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CONTENTS

PIANO / KEYBOARD Piano Solo (piano two hands) ��3Piano Duet (piano four hands) ��11Piano Concertos �� 13

HARPSICHORDHarpsichord Solo �� 13Harpsichord Concertos �� 13

ORGANOrgan Solo �� 13Organ Concertos ��14

ACCORDION ��14

VIOLINViolin Solo �� 152 Violins Solo ��18Violin and Piano ��18Violin Concertos �� 22

VIOLAViola Solo �� 22Viola and Piano �� 22Viola Concertos �� 22

VIOLONCELLOVioloncello Solo �� 22Violoncello and Piano ��23Cello Concertos ��23

DOUBLE BASS�� 24

HARP �� 24

GUITAR �� 24

WINDSWinds – Collections �� 25Recorder �� 25Flute �� 25Oboe (English Horn) ��26Clarinet ��26Saxophone ��27Bassoon �� 28French Horn �� 28Trumpet �� 28Trombone ��29

PERCUSSION ��30

CHAMBER MUSICPiano Trio ��30Piano Quartet �� 31Piano Quintet ��32String Duo ��32String Trio ��32String Quartet ��32String Quintet ��35String Sextet ��35Wind Ensembles ��35Wind Ensembles and Piano ��36Miscellaneous Ensembles ��36Miscellaneous Ensembles and Piano ��37

ORCHESTRAString Orchestra ��41Chamber Orchestra ��41Symphony Orchestra �� 43

SOLO VOICE (VOICES) ��46

CHORAL MUSIC / SACRED AND SECULAR WORKS

Collections ��49Children's Choir ��49Female Choir ��49Male Choir ��50Mixed Choir �� 51

OPERA ��59

THEMATIC CATALOGUES ��59

Index by composers �� 60Promotional Gifts ��61Index by edition numbers ��61

The catalogue contains a wide selection of Czech music titles from the production of Bärenreiter music publishing house� For more information about the complete offer, please see our website www.baerenreiter.cz / www.baerenreiter.com


CZECH MUSIC


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Contents valid as of March 2015�Errors excepted and delivery terms subject to change without notice�

Printed by Bärenreiter Praha s�r�o�, náměstí Jiřího z Poděbrad 112/19, 130 00 Praha 3, Czech Republic, in 2015� www�baerenreiter�cz

This catalogue can be downloaded as a PDF fromwww.baerenreiter.cz www.baerenreiter.com

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CONTACTS

ABBREVIATIONS AND KEY TO FIGURES

B Jarmil Burghauser: Antonín Dvořák� Thematic Catalogue

BA Bärenreiter editionsH Bärenreiter Praha

editions taken up from the production of Editio Supraphon and its predecessors, or new titles with contemporary Czech music

H. Harry Halbreich: Bohuslav Martinů� Werkverzeichnis und Biografie

TP study score of Bärenreiter editions

ADCE Antonín Dvořák Complete Edition [Complete Edition of the Works of Antonín Dvořák]

AMO Adam Michna z Otradovic – Compositiones

BMCE Bohuslav Martinů Critical Edition

LJCE Leoš Janáček Complete Edition [Complete Critical Edition of the Works of Leoš Janáček]

MAB Musica Antiqua BohemicaMKCE Miloslav Kabeláč

Complete Edition [Complete Critical Edition of Miloslav Kabeláč's Works]

Cz CzechEng English Fr French Ger German Ital Italian Lat LatinRu RussianSp Spanish

arr. arrangedEd. / Eds. Editor / EditorsIMC International Music

Competition maj majormin minorrev. revisedVol. Volume

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For all inquiries, please use the contact information above or contact your local sheet music retailer.

COPY Authorised copy on request (offered for selected out-of-print titles)

• Bärenreiter-Verlag Kassel production

Contents

° Performance material available on sale

♦ Performance material available on hire

3

PIANO / KEYBOARD

Piano Solo(piano two hands)

Pieces for Children and Youth / Educational Works Classici boemici II

Dusík, Rejcha, Škroup, Tomášek, VoříšekEd� V� J� Sýkora MAB I/20H 1356

Classics and Their Contemporaries IDusík, Rejcha, Škroup, Tomášek, VoříšekRev� by A� Sarauer, D� KřížkováH 4497

Classics and Their Contemporaries IIBeethoven, Cimarosa, Clementi, Czerny, Dušek, Haslinger, Haydn, W� A� Mozart, Mysliveček, Pleyel, Rössler, Steibelt, Vaňhal Rev� by A� Sarauer, D� KřížkováH 5077

Czech Piano MusicDusík, Dvořák, Fibich, Janáček, Martinů, V� Novák, Smetana, Suk, Tomášek, VoříšekRev� by K� ŠolcH 5033

Czech SonatinasJ� A� Benda, Dusík, Dušek, L� Koželuh, Mysliveček, Vaňhal, VoříšekEds� K� Emingerová, O� Kredba MAB I/17H 1122

Dlouhý Milan(*1938)

Tell Me, Tell Me, Dandelion (Ptám se, ptám se, pampeliško)A cycle of instructive pieces (Cz/Ger/Eng)Rev� by J� UxováH 7781

Dusík Jan Ladislav(1760–1812)

Twelve Melodic Studies for Piano Op. 16 COPYEd� V� J� SýkoraMAB I/21H 907

Dvořák Antonín(1841–1904)

Largo from Symphony No. 9 in E min “From the New World” Op. 95Arr� by L� Láska in an easy styleH 1810

Dvořák Milan(*1934)

Jazz Piano Studies (Cz/Ger/Eng)H 5020 Vol� 1H 7082 Vol� 2

In order to get acquainted with jazz piano playing the pianist needs to cope with the technical demands as well as the expressive phrasing of jazz� These range from characteristic accentuation, distinctive syn-copation, inverted mordents, playing in “blocks” to rhythmi-cal independence of the right hand from the left�

These studies offer ways to explore different styles and genres� Helpful guidance notes to ensure correct improvisation are also included�

Eben Petr(1929–2007)

The World of Children (Svět malých)20 little compositionsRev� by I� HurníkH 3211

Three Pieces in CH 6421

For Young People from Modern Czech Composers

Ed� V� JůzlováH 7591 This representative selection of the works of eminent Czech composers of the first half of the 20th century contains inter-mediate-level compositions by Blažek, Doubrava, Jirák, Kabeláč, Kaprálová, Krejčí, Martinů, Rych-lík, Schulhoff, V� Štěpán, D� C� Vačkář� An ideal choice for con-servatories and more advanced pupils of music schools�

Graham Peter(*1952)

Subversive Etudes (Jinakosti) BA 9585To appear in October 2015

The extraordinary piano miniatures by Peter Graham provide a distinctive and unorthodox approach to the issue of in-structive piano performance repertoire� The rhythmic and tonal invention of these diver-sely styled genre pieces instils them with a musical humour� The short compositions also help develop finger technique and a sense of polyphony, gently building up the student's plasti-city of performance�

● Instructive piano performance miniatures

● A welcome teaching supplement for curious children and open-minded teachers

● Easy to moderate level of difficulty

NEW 2015

4

PIANO / KEYBOARD

Hanuš Jan (1915–2004)

Moments in Nature (Vteřiny v přírodě) Op. 18A cycle of ten miniatures for the youngest pianistsRev� by E� DoležalováH 2031

The Story of Ten Brothers (O deseti bratrech) Op. 32Easy exercises and etudes for young fingers (Cz/Ger/Eng)H 2242

Hradecký Emil(*1953)

A Little Jazz Album(Cz/Ger/Eng)H 7325

Jazz Etudes for Young PianistsEd� Š� Krejčí (Cz/Ger/Eng)H 7974

Hurník Ilja(1922–2013)

Jazz piccolo (Džezík)easy piano pieces (Cz/Ger)H 6329

Studies (Etudy)H 6474

Korte Oldřich F.(1926–2014)

Excursion (Exkurse)A cycle of instructive pieces (Cz/Ger/Eng)H 7948

Martinů Bohuslav(1890–1959)

Fables (Bajky) H. 1385 pieces in moderate level of difficultyH 3363

Spring in the Garden (Jaro v zahradě) H. 1254 children's pieces Ed� A� BřezinaH 3257

Slavický Klement(1910–1999)

12 Small StudiesRev� by E� KleinováH 4149

Smetana Bedřich(1824–1884)

A selection of Piano Compositions IEd� V� Štěpán, rev� by K� Šolcmoderate level of technical difficultyH 1979

Innocence (Nevinnost), Love (Láska), Polka in E-flat maj (op� posth�), Album Leaves (Lístky do památníku) Op� 2 Nos� 2, 3, 6, Polkas in E maj, in E-flat maj, in G min, in E min, Idyll (Idyla), Souvenir (Vzpomínka), A Pleasant Landscape (Přívětivá krajina)

Treasure of Melodies II 5 easy instructive pieces inincreasing level of difficultyEd� H� SéquardtováH 4499

Sonatinas and Rondos IClementi, Dusík, KuhlauRev� by V� KurzH 235

Suk Josef(1874–1935)

About Mother (De maman / O matince) Op. 28 COPY“Simple piano pieces for my little son” Ed� B� SelvaH 297

Love Song (Píseň lásky) Op. 7 No. 1Arr� by P� Blažek, rev� by K� ŠolcH 2424

Repertoire WorksBenda Jiří Antonín(1722–1795)

Sonate I–XVIEd� V� J� Sýkora MAB I/24H 1796


Sonate I–VII COPYEd� V� J� Sýkora MAB I/46H 3099

Sonate VIII–XVI COPYEd� V� J� Sýkora MAB I/53H 3289

Sonate XVII–XXIIIEd� V� J� Sýkora MAB I/59H 3413

Sonate XXIV–XXIXEd� V� J� Sýkora MAB I/63H 3756


Dumka Op. 35, Furiant Op. 12, Two Little Pearls (Dvě perličky) B 156ADCE V/3H 6676

Humoresque in G-flat maj Op. 101 No. 7Urtext / Eds� P� Kvasničková, M� ŠtědroňskáPreface (Cz/Eng/Ger), critical commentary (Cz/Eng) and facsimile pagesBA 9503

Humoresques Op. 101ADCE V/4H 1274

Impromptu B 129, Humoresque B 138 ADCE V/3H 2850

Mazurkas Op. 56ADCE V/2H 2907

5

PIANO / KEYBOARD

Piano Compositions 1 COPYH 7040-01

Dumka Op� 35, Eclogues B 103, Furiants Op� 42, Piano Pieces Op� 52, Silhouettes Op� 8, Tema con variazioni Op� 36, Waltzes Op� 54

Piano Compositions 2 COPYH 7040-02

Mazurkas Op� 56, Improm- ptu in D min B 129, Dumka and Furiant Op� 12, Poetic To-ne-Pictures (Poetické nálady) Op� 85, Suite in A maj Op� 98, Humoresques Op� 101, Dances: Polka in E maj B 3, Minuets Op� 28 and Scottish Dances Op� 41, Album Leaves (Lístky do památníku) B 109/2, B 128a, B 158, B 109/1/2/4, B 116, Humo-resque in F-sharp maj B 138, Two Little Pearls (Dvě perličky) B 156, Lullaby (Ukolébavka), Capriccio B 188/1, 2

Piano Compositions Op. 52Eclogue, Gigue, Impromptu, Intermezzo ADCE V/2H 3177

Poetic Tone-Pictures (Poetické nálady) Op. 85Eds� J� Burghauser, A� ČubrADCE V/3H 338

Silhouettes Op. 812 piano pieces ADCE V/1H 1763

Slavonic Dances Op. 46 (Series I) Arr� by K� ŠolcH 1359

Slavonic Dances Op. 72 (Series II) Arr� by K� ŠolcH 1428

Suite in A maj Op. 98ADCE V/4H 2226

Symphony No. 9 in E min “From the New World” Op. 95 Arr� by K� ŠolcH 1110

Tema con variazioni Op. 36 COPYADCE V/1H 1126

Waltzes Op. 54ADCE V/2H 1498


UniversiLiturgical movement for piano Prague Spring IMC Commission (2004)H 7917

Veni creator spiritusImprovisation on the Gregorian ThemeH 7744

Fibich Zdeněk(1850–1900)

Images, Impressions et Souvenirs (Nálady, dojmy a upomínky) Op. 41 Rev� by K� ŠolcH 384 Vol� IH 425 Vol� II H 675 Vol� IIIH 676 Vol� IV

Fišer Luboš(1935–1999)

Complete Sonatas for Pianoby one of the most distinctive figures of Czech music of the 20th century� His 2nd Sonata (1957) was subsequently eliminated by composer himself from his compositional repertoire�

H 7911 Sonata I H 7957 Sonata III H 7988 Sonata IV H 7757 Sonata V H 7758 Sonata VI “Fras”

(The Devil)H 7766 Sonata VII H 7989 Sonata VIII


Dreams and Waltzes (Sny a valčíky)H 7795

Janáček Leoš(1854–1928)

A Recollection (Vzpomínka) COPYEd� J� TrojanH 5781

Compositions for Piano SoloEds� J� Burghauser, L� KunderaH 6070p (practical edition)

Tema con variazioni (Zdenkas Variations / Zdenčiny variace), Three Moravian Dances (Tři moravské tance), Sonata 1� X� 1905, On an Overgrown Path (Po zarostlém chodníčku) I–II, In the Mists (V mlhách), A Recollection (Vzpomínka)

In the Mists (V mlhách)Urtext with fingering Eds� J� Burghauser, L� Kundera/ Fingering by R� KvapilBA 9500

Lachian Dances (Lašské tance) Arr� by J� MásloH 6065On an Overgrown Path (Po zarostlém chodníčku) Series I–IIUrtext with fingering / Eds� J� Burghauser, L� KunderaFingering by R� KvapilBA 9502

Sonata 1. X. 1905Urtext with fingering / Eds� J� Burghauser, L� Kundera Fingering by R� KvapilBA 9501

6

PIANO / KEYBOARD


Tema con variazioni (Zdenkas Variations / Zdenčiny variace) Rev� by R� KvapilH 6070-01

Ježek Jaroslav(1906–1942)

Bugatti StepH 3156

A virtuosic piano foxtrot (1931) was influenced by the composer's fascination with the Bugatti car� Throughout the piece a pulsating rhythm suggests the vibration of a Bugatti engine�

Jírovec Vojtěch(1763–1850)

12 Waltzes for PianoEd� V� MüllerováH 4738

Kabeláč Miloslav(1908–1979)

Motifs from Exotic Lands (Cizokrajné motivy) Op. 38Ed� Z� NouzaMKCE V/4H 7906

Seven Pieces for Piano Op. 14Ed� Z� NouzaMKCE V/5H 7857

Short Pieces for Piano (Drobné skladby pro klavír)Ed� Z� NouzaMKCE V/6H 7842

Kalabis Viktor(1923–2006)

Entrata, aria e toccata Op. 41 COPYH 6354

Piano Sonata No. 3 Op. 57H 7415


SonataOne of the most internationally performed piano works of post-war Czech music won the 1st special prize at the Bolzano International Composers Competition in 1956, performed to exceptional acclaim by Maurizio Pollini�H 1842

Koželuh Leopold(1747–1818)

Complete Sonatas for Keyboard Urtext / Ed� C� HogwoodBA 9511 Vol� I BA 9512 Vol� II BA 9513 Vol� III BA 9514 Vol� IV NEW 2015

To appear in August 2015

BA 9515 complete set of 4 volumes

→ see more on the next page


Christmas (Le Noël /Vánoce) H. 167Three pieces: Sleigh (Sáně), Christmas Carol (Vánoční koleda), Childern's Lullaby (Dětská ukolébavka)Rev� by K� ŠolcH 5081

Film en miniature H. 148Cycle of six pieces Ed� V� Kafková H 5709

Puppets (Loutky) I-III H. 137, H. 116, H. 92Ed� A� BřezinaH 7875 Vol� I H 7946 Vol� II H 7963 Vol� III H 7970 All 3 volumes

combined

● Newly revised ● New fingering by Giorgio

Koukl

● Detailed preface and critical commentary by the editor (Cz/Ger/Eng/Fr)

The three volumes of Puppets were composed between 1912 and 1925 in reverse order�

The charming pieces all differfrom one another in character� Martinů's approach evolves throughout and he displays a mature and idiomatic style ofpiano writing�

The pieces take the characters of Italian commedia dell'arte as their theme; Pierrot, Colombina and Harlequin�

Also included are dance and ball scenes as well as scenes from the ‘personal lives’ of the puppets�

Quatre Mouvements H. 170Rev� by I� PopelkaH 6156

KLAVÍR

7

The complete solo sonatas for keyboardby Mozart's popular contemporary

Allegro

Sonata 26Opus 26, no. 2, 1788

6

12

17

21

27

BA 9513

mezza voce

[ ]

dolce

20

LEOPOLD KOŽELUHComplete Sonatas for Keyboard Urtext / Ed� Christopher HogwoodBA 9511 Vol� I (12 sonatas from 1780–1784)BA 9512 Vol� II (12 sonatas from 1784–1786)BA 9513 Vol� III (13 sonatas from 1788–1797)BA 9514 Vol� IV (6 sonatas from 1807–1809,

1 sonata from 1770s, 6 sonatas which exist only in manuscript)

BA 9515 complete set of 4 volumes As the foremost representative of Czech music in 18th century Vienna, Leopold Koželuh (1747–1818) was noted primarily as composer, pianist and keyboard teacher� His 50 keyboard sonatas cover his entire career and mark not only the transition from the harpsichord and clavichord manner to the fully idiomatic forte-piano style, but also the development of the “classical sonata” during three decades (1773–1806)�

Until now, pianists have had little chance to acquaint themselves with the complete range of Koželuh's sonatas since very few modern editions were available� For the first time, this new complete edition by Christopher Hogwood presents all of Koželuh's sonatas for keyboard solo� The four volumes each contain 12 to 13 sonatas, and the works are presented chronologically according to the date of their first publication�

● First complete edition of all solo keyboard sonatas by Leopold Koželuh

● Fills a gap in Czech and Central-European Classical repertoire

● Suitable for amateurs as well as professionals; ideal for teaching purposes

● Includes a detailed preface (Eng/Cz/Ger), critical commentary (Eng) and facsimile pages from the sources

8

PIANO / KEYBOARD

Mysliveček Josef(1737–1781)

Six SonatasRev� by V� Němec Preface about the composer and his works by O� Zuckerová (Cz/Ger/Eng)H 7330

Novák Vítězslav(1870–1949)

Sonatinas Op. 54 Nos. 1, 2Rev� by F� RauchH 475

Rejcha Antonín (1770–1836)

36 Fugues for PianoEd� V� J� Sýkora Preface by R� Dykast (Cz/Eng/Ger)BA 9541

The Czech composer Antonín Reicha (also Anton Reicha) was famous as both an experimental composer and as a teacher and theorist� His 36 Fugues for Piano testify to this experimentalism; they can be seen as a type of “Well-Tempered Piano of the new ages”, basing the traditional Baroque fugue on radically new fundaments�

Simon Ladislav(1929–2011)

Piano Sonata No. 2H 7445

Schulhoff Erwin(1894–1942)

Jazz Inspired Works Urtext / Ed� M� KubeBA 9559

Partita (1922) / Cinq études de jazz (1926) / Esquisses de jazz: Six pièces faciles pour piano (1927) / Hot Music: Ten Syncopated Studies (1928) / Suite dansante en jazz (1931)

NEW 2014

Sonatas Nos. 1 – 3Urtext/ Ed� M� KubeBA 9560

Erwin Schulhoff was a Prague German-speaking composer� His compositions of the 1920s, with their blend of traditional genres, jazz syncopations, dance rhythms and moderately expanded tonality, were fully attuned to the tenor of the times�

● First Urtext editions

● Prefaces (Ger/Cz/Eng) and Critical Commentaries (Eng) by the editor

NEW 2014


A selection of Piano Compositions IIIEd V� Štěpán, rev� by K� Šolcadvanced level of technical difficulty H 3374

Macbeth and the Witches (Macbeth a čarodějnice) Op� posth�, On the Seashore (Na břehu mořském), Bohemian Harvest (Slavnost českých sedláků), selection from Czech Dances: Polka in F maj, Furiant, Medvěd, Slepička, Obkročák

Album Leaves (Lístky do památníku)Urtext with fingering / Ed� J� Novotný New preface by J� Gabrielová (Cz/Eng/Ger)BA 9525

Album Leaves (Lístky do památníku) Opp� 2, 3, Sketches (Črty) Opp� 4, 5, Posthumous Compositions (Skladby z pozůstalosti), Compositions for Various Occasions (Skladby příležitostně uplatněné)

Czech Dances Urtext with fingering / Ed� J� Novotný New preface by J� Gabrielová (Cz/Eng/Ger)BA 9507 (replaces H 7308)

Series I: Polkas in F-sharp min, in A min, in F maj, in B-flat maj, Series II: Furiant, Slepička, Oves, Medvěd, Cibulička, Dupák, Hulán, Obkročák, Sousedská, Skočná

Early Piano Works Urtext with fingering / Ed� J� Novotný New preface by J� Gabrielová (Cz/Eng/Ger)BA 9527

Compositions from the years 1840–1849: Bagatelles et impromptus, Six morceaux caractéristiques Op� 1, Wedding Scenes (Svatební scény), first Polkas: Louisa's (Louisina), Dahlia (Jiřinková), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpomínka na Plzeň), Polka in E-flat maj

9

PIANO / KEYBOARD

SUPRAPHON a. s.www.supraphon.com | [email protected]/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

The Complete Piano WorksJitka Čechová

Bedřich Smetana

SUPRAPHON - LION IN THE WORLD OF MUSIC

Smetana / The String QuartetsPavel Haas Quartet

Smetana / Piano Trio in G minorDvořák / Dumky, Slavonic DancesDvořák Trio

10

PIANO / KEYBOARD


On the Seashore (Na břehu mořském) / Concert Etude in C maj (Koncertní etuda C dur) / Fantasia on Czech Folksongs (Fantasie na české národní písně)included also Allegro capriccioso and Etude in A minUrtext with fingering / Ed� J� NovotnýNew preface by J� Gabrielová (Cz/Eng/Ger)BA 9519 (replaces H 7233)

Piano Compositions 1 Ed� J� NovotnýH 7333

Bagatelles et impromptus and other early piano composi-tions: Polkas (Betty's, Louisa's, Dahlia, Polka in E-flat maj), Duet, Impromptu I, Impromptu II, Impromptu III, Composition without name, Apparation at the Ball (Vidění na plese), From the Student Life (Ze studentského života), Souvenir of Plzeň (Vzpo-mínka na Plzeň)

Piano Compositions 5Ed� J� NovotnýH 7460

Six morceaux caractéristiques Op� 1, The Curious One (Zvědavý), Forest Emotions and Impressions (Lesní city a dojmy), Waltzes, Album Leaves (Skladby psané do památníku)

Piano Compositions 6Ed� J� NovotnýH 7215

Dreams (Rêves / Sny), Wedding Scenes (Svatební scény), Treasury of Melodies I (Poklad melodií I)

PolkasUrtext with fingering / Ed� J� NovotnýNew preface by J� Gabrielová (Cz/Eng/Ger)BA 9506

Three Drawing-Room Polkas (Tři salonní polky) Op� 7, Three Poetic Polkas (Tři poetické polky) Op� 8, Souvenir of Bohemia in the Form of Polkas (Vzpomínka na Čechy ve formě polek) Opp� 12, 13, Polkas from the 1850s (Polky z let padesátých)

Rêves (Dreams / Sny) Six morceaux caractéristiques pour le pianoUrtext with fingering / Ed� J� GabrielováBA 9529

The six pieces of “Rêves” were written in 1875, when Smetana had already lost his hearing� This significant work by the composer has not been inclu-ded in the Complete Edition of Works for Piano� This new edition by Jarmila Gabrielová is based on the first printed edition of 1879 by Emilián Starý� It is the first critical edition ever produced of this masterpiece�

● First critical edition● Preface (Cz/Eng/Ger) and

critical commentary (Eng) by the editor

● With the historical fingering by Smetana's contemporary, Jindřich Kàan z Albestů


Lullabies (Ukolébavky) Op. 33 Rev� by K� ŠolcH 4154

Piano Compositions Op. 7 Rev� by K� ŠolcH 5766

Love Song (Píseň lásky), Humoresque, Recollections (Vzpomínky), Idylls (Idylky), Dumka, Capriccietto

Radúz and Mahulena Op. 13Music to a Slovak fairy tale in 4 acts by Julius ZeyerH 1879 piano reductin

(Roman Veselý)

Spring (Jaro) Op. 22aFive pieces for pianoRev� by K� Šolc H 298

NEW 2015

Things Lived and Dreamt (Životem a snem) Op. 30 Ten Pieces for PianoUrtext / Ed� J� GabrielováBA 9561 The cycle Životem a snem (Things Lived and Dreamt) has been called the “diary of an artist”� Although Suk's musical language never exceeds the bounds of tonality, his wealth of resources, the flexible harmony, chords of stacked thirds and meticulous performance instructions were new to the Bohemia of his day�

The autograph contains many cuts, overwritings and barely decipherable passages, yet it is carefully prepared and largely identical to the first edition of 1909� This first scholarly-critical edition takes all source variants into account for the first time�

● Magnum opus of Suk's piano music

● First ever scholarly-critical edition

● Preface (Cz/Eng/Ger) and critical commentary (Eng) by the editor

11

PIANO / KEYBOARD

Vaňhal Jan Křtitel(1739–1813)

Twelve Sonatines (Dodici Sonatine)Rev� by V� Němec Preface by O� Zuckerová (Cz/Ger/Eng) H 7461

Voříšek Jan Václav Hugo(1791–1825)

Composizioni per piano soloEd� O� ZuckerováMAB I/52H 3237

Impromptus Op. 7Ed� V� HelfertMAB I/1H 2182

XII rhapsodies pour le pianoforte Op. 1, Vol. I (Rhapsodies I–VI)Ed� V� J� Sýkora MAB I/78H 6036

XII rhapsodies pour le pianoforte Op. 1, Vol. II (Rhapsodies VII–XII) COPYEd� V� J� Sýkora MAB I/79H 6114

Sonata in B-flat min Op. 20Ed� O� ZuckerováMAB I/4H 7133

Symphony in D majH 7323 piano reduction

(Karel Šolc)

Piano Duet(piano four hands)

Educational Works


The Little Green Forest (Hájíčku zelený)Arrangements of Folk Songs (Cz/Ger/Eng)Rev� by J� Němcová, V� Němec H 6657


Jazz Pieces for Twenty Fingers(Cz/Ger/Eng)piano four hands arrangements of popular dances – Waltz, Ragtime, Samba, Tango etc� H 7975


Playing with Four Hands (Čtyřruční hra) (Cz/Ger) H 6155

Kopelent Marek(*1932)

Two (Dva)H 6474

p dim.

sempre p molto

a tempo

41

poco

pp44

poco

pp

*) See Critical Report.

pp leggiero

48

dim.

poco sostenuto

pp

51

4

2 2

*)

8

mp mp

Andante sostenuto

pp poco

sempre dolcissimo

Vivace

9

dolce

17

pp

sempre pp e dolcissimo

poco

pppoco

25

poco marcato ma pp poco marc.

pp

32

mf marcato il basso

dim.

perdendosi pp

6

8

6

8

(Tajemně a velmi vzdušně)

(Mysterious and very airy)

(Geheimnisvoll und sehr duftig)

III

poco

poco

9

From: Josef Suk, Things Lived and Dreamt Op. 30 • BA 9561

12

PIANO / KEYBOARD

Repertoire Works


NEW 2015

From the Bohemian Forest (Ze Šumavy) Op. 68Cycle of six characteristic pieces Ed� A� ČubrBA 9565 (replaces H 2153)To appear in August 2015

In the Spinning-room (Na přástkách), By the Black Lake (U Černého jezera), Walpurg's Night (Noc fili-pojakubská), In the Wait (Na čekání), Silent Woods (Klid), From Troublous Times (Z bouřlivých dob)

Dvořák wrote the cycle From the Bohemian Forest at the instigation of his publisher Fritz Simrock at the turn of the years 1883–84, and it was published soon after in spring� It is the composer's third cycle for piano four hands, following Slavonic Dances and Legends� Dvořák drew his inspiration from the countryside that he enjoyed visiting in his free time� The current edition reprints the notation from the ADCE Vol� V/6�

● Popular piano four hands miniatures, separate pieces suitable as encores

● New preface by H�-J� Hinrichsen, I� Rentsch (Ger/Cz/Eng)

● In a clear format of primo / secondo


Legends (Legendy) Op. 59Eds� F� Bartoš, A� Pokorný, K� ŠolcADCE V/6H 1801

Scottish Dances (Skotské tance) Op. 41With revision of dynamics, adding pedalling and convenient fingerings (Cz/Ger/Eng)H 5851

Slavonic Dances (Slovanské tance) Op. 46 and Op. 72Ed� J� Burghauser New preface by H�-J� Hinrichsen and I� Rentsch (Ger/Eng/Cz)Newly engraved in score formatBA 9547 Op� 46 / Series I(replaces H 592)BA 9548 Op� 72 / Series II(replaces H 1234)


InnocenzaRev� by J� Němcová, V� NěmecH 7717

Hurník Lukáš(*1967)

Hot-SuiteRev� by J� Němcová, V� NěmecH 7638


SinfoniettaH 7741 piano reduction

for four hands (František Jílek)

Kabeláč Miloslav (1908–1979)

Small Suite (Malá suita) Op. 42 COPY H 3598


NEW 2014

Vltava (The Moldau)Tone poem from the cycle Má vlast (My Country) in the original version for piano duet Urtext / Ed� H� Macdonald Preface by O� MojžíšováBA 9549

Vltava is Smetana's most famous and frequently perfor-med tone poem� It was written between 20 November and 8 December 1874, but only in 1879-1880 with the completion of the entire cycle Má vlast, did the full score and his version for piano duet appear in print� In addition to the orchestral score, Hugh Macdonald's new Urtext edition also includes the composer's own version for piano duet�

● Urtext edition with Primo and Secondo parts printed on facing pages

● Clear and uncluttered engraving

● Informative preface including a contribution by Smetana scholar Olga Mojžíšová (Cz/Eng/Ger) (score and orchestral parts – see section ORCHESTRA)

13

PIANO / HARPSICHORD / ORGAN

Piano Concertos

Bořkovec Pavel(1894–1972)

Concerto No. 1 for Piano and Small OrchestraH 4985 study score ♦


Concerto in G min for Piano and Orchestra Op. 33 COPYWith two solo parts (scored in parallel) – the original by the composer and an arrangement by V� Kurz� ADCE III/10H 1780 piano reduction

(Karel Šolc) ♦ Fišer Luboš(1935–1999)

Concerto da camera for piano and chamber orchestraH 5422 score ♦


Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds� L� Faltus, J� Procházková LJCE E/5BA 6856• cloth bound score

with partsUrtext / Eds� L� Faltus, J� ProcházkováPreface by J� ProcházkováBA 9535 score and parts in

slipcover

The Capriccio was written in the autumn of 1926 at the sug- gestion of the pianist Otakar Hollmann, an invalid from the First World War� Like his con-temporary Paul Wittgenstein, Hollmann urged composers to write something for piano left hand; he succeeded in persua-ding Bohuslav Martinů, Erwin Schulhoff and Janáček to do this� Janáček did not want, as he put it, to compose a “dance for one leg”, but finally wrote a four-movement work with associations to military music�


Concertino for piano, 2 violins, viola, clarinet, French horn and bassoonH 4342 score with parts


Concerto for Piano and Orchestra No. 4 “Incantation” H. 358BA 4318-90• piano reduction

(Karel Šolc) ♦

Harpsichord Solo

Dušek František Xaver (1731–1799)

Sonate per il clavicembaloin F, C, G, G, D, A, F, E-flat majRev� by M� Knotková, A� NěmecMAB I/8H 380

Gemrot Jiří(*1957)

Plays for Harpsichord (Hry pro cembalo)Prague Spring IMC Commission (2005)H 7896

Rychlík Jan(1916–1964)

Hommaggi gravicembalistici per cembaloRev� by K� ŠromH 5318

HarpsichordConcertos

Benda Jiří Antonín(1722–1795)

Concerto in G min for Harpsichord and Strings violin I II, viola, violoncello (double bass)Ed� V� BělskýMAB I/10H 7438 score with parts ♦

Due concerti per cembalo COPYviolin I II, viola, violoncello (double bass) in F maj, in G majEd� V� BělskýMAB I/77H 5805 score ♦

Tre concerti per cembaloviolin I II, viola, violoncello (double bass) in F min, in B min, in G majEd� V� BělskýMAB I/45H 2981 score

(♦ only in F and B min)

Organ Solo


Largo from the Symphony No. 9 in E min “From the New World” Op. 95Arr� by M� Kampelsheimer in an easy styleH 1809

Symphony No. 9 in E min “From the New World” Op. 95Transcription for organ by Z� SzathmáryBA 8472•

● New addition to the organ repertoire

● Outstanding virtuoso organ writing

Preludes and Fugues for Organ B 302Eds� J� Burghauser, A� ČubrADCE VII/3H 6334



14

ORGAN / ACCORDION


Musica dominicalis (Nedělní hudba)(Cz/Ger/Eng)H 3761

● Eben's most famous composition for the royal instrument

● Revised edition with notes on interpretation by Jan Hora in cooperation with the composer

Ten Chorale PreludesH 7845


ReliefH 7967


Organ WorksEds� M� Buček, L� FaltusLJCE F/2BA 6852-01• cloth bound scoreUrtext / Eds� M� Buček, L� FaltusWith preface by J� Zahrádka (Cz/Eng/Ger)BA 9524

Three Pieces for Organ from Prague Studies in 1874–1875 (Overture, Varyto, Choral Fantasy), Two Pieces for Organ self-published in 1884, Postludium – the penultimate part of the famous Glagolitic Mass

Novák Jan(1921–1984)

Iubilationes per organoH 7865

Old Czech Organ ChristmasJosef Seger, Jakub V� Paus, František X� Brixi, Jiří I� Linek, Jan K� Vaňhal, Jan K� Kuchař, Karel B� KopřivaEd� J� SmolkaH 7690

Organ Compositions of Old Czech Masters

František X� Brixi, Jan K� Vaňhal, Jan K� Kuchař, Karel F� PitschEd� B� Geist, rev� by M� KampelsheimerH 4506

Seger Josef Ferdinand Norbert(1716-1782)

Composizioni per organo (Preludi e fughe) COPYEd� V� BělskýMAB I/56H 3364

Slavický Milan(1947–2009)

Sursum cordaH 7873

Štědroň Miloš(*1942)

Claudio Monteverde: Praga 1595Prague Spring IMC Commission (2006)H 7969

Teml Jiří(*1935)

The Alchemists (Alchymisté)H 7976

Organ Concertos

Brixi František Xaver(1732–1771)

Concerto Fa maggiore per organo principale2 French horns, violin I II, viola, basso continuoEd� J� ReinbergerMAB I/26H 1852 score ♦

Due concerti per organo2 clarinas in D, violin I II, viola, violoncello and double bassin D maj, in G majEd� V� BělskýMAB I/75H 4923 score ♦

Accordion

Havlíček Ilja – Machalíčková Františka – Ondruš Ján

School of Accordion Playing(Cz/Ger)H 3204


From: Petr Eben, Musica dominicalis • H 3761

15

VIOLIN

Violin Solo(with accompaniment)

Educational Works

Gola Zdeněk(*1929)

Violin TechniqueA new method for practising left hand technique (Cz/Ger/Eng) BA 9550 Vol� 1BA 9551 Vol� 2

→ see more on p� 20

ŠKOLA HOUSLOVÝCH ETUD IETÜDENSCHULE FÜR DIE VIOLINE I

I. POLOHA I. LAGE


S E Š I T H E F T

1– 2

Krůček Václav(*1927)

School of Violin Studies I1st Position (Cz/Ger)H 5993 Vol� 1, 2

School of Violin Studies IIPlaying in Positions (Cz/Ger)H 6187 Vol� 3, 4

Ševčík Otakar(1852–1934)

NEW 2015

Changes of Position and Preparatory Scale Studies Op. 8 Ed� J� FoltýnBA 9557 (replaces H 260)→ see more on pp� 16-17

NEW 2015

Preparation for Trill Exercises and the Development of Finger-Stopping Op. 7 Ed� J� FoltýnBA 9556 (replaces H 254, H 255)To appear in October 2015→ see more on pp� 16-17

Preparation for Trill Exercises and the Development of Finger-Stopping Op. 7 Ed� N� KubátH 254 Book 1H 255 Book 2This older edition will be available until stock lasts (will be replaced by BA 9556)

Preparatory Exercises in Double-Stopping Op. 9Ed� N� KubátH 2090

Bärenreiter

ŠEVČÍK

BA 9552Ševčík, Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1

Sešit 1 / Book 1 / Heft 1


Škola houslové technikySchool of Violin TechniqueSchule der Violintechnik

op. 1


1. poloha / 1st Position / 1. Lage

ISMN 979-0-2601-0711-3

1 · 14

1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva

NEW 2014

School of Violin Technique Op. 1 Ed� J� Foltýn BA 9552 Book 1 BA 9553 Book 2 BA 9554 Book 3 BA 9555 Book 4(replaces H 244, H 2036, H 2088, H 2089)→ see more on pp� 16-17

NEW 2015

School of Bowing Technique Op. 2Ed� J� FoltýnBA 9591 Book 1 (replaces H 296, H 259) BA 9592 Book 2 (replaces H 874, H 4217) BA 9593 Book 3→ see more on pp� 16-17

Violin School for Beginners Op. 6 Ed� N� KubátH 257 Book 1H 54 Book 4H 55 Book 5H 258 Book 7

Repertoire Works Benda František(1709–1786)

Caprice COPYfor violin soloRev� by J� ČeledaH 3133


Cruxfor violin, timpani and bellsReproduction of the autograph from the property of I� ŠtrausH 7966 performance score

Hanuš Jan (1915–2004)

A Zest for Life (Chuť žít) Op. 127A Fantasy Variation for Solo Violin in Response to Pierre Teilhard de Chardin's Thoughts Rev� by P� MacečekH 7881

KLAVÍR

16

School of Violin Technique Op. 1BA 9552 Book 1: 1st PositionBA 9553 Book 2: 2nd–7th PositionBA 9554 Book 3: Changing PositionsBA 9555 Book 4: Exercises in Double

Stops and Harmonics

● The pivotal work of a leading violin pedagogue

● The most frequently used system of practising scales and broken chords worldwide to this day

● For intermediate and advanced violinists

● Lifelong study material even for professionals

School of Bowing Technique Op. 2BA 9591 Book 1: Exercises for the

Right Arm BA 9592 Book 2: Exercises for the

Wrist IBA 9593 Book 3: Exercises for the

Wrist II

● An exceptional work of educational violin literature for the right hand

● The famous “four thousand” variations of systematically ordered bowing exercises

● Divided into three sections, this new edition combines the original six volumes in groups of two

● Increasing order of difficulty: easy – moderate – advanced

Changes of Position and Preparatory Scale Studies Op. 8BA 9557

● Exercises devoted to changes of position and preparatory studies for scales over three octaves (in thirds, sixths, octaves and tenths)

● Moderate level of difficulty

Preparation for Trill Exercises and the Development of Finger-Stopping Op. 7BA 9556To appear in October 2015

● Exercises dealing with the position of the fingers, their placement on the strings, practising finger-stopping and shifting along the fingerboard in the basic positions

● Moderate – advanced level of difficulty

BÄRENREITER NEW EDITIONS OF ŠEVČÍK'S PRINCIPAL WORKS

Bärenreiter

ŠEVČÍK





op. 1


Cvičení dvojhmatová a flažoletová Exercises in Double Stops and Harmonics

Übungen mit Doppelgriffen und Flageolett -Tönen

ISMN 979-0-2601-0722-9

1 · 14

1/1 - líc: HKS 41 K, rub: barva papíru Salzer

Bärenreiter

ŠEVČÍK





op. 1


Výměny poloh / Changing Positions / Lagenwechsel

ISMN 979-0-2601-0721-2

1 · 14


Bärenreiter

ŠEVČÍK





op. 1


2.– 7. poloha / 2nd– 7th Position / 2.– 7. Lage

ISMN 979-0-2601-0712-0

1 · 14


Bärenreiter

ŠEVČÍK





op. 1


1. poloha / 1st Position / 1. Lage

ISMN 979-0-2601-0711-3

1 · 14

1/2 - líc: HKS 41 K, rub: barva papíru Salzer + černá barva

Bärenreiter

ŠEVČÍK

BA 9552Škola houslové techniky / School of Violin Technique / Schule der Violintechnik · op. 1

Svazek 1 / Volume 1 / Band 1


Škola smyčcové technikySchool of Bowing Technique

Schule der Bogentechnik

op. 2


ISMN 979-0-2601-0711-3

1 · 14

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer pozor kod v K.-černá

Bärenreiter

ŠEVČÍK






op. 2


ISMN 979-0-2601-0711-3

1 · 14


Bärenreiter

ŠEVČÍK




Výměny poloh a průprava ke cvičení stupnic

Changing Positions and Preparatory Scale Studies

Lagenwechsel und Tonleiter-Vorstudien

op. 8

ISMN 979-0-2601-0711-3

1 · 14


Bärenreiter

ŠEVČÍK






op. 2


ISMN 979-0-2601-0711-3

1 · 14


Bärenreiter

ŠEVČÍK

BA 9556Ševčík, Průprava k trylku a výcvik prstového úhozu / Preparation for Trill Exercises and the Development of Finger-Stopping /

Triller-Vorstudien und Ausbildung des Finger-Anschlages · op. 7


Průprava k trylku a výcvik prstového úhozu

Preparation for Trill Exercises and the Development of Finger-StoppingTriller-Vorstudien und Ausbildung

des Finger-Anschlages

op. 7

ISMN 979-0-2601-0760-1

1 · 15

1/1 - líc: 1/1 - líc: černý plát = HKS 41 K / barva papíru Salzer

KLAVÍR

17

The complete works of Otakar Ševčík (1852–1934), the legend of the famous Czech violin school, covers every area of violin technique, from the most elementary level and special exercises concerning individual technical problems right through to analytical studies of the standard concertos�

● Standard works that generations of violinists have grown up with

● Open to everyone irrespec-tive of their needs, abilities, or level of maturity

● Even after 130 years it still numbers among the most important and effective teaching methods

Methodical commentaries (Cz/Eng/Ger)by the editor Jaroslav Foltýn with using authentic sources

Our new edition is based essentially on the original print, issued in the early 20th century, and on sources from Ševčík's posthumous papers�

A valuable addition to this edition are methodical commentaries by the editor, which provide profound insight into the practice of individual exercises� In contrast to the laconic Ševčík, Jaroslav Foltýn offers a means of facilitating the understanding and analysis of exercises for both students and teachers�

He draws not only from his own extensive experience as a professor at the Prague Conservatoire, but also from the authentic recommendations and teaching instructions of the author himself, which are recorded in the as-yet unpublished manuscript of Viktor Nopp, Ševčík's personal pupil and assistant�

Example from Opus 1

VI

tříbení hmatových a zvukových možností. Začněte nej-prve přípravnou pohybovou analýzou, tak jak ji Ševčík doporučoval svým žákům (rukopis Viktora Noppa):

& œ

3

œb1

œ œ œ œ œ œ œ

3

œ2

œ œ œœb œ œ œb

4

œ2

œ œ œœ4 œ-

& œ

3

œb1

œœ œ œ œ œ œ œ

3

œ2

œœ œ œœb œ œ œb

4 œ2 œœ œ œœ4 œ

Cvičení 23 můžeme nejprve rozložit podle uvedené-ho příkladu; cílem je dosažení optimální polohy prstů k zajištění intonační a zvukové čistoty.

& œ

0

œ3

œœ œ

œ œœ œ#

œ œœ œ

œ œœ

Zejména v tomto a následujících cvičeních je důleži-té věnovat maximální míru pozornosti přiložení bříšek prstů na struny stejně jako kontaktu smyčce se strunami. Hra na dvou a více strunách při dvojhmatech a akordech není důvodem k použití přemíry tlaku při dopadu prstů na struny ani neúměrně zvýšeného tlaku žíní do strun.

Cvičení 24–26 a následující 27 a 28 můžeme již pro je-jich náročnost zařadit do kategorie mistrovského stup-ně ovládání nástroje. Přistupujme k nim tedy s patřič-ným respektem. Rozdělíme si je na menší úseky, které

nejprve analyzujeme. Nebojme se zde experimentu ve smyslu jakéhokoliv zjednodušení, které nám pomů-že řešit obtíže pohybového mechanismu. Vycházíme z tempa Andante při hře osmin, plochy hrané v legatu zpočátku rozdělujeme. Hmatáme oba dva hlasy, ale hrajeme je odděleně, každý zvlášť.

&c œ œœ œœ- œœ œœ-

1. 2.

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Jaroslav Foltýn Praha, květen 2013

PREFACEThe School of Violin Technique Op. 1 is the first educa-tional work that Otakar Ševčík (1852–1934) published in print. It constitutes the sum of experience gained during his own studies of the violin and his first years as a teacher. It is the result of the path he took in his search for the perfection of his own abilities as an in-strumentalist.

He had carried this inner desire in him since his child-hood days. His father, a teacher from Horažďovice, was a typical Czech cantor with a passion and admiration for music. When teaching his son to sing, he introduced him to music theory, the piano, and later the violin. The violin captured Otakar Ševčík’s mind to such an extent that while at grammar school he convinced his father of his desire and received his permission to dedicate him-self solely to playing the violin. At the age of fourteen he

applied for a special entrance exam and was accepted to the Prague Conservatory. He relates his impressions to his father: “Accept my heartfelt gratitude for your permission to join the conservatory. Sincerely I prom-ise you that I will try to achieve the greatest possible level of perfection, as pertains to my instrument and to harmony. I have taken to the violin in such a way that I cannot even tear myself away. I cannot even stop play-ing, it is almost as if we have become one body and one soul.”1

Under the tuition of professor Antonín Bennewitz, Ševčík found full understanding for his extraordinary

1 Otakar Ševčík, Sborník statí a vzpomínek (Compendium of Essays and Memoirs), ed. Vladimír Šefl, Státní nakladatelství krásné litera-tury, hudby a umění, Prague 1953, p. 18.

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*) Alternativní prstoklad editora. *) Editor's alternative Þngering. *) Alternative FingersŠtze des Herausgebers.

22RŮZNÉ ROZLOŽENÉ

AKORDYVARIOUS BROKEN CHORDS VERSCHIEDENE ARPEGGIERTE

AKKORDE

Ševčík's model ↑Preparatory movement analysis →(editor's recommendation)

BA 9552 © 2014 by Bärenreiter Praha

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© 2014 by Bärenreiter PrahaBA 9552

1. POLOHA 1ST POSITION 1. LAGE

1

Totéž na struně DLikewise on the D stringDasselbe auf der D-Saite

na struně GG stringG-Saite

na struně EE stringE-Saite

*) Prsty zůstanou ležet na struně. *) Hold the Þngers down on the string. *) Die Finger auf der Saite liegen lassen.

Půltón 1. a 2. prstem. Semitone with 1st and 2nd Þnger. Halbton zwischen dem 1. unddem 2. Finger.

Každý takt se opakuje několikrát,zvolna i rychle, vázaně i odděleně.

PRSTOVÁ CVIČENÍNA JEDNÉ STRUNĚ

FINGER EXERCISESON ONE STRING

Play each model repeatedly,both slowly and quickly, legato and détaché.

FINGERÜBUNGENAUF EINER SAITE

Jeder Takt wird einige Male wiederholt,langsam und schnell, legato und détaché.

18

VIOLIN

Loudová Ivana(*1941)

Canto solitariofor violin soloPrague Spring IMC Commission (2003)H 7859

2 Violins Solo(with accompaniment)

Educational WorksMicka Josef(1903–1993)

Elementary Studiesfor violin with the 2nd violin accompaniment Arr� by J� MickaH 5450 score

Repertoire Works Dvořák Antonín(1841–1904)

Humoresque in G-flat maj Op. 101 No. 7for two violinsArr� by J� ŽemlaH 1591-03 parts

Feld Jindřich(1925–2007)

Sonatina for Two ViolinsH 1927 parts

Kramář-Krommer František Vincenc (1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsArr� by L� DanielH 5862 score with 1 part

(alto recorder)


Melodyfor two violinsEd� Z� NouzaH 7951 score with parts

Teml Jiří(*1935)

6 Violin DuetsRev� by E� BublováH 7074 parts

Tůma František Ignác Antonín(1704–1774)

Composizioni strumentaliSonatas / Partitas / Sinfonias for two violins and basso continuoEd� V� BělskýMAB I/69H 4376 score

Violin and Piano

Pieces for Children and YouthDvořák Antonín(1841–1904)

Humoresque in G-flat maj Op. 101 No. 7Rev� by L� Láska, A� PokornýH 1592 score with part

Largo from Symphony No. 9 in E min “From the New World” Op. 95 Arr� by A� Pokorný in an easy styleH 1811 score with part

Slavonic Dances Op. 46 Nos. 1–4Arr� by A� PokornýH 3235 score with part

Two Waltzes Op. 54 Nos. 1, 4for violin / viola and piano Arr� by J� Kocian, viola part rev� by K� MoravecH 1890 score (violin version)

with viola part


Sonatina semplicefor violin / flute and pianoRev� by B� Purger, V� ŽilkaH 2414 score with parts


Intermezzo H. 2614 compositions for violin with piano accompanimentRev� by V� Nopp, K� ŠolcH 5259 score with part

Sonatina H. 262Rev� by V� NoppH 2172 score with part


Compositions for Violin and PianoArr� by J� Suk, J� Kocian in an easy styleH 7823 score with part

Melody (Melodie), Bagatelle (Bagatela), Lullaby (Ukolébavka), Evening Mood (Večerní nálada), Village Serenade (Vesnická serenáda), Song of Love (Píseň lásky

Repertoire WorksBenda František(1709–1786)

Quatro sonatein A maj, in A min, in G maj, in A majEds� J� Štědroň, B� ŠtědroňMAB I/57H 3578 score with part


Sonatas Op. 69 Nos. 1, 2Eds� J� Štědroň, B� ŠtědroňMAB I/41H 2704 score with part


Capriccio B 81Concert RondoEds� J� Burghauser, A� ČubrADCE IV/1H 5543 score with part

Mazurek Op. 49Rev� by J� Hanuš, K� ŠolcADCE IV/1H 1550 score with part

19

VIOLIN


NEW 2015

Romance in F min Op. 11 Urtext / Ed� J� HájekBA 9571 score with part(replaces H 1511)To appear in July 2015

Originally written for violin and orchestra between 1873 and 1877, Dvořák's Romance immediately followed his String Quartet in F minor (1873) and draws on the theme from its slow movement�

Our edition is the first to avail itself of the autograph of Dvořák's own version for violin and piano� Compared to the

well-known piano reduction by Josef Zubatý, it differs from the orchestral version in several important respects and is also one bar shorter�

Our new edition, containing the composer's more authentic version, can nevertheless also serve as a piano reduction to the orchestral version�

● First edition of the piano version based on Dvořák's autograph of the piano part

● Preface by D� R� Beveridge (Cz/Eng/Ger)

● Critical Commentary (Eng) by the editor

NEW 2014

Romantic Pieces (Romantické kusy) Op. 75Eds� A� Pokorný, K� ŠolcWith a new preface by D� R� Beveridge and a revision of the violin part (fingering) by J� Micka BA 9576 score with part(replaces H 1903)

Sonata in F maj Op. 57Eds� A� Pokorný, K� Šolc Violin part rev� by S� NovákADCE IV/1H 2178 score with part

Sonatina in G maj Op. 100Ed� A� Čubr Violin part rev� by J� FeldADCE IV/1H 1364 score with part


Idyll (Selanka) Op. 16for clarinet / violin and piano Violin transcription by the composerH 3754 score with parts

Sonatina Op. 27Violin part rev� by V� SnítilH 1442 score with part


Hands (Ruce)Sonata for Violin and PianoViolin part rev� by I� ŠtrausH 3884 score with part

Hanuš Jan(1915–2004)

Suite to the Paintings of Mánes (Suita podle Mánesových obrazů) Op. 22 Rev� by S� ŠormH 465 score with part


A Blown-Away Leaf (Lístek odvanutý)from the piano cycle On an Overgrown Path Arr� by J� ŠtědroňH 2043 score with part

Dumka Revised version based on composer's autograph of the violin partEd� A� NěmcováH 7743 score with part

KLAVÍR

20

● A new method for practising left hand technique

● Around 500 position combinations● A progressive method for achieving,

renewing and maintaining confidence in both positioning and intonation

● Preface and commentaries to the exercises (Cz/Ger/Eng)

● Advanced level of technical difficulty

Prof. Zdeněk Gola (*1929), a respected Czech violin teacher, moved to Sweden in 1966, where he was engaged as an orchestra player, concertmaster, soloist, and teacher. He returned to Czechoslovakia in 1989 and took up the post of lecturer and later professor at the Faculty of Fine Arts of Ostrava University. He has fostered a number of excellent violinists and has written numerous educational books published in Sweden, Germany and the Czech Republic.

BA 9550 sešit 1 BA 9551 sešit 2

Zdeněk Gola VIOLIN TECHNIQUE

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25

III. Horizontální cvičení ve dvojhlase

Dvojhmatová technika je jak z intonačního, tak i z hmatového hlediska složitá. U kvart a sext se při přechodu na stejný interval směrem na-horu horní prst nezvedá, ale příčným, klouza-vým pohybem přechází na vedlejší strunu. Při přechodu směrem dolů pak spodní prst pře-chází stejným způsobem. U kvintového hmatu se prst klade více šikmo (na bříško).Pro větší intonační citlivost je účinné cvičit odděleně spodní a horní hlas za současného hmatu obou prstů.

III. Horizontale Übungen in DoppelgriffenDie Doppelgrifftechnik ist sowohl in intonatorischer als auch in grifftechnischer Hinsicht schwierig. Bei Quarten und Sexten hebt sich der obere Finger beim Aufwärtsrücken der Intervalle nicht, sondern vollzieht eine diagonale, gleitende Bewegung, mit der er auf die Nachbarsaite wechselt. Beim Abwärtsrücken verfährt der untere Finger dann auf dieselbe Weise. Beim Quintgriff legt sich der Finger schräger (an den Ballen). Um die intonatorische Empfindsamkeit zu verbessern, ist es ratsam, die obere und untere Stimme getrennt zu üben und dabei gleichzeitig mit beiden Fingern zu greifen.

III. Horizontal exercises in double stops

The double stop technique is a complex mat-ter both in intonation and in fingering. With fourths and sixths, do not raise the upper fin-ger when shifting the same interval higher, but instead use a sideward, sliding motion to reach the next string. When shifting downwards, ap-ply the same instructions to the lower finger.With fifths, the finger is placed at a greater an-gle (resting on its pad).To improve the sensitivity of intonation, it is advisable to practise the lower and upper tones separately while keeping both fingers stopped.

1. poloha / 1. Lage / 1st position

Tercie / Terzen / Thirds

Kvarty / Quarten / Fourths

It is with much interest that I noted news of the publication of “Violin Technique” by Prof. Zdeněk Gola. I have known him as a superb teacher for many years, and it is with great enthusiasm that I have studied both volumes of his work. I look forward to returning to these exercises in the future and to introducing them to my students.

Ivan Ženatý soloist, professor at the Cleveland Institute of Music, USA

Gola's school of violin technique is a complex and yet simple and poignant work. It addresses all aspects of the left hand, and its lucidity and clearness of definition make it exceptional and unique. It should be a mandatory study aid for all violinists.

Josef Špaček soloist, concertmaster of the Czech Philharmonic

Many thanks to Bärenreiter for bringing this estimable work to the light of day!

Václav Hudeček soloist, pupil of David Oistrach

21

VIOLIN

Bärenreiter







ISMN 979-0-2601-0486-0




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3 · 13


NEW 2015

Works for Violin and PianoRomance, Dumka, SonataUrtext / Eds� J� Krejčí, A� NěmcováBA 11512 score with part(replaces BA 9508)To appear in October 2015

Janáček probably wrote his Sonata for Violin and Piano in 1914, but he reworked it several times before finalising and publishing it in 1922�

The current edition draws from the notation of the Sonata and Romance in LJCE E/1� The notation of Dumka draws from the revision of the work prepared by the editor Alena Němcová, based on the composer's autograph of the violin part, which had long been missing and is the only extant autograph source of the composition� Unlike the first print it contains Janáček's detailed dynamic markings�

● New edition according to current notation standards

● With a revised version of Dumka with original dynamic markings

● Preface by eminent Janáček scholar Jiří Zahrádka (Cz/Eng/Ger)

Works for Violin and PianoRomance, Dumka, SonataEds� J� Krejčí, A� NěmcováLJCE E/1BA 6849• cloth bound score

with partUrtext / Eds� J� Krejčí, A� NěmcováBA 9508 score with partThis BA 9508 edition will be available until stock lasts (will be replaced by BA 11512)

Kocian Jaroslav(1883–1950)

Serenade in D majViolin part rev� by V� SnítilH 7938 score with part

Three Compositions for Violin and Piano Op. 19 Nos. 1, 2, 3Mélodie, Chanson printanière, Lullaby H 7874 score with part

Trois pièces d'impression pour violin et piano Op. 18 Nos. 1, 2, 3Méditation du soir, Intermezzo pittoresque, Hymne au printemps H 7825 score with part

Two Compositions for Violin and Piano Op. 17 Nos. 1, 2Serenade in G maj, HumoresqueViolin part rev� by V� SnítilH 7802 score with part


Dialoghi filosofici (Philosofical Dialogues)Violin part rev� by I� ŠtrausH 6582 score with part

1� Basic Question (Základní otázka), 2� Full Stop to an Old Story (Tečka za dávným příběhem), 3� Between Happiness and Truth (Mezi štěstím a pravdou), 4� Answer (Odpověď)

Kubelík Jan(1880–1940)

BurlesqueViolin part rev� by V�SnítilH 7914 score with part

MinuetH 7817 score with part

Kubička Miroslav(*1951)

Sonata H 7916 score with part


Impromptu H. 166Three Compositions for Violin and PianoEd� I� PopelkaH 5906 score with part

Matys Jiří(*1927)

Capriccio Violin part rev� by B� KotmelH 5317 score with part


Sonata super “Hoson Zes…”for violin / flute and piano Ed� J� ČižmářH 7855 score with 2 parts

Ondříček František (1857–1922)

Scherzo capriccioso Op. 18Violin part rev� by V� SnítilH 7915 score with part


From the Homeland (Z domoviny)Two Duets for Violin and PianoUrtext / Eds� F� Bartoš, J� Plavec, K� ŠolcViolin part rev� by I� Štraus New preface by M� OttlováBA 9526 score with part


Sonata per il pianoforte con violino obligatoRev� by J� Panocha, A� DítětováH 5445 score with part

22

VIOLIN / VIOLA / VIOLONCELLO


Sonata in G maj Op. 5 COPYEds� J� Štědroň, B� ŠtědroňMAB I/30H 2078 score with part

Violin Concertos


Concerto in A min for Violin and Orchestra Op. 53Rev� by F� Ondříček, J� Feld ADCE III/11H 1005 piano reduction

(Karel Šolc) ♦


Concerto for Violin and OrchestraH 6696 piano reduction ♦


The Wandering of a Little Soul (Putování dušičky) Violin ConcertoEds� L� Faltus, M� ŠtědroňLJCE H/4H 7738 score ♦H 7504 piano reduction

(Leoš Faltus)Kalabis Viktor(1923–2006)

Concerto No. 2 for Violin and Piano Op. 49 Violin part rev� by J� SukH 6674 score ♦

Kaprálová Vítězslava(1915–1940)

Concertino for Violin, Clarinet and Orchestra Op. 21 Based on the composer's draft, realised by M� Štědroň, L� FaltusH 7919 score ♦


Concerto No. 1 for Violin and Orchestra H. 226Rev� by J� Burghauser, Z� Košler, J� Suk Violin part rev� by J� SukBA 6720 / H 5798 score ♦

H 5797 piano reduction (Karel Šolc) COPY

Concerto No. 2 for Violin and Orchestra H. 293Violin part rev� by B� Bělčík Piano part rev� by K� ŠolcH 5286 piano reduction ♦H 330a study score COPY

Concerto for Two Violins and Orchestra H. 329BA 3842• study score ♦BA 3842-90• piano reduction

(Karel Šolc)

Duo concertant for Two Violins and Orchestra H. 264BA 4317• study score ♦BA 4317-90• piano reduction

(Karel Šolc)

Slavický Milan(1947–2009)

The Way of the Heart (Cesta srdce) Story for violin solo, winds, percussion, celesta and harpH 6931 score – facsimile ♦

Vranický Antonín(1761–1820)

Concerto in B-flat maj for Violin and OrchestraEds� F� Krejčí, V� StrakaViolin part rev� by F� KrejčíMAB I/16H 916 piano reduction

Viola Solo

Educational WorksKolář Augustin

School of Viola Playing for Beginners (Cz/Ger)H 6791 four books

in slipcover

1st and 2nd Position / 3rd and 4th Position / 5th – 7th Positions / Performance Pieces

Viola and Piano

Repertoire WorksDvořák Antonín(1841–1904)

Two Waltzes Op. 54 Nos. 1, 4for violin / viola and piano Arr� by J� Kocian, viola part rev� by K� MoravecH 1890 score (violin version)

with viola part


Concertante Music for Viola and PianoH 7528 score with part

Viola Concertos


Concerto for Viola and Orchestra H 7987 piano reduction ♦


Rhapsody-Concerto for Viola and Orchestra H. 337BA 4316• study score ♦BA 4316-90• piano reduction

(Jürgen Sommer)Vaňhal Jan Křtitel(1739–1813)

Concerto in C maj for Viola and OrchestraViolin part rev� by J� PlichtaH 3586 piano reduction

(Vilém Blažek)

Violoncello Solo

Repertoire WorksKukal Ondřej(*1964)

Violoncelliana – 2nd Rhapsody for Solo Violoncello Op. 32Prague Spring IMC Commission (2012)H 8021



23

VIOLONCELLO

Tichý Vladimír(*1946)

ExclamationPrague Spring IMC Commission (2006)H 7949

Violoncello and Piano

Repertoire WorksDvořák Antonín(1841–1904)

Cello CompositionsSlavonic Dances Op� 46 Nos� 3, 8, Polonaise in A maj B 94 Ed� J� BurghauserCello part rev� by J� Chuchro ADCE IV/3H 5305 score with part

Rondo in G min Op. 94ADCE IV/3H 1487 score with part

Silent Woods (Klid) Op. 68 No. 5Ed� A� ČubrADCE IV/3H 1532 score with part

Slavonic Dances Op. 46 Nos. 3, 8Ed� J� ChuchroBA 6962• score with part


Suita balladica H 2156 score with part


Sonata COPYH 7778 score with part


Works for Violoncello and PianoA Tale (Pohádka), PrestoUrtext / Eds� J� Fukač, B� Havlík, J� ZahrádkaPreface by J� Zahrádka(Cz/Eng/Ger)BA 9509 score with part

In the supplement of this edition (basen on LJCE E/2)an early version of A Tale is included� The source to this version is a copy owned by Antonín Váňa, one of the first interpreters of the composition� The early version of A Tale offers a valuable and interesting alternative to today's known version with its marked differences such as the considerably changed ending of the first movement and the original form of four movements�


Sonata Op. 9Ed� Zdeněk Nouza Cello part rev� by D� VeisMKCE IV/3H 7793 score with part


Ritornel Op. 25Eds� M� Štědroň, L� FaltusH 7827 score with part


KarrakCello part rev� by J� BártaH 7725 score (facsimile) with

part


Sonata No. 3 H. 340Ed� Aleš Březina, Cello part rev� by M� SedlákH 7893 score with part

Variations on a Slovakian Theme H. 378BA 3969• score with part

Cello Concertos


Concerto in A maj for Violoncello and Orchestra B 10 COPYEds� J� Burghauser, K� Šolc Cello part rev� by M� SádloADCE VII/2H 5674 piano reduction by

the composer ♦

Concerto in B minor for Violoncello and Orchestra Op. 104Urtext / Ed� J� Del MarBA 9045• score °BA 9045-40• critical

commentary (Eng)

BA 9045-90• piano reduction by the composer

● With Dvořák's final and definitive version of the solo cello part, now published for the first time since 1896

● With hundreds of corrections in the solo cello part as well as the orchestral parts

● With hitherto unknown details regarding the collaboration between Dvořák and Wihan

● With Dvořák's original piano reduction

● With Feuermann's and Casals' alternatives to a passage in the first movement° Performance material available

on sale

24

VIOLONCELLO / DOUBLE BASS / HARP / GUITAR


Concerto in B min for Violoncello and Orchestra Op. 104Cello part rev� by L� Zelenka Piano part by the composer rev� by K� ŠolcADCE III/12H 1200 piano reduction by

the composer ♦

Concerto in B minor for Violon-cello and Orchestra Op. 104Facsimile of the autograph score and the autograph piano reduction Introduction by J� Smaczny(Eng/Ger/Cz)Documenta Musicologica II/43Bärenreiter FacsimileBVK 1849•


Sonata da camera H. 283for violoncello and chamber orchestraBA 4319• study score ♦BA 4319-90• piano reduction


Concerto in A maj for Violoncello and OrchestraH 6973 piano reduction

(Josef Rut)

Double Bass

Educational WorksČerný František(1861–1940)

Technical Studies for Double Bass (Cz/Ger)H 4179

Repertoire Works Hertl František(1906–1973)

Sonata for Double Bass and Piano COPYH 2068 score with part


Fierce and Frolicsome (Hrátky hravé i dravé)Rondo for double bass and piano H 7982 score with part

Harp

ISMN 979-0-2601-0235-4

tisk 3/1 - žlutá, hnědá, červená - viz vzor / barva papíru Salzer

MUSICA ANTIQUA

BOHEMICA

22

JAN LADISLAV DUSÍK

SIX SONATINES

POUR LA HARPE



Six Sonatinas for HarpEd� M� Zunová MAB I/22H 1748

Teml Jiří(*1935)

Calligrams (Kaligramy)7 compositions for harp Rev� by M� Šimečková-SpitzerováH 7414

Guitar

Educational Works / Pieces for Children and Youth

Jirmal Jiří(*1925)

School of Guitar Playing for Beginners (Cz/Ger)H 5194

Rak Štěpán(*1945)

Minute Solos (Minutová sóla)Short Compositions for Guitar Beginners(Cz/Ger/Eng)H 7236

Zelenka Milan – Obrovská Jana(*1939 / 1930–1987)

Collection for Guitar I (Album pro kytaru I) Short performance piecesfrom easy to advanced level of difficulty(Cz/Ger)H 6415

Repertoire Works Hybler Martin(*1977)

The Scent of Faded Shades (Vůně vyhaslých stínů) Op. 14 H 7876

Jirmal Jiří(*1925)

Happy WaltzH 7792

Joy of Bossa NovaH 7796

Prelude in Jazz / CanzonettaPrelude in Jazz for solo guitar Canzonetta for solo guitar with the 2nd guitar ad lib� H 7828

Suite Azure (Recuerdos para Laurindo Almeida) H 7869

Losy Jan Antonín(1650–1721)

Pièces de guitareEd� J� PohankaMAB I/38H 2498



25

WINDS

Winds – Collections

Pieces for Children and YouthCollection No. 2 of easy performance pieces

for trombone and pianoRev� by M� HejdaH 6781 score with part

Old Hunting FanfaresAnonymous, Ondřej Anton, Leopold Koželuh, Albín Mašek, Leopold E� Měchurafor 4 French hornsEd� O� Zuckerová, rev� by J� ŠtefanH 4562 score

Six Medieval Dancesfor soprano recorder and side drum Arr� by M� KlementH 6093 score

Songs and Dances from all over the World

for 3 trumpets / French horns / clarinetsArr� by M� CísařH 7846 score

Recorder / 2 Recorders(solo / with accompaniment)

Pieces for Children and Youth / Educational WorksHurník Ilja(1922–2013)

Pictures (Obrázky)Pieces for flute / recorder / oboe and piano in the simplest styleH 7495 score with flute part

Kramář-Krommer František Vincenc(1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsArr� by L� DanielH 5862 score with 1 part (alto

recorder)

Nykl Jan

35 Studies for Soprano Recorder for intermediate players, can also be used for the flute and other wind instrumentsH 7132

Repertoire WorksFinger Gottfried(1656–1730)

Sonata in F majfor alto recorder and basso continuoEd� M� KlementH 7850 score with parts

Flute Solo

Educational WorksČerný Rudolf – Bok Josef

School of Flute PlayingWith two charts with regular and trill fingerings for flute (Boehm system)(Cz/Ger)H 2004

Repertoire WorksKabeláč Miloslav(1908–1979)

Compositions for Flute Solo Ed� Z� NouzaMKCE IV/5H 7910

Short Suite (Partita piccola) Op� 13, Improvisation on the Own Theme Op� 29b (from Six Lullabies Op� 29 No� 3)

Flute / 2 Flutesand Piano

Pieces for Children and Youth Eben Petr(1929–2007)

Sketch for C.B. (Skica pro C. B.)for 2 flutes and pianoH 7135 score

Sonatina semplicefor flute / violin and pianoRev� by V� Žilka, B� PurgerH 2414 score with parts


Jazz Windsfor jazz flute / jazz trumpet / jazz trombone with piano accompanimentH 7931 score with parts



Repertoire WorksFeld Jindřich(1925–2007)

Three Compositionsfor oboe / flute / clarinet and pianoH 4557 score with parts

Hlaváč Miroslav(1923–2008)

Two Pastorales for flute and pianoH 7149 score with part


Partita in A per flauto e pianoH 3819 score with part


Sonatina for Flute and PianoH 7890

26

WINDS


Sonata super “Hoson Zes…” for flute / violin and pianoEd� J� ČižmářH 7855 score with 2 parts

Other chamber works with flute – see section CHAMBER MUSIC

Flute Concertos

Benda František(1709–1786)

Tre concerti per flauto traverso ed orchestra da camera COPYin G maj, in E min, in A maj Ed� V� BělskýMAB I/80H 6211 score ♦

KLAVÍRNÍ VÝTAHKLAVIERAUSZUG

PIANO REDUCTION

BÄRENREITER PRAHA

J I N D Ř I C H F E L D

KONC ERTPRO FL ÉTNU A SM YČCOV Ý ORCHESTR ,

K L AV ÍR , H A R FU A BICÍ NÁSTROJE

KON Z ERT

FÜR FLÖTE, STR EICHORCHESTER , K L AV IER , H A R FE UND SCHL AGZEUG

C ONC ERTO

FOR FLUTE A ND STR ING ORCHESTR A , PI A NO, H A R P A ND PERCUSSIONS


Concerto for Fluteand string orchestra, piano, harp and percussions H 3869 piano reduction ♦

Fils Antonín(1733–1760)

Concerto Re maggiore per flauto ed orchestraEds� H� Kašlík, F� Suchý With cadenza by F� SuchýMAB I/18H 53 piano reduction

(František Suchý) with part ♦


Concerto in D maj for Flute and OrchestraEd� M� MunclingerH 4721 score ♦

Oboe Solo

Educational WorksKubát Adolf – Smetáček Václav(1899–1980 / 1906–1986)

School of Oboe Playing French (Boehm) system With piano accompaniment for exercises in melodic ornaments With fingering charts(Cz/Ger)H 1938

Oboe (English Horn)and Piano

Pieces for Children and YouthHurník Ilja(1922–2013)



Studies for English Horn with pianoLullaby, RondoH 1276 score with part

Repertoire WorksFeld Jindřich(1925–2007)


Pelikán Jaroslav(*1970)

Sonatina for Oboe and PianoPrague Spring IMC Commission (2008)H 7991 score with part

H 3723

ISMN 979-0-2601-0739-7

PANTONE 2955 C - totožná barva se vzorovým výtiskem

K L E M E N T S L A V I C K Ý

BÄRENREITER PRAHA

SU I TA PRO HOBOJ A K L AV ÍR

SU I T EFÜR OBOE UND K L AV IER

SU I T EFOR OBOE A ND PI A NO


Suite for Oboe and Piano H 3723 score with part

Other chamber works with oboe – see section CHAMBER MUSIC

Oboe Concertos


Concerto in F maj for Oboe and Orchestra Op. 52Ed� F� SuchýMAB I/27H 1933 piano reduction

(František Suchý) with part ♦

Clarinet / 2–3 Clarinets Solo

Pieces for Children and Youth / Educational WorksKramář-Krommer František Vincenc(1759–1831)

Six Duettini for soprano and alto recorders / 2 violins / 2 clarinetsArr� by L� DanielH 5862 score with 1 part (alto

recorder)

Teml Jiří(*1935)

Chap-Book (Špalíček)easy pieces for two clarinetsRev� by J� KrejčíH 7830 score


27

WINDS

Zákostelecký Bedřich(*1942)

School of Clarinet Playing(Cz/Ger)H 5631 Vol� 1H 6339 Vol� 2

Repertoire WorksHusa Karel(*1921)

Three Studies for Solo ClarinetPrague Spring IMC Commission (2008)H 7992

Nudera Vojtěch(1746–1811)

Four Polonaises for 3 basset horns or clarinets(Cz/Ger)Ed� J� KratochvílH 7750 score with 3 parts

Clarinet and Piano

Repertoire Works




Idyll (Selanka) Op. 16for clarinet / violin and pianoClarinet part rev� by M� KostohryzH 3754 score with parts


NEW 2014

Sonata for Clarinet and Piano (after the Sonata for Violin and Piano)Arr� by S� BrillBA 9581 score with part

● A new addition to the clarinetist's repertoire

● Janáček's masterpiece in a convincing arrangement for clarinet based on the LJCE, Vol� E/1

● Preface by the arranger, Israeli clarinetist Shirley Brill (Eng/Cz/Ger)

● A competition piece of the Leoš Janáček International Competition 2014 in Brno (Czech Republic)

Klusák Jan(*1934)

Recitativo e canto per clarinetto e pianoPrague Spring IMC Commission (2002)H 7867 score with part

Matějů Zbyněk(*1958)

Smorfia (Grimace /Škleb) for clarinet and pianoH 7788 score with part

Other chamber works with clarinet – see section CHAMBER MUSIC

Clarinet Concertos


Concertino for Violin, Clarinet and Orchestra Op. 21 Based on the composer's draft, realised by M� Štědroň, L� FaltusH 7919 score ♦

Koželuh Jan Evangelista Antonín(1738–1814)

Concerto in E-flat maj for Clarinet and OrchestraEd� J� KratochvílH 3888 piano reduction (Jiří

Kratochvíl) with part


Concerto in E-flat maj for Clarinet and Orchestra Op. 36Ed� J� KratochvílMAB I/13H 888 piano reduction

(Ladislav Simon) ♦ (practical edition)

Kukal Ondřej(*1964)

Clarinettino – Concertino for Clarinet and StringsH 7898 piano reduction

(Radek Škeřík) with part ♦

Saxophone

Gruber Rudolf(*1944)

Etudes for Saxophone(Cz/Ger)H 5215

28

WINDS

Bassoon Solo

Educational WorksPivoňka Karel(1907–1986)

Rhytmical Etudes for BassoonH 3291

Virtuoso Etudes for BassoonH 1217

Bassoon and Piano

Repertoire WorksGemrot Jiří(*1957)

Rapsodia per fagotto e pianoforteH 7406 score with part

Other chamber works with bassoon – see section CHAMBER MUSIC

Bassoon Concertos

Neruda Jan Křtitel Jiří(1707–1780)

Concerto Do maggiore per fagotto ed archiEd� E� DrápelaH 7567 scoreH 7646 piano reduction

(Julie Drápelová)

Pelikán Jaroslav(*1970)

ConcertinoVariazioni per fagotto, orchestra d'archi, arpa e timpaniPrague Spring IMC Commission (2002)H 7854 piano reduction

(Miloš Bok) with part

French Horn / 2–3 French Horns Solo

Educational WorksKaucký Emanuel – Petr Miloš

Short Studies for Horn H 6837

Repertoire WorksKalabis Viktor(1923–2006)

Invocation Op. 90H 7804

Stich-Punto Jan Václav(1746–1803)

24 Duets for French HornsEd� F� František ŠolcH 4422 score

Other chamber works with French horn – see section CHAMBER MUSIC

Trumpet and Piano / Organ

Pieces for Children and Youth Hradecký Emil(*1953)

Jazz Windsfor jazz flute / jazz trumpet /jazz trombone with piano accompanimentH 7931 score with parts

Repertoire Works


Windows (Okna)Four Movements for Trumpet and Organ after Marc ChagallTrumpet part rev� by L� KozderkaOrgan part rev� by M� ŠlechtaH 6390 score with part

● One of the composer's most frequently performed pieces worldwide since its creation in 1976

● Inspired by Chagall's stained-glass windows for the synagogue in Jerusalem

● both instruments retain a

great deal of independence, progressing in their own rhythmic patterns, intersecting in places

21

H 6390

21

29

WINDS

Repertoire WorksSimon Ladislav(1929–2011)

Fantasia per trombone e pianofortePrague Spring IMC Commission (2004)H 7913 score with part

Other chamber works with trombone – see section CHAMBER MUSIC

Trombone Concertos

Matěj Josef(1922–1992)

Concerto No. 1 for Trombone and OrchestraH 2726 piano reduction

(with part) by the composer ♦

Kučera Jan(*1977)

The Jokerfor trumpet nad pianoPrague Spring IMC Commission (2010)H 8001

Other chamber works with trumpet – see section CHAMBER MUSIC

Trombone Solo

Repertoire WorksKurz Ivan(*1947)

A Soloist's Sustenance (Sólistův chléb) for tenor trombonePrague Spring IMC Commission (2011)Rev� by J� SušickýH 8019

Trombone and Piano

Pieces for Children and Youth


Jazz Winds for jazz flute / jazz trumpet /jazz trombone with piano accompanimentH 7931 score with parts

39 New Publications 2/2014 · The Programme

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30

PERCUSSION / CHAMBER MUSIC

Percussion

Educational WorksKubánek Libor(*1964)

School of Percussion Playing (Cz/Ger)H 7745

School of Side Drum Playing(Cz/Ger)Easy to advanced level of difficultyH 7753

Tuzar Josef

Studies for Side Drum(Cz)H 4156

Repertoire WorksFišer Luboš(1935–1999)

Cruxfor violin, timpani and bells reproduction of the autograph from the property of I� ŠtrausH 7966 performance score

Ištvan Miloslav(1928–1990)

Capricciofor vibraphone, marimba and percussionH 7932 score with parts


8 invenzioni Op. 45per strumenti a percussione for 6 playersEd� Z� NouzaMKCE IV/10H 7993 score

8 ricercari Op. 51per strumenti a percussionefor 1–6 playersEd� Z� NouzaMKCE IV/11H 7994 score

● 8 invenzioni – one of the composer's most famous works

● 8 ricercari – first printed edition

● Both compositions written for and premiered by Les Percussions de Strasbourg

Piano Trio(piano, violin, violoncello – if not mentioned otherwise)


NEW 2015

Dumky Op. 90 Urtext / Ed� Ch� FlammBA 9567 score with parts(replaces H 1551)To appear in October 2015

Antonín Dvořák wrote his masterly piano trio in Prague in the years 1890–1891, after much hesitation he added his own piano reduction of the work in America in the summer of 1893�

This new edition by Christoph Flamm chooses Simrock's edition as the main source, but it meticulously distinguishes between the various reprints� It also takes into account the sketch and Dvořák's piano reduction� For the first time ever, it publishes the sketch of the third dumka (including the parts) and a concise table showing the development of tempo indications and the divisions of movements�

● Detailed preface (Ger/Cz/ Eng) and critical commentary (Eng) by the editor

● Contains previously unknown bars of Dvořák's music

H 7993

82Final bars from: Miloslav Kabeláč, 8 invenzioni Op. 45 • H 7993


of Czech music

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• A description of the sources• Valuable notes on performance practice• A critical commentary explaining all source

discrepancies and editorial decisions.

But it's not all about musicology. Bärenreiter also satisfies your practical needs as a performer. Bärenreiter Urtext editions offer:

• Page turns, fold-out pages, and cues where you need them

• For solo string works additional parts with fingering and bowing

• In the case of solo concertos and vocal scores, straightforward piano reductions

• A well-presented layout and a user-friendly format

• Excellent print quality• Superior paper and binding• Solid, “Made in Germany” quality

What does the word urtext mean?The German prefix ur- literally means “original” or “earliest”. The earliest use of the term urtext goes back to the 19th century, where it appeared in connection with literary texts. It referred to the original texts of writers such as Goethe or Shakespeare which scholars tried to restore and free from editorial additions. In music, urtext is now a label used for scholarly-critical editions based on all known sources.

C

A

B

missing ff

illegible wedge

missing wedge

9

89

sf sf sf

ff

92

ff ff

ff

ff ff

ff ff

ff

95

ff

ff

ff

sf

sf

sf

sf

sf

sf

][

[ ]

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4

Think of your next performanceWith print-outs from downloads you miss out. Your performances miss out.

Don't waste time by messing with loose paper copies. Build your personal music library with Bärenreiter Urtext editions. Make our editions your own. Take advantage of our expertise and complement it with your personal markings and comments which you will be able to refer to all your life.

Make a Bärenreiter Urtext edition a lifetime investment. Your next performance is worth it.

Let's take this as an exampleSuk's Piano Quartet Op. 1 was published twice in the composer's lifetime. The second edition incorporated the composer's revision, noted by Otakar Šourek into a copy of the first edition (which was used as the engraver's copy for the second edition). The altered first movement was condensed with string-instrument imitation and with semiquaver passages in the piano, and this compositional arrangement of fifteen bars (Suk's autograph of the changes is missing) had to be re-engraved. But an oversight caused the omission of several dynamic markings, although these certainly still belong in the modified versi-on of the passage. Therefore, the Urtext edition re-inscribes these markings according to the first edition and comments on this decision in the critical commentary.

In picture A we see the version from the first edition from 1892. Every two bars the crescendo wedge and ff marking confirm that the music should retain a strong dynamic. Otakar Šourek (and possibly Suk himself before that) marked these wedges only into the piano part of the amended section (picture B ). This sole wedge is also somewhat illegible because that area of the page is muddled by the boundary between two glued pieces of paper. The second edition (picture C ) omitted even this last wedge, together with

D

the initial fortissimo in the piano part. Seeing that this omission was almost certainly not intentional, but rather a mere oversight, in our edition (picture D ) we return to the dynamic markings of the first edition. As we can see, it was not possible to merely reprint the second edition of the quartet from 1924; a study of the sources shows that even that edition was not without errors, due to inconsistent proofreading.

This shows one of many examples that Bärenrei-ter Urtext is not simply a copy of the autograph or a re-engraving of the first edition; it repre-sents a thorough examination of all aspects of a work enriching our understanding of it with conclusive results.

Antonín DVOŘÁKThe current editions of Dvořák's works published in the Bärenreiter Urtext series are full of new musical information that has never been published before. The experienced editors of our Urtext publications apprise musicians of their numerous findings, offering welcome and authentic alternatives to the usual, customary versions. These include, most noticeably:

● The first publication of the composer's own manuscript piano part to his Romance for Violin and Piano

● Dvořák´s final and definitive version of the solo part to the Cello Concerto in B minor and other groundbreaking changes of perspective in the most famous concerto for violoncello of all times (more information on p. 23)

● The original London version of the second movement of Symphony No. 7 in D minor, published in our edition as an appendix to the score and parts

● The original version of the complete cycle of 18 love songs Cypresses based on the first-ever scholarly-critical analysis of the sources

The second aspect of our publishing house's lasting care for quality music sheet editions of this most-performed classic Czech composer is a new series of reprints of mostly chamber and piano music from the Antonín Dvořák Complete Edition (ADCE), prepared by the best Czech editors and Dvořák specialists of the day (Jarmil Burghauser, Antonín Čubr, Antonín Pokorný, Karel Šolc, František Bartoš, etc.).

With their combination of modern printing and Bärenreiter-brand quality, the ADCE reprints reflect present-day performance practice and come equipped with new detailed prefaces by musicologists of the new generation – David R. Beveridge, Hans-Joachim Hinrichsen, Ivana Rentsch, Eva Velická, Hartmut Schick, Christoph Flamm, Robin Tait, Jonáš Hájek.

Humoresque in G-flat major Op. 101 No. 7for pianoBA 9503

Romance in F minor Op. 11for violin and pianoBA 9571

Concerto in B minor for Violoncello and Orchestra Op. 104BA 9045• score °BA 9045-40• critical commentary BA 9045-90• piano reduction by

the composer

Dumky Op. 90for piano, violin and violoncelloBA 9567 score with parts

Serenade in D minor Op. 44for winds, violoncello and double bass BA 10424-22 parts in slipcoverBA 10424 score

Serenade in E major Op. 22for string orchestraBA 10423 score °

Symphony No. 7 in D minor Op. 70BA 10417• score °BA 10417-40• critical commentary

Cypresses B 11 for tenor and pianoBA 9569

Stabat Mater Op. 58for soloists, mixed choir and orchestraH 7920 vocal score by the

composer ♦

The Spectre's Bride Op. 69cantata for soloists, mixed choir and orchestraBA 9544-90 vocal score

(Karel Šolc) ♦

Rusalka Op. 114an opera in three actsBA 9510-90 vocal score

(Karel Šolc)

You can find more information on the individual titles in their respective sections of the catalogue.




Leoš JANÁČEKThe new Urtext editions of Janáček's compositions present the Complete Critical Edition of the Works of Leoš Janáček in a practical and modern format. The achievements of the renowned Janáček researchers and editors of the complete edition have, for the most part, yet to be surpassed.

The work of experts the likes of Ludvík Kundera, Jarmil Burghauser, Leoš Faltus, Miloš Štědroň, or Alena Němcová has been followed up by a new generation of eminent musicologists. Foremost among these is Jiří Zahrádka, who discusses and elucidates the editorial challenges of each of the separate works in the erudite prefaces and critical commentaries of our Urtext edition.

Performers of Janáček's oeuvre appreciate Bärenreiter Urtext both for its perfect treatment of the musical text and for the many new supplements that it provides. For example:

● The first publication of the early four-movement version of Fairy Tale for violoncello and piano

● The part of the French horn in Capriccio as an authentic alternative to the tenor tuba

● A reconstruction of the original version of String Quartet No. 2 “Intimate Letters” with significant audible changes compared to older editions

● A trilingual translation (Cz/Eng/Ger) of the Old Church Slavonic text of the Glagolitic Mass in the new vocal score by Martin Zehn

In the Mistsfor pianoBA 9500

On an Overgrown Pathfor pianoBA 9502

Sonata 1. X. 1905for pianoBA 9501

Organ WorksBA 9524

Works for Violin and PianoBA 11512

Works for Violoncello and PianoBA 9509

String Quartet No. 1BA 9520 parts in slipcoverTP 520 study score

String Quartet No. 2BA 9533 parts in slipcoverTP 533 study score

Youthwind sextetBA 9528 parts in slipcoverTP 528 study score

Capricciofor piano left hand and wind ensembleBA 9535 score and parts in

slipcover

Taras BulbaRhapsody for OrchestraTP 842 study score ♦

Glagolitic Massfinal authorised versionTP 862 study score ♦BA 6862-90 vocal score

(Martin Zehn)

The Eternal GospelBA 6860-90 vocal score (Leoš Faltus) ♦

Fatean opera in three actsBA 9562-90 vocal score

(Rasmus Baumann) ♦



THE COMPLETE CRITICAL EDITION OF THE WORKS OF LEOŠ JANÁČEK

The Complete Critical Edition of the Works of Leoš Janáček was launched in 1978 with the volume Compositions for Piano by the publishing house Supraphon Praha in cooperation with Bärenreiter-Verlag Kassel. With its seven series and more than forty volumes, this remarkable publishing enterprise of international import covers the whole of Janáček's compositional and literary oeuvre.

In 2009, after a longer break, Bärenreiter resumed the publishing of new volumes. They are available either separately, or for a reduced price under a complete or partial subscription.

String Quartet No. 2 “Intimate Letters” LJCE E/4 BA 6857 / H 7832 cloth band score with parts

The Danube a reconstruction of Janáček's unfinished symphony, the score was completed by Miloš Štědroň and Leoš Faltus LJCE H/3 BA 6861 / H 7950 cloth band score ♦

Male Choruses II LJCE C/2 BA 6858 / H 7840 cloth band score

Glagolitic Mass (Mša glagolskaja) for soloists, mixed choir, organ and orchestra LJCE B/5 – I BA 6862 / H 7935 cloth band score, final

authorised version ♦LJCE B/5 – II BA 6863 / H 8020 cloth band score,

“September 1927” version ♦

Fate an opera in three acts LJCE A/5 BA 9562 / H 8038 cloth band score ♦

The older volumes of the LJCE (from before 2009) in both paperback and cloth bound versions are listed in this catalogue.


Antonín Dvořák: RusalkaBA 9510-90 vocal score by Karel Šolc

Antonín Dvořák: Stabat MaterH 7920 vocal score by the composer ♦

Antonín Dvořák: The Spectre's Bride BA 9544-90 vocal score by Karel Šolc ♦

Leoš Janáček: Glagolitic Massfinal authorised version:BA 6862-90 vocal score by Martin Zehn ♦“September 1927” version: ♦adapted vocal score available only on hire

Leoš Janáček: The Eternal GospelBA 6860-90 vocal score by Leoš Faltus ♦

Leoš Janáček: FateBA 9562-90 vocal score by Rasmus Baumann ♦

Bedřich Smetana: The Bartered BrideBA 9534-90 vocal score by the composer ♦


TIMELESS OPERATIC AND CHORAL WORKS OF CZECH CLASSICS in new practical vocal scores

Our Urtext series covers almost the whole of Smetana's piano works, all his chamber music compositions and other selected oeuvre, building on the remarkable work of eminent experts and editors of Smetana's legacy (František Bartoš, Karel Šolc, Josef Plavec, Mirko Očadlík, Hana Séquardtová, etc.) in two comprehensive, best-known editions – the Complete Edition of Works for Piano of Bedřich Smetana and the Study Edition of the Works of Bedřich Smetana.

Through the efforts of excellent contemporary editors, namely Jarmila Gabrielová and Hugh Macdonald, who have subjected all the previous editions to critical analyses and comparisons with all extant autograph material and secondary sources, the Smetana Urtext series brings the aforesaid editions into the 21st century. Among others, it offers musicians:

● The first scholarly-critical edition of the composer's masterly piano cycle Rêves (Dreams)

● Time-tested fingerings and pedal markings prepared by pianist Jan Novotný as an alternative solution to Smetana's original markings (and similarly time-tested fingering and bowing by Ivan Štraus for the violin part of the duet From My Homeland)

● A musical text clean of the printing errors that had appeared in the previous editions of Vltava (The Moldau)

● New findings on the works and their genesis in extensive prefaces by renowned music historians and Smetana experts (Marta Ottlová, Jarmila Gabrielová, Olga Mojžíšová)

Bedřich SMETANA

Album Leavesfor pianoBA 9525

Czech Dancesfor pianoBA 9507

Early Piano Works for pianoBA 9527

On the Seashore / Concert Etude in C major / Fantasia on Czech Folksongs for pianoBA 9519

Polkasfor pianoBA 9506

Rêves (Dreams) Six morceaux caractéristiques pour le pianoBA 9529

Vltava (The Moldau)for piano four handsoriginal version by the composerBA 9549

From the HomelandTwo Duets for Violin and PianoBA 9526 score with part

Piano Trio in G minorBA 9518 score with parts

String Quartet No. 1 “From My Life”BA 9516 parts in slipcoverTP 516 study score

String Quartet No. 2 in D minorBA 9517 parts in slipcoverTP 517 study score

My Country (Má vlast)TP 557 study score ♦

Vltava (The Moldau)BA 9558 score °TP 558 study score

The Bartered BrideBA 9534-90 vocal score by the

composer ♦




Josef SUKThe ever-growing audience and performer demand for the music of Josef Suk, which was very progressive and modern in its days, has finally brought about a scholarly-critical edition in our Urtext series. Both string quartets and the composer's only piano quartet were prepared by renowned Suk expert Zdeněk Nouza, the author of the thematic catalogue of Suk's works. The composer's masterly piano opus Things Lived and Dreamt (Životem a snem) was edited by the eminent musicologist Jarmila Gabrielová. Both editors:

● Have made a critical analysis of the first print editions from the turn of the 19th and 20th century

● Have compared these first prints with all extant autograph material and other newly discovered sources including sketches (for example the newly discovered copy of the parts for Piano Quartet)

● Have recorded all their steps in critical commentaries and provided each edition with a detailed preface

● Have supplemented the Urtext publications with valuable appendices, such as the later reworking of the fourth movement of String Quartet No. 1

This approach has produced the first scholarly--critical edition of Suk's key chamber and piano works, providing musicians with compositions of guaranteed authenticity.

Things Lived and Dreamt Op. 30 Ten Pieces for PianoBA 9561

Piano Quartet in A minor Op. 1BA 9546 score with parts

String Quartet No. 1 in B-flat major Op. 11BA 9530 parts in slipcoverTP 530 study score

String Quartet No. 2 Op. 31BA 9536 parts in slipcoverTP 536 study score


JOSEF SUK Thematic Catalogue of the WorksZdeněk Nouza, Miroslav NovýH 7955

The thematic catalogue of Suk's works is the most comprehensive to date. Each entry is accompanied by a detailed commentary describing the circumstances surrounding the piece concerned (including biographical information) and often correcting mistakes handed down in the previous literature on Suk.

This Czech-English publication covers not only the finished works but also minor juvenilia, projected compositions, works of doubtful authenticity, arrangements of works by other composers, and revisions of music by Dvořák.

The Bärenreiter film ...Renowned conductor and musicologist

Christopher Hogwood takes you on ajourney through Bärenreiter. Come

with us behind the scenes.

You will be given an insight intothe editorial and production process

of an Urtext edition. The history of thisfamily-owned company is also revealed.

... at www.baerenreiter.com

31

CHAMBER MUSIC


Dumky Op. 90Ed� A� Čubr ADCE IV/9H 1551 score with partsThis older edition will be available until stock lasts (will be replaced by BA 9567)

Piano Trio in B-flat maj Op. 21Ed� A� ČubrWith a new preface by H�-J� Hinrichsen and I� RentschBA 9578 score with parts(replaces H 1128)To appear in 2016

Piano Trio in B-flat maj Op. 21Ed� A� Čubr ADCE IV/9H 1128 score with parts This older edition will be available until stock lasts (will be replaced by BA 9578)H 2584 study score

Piano Trio in F min Op. 65Ed� F� BartošWith a new preface by H�-J� Hinrichsen and I� RentschBA 9564 score with parts(replaces H 2143)

Piano Trio in G min Op. 26Eds� A� Pokorný, K� Šolc With a new preface by E� VelickáBA 9538 score with parts(replaces H 2443)


Trio for Violin / Flute, Violoncello and PianoH 7962 score with parts


Frescoes (Fresky) Op. 51H 7860 score with parts

Martinů Bohuslav (1890–1959)

Concertino for Piano Trio and String Orchestra H. 232 COPYH 284 score ♦


Piano Trio in G minUrtext / Eds� F� Bartoš, J� Plavec, K� ŠolcBA 9518 score with parts


Elegy Op. 23[a]“Under the Influence of Zeyer's Vyšehrad” the composer's own arrange-ment for piano trioH 7807 score with parts(original version – see section Miscellaneous Ensembles)

František Jan(1801–1862)

Trio in E-flat maj Op. 27for piano, violin / clarinet and violoncelloUrtext / Ed� M� HarlowBA 9521 score with parts

Trio facile in F maj Op. 28 for piano, violin / flute and violoncelloUrtext / Ed� M� HarlowBA 9522 score with parts

Prefaces by the editor (Eng/ Ger/Cz)

The Trios Opp� 27 and 28 (with two alternative scorings by the composer) are being published for the first time in Urtext edi-tions� Both these pleasing com-positions represent unknown repertoire of Czech chamber music from the period of the national revival movement�

The Trio in E-flat major is styli-stically reminiscent of Beetho-ven's chamber music�

The Trio facile is an accessible piece in the Biedermeier style which was intended for music making in the home and for lessons�

Piano Quartet(piano, violin, viola, violoncello – if not mentioned otherwise)


Bagatelles (Maličkosti) Op. 47for two violins, violoncello and piano / harmoniumEds� A� Pokorný, K� Šolc ADCE IV/10H 2271 score with parts

Piano Quartet in D maj Op. 23Eds� A� Pokorný, K� Šolc ADCE IV/10H 2552 score with parts

Piano Quartet in E-flat maj Op. 87 Eds� A� Pokorný, K� Šolc With a new preface by E� Velická BA 9537 score and parts

in slipcover(replaces H 1756)


Quartet Op. 11 COPYfor violin, viola, violoncello and pianoH 3331 score with parts

32

CHAMBER MUSIC


Piano Quartet in A min Op. 1Urtext / Ed� Z� Nouza BA 9546 score with parts(replaces H 7733)

The Piano Quartet of Josef Suk quickly became a standard work, not least as a result of the extensive concerts given by the Bohemian Quartet, in which Suk was the second violinist�

● First scholarly-critical edition


● Repertoire work of Czech chamber music

Piano Quintet(piano, 2 violins, viola, violoncello)


Piano Quintet in A maj Op. 5Ed� A� ČubrADCE IV/11H 2783 score with parts

Piano Quintet in A maj Op. 81 Ed� A� Čubr With a new preface by D� R� BeveridgeBA 9573 score with parts in

slipcover(replaces H 930)


Piano QuintetH 7719 score with parts


Quintet in D maj Op. 42 COPYfor violin I, clarinet / violin II, French horn / viola, violoncello and pianoH 3998 score with parts


Quintet Op. 8 COPY for two violins, viola, violoncello and pianoEd� by V� MusilH 5330 score with parts

String Duo

Kukal Ondřej (*1964)

Present – Duo for violin and violoncelloH 7964 score with parts

String Trio


Miniatures (Drobnosti) Op. 75a / Gavotte B 164Miniatures – for two violins and viola Gavotte – for three violinsADCE IV/4H 3392 parts in slipcover

Tercetto in C maj Op. 74for two violins and viola Composed as an occasional composition for amateursEd� J� BurghauserBA 9543 parts in slipcover(replaces H 1556)


Serenade No. 2 H. 216 COPYfor two violins and violaH 1501 partsH 6508 score

String Trio No. 1 H. 136Ed� E� VelickáH 7965-22 parts in slipcoverH 7965 study score

Teml Jiří(*1935)

Koledníčekpopular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncellostring parts rev� by M� ŠkampaH 7852 parts in slipcover

String Quartet


Cypresses (Cypřiše) B 152Ed� F� Bartoš ADCE IV/7H 6663 parts in slipcover H 2306 study score

Quartet Movement in F maj B 120ADCE IV/7H 6902-01 parts in slipcover

String Quartet No. 1 in A maj Op. 2 Eds� J� Burghauser, A� ČubrOriginal Burghauser's preface updated and expanded by H� SchickBA 9539 parts in slipcoverTP 539 study score (replaces H 7625 and H 6792)

NEW 2014

String Quartet No. 2 in B-flat maj B 17Eds� A� Pokorný, K� ŠolcBA 9540 parts in slipcoverTP 540 study score (replaces H 3439 and H 3440)

String Quartet No. 3 in D maj B 18ADCE IV/5H 3813 parts in slipcover

String Quartet No. 4 in E min B 19ADCE IV/5H 4592 parts in slipcover

33

CHAMBER MUSIC

NEW 2014

String Quartet No. 5 in F min Op. 9Eds� J� Burghauser, A� ČubrOriginal Burghauser's preface updated and expanded by H� SchickBA 9545 parts in slipcoverTP 535 study score (replaces H 6404 and H 6397)

String Quartet No. 6 in A min Op. 12 ADCE IV/5H 6549 parts in slipcover

String Quartet No. 7 in A min Op. 16ADCE IV/6H 2849 parts in slipcover

String Quartet No. 8 in E maj Op. 80ADCE IV/6H 1834 parts in slipcover H 1835 study score

String Quartet No. 9 in D min Op. 34ADCE IV/6H 1481 parts in slipcover

String Quartet No. 10 in E-flat maj Op. 51ADCE IV/6H 1595 parts in slipcover

String Quartet No. 11 in C maj Op. 61ADCE IV/7H 1791 parts in slipcover

String Quartet No. 12 in F maj Op. 96 “American”ADCE IV/7H 1594 parts in slipcoverH 1304 study score

String Quartet No. 13 in G maj Op. 106ADCE IV/7H 1732 parts in slipcover

String Quartet No. 14 in A-flat maj Op. 105ADCE IV/7 H 1569 parts in slipcover

Two Waltzes Op. 54No� 1 in A maj, No� 4 in D-flat majADCE IV/6H 2803 parts in slipcover


String Quartet No. 6H 7764 score with parts


String Quartet in A maj COPYH 100 parts


Variations on an Unknown Theme (Variace na neznámé téma) for string quartetFirst printed edition H 8023 score with parts


On an Overgrown Path (Po zarostlém chodníčku)Arr� by J� BurghauserH 6173 score with parts

String Quartet No. 1 “Inspired by Tolstoy's Kreutzer Sonata”Urtext / Eds� L� Faltus, M� ŠtědroňBA 9520 parts in slipcoverTP 520 study score

String Quartet No. 2 “Intimate Letters”Eds� L� Faltus, M� ŠtědroňLJCE E/4BA 6857 / H 7832cloth band score with partsUrtext / Eds� L� Faltus, M� ŠtědroňBA 9533 parts in slipcoverTP 533 study score

Kukal Ondřej(*1964)

String Quartet Op. 9H 7958 score with parts


String Quartet No. 4 H. 256Eds� A� Březina, I� ŠtrausH 7844-22 parts in slipcoverH 7844 study score

String Quartet No. 5 H. 268Eds� A� Březina, A� KlemensH 7941-22 parts in slipcoverH 7941 study score

String Quartet No. 6 H. 312Eds� A� Březina, I� ŠtrausH 7968-22 parts in slipcoverH 7968 study score

Matys Jiří(*1927)

String Quartet No. 1 Op. 21H 6428 score with parts

String Quartet No. 3 Op. 37H 3986 score with parts

String Quartet No. 6Prague Spring IMC Commission (2005)H 7944-22 parts in slipcoverH 7944 study score

34

CHAMBER MUSIC


String Quartet No. 1 in E min “From My Life”Urtext / Eds� F� Bartoš, J� Plavec, K� ŠolcBA 9516 parts in slipcoverTP 516 study score (replaces H 7676)

String Quartet No. 2 in D minUrtext / Eds� F� Bartoš, J� Plavec, K� ŠolcBA 9517 parts in slipcoverTP 517 study score(replaces H 7677)


Minuet COPYfor string quartet Ed� M� NovýH 6967 score with parts

String Quartet No. 1 in B-flat maj Op. 11Urtext / Ed� Z� NouzaBA 9530 parts in slipcover(replaces H 3193)TP 530 study score

Josef Suk re-wrote the fourth movement (Finale) of his String Quartet No� 1 in B-flat major twenty years after its completion (1896)� Despite his use of the same thematic material, the new version differs so substantially that this movement is frequently performed on its own� The later version of 1915 is included in this edition�

● First Urtext edition


NEW 2015

String Quartet No. 2 Op. 31Urtext / Ed� Z� NouzaBA 9536 parts in slipcoverTP 536 study scoreTo appear in June 2015

The single-movement String Quartet No� 2 by Josef Suk was written at the height of his compositional powers� Completed in Křečovice in May 1911, this demanding work, with its complex harmonies and motivic structure, seemed avant-garde for its day: the Berlin premiere of November 1912 was accompanied by pro-tests from the audience� Now Zdeněk Nouza has edited the first scholarly-critical edition of this piece�

● First Urtext edition


°

¢

°

¢

°

¢

TP 536 © 2015 by Bärenreiter Praha

Violino I

Violino II

Viola

Violoncello

p sotto voce

dolce, ma espress.

Adagio

p sotto voce

p sotto voce

p sotto voce

pp cresc.

molto espress.

molto cresc.

1

6

pp

cresc.

molto cresc. largamente

molto espress.

pp

espress.

cresc.

molto cresc. largamente

molto espress.

pp poco marcato

cresc.

molto cresc. molto espress.

ff

sempre espress.

poco stringendo

rit. poco

2

9

ten.

ff

molto marcato

ff

ff

molto marcato

ff

sempre espress.

ff

ten.

molto marcato

ff

c

c

c

c

Josef Suk, op. 31

Smyčcový kvartet č. 2 /

String Quartet No. 2 / Streichquartett Nr. 2

Svým kolegům H. Wihanovi, K. Hoffmannovi, J. Heroldovi

poco

espress.

3

ff pesante

sempre espress.

ff pesante

ff pesante

sempre espress.

3

™

™

™

™

™

™

™

™

™

™

™

™

™

™

™

™

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™

™

™

TF 536 - Suy, Smyčcový kvartet č. 2 - Elius - 4. Korr. - 04/03/2015

35

CHAMBER MUSIC

Vranický Pavel(1756–1808)

Quartetti per archi II Op. 16 Nos. 1–6Ed� S� OndráčekPreface by O� Zuckerová (Cz/Ger/Eng)MAB I/84H 7481 score(parts for each individual quartet available upon request)

Zámečník Evžen(*1939)

Meditation for string quartetH 6406 score with parts

String Quintet


Nocturno in B maj Op. 40for 2 violins, viola, violoncello and double bassEds� J� Burghauser, M� NovýADCE III/24H 6590 score with parts

String Quintet in A min Op. 1for 2 violins, 2 violas and violoncelloADCE IV/9H 6782-22 parts in slipcover

String Quintet in E-flat maj Op. 97for 2 violins, 2 violas and violoncelloEd� F� BartošA new preface by D� R� Beveridge BA 9542 parts in slipcoverTP 532 study score(replaces H 1738 and H 1305)NEW 2014

String Quintet in G maj Op. 77 for 2 violins, viola, violoncello and double bassEds� F� Bartoš, A� PokornýBA 9577 parts in slipcover(replaces H 2591)TP 577 study score

● Dvořák's famous quintet with double bass

● This edition also includes the Intermezzo from the original five-movement version of the quintet

● Preface by David R� Beveridge (Eng/Cz/Ger)


Dialogues (Rozhovory)for string quintetH 7923 score with parts


Tre quintetti d'archi IV–VI COPYfor 2 violins, 2 violas and double bassEd� V� BělskýMAB I/83H 7037 score

String Sextet


String Sextet in A maj Op. 48for 2 violins, 2 violas and 2 violoncellosEds� J� Burghauser, A� ČubrBA 9566 parts in slipcover(replaces H 2116)

Schulhoff Erwin(1894–1942)

Sextetfor 2 violins, 2 violas and 2 violoncellos Ed� M� Rische BA 7488-22•parts in slipcoverBA 7488• study score

Wind Ensembles

Blatný Pavel(*1931)

Scena con ottoni (Scéna pro žestě)for 2 trumpets, 2 trombones and French hornH 6214 score with parts

Dušek František Xaver(1731–1799)

Six Parthiasfor 2 oboes and bassoonEd� M� KlementH 5628 score with parts


Quintetto COPY (Variations on chorale)for 2 trumpets, French horn and 2 trombonesH 5166 score with parts

Quintetto per stromenti a fiato COPYfor flute, oboe, clarinet, French horn and bassoonH 4397 score with parts


Music of the Tower (Hudba věže) Op. 88 (Tribute to Bohuslav Martinů)for 2 trumpets, French horn and 2 trombones H 6477 score with parts


Youth (Mládí)Wind Sextet for flute / piccolo, oboe, clarinet, French horn, bassoon and bass clarinetUrtext / Eds� J� Doležal, L� FaltusBA 9528 parts in slipcover TP 528 study score


Wind Sextet Op. 8 COPYfor flute, English horn, 2 clarinets, French horn and bassoon H 2023 study score ♦



36

CHAMBER MUSIC


Piccola musica da camera Op. 27for flute, oboe, clarinet, French horn and bassoonH 4757 score with parts


Trio in F maj and Variations on Pleyel´s Theme COPYfor 2 oboes and French hornEd� M� KlementH 5808 score with parts


Tre ottetti per due oboi, due clarinetti, due corni e due fagotti COPYin E-flat maj, in E-flat maj, in B-flat maj Ed� C� SchoenbaumMAB I/55H 3406 score with parts

Rejcha Antonín(1770–1836)

Tre quintetti – Parte I, Op. 88 No. 3 COPYfor flute, oboe, clarinet, French horn and bassoonEds� R� Hertl, V� Smetáček, rev� by M� ŠpeťkoMAB I/33aH 7140 parts in slipcover

Serenate Boëme, partite e notturni

Antonín Kammel, Jiří Družecký, František X. Dušek, Vincenc Mašek for 2 oboes, 2 French horns and bassoon Ed� V� BělskýMAB I/35H 2304 score

Vranický Antonín(1761–1820)

Marches for Wind Instrumentsfor 2 oboes, 2 clarinets, 2 French horns, trumpet, 2 bassoons and contrabassoon Ed� A� MyslíkH 4890 score with parts

Wind Ensemblesand piano


Music for Oboe, Bassoon and PianoH 7452 score with parts


Impromptus Op. 45 COPYfor trumpet / flute, oboe, clarinet and piano H 3843 score with parts


Capriccio for Piano Left Hand and Wind Ensemble flute / piccolo, 2 trumpets, 3 trombones, tenor tuba ossia French horn Eds� L� Faltus, J� Procházková LJCE E/5BA 6856• cloth bound score

with partsUrtext / Eds� L� Faltus, J� ProcházkováPreface by J� ProcházkováBA 9535 score and parts in

slipcover (French horn part included)


MiscellaneousEnsembles


Serenade in D min Op. 44for 2 oboes, 2 clarinets, 2 bassoons, contrabassoon ad lib�, 3 French horns, violoncello and double bassUrtext / Ed� R� TaitBA 10424-22 parts in slipcover BA 10424 score (replaces H 1928)To appear in 2016

Serenade in D min Op. 44 COPYEd� F� BartošADCE III/16H 1928 score ♦This older edition will be replaced by BA 10424

Fiala Josef(1748–1816)

Two Duetsfor oboe and viola / violoncelloEd� M� KlementH 7787 score with parts


Cruxfor violin, timpani and bellsReproduction of the autograph from the property of I� ŠtrausH 7966 performance score


Nonet No. 2 “In Honour of Nature” Op. 44 for flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bassH 6465 score ♦


Two Oboe Quartets in C maj, in F majfor oboe, violin, viola and violoncelloEd� J� PohankaMAB I/42H 2705 score with parts


Nonet No. 2 H. 374 COPYfor flute, oboe, clarinet, bassoon, French horn, violin, viola, violoncello and double bass H 3022 study score ♦

Promenades H. 274for flute, violin and harpsichord BA 3327• score with parts

Serenade No. 1 H. 217 COPYfor 2 clarinets, French horn, 3 violins and viola H 1500 parts



37

CHAMBER MUSIC


Serenade No. 3 H. 218 COPYfor oboe, clarinet, 4 violins and violoncelloH 1502 parts

Sextets – Nonets Ed� J� ZichováBMCE IV/4, 1BA 10574 cloth band scoreTo appear in 2016

Les Rondes H� 200, Serenade No� 1 H� 217, Serenade No� 3 H� 218, Stowe Pastorals (Pastorely ze Stowe) H� 335, Nonet No� 2 H� 374

→ see more about BMCE on pp� 38-39


Four Sonatas COPYfor flute, violin and violoncelloEd� M� KlementH 6033 score with parts

Rejcha Antonín(1770–1836)

Tre quartetti Op. 98 Nos. 1–3in G min, in C maj, in G maj for flute, violin, viola and violoncello Ed� K� Janetzki, rev� by J� RuisMAB I/65aH 3917-22 parts in slipcover

Tre quartetti Op. 98 Nos. 4–6in E min, in A maj, in D majfor flute, violin, viola and violoncello Ed� S� OndráčekMAB I/85, I/85aH 7800-22 parts in slipcoverH 7800 score

Rössler-Rosetti František Antonín(1746–1792)

Notturno in D COPYfor flute, violin, viola, violoncello and Frech horn in DEd� V� BělskýMAB I/32H 2171 score


Elegy Op. 23“Under the Influence of Zeyer's Vyšehrad”for violin solo, violoncello solo, string quartet, harmonium and harpEds� K� Řehák, M� SvobodováH 7404 score with parts

Village Serenade (Vesnická serenáda) s. op.the composer's own arrangement (originally for piano solo) for 2 clarinets, 3 violins, viola, violoncello and double bass suitable for amateur musicians Ed� M� NovýH 7952 score with parts

Teml Jiří(*1935)

Koledníčekpopular Czech and Moravian Christmas songs for 2 violins / clarinets and violoncello H 7852 parts in slipcover

MiscellaneousEnsembles and Piano


Trio for Flute / Violin, Violoncello and PianoH 7962 score with parts


Quintet in D maj Op. 42 COPYfor violin I, clarinet / violin II, French horn / viola, violoncello and pianoH 3998 score with parts


Sonata da camerafor flute, oboe / violin, violoncello, harpsichord / piano H 3002 score with parts

Hurník Lukáš(*1967)

Fusion Musicfor oboe, clarinet, bassoon and piano H 7863 score with parts


Concertino for piano, 2 violins, viola, clarinet, French horn and bassoonH 4342 score with parts


Les Rondes H. 200for oboe, clarinet, bassoon, trumpet, 2 violins and piano H 208 study score ♦

Sonata for Flute, Violin and Piano H. 254BA 3326• score with piano


Bagatelle “Carrying a Bouquet” („S kyticí v ruce“)for flute (violin ad lib�), violin and piano H 7820 score with parts

Škroup František Jan(1801–1862)

Trio in E-flat maj Op. 27for piano, clarinet / violin and violoncelloUrtext / Ed� M� HarlowBA 9521 score with parts

Trio facile in F maj Op. 28 for piano, flute / violin and violoncelloUrtext / Ed� M� HarlowBA 9522 score with parts


38

CHAMBER MUSIC

B O H U S L A V M A R T I N Ů

T H E C O M P L E T E E D I T I O NSubscription offer

Bärenreiter is publishing The Bohuslav Martinů Complete Edition, a scholarly-critical edition that will present the complete œuvre of this major twentieth century composer for the first time.

Martinů’s works in all their versions and arrangements, as well as newly discovered and previously unpublished compositions will be included.

The Edition Commissioned by the Bohuslav Martinů Foundation (Prague). Edited by the Bohuslav Martinů Institute (Prague). Director: Aleš Březina

Editorial Board Peter Ackermann, Sandra Bergmannová, Dietrich Berke (†), Aleš Březina, Klaus Döge (†), Jarmila Gabrielová, Jonáš Hájek, Christopher Hogwood (†), Adéla Kovářová, Kateřina Maýrová, Marek Pechač, Daniela Philippi, Ivana Rentsch, Giselher Schubert, Arne Stollberg, Annette Thein, Paul Wingfield, Jitka Zichová, Vít Zouhar, Pavel Žůrek

The First Ten Volumes

The Structure Eight series (indicated by Roman numerals) divided into subseries (indicated by Arabic numerals). Approx. 100 volumes in total.

I Stage works and film music

II Orchestral music III Concertos and other

concertato works IV Chamber music V Keyboard works VI Choral works and

songsVII Piano reductions

by the composer VIII Supplements and

varia

The SubscriptionAvailable on complete subscription or partial subscription by series at reduced prices. The volumes can also be purchased individually.

Please ask for the brochure “Bohuslav Martinů · The Complete Edition” (Eng/Ger) · SPA 275 · in preparation

Each volume includes a detailed Foreword and a Critical Report, both in English and Czech, format: 25.5 x 32.5 cm, cloth bound.

Series VI/2, 1 The Epic of Gilgamesh, H 351, Ed. Aleš Březina 2015 BA 10571Series II/1, 4 Symphony No. 4, H 305, Ed. Sharon Andrea Choa 2015 BA 10572Series VI/2, 2 Svatební košile (The Spectre’s Bride), H 214.I A, Polní mše (Field Mass), H 279, Ed. Paul Wingfield 2016 BA 10573Series IV/4, 1 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3, H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374, Ed. Jitka Zichová 2016 BA 10574Series VI/2, 3 Otvírání studánek (The Opening of the Springs), H 354, Legenda z dýmu bramborové nati (The Legend of the Smoke from Potato Tops), H 360, Romance z pampelišek (The Romance from the Dandelions), H 364, Mikeš z hor (Mikesh from the Mountains), H 375 BA 10575Series IV/3, 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268, String Quartet No. 6, H 312, String Quartet No. 7, H 314 BA 10576Series III/2, 4 Concerto for String Quartet and Orchestra, H 207, Sinfonia concertante, H 322 BA 10577Series III/1, 7 Concerto da camera for Violin, String Orchestra, Piano and Percussion, H 285, Rhapsody-Concerto for Viola and Orchestra, H 337 BA 10578Series III/1, 6 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto in B-flat for Piano and Orchestra (Fantasia concertante), H 366 BA 10579Series I/1, 12 Ariane, Lyric Opera in One Act, H 370 BA 10580

B Ä R E N R E I T E R

KLAVÍR

39

2. supraphon

B O H U S L A V M A R T I N Ů

T H E C O M P L E T E E D I T I O NSubscription offer

Bärenreiter is publishing The Bohuslav Martinů Complete Edition, a scholarly-critical edition that will present the complete œuvre of this major twentieth century composer for the first time.

Martinů’s works in all their versions and arrangements, as well as newly discovered and previously unpublished compositions will be included.

The Edition Commissioned by the Bohuslav Martinů Foundation (Prague). Edited by the Bohuslav Martinů Institute (Prague). Director: Aleš Březina

Editorial Board Peter Ackermann, Sandra Bergmannová, Dietrich Berke (†), Aleš Březina, Klaus Döge (†), Jarmila Gabrielová, Jonáš Hájek, Christopher Hogwood (†), Adéla Kovářová, Kateřina Maýrová, Marek Pechač, Daniela Philippi, Ivana Rentsch, Giselher Schubert, Arne Stollberg, Annette Thein, Paul Wingfield, Jitka Zichová, Vít Zouhar, Pavel Žůrek

The First Ten Volumes

The Structure Eight series (indicated by Roman numerals) divided into subseries (indicated by Arabic numerals). Approx. 100 volumes in total.

I Stage works and film music

II Orchestral music III Concertos and other

concertato works IV Chamber music V Keyboard works VI Choral works and

songsVII Piano reductions

by the composer VIII Supplements and

varia

The SubscriptionAvailable on complete subscription or partial subscription by series at reduced prices. The volumes can also be purchased individually.

Please ask for the brochure “Bohuslav Martinů · The Complete Edition” (Eng/Ger) · SPA 275 · in preparation

Each volume includes a detailed Foreword and a Critical Report, both in English and Czech, format: 25.5 x 32.5 cm, cloth bound.

Series VI/2, 1 The Epic of Gilgamesh, H 351, Ed. Aleš Březina 2015 BA 10571Series II/1, 4 Symphony No. 4, H 305, Ed. Sharon Andrea Choa 2015 BA 10572Series VI/2, 2 Svatební košile (The Spectre’s Bride), H 214.I A, Polní mše (Field Mass), H 279, Ed. Paul Wingfield 2016 BA 10573Series IV/4, 1 Les Rondes, H 200, Serenade No. 1, H 217, Serenade No. 3, H 218, Stowe Pastorals, H 335, Nonet No. 2, H 374, Ed. Jitka Zichová 2016 BA 10574Series VI/2, 3 Otvírání studánek (The Opening of the Springs), H 354, Legenda z dýmu bramborové nati (The Legend of the Smoke from Potato Tops), H 360, Romance z pampelišek (The Romance from the Dandelions), H 364, Mikeš z hor (Mikesh from the Mountains), H 375 BA 10575Series IV/3, 2 String Quartet No. 4, H 256, String Quartet No. 5, H 268, String Quartet No. 6, H 312, String Quartet No. 7, H 314 BA 10576Series III/2, 4 Concerto for String Quartet and Orchestra, H 207, Sinfonia concertante, H 322 BA 10577Series III/1, 7 Concerto da camera for Violin, String Orchestra, Piano and Percussion, H 285, Rhapsody-Concerto for Viola and Orchestra, H 337 BA 10578Series III/1, 6 Incantation. Concerto for Piano and Orchestra No. 4, H 358, Concerto in B-flat for Piano and Orchestra (Fantasia concertante), H 366 BA 10579Series I/1, 12 Ariane, Lyric Opera in One Act, H 370 BA 10580

B Ä R E N R E I T E R

40

ORCHESTRA

Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek

The Musica Antiqua Bohemica (MAB) edition series is an collection of the compositions of various authors of Czech origin ranging from the Baroque period to that of early Romanticism. It was begun in 1934 by the Brno musicologist Vladimír Helfert; after a wartime break and the death of the origi-nal editor, it was taken up by the Prague publisher Supraphon and later Bärenreiter Praha, and its last volume was published in 2003.

The first, instrumental series maps the life and work of Czech compo-sers both in European metropolises

of the 17th and 18th century and at the courts of their domestic nobility. The series has published critical editions of the works of Jiří Antonín Benda, Antonín Rejcha, František Xaver Dušek, the most revelational editorial impact can be seen in the multi-volume inclusions of Jan Ladislav Dusík, Pavel Josef Vejvanovský, Jan Václav Hugo Voříšek, and other authors who had previously been largely underestimated. It comprises compositions of all genres, ranging from piano and violin works to chamber music and symphonic scores.

In 1969 this instrumental series was complemented by another, vocal one, which includes significant representations of the works by Jan Dismas Zelenka and Jiří An-tonín Benda; the youngest author chronologically is Jan Václav Hugo Voříšek (1791–1825).

Although it is merely an incomplete study on Czech music history, the MAB edition series constitutes a unique anthology of compositions of the given period, thus acting as a basic guideline for further research in this field, especially in the region of Central Europe.

MUSICA ANTIQUA BOHEMICA

MUSICA ANTIQUA

BOHEMICA

48

PAVEL JOSEF VEJVANOVSKÝ

COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484

3 přímé barvy - viz VZOR!!! MUSICA ANTIQUA

BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


BOHEMICA

48


COMPOSIZIONI

EDITIO SUPRAPHON

ISMN 979-0-2601-0248-4

per orchestra

PARTITURA

Parte seconda

9 790260 102484


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MAB● A unique collection of

compositions from Central -European music of the 17th, 18th, and early 19th century

● All genres of instrumental music and choral works

● Each publication includes a detailed preface by the editor, a list of sources and relevant literature, and a critical commentary (Cz/Ger/Eng)

41

ORCHESTRA

String Orchestra(concertos with string orchestra – see individual instruments)


NEW 2015

Serenade in E maj for String Orchestra Op. 22violin I II, viola, violoncello, double bassUrtext / Ed� R� TaitBA 10423 score ° (replaces H 971 – only for hire)To appear in the autumn of 2015


Sinfonietta da camera per archiviolin I II, viola, violoncello, double bass H 5643 score ♦


Ella-Polkaviolin I II, viola, violoncello, double bass and trianglefor string orchestra arr� by the composerEd� M� NovýH 7953 score and parts

Meditation on the Old Czech Hymn “St Wenceslas” Op. 35aviolin I II, viola, violoncello, double bass Rev� by L� LáskaH 517 study score ♦

Sousedská s. op.[A type of Czech folk dance]violin I–V, double bass / violoncello, cymbals, triangle, snare drum and bass drum Ed� Z� NouzaH 7954 score and parts

Šesták Zdeněk(*1925)

Concerto per orchestra d'archiviolin I II, viola, violoncello, double bass H 6429 score

Vodička Václav(1720–1774)

Sinfonia in Cviolin I II, viola, violoncello, double bass, harpsichord Rev� by H� Krupka, J� SnížkováH 3740 score ♦

Zach Jan(1699–1773)

Cinque sinfonie d'archiviolin I II, viola, double bassEd� J� PohankaMAB I/43H 2852 score and parts

Chamber Orchestra(concertos with chamber orchestra – see individual instruments)

Benda Jiří Antonín(1722–1795)

Sinfonie I–IIIin D maj, in G maj, in C majflute, oboe, French horn I II, violin I II, viola, violoncello, double bass, harpsichord Ed� J� PohankaMAB I/58H 3555 score and parts

Sinfonie IV–VIin F maj, in G maj, in E-flat majflute I II, oboe I II, French horn I II, violin solo, violin I II, viola, violoncello, double bass, harpsichord Ed� J� PohankaMAB I/62H 3789 score and parts


Concertino pastoralefor three solo instruments (flute, oboe, clarinet / violin) and string orchestra (violin I II III, viola, violoncello, double bass)H 7877 scoreH 7877-22 parts COPY

Fils Antonín(1733–1760)

Sei sinfonie per orchestra2 flutes, 2 French horns, violin I II, viola, double bassEd� J� PohankaMAB I/44H 2958 score ♦

Koželuh Leopold(1747–1818)

Tre sinfoniein D maj, in F maj, in G min2 oboes, 2 bassoons, 2 French horns, stringsEd� M� PoštolkaMAB I/72H 4585 score ♦

♦ Performance material available on hire ° Performance material available

on sale

Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Mich-na Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti Fran-tišek Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Antonín • Koželuh Leopold • Kra-mář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Anto-nín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek František Xaver • Fils Anto-nín • Koželuh Leopold • Kramář-Krommer František Vincenc • Linek Jiří Ignác • Losy Jan Antonín • Michna Adam z Otradovic • Mysliveček Josef • Plánický Josef Antonín • Rejcha Antonín • Rössler-Rosetti František Antonín • Seger Josef Ferdinand Norbert • Tůma František Ignác Antonín • Vejvanovský Pavel Josef • Voříšek Jan Václav Hugo • Vranický Antonín • Vranický Pavel • Zach Jan • Zelenka Jan Dismas • Benda František • Benda Jiří Antonín • Brixi František Xaver • Brixi Šimon • Dusík Jan Ladislav • Dušek

KLAVÍR

42

ČF

Dvorakovsky komplet A5 AJ.indd 1 10.03.15 11:15

43

ORCHESTRA


Divertimento (Serenade No. 4) H. 215violin solo, viola solo, 2 oboes, piano, stringsH 366 study score COPYH 1503 parts

Rejcha Antonín (1770–1836)

Symphony in E-flat maj Op. 41flute, 2 oboes, 2 bassoons, 2 French horns, timpani, stringsEd� V� BělskýMAB I/76H 5270 score ♦

Tomášek Václav Jan(1774–1850)

Symphony in D maj Op. 30flute, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, timpani, strings Ed� Š� JedličkováH 7568 score ♦

Vejvanovský Pavel Josef(1640–1693)

Composizioni per orchestraEd� J� PohankaMAB 1/47–49H 3079 Vol� 1 score ♦H 3171 Vol� 2 score ♦H 3230 Vol� 3 score ♦Serenate e sonate per orchestrafor 2 clarinas, strings and basso continuoEd� J� PohankaMAB I/36H 2334 score ♦

Zelenka Jan Dismas(1679–1745)

Composizioni per orchestra ISinfonia, Hipocondrie, Capriccio I–VEds� C� Schoenbaum, O� PulkertMAB I/61H 3788 score ♦

Symphony orchestra(concertos with symphony orchestra – see individual instruments)

Blatný Pavel(*1931)

Bells (Zvony)H 7311 study score ♦

In modo classicoVariations for string quartet and jazz orchestraH 6614 study score ♦

Bořkovec Pavel(1894–1972)

The Pied Piper (Krysař)Ballet in two scenes based on an old Saxon story(Cz/Ger)H 1648 score ♦


Czech Suite Op. 39 COPYADCE III/17H 519 score ♦

Josef Kajetán Tyl Op. 62Incidental music to the play by František Ferdinand ŠamberkADCE I/9H 5849 score ♦

Suite in A maj Op. 98b COPYADCE III/17H 2307 score ♦

Symphony No. 1 in C min B 9 “The Bells of Zlonice” („Zlonické zvony“)Ed� F� BartošTP 501• study score ♦

Symphony No. 2 in B-flat maj Op. 4Ed� F� BartošTP 502• study score ♦

Symphony No. 3 in E-flat maj Op. 10Ed� F� BartošTP 503• study score ♦

Symphony No. 4 in D min Op. 13Ed� F� BartošTP 504• study score ♦

Symphony No. 5 in F maj Op. 76Ed� F� Bartoš*TP 505 study score ♦

Symphony No. 6 in D maj Op. 60Ed� F� BartošTP 506• study score ♦

Symphony No. 7 in D min Op. 70Urtext / Ed� J� Del MarBA 10417• score °BA 10417-40• critical commentary (Eng)

Dvořák's Symphony No� 7 was commissioned by the Royal Philharmonic Society in August 1883 and received its premiere on 22 April 1885 in London conducted by the composer himself� The following June the 2nd movement was shortened by some 40 bars and the work was published in this form in 1885 by Simrock�

The editor of this new scho-larly-critical edition Jonathan Del Mar has drawn on all the available sources including letters� The original version of the 2nd movement appears in the appendix as well as in the performance material�

● First Urtext edition of this important work

● Contains the original London version of the 2nd movement

● Includes a detailed preface (Cz/Eng/Ger) by the editor

Symphony No. 7 in D min Op. 70Ed� F� BartošTP 507• study score ♦

Symphony No. 8 in G maj Op. 88Ed� F� BartošTP 508• study score ♦

Symphony No. 9 in E min Op. 95 “From the New World”Ed� F� BartošTP 509* study score ♦


Symphony No. 2H 7178 score ♦




44

ORCHESTRA


Symphony No 3 Op. 38H 2741 study score ♦

Symphony No. 4 for Large Orchestra Op. 49H 3506 study score ♦


Con brio per orchestraH 7803 score ♦


The Danube (Dunaj)reconstruction of the composer's unfinished symphony (with soprano solo), the score was completed by the volume's editorsEds� L� Faltus, M� ŠtědroňLJCE H/3BA 6861 / H 7950 cloth band

score ♦

Two DancesCossack Dance (Kozáček), Serbian Reel (Srbské kolo)Ed� J� BurghauserBA 6171 / H 4657 score ♦

Lachian Dances (Lašské tance)Eds� J� Burghauser, R� EliškaLJCE D/4BA 6845• cloth band score ♦H 6571p score (practical

edition) ♦

Entr'actes from the opera The Cunning Little Vixen (Meziaktní hudba z opery Příhody lišky Bystroušky)Arr� by F� JílekH 7505 study score

Suite from the opera From the House of the Death (Suita z opery Z mrtvého domu)Arr� by F� JílekH 7506 study score

SinfoniettaH 7741 piano reduction

for four hands only (František Jílek) ♦

Taras BulbaRhapsody for OrchestraEds� J� Burghauser, J� HanušLJCE D/7BA 6842• cloth band score ♦H 3616-02 score (practical

edition) ♦

NEW 2015

Taras Bulba Rhapsody for OrchestraUrtext / Eds� J� Burghauser, J� HanušTP 842 study score ♦(replaces H 3616-22)

● 20th century repertoire piece now available in study score

● Notation based on the LJCE D/7

● With a new preface by J� Zahrádka (Cz/Eng/Ger)

The Fiddler's Child (Šumařovo dítě)Ballad for OrchestraEds� J� Burghauser, R� EliškaLJCE D/6BA 6848• cloth bound score ♦H 6798-02 score (practical

edition) ♦


Mystery of Time (Mysterium času) Op. 31 COPYPassacaglia per grande orchestraH 2799 study score ♦


Symphony No. 2 – Sinfonia pacis Op. 18H 3759 study score ♦


Concerto grossoH 7554 study score ♦

The Story of the Flutes (Příběh fléten) COPYH 3684 study score ♦

Krejčí Iša(1904–1968)

XX variazioni per orchestrato an original theme in folk song styleH 5553 score


NEW 2015

Symphony No. 4 H. 305Ed� S� A� Choa BMCE II/1, 4BA 10572 cloth band score

Symphony No� 4 (1945) is the most joyous of the author's six compositions of this genre� When working on the third movement, the composer was caught up by news of Germany's capitulation�

This first critical edition offers the composer's last authorised version in the main musical text, the Appendices also include parts of the work as they appeared before their revision for the first printed edition, in which the composer made slight alterations to the instru-mentation and removed three bars from the third movement� They thus depict the performan-ce history of the work as it was rendered until the release of the printed edition of the score in 1948, at the same time giving current performers access to the original version� The well-en-dowed Facsimiles section includes, among others, all extant parts of the draft of the work�

● First ever scholarly-critical edition

● Detailed preface and critical commentary by the editor (Eng/Cz)

→ see more about BMCE on pp� 38-39



45

ORCHESTRA


Moravian Dance Fantasias (Moravské taneční fantazie)H 1211 study score ♦

Rhapsodic Variations (Rapsodické variace)for large orchestraH 2888 study score ♦

Symfonietta IIIConcerto per orchestra H 7004 score ♦


My Country (Má vlast)the most representative and best-known cycle of tone poems in Czech musicUrtext / Ed� F� BartošWith a new preface by M� OttlováTP 557 study score (replaces H 3796)

My Country (Má vlast)Practical performance revision of each of the tone poems based on the critical editionEd� J� Burghauser

Vyšehrad COPYH 6427-01 score ♦

Vltava COPYH 6427-02 score ♦

Šárka COPYH 6427-03 score ♦

From Bohemian Fields and Groves (Z českých luhů a hájů) COPYH 6427-04 score ♦

Tábor H 6427-05 score ♦

Blaník COPYH 6427-06 score ♦

March for the Shakespeare Celebration (Pochod ke slavnosti Shakespearově)H 3096-66 study score ♦

Prague Carnival (Pražský karneval)H 4054-66 study score ♦

NEW 2014

VltavaUrtext / Ed� H� MacdonaldBA 9558 score °TP 558 study score

(the composer's own version for piano four hands – see section Piano Duet)

Vltava, also known as The Moldau, is Smetana's best known and most frequently performed tone poem from the cycle My Country�

Owing to the large number of misprints in the Urbánek first edition, Hugh Macdonald has based his new edition on the autograph score, with cross- references to the first edition and the composer's own ver-sion for piano duet� Conflicting readings in the sources are listed in the critical commenta-ry along with a discussion of all editorial decisions�

● New Urtext edition with clear and uncluttered engraving

● Detailed introduction by Smetana authority Olga Mojžíšová (Cz/Eng/Ger)

● A critical commentary by the editor (Eng)


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ª BA 10572 © 1950 by Hawkes & Son (London) Ltd.

To Helene and Bill Ziegler

Symphony No. 4I

From: Bohuslav Martinů, Symphony No. 4 • BA 10572

46

ORCHESTRA / SOLO VOICE


Scherzo fantastique Op. 25Rev� by V� MusilH 5183 score

The Winter's Tale (Pohádka zimního večera) Op. 9 COPYConcert overture for large orchestraHM 941 score ♦

Radúz and Mahulena Op. 13Music to a Slovak fairy tale in 4 acts by Julius ZeyerH 1879 piano reductin only

(Roman Veselý)

Teml Jiří(*1935)

Concerto grosso (Hommage à Haendel)H 7531 study score

MUSICA ANTIQUA

BOHEMICA

34

JAN VÁCLAV (HUGO) VOŘÍŠEK

S I N F O N I A

ISMN 979-0-2601-0248-4

Re maggiore

PARTITURA

9 790260 102484



Symphony in D maj 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 French horns, 2 trumpets, timpani, stringsEd� J� Racek, rev� by F� BartošMAB I/34H 2262 score ♦H 7323 piano reduction

for four hands (Karel Šolc)

Solo Voice (Voices)


Biblical Songs (Biblické písně) Op. 99for higher and lower voice and piano to words from the Book of Psalms (Cz/Ger/Eng) Ed� A� Čubr ADCE VI/2H 1758 soprano / tenor H 1560 alto / baritone

Cypresses (Cypřiše) B 11for tenor and pianoSong cycle to words by Gustav Pfleger-Moravský (Cz)Urtext / Ed� A� FreseBA 9569

● First ever Urtext edition of 18 love songs by young Dvořák

● With translations of the lyrics (Eng/Ger)

● With a detailed preface by eminent Dvořák scholar David R� Beveridge (Eng/Ger/Cz) and a critical commentary (Eng)

Evening Songs (Večerní písně) Opp. 3, 9 COPYfor voice and piano to words by Vítězslav Hálek (Cz/Eng)Ed� A� ČubrADCE VI/1H 553

Gypsy Songs (Cigánské melodie) Op. 55for higher and lower voice and piano to words by Adolf Heyduk(Cz/Ger/Eng) Ed� A� ČubrADCE VI/1 H 1559 soprano / tenor H 1739 alto / baritone


VIII

*) very painfully / mit großem Schmerz

Ó, na ší- lás ce- ne kvě- te- to vy tou- že- né- ště-

Con anima (velmi bolestně) rit. [a tempo]

pp

stí:- a kdy by- květ lo,- na svě tě- ne bu- de- dlou ho- kvě sti.-

6

mf

Proč by se sl za- v o hni- vé- po lib- ky- ve-

11

p

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da- la?- Proč by mne v pl né- lás ce- své ouz kost- ně- ob jí- ma- la?- Ó,

15

pp

6

8

6

8

6

8

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19

47

SOLO VOICE


Love Songs (Písně milostné) Op. 83 COPYfor voice and piano to words by Gustav Pfleger-Moravský (Cz/Ger/Eng)Ed� A� ČubrADCE VI/2H 2227

Moravian Duets (Moravské dvojzpěvy) Opp. 20, 32, 38for two voices (soprano and tenor / soprano and alto) and piano to words of Moravian folk songs(Cz/Ger/Eng)Ed� A� ČubrADCE VI/3H 337 score

Rusalka's Song to the Moon (Píseň Rusalky o měsíčku)Aria for soprano and piano from the 1st act of the opera RusalkaText by Jaroslav Kvapil (Cz/Ger/Eng)H 4460 vocal score

(Karel Šolc) ♦ Songs to Words by Eliška Krásnohorská B 23 COPYfor voice and piano(Cz/Ger/Eng) Eds� J� Burghauser, A� ČubrADCE VI/1H 2632Songs to Words by Gustav Pfleger-Moravský Op. 2 COPYfor voice and piano (Cz/Ger/Eng) Eds� J� Burghauser, A� ČubrADCE VI/2H 2829

Three Spiritual Songs (Tři duchovní zpěvy) Op. 19bfor lower voice and organ (Lat) Eds� J� Burghauser, A� ČubrADCE VI/1H 4956

Ave Maria, Hymnus ad laudes in festo SS� Trinitatis, Ave maris stella

Eben Petr (1929–2007)

Nursery Songs (Říkanky)for soprano and piano to words of English limericks children's favourite songs, suitable for teaching English (Eng/Cz)H 7810

Secret Songs (Písně nejtajnější / Heimliche Lieder) for low voice and piano Love songs to words by various authors (Cz/Ger)H 3533

Six Songs of Love (Šestero piesní milostných / Sechs Minnelieder)for lower voice and piano Six songs to original medieval love poetry (in 5 original languages with translations into Czech) (Cz/Eng/Ger/Ital/Fr)H 2464

Songs from Teschen (Písně z Těšínska / Lieder aus dem Teschnerland)for lower voice and piano to words of Silesian folk songs (Cz/Ger)H 5311

Songs for a Lute (Písně k loutně) for voice and lute / guitar to words of medieval and Renaissance love poetry (in original languages)(Cz/Eng/Fr/Ger)a small pendant to the cycle Six Songs of Love, suitable for an amateur singer and guitarist in one Rev� by J� TichotaH 6300

Foerster Josef Bohuslav(1859–1951)

Erotikon Op. 23Four songs for higher voice and piano (Cz/Ger)H 7849


Umbrella from Piccadilly (Deštník z Piccadilly) Op. 103Three songs for bass and large orchestra to words by Jaroslav Seifert (Cz)(with English and German translations of the lyrics) H 7439 study score ♦


Four Ballads (Čtyři balady)for medium voice and piano to words of folk poetry (Cz/Ger)Rev� by J� TrojanH 6497

Moravian Folk Poetry in Songs (Moravská lidová poezie v písních) for voice and piano(Cz/Ger)H 4570

Silesian Songs (Slezské písně) for low voice and piano to words from a collection of folk songs by Helena Salichová(Cz)Rev� by B� ŠtědroňH 1403


Five Romantic Songs about Love to Words by R. M. Rilke (Pět romantických písní o lásce na slova R. M. Rilka) Op. 38for high voice and piano(Ger/Cz)H 7841


Love Carol (Koleda milostná) for medium / higher voice and piano (together with Love Carol by Bohuslav Martinů) (Cz/Ger)Ed� I� PopelkaH 5585


48

SOLO VOICE


Excited Song (Zjitřený zpěv) for baritone and brass quintet (2 trumpets, French horn, 2 trombones) to words by Josef Hora (Cz)H 7791 score with parts


Four Songs on Czech Folk Poetry (Čtyři písně na slova české lidové poezie) H. 282bis

for voice and piano (Cz/Ger/Eng)Ed� A� BřezinaH 7809

Love Carol (Koleda milostná) H. 259for medium / higher voice and piano (together with Love Carol by Vítězslava Kaprálová)(Cz/Ger)Ed� I� PopelkaH 5585

New Chap-Book (Nový Špalíček) H. 288for voice and pianoEight songs on Moravian folk poetry (Cz/Ger) Ed� I� PopelkaH 6132

Bohuslav Martinů

LIEDER AUF EINER SEITESONGS ON ONE PAGE

Canto e Piano


Songs on One Page (Písničky na jednu stránku) H. 294for higher voice and pianoSeven songs on Moravian folk poetry(Cz/Eng)H 5094

Bohuslav Martinů

LIEDER AUF ZWEI SEITENSONGS ON TWO PAGES

Canto e Piano


Songs on Two Pages (Písničky na dvě stránky) H. 302for higher voice and piano Seven songs on Moravian folk poetry (Cz/Eng)H 5095

Two Songs to the Text of Negro Folk Poetry (Dvě písně na texty negerské poezie) H. 232bis

for voice and piano(Cz/Ger)Ed� I� PopelkaH 5988


Tre notturni COPYfor 2 sopranos, 2 clarinets, 2 French horns and strings (Ital) Ed� V� BělskýMAB II/7H 5182 score ♦

Petrarch Songs (Písně na Petrarku)Songs for medium voice and piano on poems by Francesco Petrarca 19 songs in different languages from 19 European composers from 18th to 20th centuries (Ital/Fr/Cz/Eng/Ger) Ed� M� BrunsH 7934

Plánický Josef Antonín(1691–1732)

Opella ecclesiasticaTwelve sacred cantatas (Lat) for soprano, alto and bass solo, 2 bassoons, strings, and organ Ed� J� SehnalMAB II/3H 4496 score


South Bohemian Folk Songs (Jihočeské písně a písničky) for voice, violin, clarinet, bass clarinet and piano(Cz/Ger)H 5489 score with parts

Sluka Luboš(*1928)

Renaissance Songs (Písně renesanční)Three songs for mezzo-soprano / baritone and piano(Cz/Ger)H 3402


Evening Songs (Večerní písně)for lower voice (arr� by J� E� Zelinka) and piano Five songs to words by Vítězslav Hálek (Cz/Ger/Eng)Rev� by K� ŠolcH 2844


49

The five volume editorial pro-ject Repertorium troporum bohemiae medii aevi introduces the texts and musical editions of mass tropes from Czech sources from the 11th–16th centuries� The tropes are edited along with their native chants; as such, these publications would interest both the acade-mic community, as well as those interested in performance�

Many of the texts and melodies are made accessible for the very first time� The edition contains numerous commentaries, int-roductory studies (Cz/Eng) and enclosed facsimilies�

An internationally respected musicologist Hana Vlhová-Wör-ner is the author of numerous publications on church music and Latin liturgical poetry in Bohemia and Central Europe from the 11th to 16th centuries and one of the editors of the “Jistebnice Kancionál”�


Collections

Music of the Piarist Monasteries IMoravian church compositions of the 17th and 18th centuriesfor mixed choir, 2 horns, strings and organ(Lat) Ed� T� HanzlíkH 7905 score

Repertorium troporum bohemiae medii aevi, pars I–IV

Tropi proprii missae – pars I(Lat)Ed� H� Vlhová-WörnerH 7878

Tropi ordinarii missae – pars IIKyrie eleisonGloria in excelsis Deo(Lat)Ed� H� Vlhová-WörnerH 7959

Tropi ordinarii missae – pars IIISanctus(Lat)Ed� H� Vlhová-WörnerH 8017

NEW 2015

Tropi ordinarii missae – pars IVAgnus Dei(Lat)Ed� H� Vlhová-WörnerH 8030

Children's Choir


AlleluiaEpilogue from the oratorio Apologia Sokratus for children's and mixed choir and organ Organ version arr� by Ph� Brunelle(original Greek of Plato's Apologia Sokratus)H 7900 score

The Twig Grows Green (Zelená se snítka) 14 songs for children's choir and piano(Cz/Ger)H 2335 score


Children's Choruses A selection from the author's cycles of children's choruses a cappella (Cz)H 7136 choral score

Missa Vinea Crucisfor children's / female choir and orchestra or organ(Lat)H 7768 score (organ version)orchestral version on hire

Pololáník Zdeněk(*1935)

Cantus laetitiaefor children's or female choir a cappella(Lat)H 7885 choral score

Female Choir


Of Swallows and Girls (O vlaštovkách a dívkách) Nine folk songs for female choir a cappella (Cz) H 4233 choral score

Pastorelle boemicheCzech Christmas PastoralsDaniel A� F� Milčinský (instrumental ), Tomáš N� Koutník, Jiří I� Linek, Jan Michaličkafor soloists (soprano, tenor, bass), mixed choir and chamber orchestra (Cz)Ed� J� BerkovecMAB I/23H 1819 score ♦

50



Greek Dictionary (Řecký slovník)Nine female choruses with harp/ piano accompaniment (to single Greek words) Harp part rev� by L� VáchalováH 6145 score


Missa Vinea Crucisfor children's / female choir and orchestra or organ (Lat)H 7768 score (organ version)orchestral version on hire


Hradčany Songs (Hradčanské písničky)for female choir with flute and harp accompanimentto words by František S� Procházka(Cz/Ger/Eng)H 4248 score

Kašpar RuckýBallad for female choir a cappella with soprano solo to words by František S� Procházka(Cz/Ger)H 6001 choral score

The Wolf's Track (Vlčí stopa)for female choir and piano to words by Jaroslav Vrchlický(Cz/Ger)H 4515 score


Opening of the Wells (Otvírání studánek) H. 354Cantata for soprano, alto and baritone solos, reciter, female choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger)H 2122 score with

instrumental parts→ see more on p� 54

The Spectre's Bride (Svatební košile) H. 214.I ACantata for solo soprano, tenor and bass, female choir, orchestra and piano to words of the ballad by Karel Jaromír Erben from the 1st version of the ballet Špalíček (Act 3, Scene 2)(in one volume with Martinů's cantata Field Mass) (Cz) Ed� P� WingfieldBMCE VI/2, 2BA 10573 cloth band scoreTo appear in 2016→ see more about BMCE

on pp� 38-39

Pololáník Zdeněk(*1935)

Cantus laetitiaefor children's or female choir a cappella(Lat)H 7885 choral score


Female ChorusesThree three-part female choruses a cappella Má hvězda, Přiletěly vlaštovičky, Za hory slunce zapadá (Cz)H 7811 choral score

Male Choir


Choral Songs (Sborové písně) B 66 COPYfor male choir (Cz)HM 150 choral score


In honorem CaroliCantata for male choir and orchestra to words from the Foundation Charter of Charles University (Cz/Lat/Ger)H 6615 score


Ave Maria COPYfor male choir a cappella to words by Lord Byron (Cz)Ed� J� TrojanH 6276 choral score

Čarták on Soláň (Na Soláni čarták)Cantata for male choir and orchestra to words by Martin Kurt (pseu-donym of Maxmilián Kunert)(Cz/Ger/Eng) Eds� J� Hanuš, M� ŠtědroňLJCE B/3BA 6844• cloth band score ♦H 6450p score (practical

edition) ♦H 2576 vocal score

(Břetislav Bakala)

Echoes of Folk Songs (Ohlas národních písní) for male choir a cappella (Cz)Ed� J� TrojanH 5951 choral score

True Love (Láska opravdivá), I am most astonished (Divím se milému), The Sunken Garland (Vínek stonulý)

Four Male Partsongs (Čtveřice mužských sborů)for male choir a cappellaH 2486 choral score (Cz)H 2486n choral score (Ger)

The Threat (Výhrůžka), Oh Love! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé)

Four Moravian Male Choruses (Čtvero mužských sborů moravských)for male choir a cappella to words of Moravian folk poetry (Cz)H 7769 choral score

You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení)



51



Male Choruses (Mužské sbory) Ifor male choir a cappella(Cz/Ger/Eng)Eds� L� Faltus, P� OlivaLJCE C/1BA 6847• cloth band choral

score

Ploughing (Orání), Fickleness of Love (Nestálost lásky), Lonesome without Solace I (Osamělá bez těchy I), True Love (Láska opravdivá), I am most astonished (Divím se milému), The Sunken Garland (Vínek stonulý), Wailing Melancholy (Zpěvná duma), You Cannot Escape from Fate (Osudu neujdeš), Two Doves in a Fir Tree (Na košatej jedli), At the Ferry (Na prievoze), Four Male Partsongs (Čtveřice mužských sborů): The Threat (Výhrůžka), Oh Love ! (Ó lásko), Oh, Army (Ach, vojna, vojna), Your Beautiful Eyes (Krásné oči tvé), Parting (Loučení), The Dove (Holubička), The Jealous Lover (Žárlivec), Birch Tree (Což ta naše bříza), Seek Repose (Odpočiň si), Festive Chorus (Slavnostní sbor), Lonesame without Solace II (Osamělá bez těchy II)

Male Choruses (Mužské sbory) IIfor male choir a cappella (Cz/Ger/Eng)Eds� L� Faltus, P� OlivaLJCE C/2BA 6858 / H 7840 cloth band choral score

Ave Maria, The Wreath (Vínek), Four Moravian Male-Voice Choruses on Moravian folk poetry (Čtvero mužských sborů moravských): You Know (Dež viš), Mosquitoes (Komáři), The Evening Witch (Klekánica), Parting (Rozloučení), Halfar the Schoolmaster (Kantor Halfar), Maryčka Magdónova (1st version), Maryčka Magdónova (2nd version), The Seventy Thousand (Sedmdesát tisíc), The Eiderdown (Perina), The Czech Legion (Česká legie), The Wandering Madman (Potulný šílenec), Our Flag (Naše vlajka), Chorus for laying the foundation stone of the Masaryk University in Brno, various supplements

The Wandering Madman (Potulný šílenec)for male choir a cappella with soprano solo to words by Rabindranath Tagore (Cz/Ger)H 6003 choral score

The Seventy Thousand (Sedmdesát tisíc)for mail choir a cappella to words by Petr Bezruč (Cz)H 6002 choral score

True Love (Láska opravdivá)for male choir a cappella to words of folk poetry(Ger/Eng)H 3026 choral score

Wailing Melancholy (Zpěvná duma)for male choir a cappella to words by František L� Čelakovský (Cz/Ger)Ed� J� TrojanH 6256 choral score

Martinů Bohuslav (1890–1959)

Brigand Songs (Zbojnické písně) H. 361 COPYTen male choruses a cappella to words of Moravian folk poetry(Cz/Ger/Eng)H 2880 choral score

Field Mass (Polní mše) H. 279 Cantata for male choir with baritone solo and orchestra to words by Jiří Mucha (in one volume with Martinů's cantata The Spectre's Bride)(Cz) / English translation of lyrics in the appendixEd� P� WingfieldBMCE VI/2, 2BA 10573 cloth band scoreTo appear in 2016→ see more about BMCE

on pp� 38-39

Field Mass (Polní mše) H. 279 COPYolder edition (Cz)H 277-S score ♦


Festive Chorus (Slavnostní sbor) COPYfor male choir a cappella to words by Emanuel Züngel(Cz)H 5561 choral score

Mixed Choir

Brixi Šimon(1693–1735)

MagnificatCantata for mixed choir, 2 trumpets (clarinas), strings and organ(Lat) Ed� V� BělskýMAB II/2H 4151 score


Hymnus “Heirs of the White Mountain” („Dědicové Bílé Hory“) Op. 30Short cantata for mixed choir and orchestra to words by Vítězslav Hálek(Cz/Ger/Eng) ADCE II/5H 3530 score ♦ COPYH 3750 vocal score

(Karel Šolc) COPY

In Nature's Realm (V přírodě) Op. 63 COPYfor mixed choir a cappella to words by Vítězslav Hálek (Cz)ADCE VI/4H 522 choral score

Mass in D maj Op. 86 (organ version)for soloists, mixed choir and organ(Lat)Eds� J� Burgauser, A� ČubrADCE II/7H 4952 score (with preface

by J� Burghauser)BA 7511• score (with preface

by Ch� Heimbucher)

52



Psalm 149 (Žalm 149) Op. 79for mixed choir and orchestra(Cz/Ger/Eng) ADCE II/6H 4508 vocal score

(Karel Šolc) ♦

Requiem Op. 89for soloists, mixed choir and orchestra(Lat) ADCE II/4H 2924-90 vocal score

(Karel Šolc) ♦

NEW 2014

Requiem Op. 89for soloists, mixed choir and chamber orchestra Arr� by J� Linckelmann(Lat)BA 9582 score °● Standard choral work with

a manageable reduced orchestration

● A stylistically appropriate as well as tried and tested arrangement

● In keeping with the vocal score H 2924-90

Six Moravian Duets (Šest moravských dvojzpěvů)for mixed choir and pianoto words of Moravian folk songs (Cz/Ger)Arr� by L� Janáček, with original piano partEd� V� NěmecH 7718 score

St Ludmila (Svatá Ludmila) Op. 71Oratorio for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng) ADCE II/3H 4027 vocal score

(František Bartoš) ♦

Stabat Mater Op. 58Cantata for soloists, mixed choir and orchestra (Lat)Ed� A� ČubrADCE II/1H 2268 study score ♦H 1882 vocal score

(Karel Šolc)

Stabat Mater Op. 58Cantata for soloists, mixed choir and orchestra(Lat)Vocal score based on Dvořák's original piano version Urtext / Eds� J� Kachlík, M� SrnkaH 7920 vocal score by the

composer ♦

Te Deum Op. 103for solo soprano and bass, mixed choir and orchestra(Lat)ADCE II/6H 4522 score COPYH 4523 vocal score

(Karel Šolc) ♦

The Spectre's Bride (Svatební košile) Op. 69 Ballad to words by Karel Jaromír Erben for soloists, mixed choir and orchestra(Cz/Ger/Eng)ADCE II/2With a new preface by D� PhilippiBA 9544-90 vocal score

(Karel Šolc) ♦(replaces H 2206)


AlleluiaEpilogue from the oratorio Apologia Sokratus for children's and mixed choir and organOrgan version arr� by Ph� Brunelle(original Greek of Plato's Apologia Sokratus)H 7900 score

Love and Death (Láska a smrt) COPYfor mixed choir a cappella to words of folk poetry(CZ/Ger)H 3863 choral score

Salve Regina / Cantico delle creatureCanticle of the Sun of Francis of Assisi for mixed choir a cappella(Lat/Ital [Umbrian])BA 6429• choral score

The Night (Noc)for mixed choir a cappella to words by Karel Hynek Mácha(Cz/Ger/Eng)H 7847 choral score

Ubi caritas et amorfor mixed choir a cappella to words by anonymous (Lat/Ital)BA 5404• choral score


Caprichosdouble-chorus composition a cappella for chamber and mixed choirsH 4439 score


AmarusCantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický(Cz/Ger/Eng)Eds� L� Faltus, M� Kučerová, M� ŠtědroňLJCE B/1BA 6851• cloth bound scoreH 7382 scoreH 7735 vocal score

(Zdeněk Král) ♦

Elegy on the Death of My Daughter Olga (Elegie na smrt dcery Olgy) Cantata for tenor solo, mixed choir and piano to words by Marie N� Vevericová(Cz/Ger/Eng) Ed� T� StrakováH 2572 score




53


SUPRAPHON a. s.www.supraphon.com | [email protected]/SupraphonClassics | www.twitter.com/SupraphonCZ | Available on

MUSIC FROM THE GREATEST CZECH COMPOSERS AND ARTISTS

SUPRAPHONLION IN THE WORLD OF MUSIC

JANÁČEK / GLAGOLITIC MASS (September 1927 version) THE ETERNAL GOSPELPrague Philharmonic Choir, Prague Radio Symphony Orchestra Tomáš Netopil

“Again, the performance is excellent.”Gramophone

Gramophone Award 2012

“An absolute winner.”Gramophone

DVOŘÁK – SUK – JANÁČEK / VIOLIN CONCERTOSJosef Špaček violin / Czech Philharmonic Orchestra Jiří Bělohlávek

SMETANA / MY COUNTRY DVOŘÁK / SLAVONIC DANCESCzech Philharmonic Orchestra Václav Talich

SMETANA / MY COUNTRYPrague Philharmonia

Jakub Hrůša

JANÁČEK / SINFONIETTA – TARAS BULBA – THE BALLAD OF BLANÍK – THE FIDDLER’S CHILD

Prague Radio Symphony Orchestra / Tomáš Netopil

54


“Bureš-cantatas” – Martinů choral masterpieces

H 2122 / H 2992 / H 2996 / H 2997◼ The cycle of Martinů's chamber cantatas frequently performed

worldwide◼ All four masterpieces are written to words by Miloslav Bureš,

a fellow native of the composer from Polička◼ “Bureš-cantatas”, composed between 1955–59, express the

composer's deep feeling of homesickness, especially in the Opening of the Wells, the most known and the most popular of them


Festive Chorus (Slavnostní sbor)for male solo quartet, female and male choir with piano to words by K� Kučera(Cz/Ger)Ed� J� TrojanH 5264 score

Glagolitic Mass (Glagolská mše / Mša glagolskaja)for soloists, mixed choir, organ and orchestra(Old Church Slavonic text)Eds� L� Faltus, J� ZahrádkaLJCE B/5–IPreface (Cz/Ger/Eng/Fr/Ru) and critical commentary (Cz/Ger) by J� Zahrádka BA 6862 / H 7935 cloth band score, final authorised version ♦LJCE B/5–IIBA 6863 / H 8020 cloth band score, “September 1927” version ♦

Urtext / Eds� L� Faltus, J� Zahrádka(final authorised version)Preface (Cz/Eng/Ger) by J� ZahrádkaWith translation of an Old Church Slavonic text into Cz/Ger/Eng in the vocal score TP 862 study score BA 6862-90 vocal score

(Martin Zehn)

Graduale in festo Purificationis B. V. M.for mixed choir a cappella (Lat) Ed� J� TrojanH 4698 choral score

Hail Mary (Zdrávas Maria)Ave Maria for soprano / tenor, mixed choir (ad lib�), violin, piano / organ(Cz/Ger)Ed� B� BakalaH 6252 score

Mass in B-flat maj According to “Messe pour orgue” by F� Liszt for mixed choir and organ (Lat)Ed� J� BurghauserH 6239 score

Mass in E-flat maj (Unfinished Mass)for soloists, mixed choir and organ (Lat)Ed� J� Trojan, Credo completed by V� PetrželkaH 5086 score ♦

Lord Have Mercy upon Us (Hospodine!)for soloists, 2 mixed choirs, 4 trumpets, trombone, tuba, harp and organ (Cz/Ger) Ed� J� TrojanH 4700 score (with

harp part) ♦BA 6079• score °The Eternal Gospel (Věčné evangelium)Cantata for soloists, mixed choir and orchestra to words by Jaroslav Vrchlický (Cz/Ger/Eng)Eds� L� Faltus, M� ŠtědroňLJCE B/4BA 6860• cloth band score ♦H 7736 score ♦Urtext / Eds� L� Faltus, M� ŠtědroňBA 6860-90 vocal score

(Leoš Faltus) The Lord's Prayer (Otčenáš)for mixed choir with tenor solo, harp and organ (Cz/Ger) Ed� B� ŠtědroňH 3712 score H 3712-64 harp part

Three Mixed Chorusesfor mixed choir a cappella(Cz/Ger)Ed� J� TrojanH 6154 choral score

Píseň v jeseni (Herbstlied), Kačena divoká (Die Wildente), Naše píseň (Unser Lied)

Kopřiva Václav Jan(1708–1789)

Offertorium ex D “Vox clamantis in deserto”for mixed choir, chamber orchestra (2 trumpets – clarinas, strings) and organ (Lat)Ed� Z� ŠestákH 7442 score

Linek Jiří Ignác(1725–1791)

Missa pastoralis ex F / Pastorellafor mixed choir with solos, 2 horns, strings and organ (Missa: Lat, Pastorella: Cz/Ger)Ed� J� BerkovecMAB II/13H 7226 score ♦

55


Madelka Simon Bar Jona(cca 1550–1598)

Seven Penitential Psalms (Sedm kajících žalmů)For five voices(Lat) Ed� M� KlementH 7999 choral score


Legend from the Smoke of Potato Fires (Legenda z dýmu bramborové nati) H. 360Cantata for solo soprano, alto and baritone, mixed choir and instrumental ensemble (flute, clarinet, French horn, accordion, piano) to words by Miloslav Bureš (Cz/Eng/Ger) H 2996 scoreH 2996-22 instrumental parts

Madrigals (Part-Song Book) H. 380Four madrigals for mixed choir a cappella on Moravian folk songs (Cz/Ger)1� Am Donaustrom

(Tam s tej strany Dunaja)BA 3755• choral score2� Ej, steht ein Wäldchen

(Ej, jeden hájek)BA 3756• choral score3� Auf der Erde hat nichts Weile

(Na tom světě nic stálého)BA 3757• choral score4� Glaubst du, daß ich wohl

nichts wüßte? (A ty si myslíš)BA 3758• choral score

Mikesh from the Hills (Mikeš z hor) H. 375Cantata for solo soprano and tenor, mixed choir, 2 violins, viola and piano to words by Miloslav Bureš (Cz/Eng/Ger) H 2992 scoreH 2992-22 instrumental parts

Romance from the Dandelions (Romance z pampelišek) H. 364 Cantata for mixed choir with soprano solo to words by Miloslav Bureš (Cz/Eng/Ger)H 2997 choral score


The Epic of Gilgamesh (Epos o Gilgamešovi) H. 351Oratorio for soloists, narrator, mixed choir and orchestraLibretto in original English versionEd� A� BřezinaBMCE VI/2, 1BA 10571 cloth band score→ see more about BMCE

on pp� 38-39

For fourteen long years Martinů mused over a composition “of the genre of Cavalieri's ‘Rappresenta-tione di anima e di corpo'”, before finally composing his masterly choral work at the turn of Decem-ber 1954 and January 1955, thus creating one of the most impres-sive choral scores of the 20th century� He compiled the libretto

from the texts of one of the oldest extant works of literature, the Ancient Babylonian Epic of Gilgamesh, which fascinated him with its themes of friendship, love, and death�

The greatest contribution of this critical edition is the discovery and first publication of the com-poser's detailed requirements for a semi-theatrical staging of the work and the extension of the Narrator's role in accordance with Martinů's original inten-tions� The well-endowed facsi-miles section includes, among others, the complete draft of the work�● First ever scholarly-critical

edition● Detailed preface and critical

commentary by the editor (Eng/Cz)

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5


NEW 2015


56


Adam Michna z Otradovic(*1600 in Jindřichův Hradec, South Bohemia, †1676 in Jindřichův Hradec), a contemporary of Schütz and Carissimi, is one of the most important Czech composers of the 17th century� He is recognised not only as a musician, but also as a poet of undisputed importance to Czech Baroque literature�

Michna gained special prominence as the author of popular Czech-language church hymns, which continue to be sung to this day� However, he is also the author of a large body of figural church music set to Latin, most of which was published midway through the 17th century by the Jesuit printing office in Prague�

Adam Michna z OtradovicA notable figure of Czech Baroque music and literature

The Adam Michna z Otradovic – Compositiones edition series, headed by Jiří Sehnal, represents Michna in his two artistic aspects, as the author of both the music and the lyrics of songs used by lay people to participate in the Mass throughout the year (for example, the extensive hymnbook Svatoroční muzika – Holy Year Music), and as the composer of church music using techniques and musical symbolism of the time�

During the Thirty Years War and its aftermath, the period when Michna composed his works, the choir lofts of chur-ches were mostly poorly equipped, and the humble, often “ad libitum” instrumentation of Michna's compositions reflect this fact, making his works accessible even to small ensembles�

57


Michna Adam Václav z Otradovic(1600–1676)

Czech Marian Music (Česká mariánská muzika)Cantilenae sacre bohemicae ad honorem Beatae Mariae Virginis63 four-part songs (Cz) Ed� J� Sehnal, texts rev� by L� ŠtukavecAMO 1H 7240 choral score

Holy Year Music (Svatoroční muzika)Cantiones sacre per tempus totius anni118 four-part songs (Cz) Eds� F� Malý, J� Sehnal, texts rev� by L� ŠtukavecAMO 5H 7824 choral score

Missa Sancti Wenceslaifor mixed choir and instrumental ensemble (Lat)Ed� J� SehnalMAB II/1H 4035 score ♦

Officium vespertinum – pars I: Psalmi Ifor mixed choir and instrumental ensemble(Lat) Eds� J� Sehnal, V� BělskýAMO 6H 7837 score ♦

Officium vespertinum – pars II: Psalmi IIfor mixed choir and instrumental ensemble (Lat)Eds� J� Sehnal, V� BělskýAMO 7H 7880 score ♦

Officium vespertinum – pars III: Compositiones ad honorem B. M. V. / Falsi burdoni a due corefor mixed choir and instrumental ensemble(Lat) Eds� J� Sehnal, V� BělskýAMO 8H 7979 score ♦

Sacra et litaniae – pars I: Missa Ifor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 2H 7332 score ♦

Sacra et litaniae – pars II: Missa IIfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 3H 7595 score ♦

Sacra et litaniae – pars III: Missa IIIfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 4H 7808 score ♦

Sacra et litaniae – pars IV: Missa IVfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 9H 7990 score ♦

Sacra et litaniae – pars V: Missa Vfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 10H 7995 score ♦

Sacra et litaniae – pars VI: Missa pro defunctisfor mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 11H 7996 score ♦

Sacra et litaniae – pars VII, VIII, IX – Litaniae de SS. nomine Jesu, Litaniae B. M. V. / Te Deumfor 4 soloists, mixed choir and instrumental ensemble (Lat) Eds� J� Sehnal, V� BělskýAMO 12H 7997 score ♦


Aesopia (VI Phaedri fabellae cantatae atque saltatae cum prologo et epilogo) 1st version for mixed choir, soloists and piano (Lat)H 7882 score ♦

Ryba Jakub Jan(1765–1815)

Czech Christmas Mass (Česká mše vánoční)for soloists, mixed choir, orchestra and organthe most popular Czech Christmas Mass of all times (Cz/Ger)H 5572 vocal score

(Josef Hercl) ♦


Psalmifor solo voices, mixed choir and organ(Lat)H 7383 score


Czech Song (Česká píseň)Cantata for mixed choir and orchestra to words by Jan z HvězdyH 7402 vocal score

(Karel Šolc) ♦ (Cz)H 7402n vocal score

(Karel Šolc) ♦ (Ger)

Šesták Zdeněk(*1925)

Laudate Dominum, omnes gentesfor mixed choir a cappella(Lat)H 7924 choral score

Teml Jiří(*1935)

KrédoCycle of mixed choruses a cappella with baritone solo to words by Jan Tůma(Cz)H 7858 choral score


Missa in B (Missa solemnis Op. 24)for mixed choir, solo voices and orchestra (Lat) Eds� J� Berkovec, O� ZuckerováMAB II/15H 7739 score ♦


58



NEW 2015

Missa Divi Xaverii ZWV 12 for soloists, mixed choir and orchestra (Lat) Urtext / Eds� V� Kapsa, V� LuksBA 9594 score BA 9594-90 vocal score (Václav Luks) ♦To appear in November 2015

Missa Divi Xaverii ZWV 12 of the Czech Baroque composer of European importance, Jan Dismas Zelenka, was until recently completely unknown� The author composed this rather extensive and extraor-dinarily richly instrumented Mass in the second half of 1729, during his tenure at the court in Dresden� The composition, which is one of the masterpie-ces of Zelenka's oeuvre, was inaccessible for many years due to considerable damage suffered by the autograph; its modern-day European premi-ere did not take place until in summer 2014 at the Utrecht Festival Oude Muziek as perfor-med by Collegium 1704�

The main source of the current critical edition was the autograph� Missing sections of the parts were either supplemented based on secondary sources, or reconstructed by Václav Luks, who is also the author of the vocal score�

● A masterpiece of Jan Dismas Zelenka and European Baroque

● First ever printed edition

● Significant enrichment to sacred choral repertoire

● Preface (Cz/Eng/Ger) and critical commentary (Eng)

BA 9594

Allegro

Missa Divi Xaverii

Jan Dismas Zelenka

1. Kyrie eleison

© 2014 by Bärenreiter Praha

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59

OPERA / THEMATIC CATALOGUES


Psalmi et Magnificatfor mixed choir, orchestra and organ (Lat) Ed� V� BělskýMAB II/5H 4974 score (♦ selection)

Sub olea pacis et palma virtutis COPY(melodrama de Sancto Wenceslao)(Lat)Ed� V� BělskýMAB II/12H 6825 score

Opera


Kate and the Devil (Čert a Káča) Op. 112opera in 3 actslibretto by Adolf Wenig (Cz/Ger) Eds� J� Burghauser, A� PokornýH 454 vocal score by the

composer

Rusalka Op. 114lyric fairly tale in 3 actslibretto by Jaroslav Kvapil (Cz/Ger) Ed� J� BurghauserADCE I/12H 2140 score

Rusalka Op. 114lyric fairly tale in 3 actslibretto by Jaroslav Kvapil (Cz/Ger/Eng)German translation by E� Schmidt, English translation by D� RusbridgeNew preface by J� Gabrielová Urtext / Ed� J� Burghauser BA 9510-90 vocal score

(Karel Šolc)

The Jacobin (Jakobín) Op. 84oepra in 3 actslibretto by Marie Červinková-Riegrová (Cz/Ger) Eds� F� Bartoš, A� PokornýADCE I/10H 3955 score in 2 volumes


Fate (Osud) opera in 3 actslibretto by Leoš Janáček and Fedora Bartošová(Cz/Ger/Eng) Ed� J� ZahrádkaGerman translation by C� H� Henneberg, English translation by R� Blumer Preface by the editor (Cz/Eng/Ger)LJCE A/5BA 9562 / H 8038 cloth bound

score ♦To appear in the autumn of 2015Urtext / Ed� J� ZahrádkaBA 9562-90 vocal score

(Rasmus Baumann)


The Bartered Bride (Prodaná nevěsta)comic opera in 3 actslibretto by Karel Sabina (Cz/Ger)German translation by K� HonolkaNew preface by M� OttlováOverture for piano solo arr� by Jindřich Kàan z AlbestůUrtext / Ed� F� BartošBA 9534-90 vocal score by the

composer ♦

The Kiss (Hubička) COPYopera in 2 actslibretto by Eliška Krásnohorská(Cz) Ed� F� BartošH 2819 vocal score by

the composer

The Secret (Tajemství)opera in 3 acts libretto by Eliška Krásnohorská(Cz) Ed� F� BartošH 1630 vocal score

(Karel Šolc)

Thematic Catalogues

Burghauser Jarmil

Antonín Dvořák. Thematic Catalogue844 pages (Cz/Ger/Eng)Bibliography by J� Burghauser, J� ClaphamH 7755

Hudec Vladimír

Zdeněk Fibich. Thematic Catalogue854 pages (Cz/Ger/Eng)H 7843

Nouza Zdeněk – Nový Miroslav

Josef Suk. Thematic Catalogue of the Works550 pages (Cz/Eng)H 7955

Padrta Karel

Franz Krommer. Thematischer Katalog seiner musikalischen Werke428 pages (Ger)H 7759

Schnierer MilošRev� by L� Peřinová

Vítězslav Novák. The Thematic and Bibliographical Catalogue522 pages (Cz/Eng)H 7814

Zuckerová Olga

Jan Hugo Voříšek. Thematic Catalogue96 pages (Eng)H 7777

60

INDEX BY COMPOSERS

BBenda František 15, 18, 26Benda Jiří Antonín 4, 13, 41Blatný Pavel 35, 43Bořkovec Pavel 13, 43Brixi František Xaver 14Brixi Šimon 51

ČČerný František 24Černý Rudolf – Bok Josef 25

DDlouhý Milan 3Dusík Jan Ladislav 3, 4, 18, 24Dušek František Xaver 13, 35Dvořák Antonín 3, 4, 12, 13, 18, 19,

22, 23, 24, 30, 31, 32, 33, 35, 36, 41, 43, 46, 47, 50, 51, 52, 59

Dvořák Milan 3

EEben Petr 3, 5, 11, 14, 18, 23, 25, 28,

32, 35, 36, 41, 47, 49, 50, 52

FFeld Jindřich 18, 22, 25, 26, 27, 31,

33, 37, 41, 43Fiala Josef 36Fibich Zdeněk 5, 19, 27, 31, 32, 33, 37Fils Antonín 26, 41Finger Gottfried 25Fišer Luboš 5, 13, 14, 15, 19, 23, 30,

33, 36, 52Foerster Josef Bohuslav 47

GGemrot Jiří 13, 28Gola Zdeněk 15Graham Peter 3Gruber Rudolf 27

HHanuš Jan 15, 19, 31, 35, 36, 44, 47, 4Havlíček Ilja – Machalíčková

Františka – Ondruš Ján 14Hertl František 24Hlaváč Miroslav 25Hradecký Emil 4, 11, 25, 28, 29Hurník Ilja 4, 11, 12, 25, 26, 37, 44,

49, 50Hurník Lukáš 12, 37

Husa Karel 27Hybler Martin 24

IIštvan Miloslav 30

JJanáček Leoš 5, 6, 12, 13, 14, 19, 21,

22, 23, 27, 33, 35, 36, 37, 44, 47, 50, 51, 52, 54, 59

Ježek Jaroslav 6Jirmal Jiří 24Jírovec Vojtěch 6

KKabeláč Miloslav 6, 12, 23, 25, 30,

35, 44, Kalabis Viktor 6, 22, 28, 36, 44, 47Kaprálová Vítězslava 22, 23, 27, 47Kaucký Emanuel – Petr Miloš 28Klusák Jan 27Kocian Jaroslav 21Kolář Augustin 22Kopelent Marek 11, 23, 48Kopřiva Václav Jan 54Korte Oldřich F� 4, 6, 21, 44Koželuh Jan Evangelista

Antonín 27Koželuh Leopold 6, 41Kramář-Krommer František

Vincenc 18, 25, 26, 27, 36Krejčí Iša 44Krůček Václav 15Kubánek Libor 30Kubát Adolf – Smetáček Václav 26Kubelík Jan 21Kubička Miroslav 21, 24, 25, 35Kučera Jan 29Kukal Ondřej 22, 27, 32, 33Kurz Ivan 29

LLinek Jiří Ignác 54Losy Jan Antonín 24Loudová Ivana 18

MMadelka Simon Bar Jona 55Martinů Bohuslav 4, 6, 13, 18, 21,

22, 23, 24, 31, 32, 33, 36, 37, 43, 44, 48, 50, 51, 55

Matěj Josef 29Matějů Zbyněk 27Matys Jiří 21, 33Micka Josef 18Michna Adam Václav

z Otradovic 57Mysliveček Josef 8, 26, 35, 36, 37,

48

NNeruda Jan Křtitel Jiří 28Novák Jan 14, 21, 26, 57Novák Vítězslav 8Nudera Vojtěch 27Nykl Jan 25

OOndříček František 21

PPelikán Jaroslav 26, 28Pivoňka Karel 28Plánický Josef Antonín 48Pololáník Zdeněk 49, 50

RRak Štěpán 24Rejcha Antonín 8, 36, 37, 43Rössler-Rosetti František

Antonín 37Ryba Jakub Jan 57Rychlík Jan 13, 26, 48

SSeger Josef Ferdinand Norbert 14Schulhoff Erwin 8, 35Simon Ladislav 8, 29Slavický Klement 4, 26, 45, 57Slavický Milan 14, 22Sluka Luboš 48Smetana Bedřich 4, 8, 10, 12, 21, 31,

34, 45, 48, 50, 51, 57, 59Stich-Punto Jan Václav 28Suk Josef 4, 10, 18, 31, 32, 34, 37,

41, 46ŠŠesták Zdeněk 41, 57Ševčík Otakar 15Škroup František Jan 31, 37Štědroň Miloš 14

61

INDEX BY EDITION NUMBERS

TTeml Jiří 14, 18, 24, 26, 32, 37, 46, 57Tichý Vladimír 23Tomášek Václav Jan 43Tůma František Ignác Antonín 18Tuzar Josef 30VVaňhal Jan Křtitel 11, 21, 22, 24Vejvanovský Pavel Josef 43Vodička Václav 41Voříšek Jan Václav Hugo 11, 22,

46, 57

BABA 3326• ��37BA 3327• �� 36BA 3755• ��55BA 3756• ��55BA 3757• ��55BA 3758•��55BA 3842• ��22BA 3842-90• ��22BA 3969• ��23BA 4316• ��22BA 4316-90• ��22BA 4317• ��22BA 4317-90• ��22BA 4318-90• ��13BA 4319• ��24BA 4319-90• ��24BA 5404•��52BA 6079• ��54BA 6171 / H 4657 �� 44BA 6429• ��52BA 6720 / H 5798 ��22BA 6842•�� 44BA 6844• �� 50BA 6845• �� 44BA 6847• ��51BA 6848• �� 44BA 6849• �� 21BA 6851• ��52BA 6852-01•�� 14BA 6856• ��13, 36BA 6857 / H 7832 ��33BA 6858 / H 7840 ��51BA 6860• ��54BA 6860-90• ��54BA 6861 / H 7950 �� 44BA 6862 / H 7935 ��54BA 6862-90 ��54BA 6863 / H 8020 ��54BA 6962• ��23BA 7488• ��35BA 7488-22• ��35BA 7511• ��51BA 8100• ��61BA 8100-17• ��61BA 8472• ��13BA 9045• ��23BA 9045-40• ��23BA 9045-90• ��23BA 9500 �� 5BA 9501 �� 5BA 9502 �� 5BA 9503 ��4BA 9506 ��10BA 9507 ��8BA 9508 �� 21BA 9509 ��23

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Vranický Antonín 22, 36Vranický Pavel 35ZZach Jan 41Zákostelecký Bedřich 27Zámečník Evžen 35Zelenka Jan Dismas 43, 58, 59Zelenka Milan – Obrovská

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BA 9576 �� 19BA 9577 ��35BA 9578 ��31BA 9581 ��27BA 9582 ��52BA 9585 �� 3BA 9591 ��15BA 9592 ��15BA 9593 ��15BA 9594��58BA 9594-90 ��58BA 10417 ��43BA 10417-40 ��43BA 10423 �� 41BA 10424 �� 36BA 10424-22 �� 36BA 10571 ��55BA 10572 �� 44BA 10573 �� 50, 51BA 10574��37BA 11512�� 21BVK 1849•��24

HH 53 �� 26H 54 ��15H 55 ��15H 100 ��33H 208 ��37H 235 ��4H 254 ��15H 255 ��15H 257 ��15H 258 ��15H 277-S��51H 284 ��31H 297 ��4H 298 ��10H 330a ��22H 337 ��47H 338 �� 5H 366 ��43H 380 ��13H 384 �� 5H 425 �� 5H 454 �� 59H 465 �� 19H 475 ��8H 517 �� 41H 519 ��43H 522 ��51H 553 �� 46H 675 �� 5H 676 �� 5H 888 ��27H 907 �� 3H 916 ��22

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H 1933 �� 26H 1938 �� 26H 1979 ��4H 2004 ��25H 2023 ��35H 2031 ��4H 2043 �� 19H 2068 ��24H 2078 ��22H 2090 ��15H 2122�� 50H 2140 �� 59H 2156 ��23H 2171 ��37H 2172 �� 18H 2178 �� 19H 2182 �� 11H 2226 �� 5H 2227 ��47H 2242 ��4H 2262 �� 46H 2268 ��52H 2271 ��31H 2304 �� 36H 2306 ��32H 2307 ��43H 2334 ��43H 2335 ��49H 2414 ��18, 25H 2424 ��4H 2464 ��47H 2486 �� 50H 2486n �� 50H 2498 ��24H 2552 ��31H 2572 ��52H 2576�� 50H 2584 ��31H 2632 ��47H 2704 �� 18H 2705 �� 36H 2726 �� 29H 2741 �� 44H 2783 ��32H 2799 �� 44H 2803 ��33H 2819 �� 59H 2829 ��47H 2844 �� 48H 2849 ��33H 2850 ��4H 2852 �� 41H 2880 ��51H 2888 ��45H 2907 ��4H 2924-90 ��52H 2958 �� 41H 2981 ��13

BA 9510-90 �� 59BA 9511 ��6BA 9512 ��6BA 9513 ��6BA 9514 ��6BA 9515 ��6BA 9516 ��34BA 9517 ��34BA 9518 ��31BA 9519 ��10BA 9520 ��33BA 9521 �� 31, 37BA 9522 �� 31, 37BA 9524 �� 14BA 9525 ��8BA 9526 �� 21BA 9527 ��8BA 9528 ��35BA 9529 ��10BA 9530 ��34BA 9533 ��33BA 9534-90 �� 59BA 9535 ��13, 36BA 9536 ��34BA 9537 ��31BA 9538 ��31BA 9539 ��32BA 9540 ��32BA 9541 ��8BA 9542 ��35BA 9543 ��32BA 9544-90 ��52BA 9545 ��33BA 9546 ��32BA 9547 �� 12BA 9548 �� 12BA 9549�� 12BA 9550 ��15BA 9551 ��15BA 9552 ��15BA 9553 ��15BA 9554 ��15BA 9555 ��15BA 9556 ��15BA 9557 ��15BA 9558 ��45BA 9559 ��8BA 9560 ��8BA 9561 ��10BA 9562 / H 8038 �� 59BA 9562-90 �� 59BA 9564��31BA 9565 �� 12BA 9566 ��35BA 9567 �� 30BA 9569 �� 46BA 9571 �� 19BA 9573 ��32

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H 2992 ��55H 2992-22 ��55H 2996 ��55H 2996-22 ��55H 2997 ��55H 3002 ��37H 3022 �� 36H 3026 ��51H 3079 ��43H 3096-66 ��45H 3099 ��4H 3133 ��15H 3156 ��6H 3171 ��43H 3177 �� 5H 3204 �� 14H 3211 �� 3H 3230 ��43H 3235 �� 18H 3237 �� 11H 3257 ��4H 3289 ��4H 3291 �� 28H 3331 ��31H 3363 ��4H 3364 �� 14H 3374 ��8H 3392��32H 3402 �� 48H 3406�� 36H 3413 ��4H 3506 �� 44H 3530 ��51H 3533 ��47H 3555 �� 41H 3578 �� 18H 3586 ��22H 3598 �� 12H 3616-02�� 44H 3684 �� 44H 3712 ��54H 3712-64 ��54H 3723 �� 26H 3740 �� 41H 3750 ��51H 3754 �� 19, 27H 3756 ��4H 3759 �� 44H 3761 �� 14H 3788 ��43H 3789 �� 41H 3813 ��32H 3819 ��25H 3843 �� 36H 3863 ��52H 3869 �� 26H 3884 �� 19H 3888 ��27

H 3917-22 ��37H 3955 �� 59H 3986 ��33H 3998 �� 32, 37H 4027 ��52H 4035 ��57H 4054-66 ��45H 4149��4H 4151 ��51H 4154 ��10H 4156 �� 30H 4179 ��24H 4233 ��49H 4248 �� 50H 4342 �� 13, 37H 4376 �� 18H 4397 ��35H 4422 �� 28H 4439 ��52H 4460 ��47H 4496 �� 48H 4497 �� 3H 4499 ��4H 4506�� 14H 4508 ��52H 4515 �� 50H 4522 ��52H 4523 ��52H 4557 ��25, 26, 27H 4562 ��25H 4570 ��47H 4585 �� 41H 4592 ��32H 4698 ��54H 4700��54H 4721�� 26H 4738 ��6H 4757 �� 36H 4890 �� 36H 4923 �� 14H 4952 ��51H 4956 ��47H 4974 �� 59H 4985 ��13H 5020 �� 3H 5033 �� 3H 5077 �� 3H 5081 ��6H 5086 ��54H 5094�� 48H 5095 �� 48H 5166 ��35H 5182 �� 48H 5183 �� 46H 5194 ��24H 5215 ��27H 5259 �� 18H 5264 ��54

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H 6334 ��13H 6339 ��27H 6354 ��6H 6390 �� 28H 6406 ��35H 6415 ��24H 6421 �� 3H 6427-01 ��45H 6427-02 ��45H 6427-03 ��45H 6427-04 ��45H 6427-05 ��45H 6427-06 ��45H 6428 ��33H 6429 �� 41H 6450p �� 50H 6465 �� 36H 6474 �� 4, 11H 6477 ��35H 6497 ��47H 6508 ��32H 6549 ��33H 6571p�� 44H 6582 �� 21H 6590 ��35H 6614 ��43H 6615 �� 50H 6657 �� 11H 6663 ��32H 6674 ��22H 6676��4H 6696 ��22H 6781 ��25H 6782-22 ��35H 6791 ��22H 6798-02 �� 44H 6825 �� 59H 6837 �� 28H 6902-01 ��32H 6931 ��22H 6967��34H 6973 ��24H 7004 ��45H 7037��35H 7040-01 �� 5H 7040-02 �� 5H 7074 �� 18H 7082 �� 3H 7132 ��25H 7133 �� 11H 7135 ��25H 7136 ��49H 7140 �� 36H 7149 ��25H 7178 ��43H 7215 ��10H 7226 ��54H 7236��24

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H 7240 ��57H 7311 ��43H 7323 �� 46H 7323 �� 11H 7325 ��4H 7330��8H 7332 ��57H 7333 ��10H 7382 ��52H 7383 ��57H 7402 ��57H 7402n ��57H 7404 ��37H 7406 �� 28H 7414 ��24H 7415 ��6H 7438 ��13H 7439 ��47H 7442 ��54H 7445 ��8H 7452 �� 36H 7460 ��10H 7461 �� 11H 7481 ��35H 7495 ��25, 26H 7504 ��22H 7505 �� 44H 7506 �� 44H 7528 ��22H 7531 �� 46H 7554 �� 44H 7567 �� 28H 7568 ��43H 7591 �� 3H 7595 ��57H 7638 �� 12H 7646 �� 28H 7690 �� 14H 7717 �� 12H 7718 ��52H 7719 ��32H 7725 ��23H 7735 ��52H 7736 ��54H 7738 ��22H 7739 ��57H 7741 �� 12, 44H 7743 �� 19H 7744 �� 5H 7745 �� 30H 7750 ��27H 7753 �� 30H 7755 �� 59H 7757 �� 5H 7758 �� 5H 7759 �� 59H 7764 ��33H 7766 �� 5

H 7768 ��49, 50H 7769 �� 50H 7777 �� 59H 7778 ��23H 7781 �� 3H 7787 �� 36H 7788 ��27H 7791 �� 48H 7792 ��24H 7793 ��23H 7795 �� 5H 7796 ��24H 7800 ��37H 7800-22 ��37H 7802 �� 21H 7803 �� 44H 7804 �� 28H 7807 ��31H 7808 ��57H 7809�� 48H 7810 ��47H 7811 �� 50H 7814 �� 59H 7817 �� 21H 7820 ��37H 7823 �� 18H 7824 ��57H 7825 �� 21H 7827 ��23H 7828 ��24H 7830 �� 26H 7837 ��57H 7841 ��47H 7842 ��6H 7843 �� 59H 7844 ��33H 7844-22 ��33H 7845 �� 14H 7846 ��25H 7847 ��52H 7849 ��47H 7850 ��25H 7852 �� 32, 37H 7854 �� 28H 7855 �� 21, 26H 7857 ��6H 7858 ��57H 7859 �� 18H 7860��31H 7863 ��37H 7865 �� 14H 7867 ��27H 7869 ��24H 7873 �� 14H 7874 �� 21H 7875 ��6H 7876 ��24H 7877 �� 41

H 7877-22 �� 41H 7878 ��49H 7880 ��57H 7881 ��15H 7882 ��57H 7885 ��49, 50H 7890��25H 7893 ��23H 7896 ��13H 7898 ��27H 7900 �� 49, 52H 7905 ��49H 7906 ��6H 7910��25H 7911 �� 5H 7913 �� 29H 7914 �� 21H 7915 �� 21H 7916 �� 21H 7917 �� 5H 7919 �� 22, 27H 7920 ��52H 7923��35H 7924 ��57H 7931 ��25, 28, 29H 7932�� 30H 7934 �� 48H 7938 �� 21H 7941 ��33H 7941-22 ��33H 7944 ��33H 7944-22 ��33H 7946 ��6H 7948 ��4H 7949 ��23H 7951 �� 18H 7952��37H 7953 �� 41H 7954 �� 41H 7955 �� 59H 7957 �� 5H 7958 ��33H 7959 ��49H 7962 �� 31, 37H 7963 ��6H 7964 ��32H 7965 ��32H 7965-22 ��32H 7966�� 15, 30, 36H 7967 �� 14H 7968 ��33H 7968-22 ��33H 7969�� 14H 7970 ��6H 7974��4H 7975 �� 11H 7976 �� 14H 7979 ��57

H 7982 ��24H 7987 ��22H 7988 �� 5H 7989 �� 5H 7990 ��57H 7991 �� 26H 7992 ��27H 7993 �� 30H 7994 �� 30H 7995 ��57H 7996��57H 7997 ��57H 7999��55H 8001 �� 29H 8017 ��49H 8019 �� 29H 8021 ��22H 8023 ��33H 8030 ��49HM 150 �� 50HM 941 �� 46

TPTP 501• ��43TP 502• ��43TP 503• ��43TP 504• ��43TP 505• ��43TP 506• ��43TP 507• ��43TP 508• ��43TP 509• ��43TP 516 ��34TP 517 ��34TP 520 ��33TP 528 ��35TP 530 ��34TP 532 ��35TP 533 ��33TP 535 ��33TP 536 ��34TP 539 ��32TP 540 ��32TP 557 ��45TP 558 ��45TP 577 ��35TP 842 �� 44TP 862 �� 54

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