*Discounted parking at AmpCo System Parking 60th Street (between Lexington and Park)Mon-Fri: 5pm-Midnight; Sat-Sun: 12pm-Midnight

** Tickets may only be exchanged for an alternate performance of the same show, up to three hoursprior to the ticketed performance or the preferred performance – whichever comes first. Exchanges

are subject to seat availability and will incur a $5 service fee per transaction for non-members.The exchange service will be free for 59E59 Members. If tickets were purchased at a discount,

and that discount is not available for your preferred performance, you will need to pay the differencein price in addition to the service fee, if applicable. Exchanges cannot be made for a lower-priced

ticket. Tickets purchased through third-party sellers are not eligible for exchanges.

GET SAVINGS AND EXCLUSIVES TOBRITS OFF BROADWAY AND BEYOND!

VISIT 59E59.ORG/MEMBERSHIP FOR DETAILS

Over the past ten years of Brits Off Broadway we have endeavored to maintaina level of excellence in the productions, so that they can truly claim to representthe very best of British theatre. Sometimes the plays and their authors areknown; most of them are not – we always try to bring you new writers, actorsand directors, some of whom will become stars in their own fields. DirectorJohn Tiffany (Black Watch, Once, Glass Menagerie) and choreographer andmovement director Steven Hoggett (Black Watch, American Idiot, Once) bothhad their first New York outings in Brits Off Broadway 2004!

And of course Sir Alan Ayckbourn, already a star in the writing firmament,made his New York directing debut at 59E59 with Private Fears in PublicPlaces and has returned four times since. (We hope to lure him back againin 2016!). Last year’s Brits Off Broadway production of Alan Ayckbourn’sArrivals and Departures made both TIME Magazine’s Top Ten of 2014 andBen Brantley’s list of the Best of 2014 in The New York Times.

How will this year’s smaller but distinguished British army fare in the bestof 2015? As long as they feature high on your personal lists we will bevery happy!

And where better to place your bets than on two veritable giants of the Britishstage — Simon Callow and Edward Petherbridge?

Simon was the original Mozart in Amadeus at London’s National Theatrein 1979, but became known worldwide through Four Weddings andA Funeral. His extensive theatre and movie credits you will find in yourE:Bill when you come to see him blossom as Pauline in Tuesdays at Tesco’s!

Twice Tony-nominated Edward (in 1982 for The Life and Adventures ofNicholas Nickleby and in 1985 for Strange Interlude) joins Told by an Idiot’sPaul Hunter in My Perfect Mind, one of the most extraordinary evenings youwill have the pleasure of enjoying this year — that is if, like Edward, you viewcomedy as a serious business — and prefer it tinged with a little Shakespeare,well done!

Ten other outstanding performances, already acclaimed in the UK,await you in four wildly contrasting productions.

This Brits Off Broadway may just have the most pleasing variety of playswe have ever presented.

From Dundee and Scotland’s Outer Hebrides (In My Father’s Words) andthe Highland capital city of Inverness (The Tailor of Inverness) to Bolton inLancashire (One Hand Clapping) and the Ovalhouse in London (Cuddles)intriguing, fascinating tales await you!

I look forward to hearing what you think of it all in the E:Bar afterwards— with the casts!

Happy Brits!

Peter TearExecutive Producer

Photo by Laurence Winram

“Beautifully performed, and directed —this is a deeply affecting piece of personaltheatre that I heartily recommend.”London Evening Standard

“Theatre at its best — achieves more power,humour and inventiveness in its 75 minutesthan most full-length plays manage in three hours.Zajac’s performance is phenomenal.This should not be missed.”OnStageScotland.co.uk

“Matthew Zajac’s moving performance is a triumphof evocative staging and storytelling.”The Observer, London

“Don’t miss it. It’s the most satisfying seventy fiveminutes that I’ve spent in the theatre in a long time.”Radio Adelaide Arts Breakfast

The Times, London

The Sunday Herald,Scotland

Financial Times, London

The Herald, Scotland

The Scotsman

Edinburgh Evening News

EdinburghGuide.com

“I come from the Soviets and the Nazis.Now I am here. I am from here. I speak the language of here.”

DOGSTAR THEATRE COMPANYpresents

BY MATTHEW ZAJACDIRECTED BY BEN HARRISON

WITH MATTHEW ZAJAC AND AIDAN O’ROURKE

Matthew Zajac’s internationally acclaimed,multi-award winning play is the story of a son’ssearch for his father, of 20th-Century Europe,and how a boy who grew up on a farm in Galicia(formerly located in Eastern Poland, now WesternUkraine) fled the Nazis and came to be a tailorin northern Scotland.

A story of deception, identity and survival,The Tailor of Inverness won a coveted Fringe FirstAward at the Edinburgh Festival Fringe and hastoured internationally with great success, movingthousands across the world.

Originally seen at the Edinburgh Festival Fringein 2008, we are delighted to finally be ableto introduce The Tailor of Inverness to New York.

THEATER CTUE, WED & THU 7:30FRI 8:30SAT 2:30 & 8:30SUN 3:30

TICKETS$25 (MEMBERS $17.50)

Photo by Emm

a Phillipson

HOUSE OF ORPHANSpresents

”Daringly surreal and innovatively executed!”What's On Stage, London

”Sharp and mordantly funny. Do go!”Manchester Confidential

”Lucia Cox’s adaptation effectively bringsa lesser-known Anthony Burgess novel to stage,and provides an entertaining evening.”The Public Reviews, London

“One Hand Clapping is charming,ambitious, comic and absurd”Alistair Michael, Northern Soul

Adapted from Burgess’s 1961 novel of the samename, One Hand Clapping is the darkly comic storyof Howard and Janet Shirley. They live a humdrumlife in a Northern English town but Howard hasa talent – a photographic memory, which he usesto win a TV quiz show.

With his winnings, he and Janet travel the world,seeing everything they can. But, upon their return,a disillusioned Howard makes a sinister propositionto Janet.

Anthony Burgess, famously known as the authorof A Clockwork Orange, was born in Lancashire,home to the Bolton Octagon Theatre, where thisproduction was originally presented last year.

BY ANTHONY BURGESSADAPTED AND DIRECTED BY LUCIA COX

WITH EVE BURLEY, OLIVER DEVOTI AND ADAM UREY

THEATER CTUE, WED & THU 7:30FRI 8:30SAT 2:30 & 8:30SUN 3:30 & 7:30

TICKETS$25 (MEMBERS $17.50)

Photos by William Burdett-Coutts

BY EMMANUEL DARLEYDIRECTED BY SIMON STOKESADAPTED AND TRANSLATED BYMATTHEW HURT AND SARAH VERMANDE

WITH CONOR MITCHELL

Desperate to connect with her father, Pauline ismet only with gruff disrespect, stares, andembarrassment. Tuesdays At Tesco’s is an intense,thought-provoking journey, exploring perceptionsof identity and the lines we dare to cross.

A moving and uplifting story of love and death,starring Simon Callow C.B.E., one of Britain’s greatestactors, known for Amadeus, A Room with a View,Four Weddings and a Funeral and Shakespeare inLove, goes out on a limb and brings vividly to life thewondrous character that is Pauline, whose love andduty to her father transcend everything, allowing herto survive the embarrassment she has to endure everyTuesday at Tesco’s supermarket.

Originally seen at the Edinburgh Festival Fringe in2011, where Pauline packed the cavernous AssemblyHall on the Mound, Simon Callow brings his greatestcreation to the intimate confines of Theater A!

"A profoundly moving performancethat pierces the heart"Joyce McMillan, The Scotsman

"A performance that combines seriousquantities of commitment and courage.”The Telegraph, London

"A brave and challenging piece -both gripping and poignant"Edinburgh Spotlight

Every Tuesday, Pauline visits her elderly father to dohousehold chores and take him to the grocery store.But it’s not just fruit and vegetables she searches for walkingdown the aisles. It’s the lost love of her father; a fatherwho cannot forget who Pauline once was –his son Paul.

RICHARD DARBOURNE LTD.in association with ASSEMBLY AND RIVERSIDE STUDIOSpresents

"The best performanceI have seen this year...groundbreaking."Broadway Baby

"A tour de force!"What'sOnStage

"A wistful exploration ofacceptance and identity"London Evening Standard

THEATER ATUE, WED & THU 7FRI 8SAT 2 & 8SUN 3 & 7

No performanceSUN 5/17 AT 7

TICKETS$70 (MEMBERS $49)

Photo by Alex Beckett

ARCH 468 and OVALHOUSEpresent

"A smart and gruesome gothic tale!"Time Out London

"The finale sends you out into the darkwith a shiver."The Guardian, London

"Funny, touching and incredibly intense,this is new writing at its best."Everything Theater

Eve is a 13-year-old vampire. She has never left herroom and everything she knows about the worldcomes from her sister Tabby and her storybookcharacters. Eve does everything a good little vampiregirl should, including drinking her (human) sister’sblood. But one day, Tabby tires of opening her veinsand, in a breath, Eve's whole world changes.

Cuddles is the stunning debut play from 2012Capital Theatre Festival Award-winning youngplaywright Joseph Wilde.

Famous since the 1960s as a pioneer of theinnovative fringe (Ovalhouse’s first production wasShelagh Delaney’s A Taste of Honey), Ovalhousehas supported emerging gay, lesbian, and women’stheatre as well as new black and Asianplaywrighting. Now, under the artistic directorshipof Rebecca Atkinson-Lord, we are delighted thatOvalhouse is making its New York debut in Brits OffBroadway!

Imagine a world without sunlight. A world where Harry Potter,Bilbo Baggins and the cast of Dante’s Inferno are real;where princes with adjectives instead of names seducebeautiful princesses against the odds. A world crammed fullof storybook characters but with just one living, breathinghuman being to cuddle. Welcome to Eve’s world.

THEATER CTUE, WED & THU 7:30FRI 8:30SAT 2:30 & 8:30SUN 3:30 & 7:30

No performanceSUN 6/28 AT 7:30

TICKETS$25 (MEMBERS $17.50)

BY JOSEPH WILDEDIRECTED BY REBECCA ATKINSON-LORD

WITH CARLA LANGLEY AND RENDAH HEYWOOD

Photos by Viktoria Begg

DUNDEE REP ENSEMBLEpresents

“Philip Howard’s strongly acted production bridgesthe gulf between the domestic and the mythological”The Guardian, London

“A clever, engrossing, and affecting explorationof memory, language and identity“The Sunday Herald, Scotland

BY JUSTIN YOUNGDIRECTED BY PHILIP HOWARDSCOTTISH GAELIC BY IAIN FINLAY MACLEOD

WITH ANGUS PETER CAMPBELL, GARRY COLLINSAND MUIREANN KELLY

Flora, who is of Scottish heritage, understands the‘nonsense’ that Don speaks is fragmented Gaelic,opening up an ocean of revelations and buriedfamily history spanning the Atlantic. In My Father’sWords is a beautiful play about identity, language,and the utter indivisibility between the two.

Originally presented as a cultural highlight of thewildly successful 2014 Commonwealth Gamesin Glasgow, this production, supported by CreativeScotland and the Scottish government, was presentedat Glasgow’s Tron Theatre and in Dundee; directedby Dundee Rep’s Artistic Director, Philip Howard.It then toured Scotland, ending its journey inStornoway on the Isle of Lewis before followingthe same journey as the play itself across the Atlantic.

See one of the most beautifully written playsof recent years.

In an old wooden house by the shore of Lake Ontario inCanada, Louis battles with his elderly father, Don, whose declineinto dementia is gradually robbing him of the ability to speak.Into their lives comes Flora, the caregiver that Louis employsto look after Don.

THEATER BTUE, WED & THU 7:15FRI 8:15SAT 2:15 & 8:15SUN 3:15

TICKETS$35 (MEMBERS $24.50)

“Both intimate and epicin its reach for rootsand reconciliation“The Herald, Scotland

“Rich and thoughtful...powerful and fascinating“The Scotsman, Edinburgh

Photo by Manuel Harlan

From being on the brink of playing one ofShakespeare’s most revered roles, to lyingin a hospital bed surrounded by doctors,Edward never imagined what tragedies andcomedies lay in store for him. My Perfect Mindcelebrates the resilience of the human spiritthrough the prism of Shakespeare’s great tragedy.However, it’s anything but a tragedy.

Originally presented by Told by an Idiot, the TheatreRoyal, Plymouth and London’s Young Vic, My PerfectMind has captivated audiences all over the U.K.and Europe. Featuring Edward Petherbridge, theoriginal Guildenstern in Tom Stoppard’s Rosencrantzand Guildenstern are Dead and Nobbs in theR.S.C.’s Nicholas Nickleby on Broadway, thisremarkably funny, touching, and truly inspiringproduction celebrates 22-years of Told by an Idiot.

TOLD BY AN IDIOT, YOUNG VIC, and THEATRE ROYAL PLYMOUTHpresent

Acclaimed classical actor Edward Petherbridge was cast asKing Lear. On the second day of rehearsals he suffered a strokethat left him barely able to move. As he struggled to recover,Edward made a discovery – the entire role of Lear still existedword for word in his mind!

WRITTEN BY KATHRYN HUNTER, PAUL HUNTERAND EDWARD PETHERBRIDGEDIRECTED BY KATHRYN HUNTER

WITH PAUL HUNTER AND EDWARD PETHERBRIDGE

Supported by

“Very funny!A show of constant invention and delight.”The Telegraph, London

"An exquisite piece of tomfoolery."The Guardian, London

“There’s nothing quite like it!Wild and funny with a serious core.”The Times, London

“A company with a gift for inventive physicality”Time Out London, Critics’ Choice

THEATER ATUE, WED & THU 7FRI 8SAT 2 & 8SUN 3

Additional performanceSUN 6/21 AT 7

TICKETS$70 (MEMBERS $49)

“A gently hilarious,intermittently (andunderstatedly) hauntingdouble-act piece.”The Independent, London

“My Perfect Mind isa show unlike any other.”The Telegraph, London

“The result is a sweet,deliberately scattershottheatrical vaudeville.”The New York Times

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