bscenelive april_2010

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    1/25APRIL 2010We r e y o u s e e n o n SCENE b y BSL? Ph o t o s p g s

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    C R E D I T S

    1 APRIL 2010

    PUBLISHERGregg Ziekert

    ART DIRECTORRainbow Buckingham

    WRITERSKat Buckingham

    Gregg ZiekertRainbow Buckingham

    COVERModel

    Photographer

    LETTER from the PUBLISHER

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    V E N U E R E V I E W

    6 APRIL 2010

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    DEATHofa SCENE?WWW.BSCENELIVE.COM

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    8 APRIL 2010

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    WW W.B SCE NELI VE. COM

    APRIL 2010

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    E V E N T R E V I E W

    12 APRIL 2010

    C urios it y led m e down a ra bbit f or t he f irs t t im e

    Pop Culture... a commercial culture, massproduced for mass con-sumption... this may becompared to Americanculture. Alternativelypop culture can be de-fined as an authenticculture of the people, bu

    this can be problematicbecause there are manyways of defining thepeople.(wikipedia).Andy Warhol was evil

    lo ST-in WaRHolaND P O

    P !

    b y :

    Kat Buckingham

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    1APRIL 2010

    contribUting to a idea thattodays programmed to be

    consumer culture, con-sumed by their programing.Pop Culture seemed to methe biggest controdiction toto the anti-as-sumption anti-society facadeIve held onto forages. The anit-social in me fi-nally caved in as

    curiosity tookover: Just howopen mindedthese Tucsonees reallywere. Usually little-town-

    narrow mindedness met meat the door. Safer to hidebehind someone elsesideals than stand behindany of your own. Place after

    place, yet I was told thatTucson was different.

    Decidingly, I went to test aTheory: If the city of Tucsonwas what the talk had made

    it out to bethen some-how maybethey couldc o n v i n c eme threewas some

    good inWarhol afterall. Truth be

    told, it might have at leastmade him look amuzeing.

    POP!, the held byPowhaus Productions,Shattered any and all pre-sumptions that the night-

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    E V E N T R E V I E W

    14 APRIL 2010

    crawling miscreants ofTucson are at least an

    amuzement. POP!was The Rialtos thirdrock-themed danceparty and my first everTucson experience. Tuc-son and its night

    cralersd did not disappointso all you die-hard musicfan dont loose hope jusyet.

    Waiting in the cold air, thbutterflies seemed to flutte

    away and to my suprisetook my anxiety with themI would test my new foundconfidence and approacheda gaggle of giggle girls

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    1

    down the dimlight street.I found a girl posing fo

    photos and Proving myexcitement wasnt un-matched; she was posingon top a firehidrene. Iasked a little too nicely ifcould take a picture. She

    denyed me saying I dontknow, it could be seen. Ichuckle to myself and in an

    aside wishper it wouldBScene.

    The other side of Rialtosdoors held a new world, a

    APRIL 2010

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    E V E N T R E V I E W

    16 APRIL 2010

    Warhol-land. The at-mosphere seemed

    only tinted 60s Popculture.The true col-ors lay in the charac-ters sprinkled aroundthe room. Friendlyfaces, bold charac-ters and in dismayexactly what I washoping for: FreeThinkers.

    The dance floor, much toosmall for such a big sensa-tion (not to mention thamount of people), neve

    felt uncomfortable. Although at times it seemedcramed, too close focomfort was Warholthing. Wasnt it? The crow

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    APRIL 2010

    swayed and bobbed inwaves rolling in unison to

    the unorthidox rock and rollbeats of DJ Dan Shapiro. Ieventually joined thesweaty mass. The Night in-cluded such live bands asNaim Amor, Otherly Loveand headlining impling apun on words: Under Vel-

    vetground. The musicrushed thru me. My entire

    self had ached for such achance to get lost in soundsfor so long, only somethinglive music could acheive.The Liveliness and spirit ofthe crowd drained the lifeout of me and many breakswhere needed unfortu-

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    E V E N T R E V I E W

    18 APRIL 2010

    natley.

    As I forced my way into the muggy noise from osuch freash air break the words We need sluts anartists found my ears. I tried to push thru the crowin time but to my dismay only got to watch as bomen and girlies where marker-ed as they danced

    above the less colorfucrowd. Kitty-Kat, a trusocialite if any, hostedthe evening. He seemedthe most enthusiasticindividual held in mypresence in a goodamount of time. Im-pressing was the char-acters making up thescene. All shapes and

    colors marked thecrowd, some wearingas much as a sheet anda layer of war paint.Desert Diamond Dallas

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    1APRIL 2010

    became my personalhighlight of the night.She not only put ona wonderful per-formance along withClif Taylor and therest of Pawhaus

    Productrion, but shealso reminded methat were all humanwith a empoweringgesture of friendship.

    The festivities onlyseised for about 1ominutes as a as-sumed Warhol imperson-ator tried hard to sush thelively crowd. I found thisquite amusing (and diffi-cult).The Warhol characterhad already caught my at-

    tention as a prospective Uwere seen-er. He was

    pale, blonde and had aoverbearing ackward feelabout him: a perfect Warhol.

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    E V E N T R E V I E W

    20 APRIL 2010

    Ending the nights entertain-ment was a a sliming cermony,

    were Warhol began empty acan of tomato soup dramati-cally on to Dallas head. Thisproduced very weird emotionsin my gut. Tomato soup andclose strangers touching eachother. I only once afterwardsaw Warhol he had the re-mains of tomato soup remains smirred down h

    chin,mouth area and frontside. He slowly shiftedthru the despersingcrowd.

    Lights go to blackPOP, Pawhaus, andtucson, dramtically prov-

    ing (if only to myself) thathere is such a thing asindividuality.

    To be continued...

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    2APRIL 2010

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    V E N U E R E V I E W

    22 APRIL 2010

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