bunken tech sans

subagbocador015

BUMTYPE

BTC1350Bunken™ TeCh SanSOT® / 12 STyleS / Small capS / OSF + TabFig / WebFOnTS© 2015 By Ralf SandeR and PetRa niedeRnolte

otheR memBeRS of the Bunken SuPeRfamily:

Bunken tech SanS condenSedBunken tech SanS Wide

Bunken tech SlaB condenSedBunken tech SlaBBunken tech SlaB Wide

+

+

fijavanori | light 75 pt

book italic 62 pt |

+

extrabold 60 pt

extrabold 130 pt |

renak extrabold 63 pt |

Bunken Tech Sans: a reminiscence of constructed fonts of the modern age designed with considerably cleaner forms. Bunken Tech Sans follows in the best tradition of the straight-lined and somewhat angular structures of its predecessors while offering a much more open and mild design.The shapes of the letters are therefore reduced to the most essential ele-ments: The spurs on a, b, n and other lower case letters occur just as little as decorative or style details, the lightly rounded inside edges are more pleas-ing to the eye than certain historic role models and make for a harmonic, flowing style.

Designerralf Sander and Petra niedernolte

usein particular Bunken Tech Sans stands out as an easy, distinctive headline font with its straight-lined, technical design. open counters and large x-height make it equally suited for use in shorter texts.it is also perfectly complemented by Bunken Sans or Bunken Slab in longer texts (available soon).

Featuresavailable in 10 styles with widths ranging from Light to ExtraBold with as-sociated italics. all of the styles are very extensive: Support for at least 58 languages, Small Capitals, 9 number sets (e.g. Lining, oldstyle, Tabular and Small Cap figures), ligatures, alternate characters, numerous opentype func-tions, and lots of other small features that make it more pleasant to work with the font on a daily basis as well as fulfilling typographic desires. Each style contains more than 870 characters!

Each style is available in a professional (Pro) and standard (Std) edition with a reduced range of functions. (Language support, openType features and number of glyphs). Details can be found on the respective pages.

Bunken Tech Sans is part of the Bunken Tech superfamily.

2 BunTyPE / BunkEn SuPErfamiLy / BTC 1350 Bunken TeCh SanS

01 // ovErviEw

3 BunTyPE // BunkEn SuPErfamiLy // BTC 1350 Bunken TeCh SanS

OpenType® language supportBy using the openType ® format, a single font can support many languages . But not everyone wants to communicate with the whole world. Therefore, our editions differ not only by the number of supported layout features but also by the number of supported languages.

Standard editionsBuntype Standard Edition fonts contain an extended Latin character set and support least the 21 most important latin languages: afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, finnish, french, German, icelandic, indonesian, irish, italian, norwegian, Portuguese, Scottish Gaelic, irish Gaelic, Spanish, Swahili and Swedish.

Professional editionsBuntype Professional Edition fonts contain the Latin and additionally the Latin+Tm glyph sets and support at least 58 latin languages including eastern- (Baltic) central- (CE)and southern european (Turk) as well as many regional languages (e.g. Catalan, Corsian): afrikaans, albanian, alsatian, arumanian, asturian, Basque, Bosnian, Breton, Catalan, Cebuano, Chichewa, Cornish, Corsican, Croatian, Czech, Danish, Dutch, English, Esperanto, Estoni-an, faroese, filipino, finnish, french, frisian, friulian, Gaelic, Gagauz (Latin), Galician, German, Greenlandic, Hawaijan, Hungarian, icelandic, indonesian, irish, irish Gaelic, italian, japanese (rōmaji), karelian, Ladin, Latin (Lingua Lati-na), Latvian, Lithuanian, Luba, maltese, moldavian (Latin), norwegian, occitan, Polish, Portuguese, rheto-romance, romanian, Sámi (Lule), Sámi (northern), Sámi (Southern), Samoan, Scottish Gaelic, Serbian, Slovak, Slovenian, Sorbian, Spanish, Swahili, Swedish, Turkish, Turkmen (Latin), vepsian, wolof, Zulu

Web editionsBuntype web Edition fonts contain an extended Latin character set and sup-port at least the 21 most important latin languages: afrikaans, Danish, Basque, Breton, Catalan, Dutch, English, finnish, french, German, icelandic, indonesian, irish, italian, norwegian, Portuguese, Scottish Gaelic, irish Gaelic, Spanish, Swahili and Swedish.

additional Languages are possible.

02 // LanGuaGE SuPPorT

straightcontemporary & Timeless

Clean And Straight

extra toughsqUarePaRt of Bunken SuPeRfamily

194.856 Nodes in the font family


with classical detailsligatures, small caps, alternate characters

at least 58 languages supported

03 // ComPiLaTion

/ SemiBold 60 pt

/ Book 32 pt

*/ medium 41 pt

*/ Bold 82 pt

*/ light 53 pt

*/ extraBold 44 pt

*/ Book italic 25 pt

*/ extraBold 125 pt

*/ light italic 34 pt

*/ light 26 pt


adjustedOver 870 characters per style

reduced Letterforms

10.446 glyphs in family

architectUral

spurlesscarefully drawn

comes with a very technical appearance

apparently geometric shapes

constructed under laws of optical illusions

03 // ComPiLaTion

*/ extraBold 39 pt


*/ medium 36 pt

*/ extraBold 61 pt

*/ medium 33 pt

*/ extraBold 110 pt

*/ SemiBold italic 52 pt


*/ extraBold 118 pt

*/ medium italic 23 pt


aA*/ no stylistic set – standard */ Stylistic Set 01 - alternate a,e,f,l

04 // inDiviDuaLiSaTion

alternate charactersBunken tech Sans offers a range of alternate characters for cus-tomizing typographic effect such as rounded a e f l, alternative s-forms, or f and t without a left bar, as made popular in geomet-ric fonts.


119 alternate characters for all supported languages

individU

Alternatelowercase f and t with a clean left side

Rounded Capitals A,E,F and L

letterforms

alisaTionis possible with

»

aA04 // inDiviDuaLiSaTion

*/ Book italic 40 pt ( alternate characters )

*/ extraBold 115 pt ( alternate characters )

*/ light 100 pt ( alternate characters )


*/ Bold 115 pt ( alternate characters )

*/ light 29 pt ( alternate characters )


*/ medium 18 pt ( alternate characters )


aBCDEfGHijkLmnQProSTuvwxyZ 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

aBcdefghijklmnQPRoStuVWxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

abcdeFghijklmnQprOSTUVWxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

AbCdeFghijklMnQproStUVwxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

aBCDeFghijklMnQPrOSTuVWxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

abcdefghijklmnqprostUvwxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

light 16 pt

book 16 pt

medium 16 pt

semibold 16 pt

bold 16 pt

extrabold 16 pt

05 // STyLES


AbcdeFghijklMNQprostUVwxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

AbCdeFghijklMnQpRostUVwxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijklMnQprostUVwxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789

AbcdeFghijkLMnQprostUVwxyz 0123456789abcdefghijklmnopqrstuvwxyz 0123456789abcdefghijklmnopqvrstuvwxyz 0123456789



light 16 pt

book 16 pt

medium 16 pt

semibold 16 pt

bold 16 pt

extrabold 16 pt

05 // STyLES

hamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovic

Waterfall Book

hamburgefontskovichamburgefontskovic




hamburgefontskovicWaterfall Book italic


06 // waTErfaLL


hamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovichamburgefontskovic

Waterfall Book





hamburgefontskovicWaterfall Book italic

the tragedy of hamlet; prince of den-mark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flat-ter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hing-es of the knee where thrift may fol-low fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that for-tune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those

07 // TExT SamPLE

a B C D E f G H i j k L m n o P Q r S T u v w x y Z À Á Â Ã ÄÅ Æ Ç Ð È É Ê Ë Ì Í Î Ï Ł Ñ Ò Ó Ô Õ Ö Ø Œ Š Þ Ù Ú Û Ü Ý Ÿ Ž

Ā Ă Ą Ǎ Ȧ Ǽ Ć Ĉ Č Ċ Ď Đ Ě Ē Ĕ Ė Ę Ĝ Ğ Ġ Ģ Ĥ Ħ Ĩ Ī Ĭ İ Į Ĳ Ĵ Ķ Ĺ Ľ Ļ Ŀ Ń ŇŅ Ŋ Ō Ŏ Ő Ǿ Ŕ Ř Ŗ Ś Ŝ Ş Ș ẞ Ť Ţ Ŧ Ț Ũ Ū Ŭ Ů Ű Ų Ẁ Ẃ Ẅ Ŵ Ŷ Ź

aEFlsÀ Á Â Ã Ä Ā Ă Å Ą Ǎ � Æ Ǽ È É Ê Ě Ë ĒĔĖĘ Ĺ Ľ Ļ Ł Ŀ ŚŠŜŞȘs s

abcdefghijklmnopqrstuvwxyzà á â ã ä åæ ç è é ê ë ı ì í î ï ł ñ ò ó ô õ ö ø ù ú û ü š ž ÿ ý ß ð þ

āăąǎȧǽəć ĉ č ċ ďđðěēĕėęəĝğġģĥħ ĩ ī ĭ į i ĳ ȷ ĵ ķ ĺ ľ ļ ŀ ń ň ņŉōŏőǿœ ŕ ŗ ř ś ŝ ş ș ť ţ ŧ ț ũ ū ŭůűųẁẃẅŵŷźžżŋþ

f l s t yfb ff fh fi ffi fj ffj fk fl ffl ft ĺ ľ ļ ł ŀ ś ŝ š ş ș ť ţ ŧ � ý ŷ ÿ

a b c d e f g h i j k l m n o p q r s t u v w x y zÀÁÂÃÄÅÆÇÐÈÉÊË Ì Í Î Ï Ł ÑÒÓÔÕÖØŒŠÞÙÚÛÜÝŸŽ

ĀĂĄǍȦǼĆĈČĊĎĐĚĒĔĖĘĜĞĠĢĤĦ Ĩ Ī Ĭ İ Į Ĳ Ĵ Ķ Ĺ Ľ Ļ Ŀ ŃŇŅŊŌŎŐǾŔŘŖŚŜŞȘẞ Ť Ţ Ŧ ȚŨŪŬŮŰŲẀẂẄŴŶŹ

std / uppercase characters

pro / uppercase language extension

pro / uppercase alternate characters

std / lowercase characters

pro / lowercase language extension

pro / lowercase alternate characters

pro / Small cap characters

pro / Small cap language extension


08 // GLyPHS


AE F L SÀÁÂ ÄĀĂÅĄǍ�ÆǼÈÉÊĚËĒĔĖĘ Ĺ Ľ Ļ Ł Ŀ Ś ŠŜŞȘSS

00 1 2 3 4 5 6 7 8 9 $€£¢¥ && ? ¿ ! ¡ ‘ ’ “ ” / " ' ( ) [ ] { } | \ �

00 1 2 3 4 5 6 7 8 9 $€£¢¥ 00123456789%‰¼¾½

00 1 2 3 4 5 6 7 8 9 00123456789

&&&

��←↓↑→

ª º a b d e h � l m ⁿ o r s t₀ ₁ ₂ ₃ ₄ ₅ ₆ ₇ ₈ ₉ € $ ¢ + - = ₍ ₎ , . < > / ⁰ ¹ ² ³ ⁴ ⁵ ⁶ ⁷ ⁸ ⁹ € $ ¢ ⁺ ⁻ ⁼ ⁽ ⁾ , . < > /

0 1 2 3 4 5 6 7 8 9 € $ ¢ + - = ( ) , . < > / 0 1 2 3 4 5 6 7 8 9 € $ ¢ + - = ( ) , . < > /

ˇ ˘ ˙ ˚ ˛ ˝ ¸ ´ ˜ · `

+−±×÷=≠≈<>≤≥¬μ °∞∂ ∫ ƒ √∑∏◊℮Ωπμ∆¤

! ¡ ? ¿ , ; : . . . . - – — ‘ ’ “ ” ‚ „ ‹ › « » / | ¦ \ _ • · ( ) [ ] { } ( ) * † ‡ § ¶ ̂ ~ "@ © ℗ � ® ™ ¤ # № ſ � � �

pro / Small capitals alternate characters

pro / Small capitals additions

std / Proportional lining figures pro / tabular lining figures std / Standard fractions

pro / oldstyle figures and tabular oldstyle figures

std / ampersand pro / alternate ampersands

std / arrows

pro / ordninals and Superior characters

pro / Superiors and inferiors

pro / numerators and denominators

std / accents

std / mathematical operators

std / diverse characters pro / uppercase extensions

08 // GLyPHS

aeRo & floS > AERo & FLoS – A E F L S À Á Â Ã Ä …

flow styxes > flow styxes – flsty� ĺ ļ ľ ł ŀ ś ŝ š …

aeroflos > AEroFLoS – A E F L S À Á Â Ã Ä Ā Ă Å …

fin > fin – ff fi fj fl ffi ffj fbo > fbo – fb fh fk ffl ft

anta > anta – a b c d e f g h i j k l m …

fty > fty – a b c d e f g h i j k l m …

¿(ta 172€)? > ¿(ta 172€)? – 1 2 3 4 5 6 7 8 9 € ! ¡ ? ¿ ( ) …

1st > 1st / 1a > 1a – ao abdehiolmnorst

3/42 > 3/42 – 0123456789€$¢+-=( ) , . <>/ / 0 123456789…

m2 > m2 – $ 1 2 3 4 5 6789 ...

co2 > co2 – $ 1 2 3 4 5 6789…

hg 26€ – € 1 2 3 4 5 6 7 8 9

pro / capital Stylistic alternates / features Set 01 and 04

pro / lowercase Stylistic alternates / feature Sets 02, 03, 05 and 07

pro / Small capitals Stylistic alternates / features Set 01 and 04

std / ligatures pro / additional ligatures / ligatures are designed to correct awkward combinations where letters may collide. allthough this font was designed without collisions, ligatures were added for a traditionally outlook.

pro / Small capitals / Replaces the standard lowercase letters with small capitals which were designed to be visually compatible with the lowercase characters.

pro / all Small capitals / this feature replaces all characters to Small capitals, even the first letter of a word.

pro / addition to all Small capitals / the „all Small capitals“ feature contains also the numbers and the most important punctuation marks adjusted to the Small capitals.

pro / ordinals / Replaces default alphabetic glyphs with the corresponding ordinal forms for use after figures.

pro / fractions / in addition to the standard diagonal fractions 1/4, 1/2 and 3/4, this feature supports the automatic creation of arbitrary fractions.

pro / Superscript and inferiors / this features creates sientific formulars with adjusted inferiors.

pro / Subscript and Superiors / this features creates sientific formulars with adjusted superiors.

pro / Proportional lining figures / this is the standard setting for figures.


09 // oPEnTyPE® fEaTurES

hg 26€ – € 1 2 3 4 5 6 7 8 9

1629249538€ 1629249538€

1629249538€ 1629249538€

ho01 > ho01 – 0 0 � 0 0

¿ha- > �ha- – ��- – —

straße > StRaẞe – ẞ

esens > eſens – ſ

pro / Proportional old Style figures / this feature replaces the standard figures with proportional oldstyle figures and monetary sym-bols.

pro / abular lining figures and tabular oldstyle figures / this features replaces proportional figures with figures that are built on a fixed width through all styles to ensure that columns of data align correctly.

pro / Slashed zero / naturaly, the letter o and the figure 0 have very similar shapes. for a better differentiation, a zero with slash has been designed and is available in all sets of figures as an additional feature.

pro / case Sensitive forms / By default, punctuation marks in a text face are designed to work with lowercase characters. this feature mooves various punctuation marks up to a position that look better with all-capital sequences or sets of lining figures.

std / german capital Sharp S / feature Set 06. Replaces german letter sharp s with german capital letter sharp S ( Versales esszett ).

pro / historical forms/


09 // oPEnTyPE® fEaTurES

Light 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clo-the thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distingu-ish, her election hath seal‘d thee for herself; for thou hast been as

Book 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clo-the thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distingu-ish, her election hath seal‘d thee for herself; for thou hast been as

medium 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clo-the thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distingu-ish, her election hath seal‘d thee for herself; for thou hast been

Semibold 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clo-the thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distingu-ish, her election hath seal‘d thee for herself; for thou hast been

Bold 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the can-died tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

light italic 8/10 pt: Nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in

book italic 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in

Medium italic 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clo-the thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distingu-ish, her election hath seal‘d thee for herself; for thou hast been

semibold italic 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? no, let the can-died tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been

bold italic 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? no, let the can-died tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou

extrabold 8/10 pt: the tragedy of hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? since my dear soul was mistress

bold italic 8/10 pt: the tragedy of hamlet; prince of denmark (shakespeare, england 1523; Act 3, scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? since my dear soul was mistress


10 // TExT SamPLE


The Tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what ad-vancement may i hope from thee that no rev-enue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her

light/SemiBold 10/12,5 pt:

light/SemiBold 6/7,5 pt: The Tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that for-tune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and i will wear him in my heart ‘s core, ay, in my heart of heart, as i do thee. Something too much of this. There is a play to-night be-fore the king; one scene of it comes near the circumstance which i have told thee of my father ‘s death: i prithee, when thou seest that act afoot, even with

The Tragedy of hamlet; Prince of Denmark (Shake-speare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal


The Tragedy of hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not pas-


The Tragedy of hamlet; Prince of Den-mark (Shakespeare, England 1523; act 3, Scene 2) nay, do not think i flat-ter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning.


The Tragedy of hamlet; Prince of Denmark (Shake-speare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the can-died tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those

light/SemiBold 8/10 pt:

The Tragedy of hamlet; Prince of Denmark (Shakespeare, England 1523; act 3, Scene 2) a hall in the castle. Hamlet) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the can-died tongue lick absurd pomp, and

light/SemiBold 16/20 pt:

10 // TExT SamPLE

The Tragedy of hamlet; Prince of denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath

The Tragedy of hamlet; Prince of Denmark (Shake-speare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the can-died tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffer-ing all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are

The Tragedy of hamlet; Prince of Denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man

The Tragedy of hamlet; Prince of Denmark (Shakespeare, eng-land 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not pas-

Book/Bold 12/15 pt: Book/Bold 8/10 pt:

Book/Bold 11/13,75 pt: Book/Bold 7/8,75 pt:

The Tragedy of hamlet; Prince of Denmark (Shake-speare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment

Book/Bold 6/7,5 pt: Book/Bold 10/12,5 pt:

The Tragedy of hamlet; Prince of Denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that for-tune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. Something too much of this. there is a play to-night before the king; one scene of it comes near the circumstance which i have told thee of my father ‘s death: i prithee, when thou seest that act afoot,


10 // TExT SamPLE


Book/Bold 8/10 pt:

Book/Bold 7/8,75 pt:

Book/Bold 6/7,5 pt:

the tragedy of hamlet; prince of den-mark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost

the tragedy of hamlet; prince of denmark (Shake-speare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mis-tress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal

the tragedy of hamlet; prince of denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election

the tragedy of hamlet; prince of denmark (Shakespeare, eng-land 1523; act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s fin-ger to sound what stop she please. give me that man that is not

medium/Bold 14/17,5 pt: medium/Bold 8/10 pt:

medium/Bold 12/1525% pt: medium/Bold 7/8,75 pt:

the tragedy of hamlet; prince of denmark (Shake-speare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mis-tress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment

medium/Bold 6/7,5 pt: medium/Bold 10/12,5 pt:

the tragedy of hamlet; prince of denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for her-self; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which i have told thee of my father‘s death: i prithee, when thou seest that act

10 // TExT SamPLE

the tragedy of hamlet; prince of denmark (Shakespeare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no,

Light/SemiBold 24/30 pt:

the tragedy of hamlet; prince of denmark (Shake-speare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-


the tragedy of hamlet; prince of denmark (Shakespeare, England 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter ‘d? no, let the can-died tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her elec-tion hath seal‘d thee for herself; for thou hast been as one, in suffering



10 // TExT SamPLE


The Tragedy of hamlet; Prince of Denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advance-ment may i hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hing-es of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as

Book/Bold 16/20 pt:

The Tragedy of hamlet; Prince of Denmark (Shake-speare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow

Book/Bold 20/25 pt:

The Tragedy of hamlet; Prince of Denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. for what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter ‘d? no,

Book/Bold 24/30 pt:

10 // TExT SamPLE

the tragedy of hamlet; prince of denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in

the tragedy of hamlet; prince of denmark (Shake-speare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow

medium/extraBold 16/20 pt:


the tragedy of hamlet; prince of denmark (Shakespeare, england 1523; act 3, Scene 2) nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no,



10 // TExT SamPLE


the tragedy of hamlet; prince of denmark (Shakespeare, england 1523; Act 3, Scene 2) nay, do not think i flatter. For what advance-ment may i hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as

the tragedy of hamlet; prince of denmark (Shake-speare, england 1523; Act 3, Scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow

SemiBold/extraBold 16/20 pt:


the tragedy of hamlet; prince of denmark (Shakespeare, england 1523; Act 3, Scene 2) nay, do not think i flatter. For what ad-vancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? why should the poor be


10 // TExT SamPLE

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