Botticelli and Nineteenth-Century England Source: Journal ... and nineteenth-century... · Botticelli…

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<p>Botticelli and Nineteenth-Century EnglandAuthor(s): Michael LeveySource: Journal of the Warburg and Courtauld Institutes, Vol. 23, No. 3/4 (Jul. - Dec., 1960),pp. 291-306Published by: The Warburg InstituteStable URL: http://www.jstor.org/stable/750597Accessed: 20/05/2009 08:23</p> <p>Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available athttp://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unlessyou have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and youmay use content in the JSTOR archive only for your personal, non-commercial use.</p> <p>Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained athttp://www.jstor.org/action/showPublisher?publisherCode=warburg.</p> <p>Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printedpage of such transmission.</p> <p>JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with thescholarly community to preserve their work and the materials they rely upon, and to build a common research platform thatpromotes the discovery and use of these resources. For more information about JSTOR, please contact support@jstor.org.</p> <p>The Warburg Institute is collaborating with JSTOR to digitize, preserve and extend access to Journal of theWarburg and Courtauld Institutes.</p> <p>http://www.jstor.org</p> <p>http://www.jstor.org/stable/750597?origin=JSTOR-pdfhttp://www.jstor.org/page/info/about/policies/terms.jsphttp://www.jstor.org/action/showPublisher?publisherCode=warburg</p> <p>Article Contentsp.291p.292p.293p.294p.295p.296[unnumbered][unnumbered]p.297p.298p.299p.300p.301p.302p.303p.304p.305p.306</p> <p>Issue Table of ContentsJournal of the Warburg and Courtauld Institutes, Vol. 23, No. 3/4 (Jul. - Dec., 1960), pp. 179-328Front MatterAn Illuminated English Psalter of the Early Thirteenth Century [pp.179-189]Ekphrasis and Aesthetic Attitudes in Vasari's Lives [pp.190-215]"L'Eglise du Dome" [pp.216-224]Rigaud's Portrait Group at Ottawa: A Key to the Artist's Personal Life [pp.225-238]Pygmalion and the Philosophes: The Animated Statue in Eighteenth-Century France [pp.239-255]Francesco Guardi as Vedutista and Some of His Patrons [pp.256-276]John Graham Lough: A Transitional Sculptor [pp.277-290]Botticelli and Nineteenth-Century England [pp.291-306]NotesNote on the Glazier Psalter [pp.307-308]A Note on the Symbolism of Some Sculptures of the Ducal Palace, Venice [pp.308-309]Vasari's Lives and Cicero's Brutus [pp.309-311]Edward VI and the Pope [pp.311-313]</p> <p>Back Matter [pp.314-327]</p>

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