cbip element final presentation - part 1

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    CBIP ROADTRIP 2012

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    CHEC

    30% C

    INFINITE

    POSSIBILITIES

    midreview

    COLLABORATION

    Green

    Shadin

    Heatin

    DEAD

    GEOMETRY

    START

    I WANT YOUR

    OUTPUTS

    THE

    SCRIPTING

    TRIANGLE

    QUANTITATIVE

    QUALITATIVE

    DISCOVERY

    in CATIA

    LOST

    FORM

    FINDINGS

    COLLABORATION

    I WANT YOUR

    INPUT

    THE EPIC ADVENTURE

    BEGINS...

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    PLANCK vs. PLANK

    A Germa

    who discovered quantu

    He developed a simple but revolutiona

    that was to become the f

    of a new way of looking at

    called quant

    It is not the possessio

    but the success which attends the seeki

    that enriches

    and brings happines

    M

    Quantum theory was a radical view

    that energy is transmitted not i

    of an unbroken continuum, but in discrete, particle

    (each unit is called a

    The quantum used in this element will begin as a plank

    complexity in numbers, the development of knowledge patterns,

    and hum

    INSPIRATION.

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    plan(c)ks panel

    plank

    A

    A

    A

    A

    A

    THE ELEMENT.

    A

    A

    A

    A

    A

    panel

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    input point 1

    input point 2

    input point 3

    input point 4

    INPUTS

    number of planks

    tilt of plank

    thickness of plank

    depth of plank

    width of panel

    height of panel

    orientation

    time of day

    OUTPUTS

    shading fac

    solar expos

    THE ELEMENT.

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    N

    EW

    S

    THE ELEMENT.

    - d a s h b o a r d -

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    N

    EW

    S

    THE ELEMENT.

    - d a s h b o a r d -

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    N

    EW

    S

    THE ELEMENT.

    - d a s h b o a r d -

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    THE ELEMENT.

    N

    EW

    S

    - d a s h b o a r d -

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    THE ELEMENT.

    N

    EW

    S

    - d a s h b o a r d -

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    THE ELEMENT.

    N

    EW

    S

    - d a s h b o a r d -

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    THE ELEMENT.

    N

    EW

    S

    - d a s h b o a r d -

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    quantitative

    qualititative

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    THE ELEMENT.

    new plank styles

    A

    A

    A

    A

    A

    A

    A

    A

    A

    A

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    N

    EW

    S

    THE ELEMENT.

    - d a s h b o a r d -

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    THE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

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    qualitative - styleTHE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

    l l

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    qualitative - styleTHE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

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    qualitative - materialTHE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

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    qualitative - materialTHE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

    l l

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    qualitative - materialTHE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

    li i i l

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    qualitative - materialTHE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

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    THE ELEMENT

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    A

    B

    C

    D

    A

    A

    A

    A

    A

    A

    A

    A

    A

    A

    Panel Shape

    THE ELEMENT.

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    Panel Shape

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    Panel Shape

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    Panel Shape

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    Panel Shape

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    Panel Shape

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    Panel Shape

    N

    EW

    S

    THE ELEMENT

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    THE ELEMENT.

    - d a s h b o a r d -

    N

    EW

    S

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    ELEMENT AGGREGATIO N

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    [3] CUSTOM PLANCKS PANEL [4] CREATE POINTS ON BUILDING FACADE [5] AGGREGATE PLANCKS PANEL AS YOU WISH

    A

    A

    A

    A

    A

    1

    2

    3

    4

    ELEMENT AGGREGATIO N.

    N

    EW

    S

    ELEMENT AGGREGATIO N

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    ELEMENT AGGREGATIO N.

    N

    EW

    S

    ELEMENT AGGREGATIO N

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    APPLICATION AND POSSIBILITIES

    ELEMENT AGGREGATIO N.

    N

    EW

    S

    ELEMENT AGGREGATIO N

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    ELEMENT AGGREGATIO N.

    - between two UDFS (ie: stacking material increases opacity by a factor)

    - between powercpy (ie: output of one drives input of next)

    COMPOUND RELATIONSHIPS - script development strategy

    FURTHER DEVELOPMENT STRATEGIES

    N

    EW

    S

    ELEMENT AGGREGATIO N.

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    [3] CUSTOM PLANCKS PANEL

    A

    A

    A

    A

    A

    1

    2

    3

    4

    [1] CHOOSE PLANK TYPE

    A

    B

    C

    D

    [2] CHOOSE NUMBER OF PLANKS IN PANEL

    A

    A

    A

    A

    A

    ELEMENT AGGREGATIO N.

    [4] CREATE POINTS ON BUILDING FACADE [5] AGGREGATE PLANCKS PANEL AS YOU WISH

    N

    EW

    S

    ELEMENT AGGREGATIO N.

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    [ ELEMENT COLLISION POINTS ]

    options:

    - develop a locator meta-element- develop additional knowledge pattern

    - manual post process

    script functions:

    - boolean- auto joint creation

    - avoidance- integrate with other software

    - this is the most interesting and desired

    result of plancks panel design process -

    - the following options are currently in

    development:

    FURTHER DEVELOPMENT STRATEGIES

    ELEMENT AGGREGATIO N.

    N

    EW

    S

    ELEMENT AGGREGATIO N.

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    JOINT SOLUTIONS - possible script to identify plank collisions and create L brackets for connection

    FURTHER DEVELOPMENT STRATEGIES

    ELEMENT AGGREGATIO N.

    N

    EW

    S

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    CATIA TREASURES!

    SECRETS TO CREATIVITY IN CATIA.

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    So many variations

    of the same thing!

    EXHIBIT A:

    form finding with variables

    Ill l l dSECRETS TO CREATIVITY IN CATIA.

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    Illogical logic and

    bad math makes sense.

    Length of B = sin (2) log8 + 758-.7

    Height of C = 4 x 9 + 10 - (3.14159) / (72 +87)

    EXHIBIT B:

    form finding with equations

    FORM FINDING IN CATIA.

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    Anything can

    relate to anything.

    h

    plancks constant = 6.62606957(29)10^34)

    The area of the nearest star.

    Midpoint of Spline = dis-

    tance of the length (line C) *

    volume(sphere D)^2 + sqrt (u

    parameter) - w ** (log h).

    EXHIBIT C:

    form finding with relationships

    IF the Midpoint of Spline = distance of the length (line C) * volume(sphere D)^2

    + sqrt (user parameter) and the height of cube 8

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    MODULE CONSTRUCTION PROCESS

    l i il i i lli

    i i i i

    i K i l i

    l i xi l

    ,

    THE UNEXPECTED.

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    THE UNEXPECTED.

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    THE UNEXPECTED.

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    THE UNEXPECTED.

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    THE UNEXPECTED.

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    THE UNEXPECTED.

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    SCULPTING.

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    SCULPTING.

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    SCULPTING.

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    THERES NO TIME!

    And no room in

    the car!

    ELEMENT EXCHANGE.

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    We just need the

    shading factor.

    APPLICATION FOR BUILDING STRATEGIES.

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    PROCESS OBSERVATIONS.

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    Checklist Time Constraint Collaboration Applicati

    PROCESS OBSERVATIONS.

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    CHECKLIST

    time constraint

    requirements for buildingsprefer fast inputs and outputs

    using arametrics for only for analysis

    pressures of the group assignment

    personality of the architecture students

    PROCESS OBSERVATIONS.

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    TIME & MONEY

    there are many ways to be creative, but when can you be creative?

    when is it productive to explore the unknown?

    how much TIME should be spent on an uncarved path?

    do we have time to get lost and find our way back?

    risk of not finding anything useful?

    freedom and creativity requires time and patience

    PROCESS OBSERVATIONS.

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    COLLABORATION

    what are designers willing to collaborate on?

    meeting the requirements

    aesthetics and form?groups lose a common goal outside of performative

    if looking for creativity-

    less likely to draw from someone else?

    PROCESS OBSERVATIONS.

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    QUANTITATIVE and QUALITATIVE

    in the future is it possible to have qualitative and quantitative together?

    reformat the element to be 3 separate elements

    more likely to be used as separate

    packaging elements

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    PROCESS OBSERVATIONS.

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    WALK THE PLANcK!COMPANY! WE HAVE

    CREATED A SYSTEM.

    HYPOTHESIS.

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    IN CBIP STUDIO:

    OVERHEARD

    Wh V ?

    Ill show you

    l t

    havingan existential crisis.

    Im Didyou guy

    the l

    InstantiateTHIS!

    Somebody flashed usoutside the window.

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    IN CBIP STUDIO:

    If I hear INSTANTIATE

    one more time...

    I HATE

    CATIA

    TODAY.

    Im SO SICKof

    UDF and PowerCopy.

    Wheres Victor?

    Lets fudge the numbers

    to make them happy.

    Whats wrong

    with my

    knowledge

    pattern?

    Guys, I think

    the TAsare on strike.

    my element

    if you show me yours.

    My elementworking now,

    but its too late.Im

    worried

    no one

    will use

    my

    element.

    Anyone else

    want coffee?

    of require

    they emai

    I really like your element.

    I wish our group had time

    to try it for the strategy.

    No ones usingmy element. Im sad.

    YAY!Its working!Time to

    START OVER.

    I give myself a 10 out of 10

    on this assignment.

    I

    wor

    s

    Looking back

    at CBIP,

    we couldnt even

    collaborate to

    paint a wall.

    I exchanged

    elements withsomeone else

    today.

    im going to be

    here all night.

    CBIP. The studio

    where the points

    dont matter.