s pssbl, nd rsd th caD

    ssts t rt mltpl lmnts fr ntrtd md.

    Wrn wth thr dvsns f Hnd nd fr f thr ns, SB wr bl t

    rs th dt rss ll md fr th vrs ns nd dvsns, whh rsltd

    n strmlnd prss fr th lnt.

    clnt: Hnd Mtr erp

    any: mrrybwn, Lndn

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    Honda - CR-V

    intrtd mpn fr Hnds ldn r rn

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    cllbrtn lsly wth crtv Drtr Jln Nwmn, Sddntn Byns

    rtd llstrtn npts frm th sppld rfrn nd thn frthr dsnd

    n 3D, sn t prsnfy h lqd mnstr. eh lqd hd ts wn thm wth

    prsnlty tht ndd wth ts ltn. Ml spll fr lttl rls rm, wn n

    mdrn prtmnt nd ff n brht thn.

    clnt: P&g - Bnty

    crtv Drtr: Jln Nwmn

    any: Pbls kpln Thlr, Nw Yr

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    bounty - MonsteR spiLLs

    Lqd smltn fr FMcg brnd

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    Sddntn Byns llbrtd wth Th Dsnry t rt pr-lnh nd lnh

    brhr mry fr th infnt QX60 (JX). Thr rl n ths prjt ws t rt ll

    f th ssts n cgi fr th brhr pls mplt th pst-prdtn nd lr

    rdn whl wrn lnsd tmtv phtrphr Thms Strls.

    Ths mpn s nq bs f th vrs lmnts tht thy ndd t

    nsdr whn pln th rs nt ths nvrnmnts. SB mstrd th rtv

    prss by nsdrn th ssnl cg lmnts n rdr t dlvr phtrph

    rslts.

    clnt: infnt Nrth amr

    any: Th Dsnry, clfrn

    Phtrphr: Thms Strls

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    inFiniti - QX60

    Pht-rl cg fr t brhr

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    chrtr dsn nd rtn s smthn tht Sddntn Byns hv bm

    rnwnd fr, s whn thy wr vn th pprtnty t rft th prft mst

    fr o2s nwst bsnss trffs thy jmpd t th hn.

    Brnn eddy t lf ff th p nd nt 3D rlty ws prs prss. Rth

    wntd eddy t hv hs wn nnr nry, t llmnt th thns rnd hm nd

    xd wlmn lw. SB rd tht h smply hd t lt n ahh! frm o2s

    dn - rlly mtnl rspns t hlp hmns th mpns bsnss-

    l mss.

    clnt: o2

    any: Rth, Dbln

    Phtrphy: Smn Brh

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    02 - eddy

    chrtr rtd fr tlms mpn

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    intellig ent, visual engaging content

    1) When did you develop an interest for creative production?

    iv h rl fr mr c 20

    r, h i fr rchcr r, h hrh

    vl cmmc vr. i cvr h r f -

    rc 4 hl r xrc plc hr

    i M prfm rjc f rl x4 hrhr

    rrc l h cm l flm

    h lhx. th Ql Lml pl xh f

    rllz px rch m frml m h.

    2) How did you get the job at Saddington Baynes and what is the

    culture like there?

    i m r h sb hrh rc frm m fr

    rfl cl, ccl hrhr r nc V

    r f m lrr ul. sb h ch q h

    r i hv hr, frm l m h m,

    h clr h h m; f cmrm

    cmmm cr xrrr mr.

    3) Could you tell me a little bit more about your role at SB?

    M rl h vr. a c-r i m rl fr

    0 l ff, d eCd, m l r

    r cl v & lvr r r

    mr; frm rr cl cc r r

    r rc h fh ch.

    4) What is the typical process from client approval to finished

    project at SB?

    i l h cl rc, r r cvr

    m ffr mm, frm hh rl Cg fr ll

    m m VFX r l cm. or

    cl cm fr hr r, rl xlr

    L r frm l hr rll m f h cll l r

    s b. wv m r rv h James Digby-Jones, h h

    h excv Crv drcr c-r.

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    l f fl h l. w r

    h m rc cllrv rc l r

    flxl l h mr r h rc.

    5) Out of all the projects you have worked on, which one is your

    favourite and why?

    i l hv r rc rml c Mv sr

    m r l ll mll m-

    r. th cmll cr Cg cr h

    cmrh. Cg j hl hr rclrl

    flxl . a Crv drcr i m l hr m v

    h h f f r xcl r rl h

    lm.

    6) What are the main pieces of software you use for your projects

    and how long does an average project take?

    or m rhr r M, Zrh, Vr, phh & n.

    thh m hr r l fr r

    l r m f r l h ff-h-hlf c

    7) What do you look for when hiring new talent at SB?

    wh mr sb r , v m lr.

    w r cl r jl l f rjc h

    l r ch hr cr vr hl h m m

    vl ch ll h m r.

    Thank you for taking the time to answer these questions.

    You can find out more of what James is up to by following him on

    Twitter(@jDigbyJones), Instagram(@d1gby), or by checking out the

    Saddington Baynes social connect page (www.saddingtonbaynes.

    com/connect)

    m l r

    r cl

    v & lvr r

    r mrJames Digby- Jones (far right) analys ing Bounty pr

    Images from Moving Stories cinematic exploration

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    Pt smply, Sddntn Byns m thr lnts stmrs fl mtnl bt th

    brnd thrh thr nn vsl ntnt. Thy hv bn dn ths fr lmst

    25 yrs nd thts wht thy blv n.

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    singLe iMages

    on r tw ms frm mpn

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    Heineken - Positive Story of BeerClient: H Agency: Rhc, dl

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    Bingham - DalmatianClient: bhm Photography: a gl

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    Olay - Pro XClient: p&g ol Agency: sch & sch, n yr

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    Nissan - What If?Client: n Agency: tbwa\Ch\d, L al

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    Shelter - House of CardsClient: shlr Agency: L br Photography: bl, L

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    P&G - Launch Into Your DayClient: p&g Agency: th ir gr, dvr

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    Chevrolet - Corvette StingrayClient: Chvrl Agency: gsp, dr

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    SBLbs s frm fr xprmnttn nd hn fr thr rtv tm t prft

    nw thnqs nd tst nw thnls.

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    sb Labs

    ims frm sm f Sddntn Byns xprmntl wr

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    GolferCreating worlds of possibilities with stock photography and motion capture

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    SquirrelSuper high-res, CG furry animal

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    Glass SlipperLighting and rendering challenge. Creating form and space from shattered glass

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    c.cm