c a r l f i s c h e r first plus band grade 11/2 atlantic

FPS66INSTRUMENTATION

Full Score . . . . . . . . . . . . . . . . . . . . . . . 1Flute . . . . . . . . . . . . . . . . . . . . . . . . . . . 8Oboe (opt. Flute 2) . . . . . . . . . . . . . . . 2Clarinet 1 in B≤ . . . . . . . . . . . . . . . . . . . 4Clarinet 2 in B≤ . . . . . . . . . . . . . . . . . . . 4Bass Clarinet in B≤ . . . . . . . . . . . . . . . . 2Alto Saxophone in E≤ . . . . . . . . . . . . . 5Tenor Saxophone in B≤ . . . . . . . . . . . . 2Baritone Saxophone in E≤ . . . . . . . . . 2Trumpet 1 in B≤. . . . . . . . . . . . . . . . . . . 4Trumpet 2 in B≤. . . . . . . . . . . . . . . . . . . 4Horn in F . . . . . . . . . . . . . . . . . . . . . . . . 4Trombone, Baritone B.C., Bassoon . . 6Baritone T.C. in B≤ . . . . . . . . . . . . . . . . 2Tuba . . . . . . . . . . . . . . . . . . . . . . . . . . . 3Mallet Percussion . . . . . . . . . . . . . . . . 2

Bells, Vibraphone

Timpani . . . . . . . . . . . . . . . . . . . . . . . . 1Percussion 1 . . . . . . . . . . . . . . . . . . . . . 2

Snare Drum, Bass Drum

Percussion 2 . . . . . . . . . . . . . . . . . . . . 8 Wind Chimes, Suspended Cymbal, Crash Cymbals, Triangle, Shaker, Finger Cymbals, Wood Block, Tom-toms

S E R I E S

C A R L F I S C H E R

First Plus Band

Grade 11/2

Atlantic CrossingAlan Lee Silva

FULL SCORE

2

FPS66F

Program NotesBeginning with the heroic opening fanfare, Atlantic Crossing establishes a triumphant tone, highlighted by powerful ensemble playing, singing upper woodwind melodies, and active low brass and woodwind lines. The recurring two-measure motif (as in mm.1–2) is the basis of the main theme. Rehearse the A-sections (m. 1, m. 26, m. 62, and m. 72), focusing on the accented beats that create a , , subdivision within the span of two measures.

The flowing woodwind B-theme (mm. 9 and 36) directly contrasts the percussive A-theme. Discuss the different articulations and the approach to playing both sections: staccato and accented vs. legato and connected. At m. 53, there is a written modulation to the key of A≤ where the horn and tenor saxophone carry the melody. This is a legato statement of the A-melody with the trumpets playing fanfare-like counterlines.

Have the group emphasize m. 61 by dramatically slowing down and playing out before returning to the original key and Tempo I at m. 62. A tightly articulated ending section (m. 72) with an accentuated forte-piano at m. 75 concludes the piece with dramatic punctua-tion in m. 76.

About the Composer

Alan Lee Silva is a composer and arranger whose credits include orchestration for televi-sion’s popular 7th Heaven and Eight Simple Rules, arrangements for feature and television movies Enough and Soul Collector, and scores for independent films Eli’s Coming, State of the Artist, and The Studio. He has arranged for an eclectic mix of artists ranging from Broadway’s Susan Egan to the Nuclear Whales Saxophone Orchestra to Disney’s California Adventure Theme Park to the rock group KISS. His pieces have been performed by some of Hollywood’s finest studio musicians, and his strong melodic style and contemporary harmo-nies are influenced by the music of Aaron Copland, Dave Grusin, and Jerry Goldsmith.

Alan earned a BA in jazz composition and performance from San Jose State University. He then went on to study at the acclaimed Dick Grove School of Music in Los Angeles, where he later taught composing, arranging and keyboard. His contemporary jazz piece The Flight recorded on the Burning Bridges CD Forethought, became a favorite on San Francisco radio stations. He has worked proofreading film and television scores in the music libraries of 20th Century Fox, Sony Pictures Entertainment, and Paramount Pictures.

Alan’s compositions reflect his belief that music at all levels must be melodically strong in order to be both satisfying to the listener and engaging to a young musician. Alan lives in Los Angeles with his wife and two daughters.

Flute

Oboe(Opt. Flute 2)

1

2

Bass Clarinetin B

AltoSaxophone in E

TenorSaxophone in B

BaritoneSaxophone in E

1

2

Trombone,Baritone,Bassoon

Tuba

MalletPercussion(Bells, Vibraphone)

Timpani

1

2

Percussion

Trumpet in B

Horn in F

Clarinet in B

Triumphant = 136

Triumphant = 136

Bells

1

Cr. Cym.

2 3 4 5

FPS66F

3

ALAN LEE SILVA

Copyright © 2008 by Carl Fischer, LLCInternational Copyright Secured.

All rights reserved including performing rights.WARNING! This composition is protected by Copyright law. To photocopy or reproduce

by any method is an infringement of the Copyright law. Anyone who reproduces copyrightedmatter is subject to substantial penalties and assessments for each infringement.

Atlantic CrossingFull Score

(Snare Drum,Bass Drum)

(Crash Cymbals,Suspended Cymbal,Wind Chimes,Triangle, Shaker Finger Cymbals,Wood Block, Tom-toms)

(B , C)

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

6 7

Sus. Cym.

8

W.C.

9

9

Cue: Bassoon Only

9

Tri.

10FPS66F

4

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

11 12 13 14 15FPS66F

5

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

16

Shaker

17

17

Tutti Play

17

Fing. Cyms

Snares off

18 19 20

W.C.

FPS66F

6

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

2122

Sus. Cym.

23 24

W.C.

Play

Snares on

25FPS66F

7

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

26

26

Play

Bells

26

Cr. Cym.

27 28 29

Sus. Cym.

30

Cr. Cym.

FPS66F

8

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

31 32 33

Bassoon Only

34

W.C.

35

Sus. Cym.

FPS66F

9

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

36

36

Cue: B.Cl.

Snares Off

36

Tri.

37 38 39

W.C.

40

Fing. Cyms

FPS66F

10

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

41 42 43

Wood Block

W.C.

44

44

Tutti Play

Vibraphone

44 45

Tri.

FPS66F

11

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

46 47 48 49

Sus. Cym.

50FPS66F

12

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

51

W.C.

rit.

rit.

Play

Snares On

52

A Tempo53

53

53

Cr. Cym.Shaker

54 55FPS66F

13

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

56

Sus. Cym.

57

Cr. Cym.Shaker

58 59

W.C.

Bells

60FPS66F

14

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

molto rit.

molto rit.

61

Sus. Cym.

A Tempo62

62

Bells

62

Cr. Cym.

63 64 65

Sus. Cym.

FPS66F

15

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

66

Cr. Cym.

67 68 69 70FPS66F

16

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

71

W.C.

Sus. Cym.

72

72

72

Cr. Cym.

rit.

rit.

73

Tom-toms

74

Opt.

75

Sus. Cym.

76

Cr. Cym.

FPS66F

17

Flute

Oboe(Opt. Flute 2)

1

2

Bass Clarinetin B

AltoSaxophone in E

TenorSaxophone in B


1

2


Tuba

MalletPercussion

Timpani

1

2

Percussion

Trumpet in B

Horn in F

Clarinet in B

Allegretto = 104

Allegretto = 104

Allegretto = 104

Allegretto = 104

1

Suspended Cymbal

2 3Ratchet 4

5

5

Snare Drum+ Wood Block

Bass Drum

5

Cowbell + Anvil

6

FPS64F

3

GREGORY B. RUDGERS




Full Score

(Snare Drum,Bass Drum,Wood Block)

(Ratchet,Suspended Cymbal, Cowbell, Anvil)

(Bells)

Robot MadnessFl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

7 8

(4)

(1&2)

9 10 11 12

FPS64F

4

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

13

13

13

Sus. Cym.

14 15Ratchet 16

17

17

17 18 19 20

FPS64F

5

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Hn. in F

Cl.in B

21 22 23 24

25

25

25 26 27 28

FPS64F

6

18

FPS66F

FPS65F

(Tambourine,Maracas,Sus. Cym.)

3

1

by any method is an infringement of the Copyright law. Anyone who reproduces copyrightedWARNING! This composition is protected by Copyright law. To photocopy or reproduce

matter is subject to substantial penalties and assessments for each infringement.

All rights reserved including performing rights.

2


Printed in the U.S.A.

3 4 5 6

Percussion(Guiro, Claves)

2

(Snare Drum,Bass Drum) 1

B.D.solo

S.D.

solo

MalletPercussion

Bells

cresc.

Tuba

cresc.

Trombone,

BassoonBaritone,

cresc.

Horn in Fcresc.

Trumpet in B

2

cresc.

1

Lively ( = c.120-132)

cresc.


cresc.

Saxophone in BTenor

cresc.

Saxophone in EAlto

cresc.

Bass Clarinetin B

cresc.

2

cresc.

Clarinet in B

1

cresc.

Oboe(Opt. Flute 2)

cresc.

Full Score

Flute

To Diane Hendry and the Hampton Elementary School Band in memory of Marian Jean Compello

Lively ( = c.120-132)

Latin Smiles

cresc.

JOSEPH COMPELLO

3

FPS65F

3

Maracas only7 8 9 10 11 12

Perc. 2

Guiro

Claves

1

Mall.Perc.

Tuba

Tbn.,Bar.,Bsn.

Hn. in F

2

Tpt.in B

1

7

Bar. Sax.in E

T. Sax.in B

A. Sax.in E

B. Cl.in B

2

Cl.in B

1

Ob.(Fl. 2)

Fl.

4

7

FPS65F

3Prepare Tambourine

13

Tamb.

14Mar. & Sus. Cym. w/stick

15 16 17 18

Perc. 2

1

Mall.Perc.

Tuba

Tbn.,Bar.,Bsn.

Hn. in F

2

Tpt.in B

1

15

Bar. Sax.in E

T. Sax.in B

A. Sax.in E

B. Cl.in B

2

Cl.in B

1

Ob.(Fl. 2)

Fl.

15

5

FPS65F

Perc.

3

19 20 21 22 23 24

2

1

Mall.Perc.

Tuba

Tbn.,Bar.,Bsn.

Hn. in F

2

Tpt.in B

1

23

Bar. Sax.in E

T. Sax.in B

A. Sax.in E

B. Cl.in B

2

Cl.in B

1

Ob.(Fl. 2)

Fl.

6

23

19

FPS66F

FPS66 — $50.00 SetFPS66F — $8.00 FullScoreFPS66P — $3.00 Parts 65 Bleecker Street, New York, NY 10012

www.carlfischer.com

UP

C

The Carl Fischer Performance Series for Band has five performance levels to provide you with a highly focused repertoire for your band. Each level has been carefully designed and graded, within specific guidelines, so that each piece in a level will work with your band when it achieves that level. Each level is also color coded for ease in finding the series that will be appropriate for your band, as it develops.

Within each grade level, you will find selections in a variety of styles and genres designed to meet all of your performance and teaching needs. The Carl Fischer composers and arrangers are some of the most respected writers in the business. Their music is dynamic, fresh and eminently worthy of your attention.

First Plus Performance Series• Playable at the end of most 1st year method books• For developing bands• Limited instrumentation with the addition of Clarinet 2 and Trumpet 2• Bass still covered by any low brass or low woodwind instrument• More eighth notes• Clarinet 1 begins playing above the break• Active percussion writing• Short pieces - length is a consideration

Flute

Oboe(Opt. Flute 2)

1

2

Bass Clarinetin B

AltoSaxophone in E

TenorSaxophone in B


1

2

Horn in F


Tuba

MalletPercussion

Timpani

1

2

Percussion

Trumpet in B

Clarinet in B

Deliberately

Deliberately

1

Chimes

2

Sus. Cym.3

Triangle

45 6

3

FPS67F

SEAN O'LOUGHLIN

Full Score




Printed in the U.S.A.

(Snare Drum,Bass Drum)

(Triangle, Tam-tam,Crash Cymbals,Suspended Cymbal, Low Toms)

(Chimes)

Mountains of Mohon

(G : C)

Commissioned by the Draper Middle School Mohonasen Central School District, Rotterdam, NY, Jason Varga, director

Fl.

Ob.(Fl. 2)

1

2

B. Cl.in B

A. Sax.in E

T. Sax.in B

Bar. Sax.in E

1

2

Hn. in F

Tbn.,Bar.,Bsn.

Tuba

Mall.Perc.

Timp.

1

2

Perc.

Tpt.in B

Cl.in B

78 9 10

Low Toms

rit.

rit.

11

4

FPS67F

20

c a r l f i s c h e r first plus band grade 11/2 atlantic

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