bochner, mel bio

MEL BOCHNER BIOGRAPHY 1940 Born in Pittsburgh, PA 1962 BFA Carnegie Institute of Technology 1965 Teaching position at School of Visual Arts, New York, NY 1979-present Professor at Yale University School of Art, New Haven, CT SELECTED SOLO EXHIBITIONS 2017 MEL BOCHNER: VOICES, Peter Freeman, Inc., New York, NY MEL BOCHNER: LANGUAGE, Metroquadro, Rivoli, Italy MEL BOCHNER: BLAH BLAH BLAH, Simon Lee Gallery, Central, Hong Kong 2016 MEL BOCHNER, Galerie de Bellefeuille, Montreal 2015 MEL BOCHNER: ILLUSTRATING PHILOSOPHY, Mount Holyoke College Art Museum, South

Hadely, MA MEL BOCHNER: DRAWINGS 1966-1968, Craig F. Starr Gallery, New York, NY MEL BOCHNER: DRAWING AND WRITING: 1972-1989, Marc Selwyn Fine Art, Los Angeles, CA 2014 MEL BOCHNER: GOING OUT OF BUSINESS!, Simon Lee Gallery, London, UK

MEL BOCHNER: USING WALLS, FLOORS, AND CEILINGS, The Jewish Museum, New York, NY

MEL BOCHNER: STRONG LANGUAGE, The Jewish Museum, New York, NY MEL BOCHNER, Barbara Krakow Gallery, Boston, MA MEL BOCHNER, Galerie de Bellefeuille, Montreal, QC Canada 2013 MEL BOCHNER: PROPOSITION AND PROCESS: A THEORY OF SCULPTURE (1968-1973),

Peter Freeman, Inc., New York, NY 2012-2013 MEL BOCHNER: IF THE COLOUR CHANGES, Whitechapel Gallery, London, UK; Haus der

Kunst, Munich, Germany (2013) and Museu de Arte Contemporânea de Serralves, Porto, Portugal (2013)

2012 MEL BOCHNER: WORKING DRAWINGS 1966 AND RECENT WORKS, Karsten Schubert, London, UK SON DÖNEM RESIMLERI/RECENT PAINTINGS, Egeran Galeri, Istanbul, Turkey THEORY OF SCULPTURE: FONTANA’S LIGHT, Marc Selwyn Fine Art, Los Angeles, CA WORDS…, Quint Contemporary Art, La Jolla, CA 2011-12 IN THE TOWER: MEL BOCHNER, National Gallery of Art, Washington, DC

MEL BOCHNER: PHOTOGRAPHY BEFORE THE AGE OF MECHANICAL REPRODUCTION + SOME DRAWINGS FROM THE SIXITIES + RECENT REFLECTIONS AND RECURSIONS ON DIS/TENSION AND CRUMPLING, Peter Freeman, Inc., New York, NY

2010 MEL BOCHNER, Galerie Nelson-Freeman, Paris, France MEL BOCHNER: NEW WORKS, Marc Selwyn Fine Art, Los Angeles, CA MEL BOCHNER, PHOTOGRAPHS AND NOT PHOTOGRAPHS 1966 – 2010, Fraenkel Gallery, San Francisco, CA 2009 Metroquadro, Rivoli, Italy Lawrence Markey, San Antonio

SELECTED SOLO EXHIBITIONS - continued

5171 H Santa Fe Street • San Diego• California• 92109 • P 858-454-3409 • F 858-454-3421 • www.quintgallery.com

Rhona Hoffman Gallery, Chicago, IL 2008 COLOR AS SHAPE/SHAPE AS COLOR, Marc Selwyn Fine Art, Los Angeles, CA Peter Freeman, New York, NY 2007 MEL BOCHNER: LANGUAGE 1966-2006, The Art Institute of Chicago, Chicago, IL MEL BOCHNER: VELVET PAINTINGS, Quint Contemporary Art, La Jolla, CA 1998-2007: PEINTURE, SCULPTURE ET INSTALLATION, Galerie Nelson, Paris Galleria d’Arte il Gabbiano, Rome Domaine de Kerguehennec, Bignan, France Two Palms Gallery, New York, NY 2007-06 MEL BOCHNER: DRAWING FROM FOUR DECADES, Birmingham Museum of Art, Birmingham, MI; Weatherspoon Art Museum, Greensboro, NC; San Diego

Museum of Art, San Diego, CA 2006 THE JOY OF YIDDISH, Spertus Museum, Chicago

NOTHING AND EVERYTHING, Peter Freeman, Inc., New York, NY MEL BOCHNER: OBSCENE, MONEY, STUPID, MEANINGLESS, AND OTHER RECENT PAINTINGS ON BLACK VELVET, Rhona Hoffman Gallery, Chicago, IL, FOCUS: MEL BOCHNER, Art Institute of Chicago, Chicago, IL,

THESAURUS PAINTINGS, Peter Freeman Gallery, New York, NY MEL BOCHNER: DRAWINGS FROM FOUR DECADES, Wynn Kramarsky, New York, NY

MEL BOCHNER: DRAWINGS FROM FOUR DECADES, Birmingham Museum of Art, Birmingham, AL MEL BOCHNER: DRAWINGS FROM FOUR DECADES, Weatherspoon Art Museum, University of North Carolina, Greensboro, NC MEL BOCHNER: DRAWINGS FROM FOUR DECADES, San Diego Museum of Art, San Diego, CA

2004 DIALOGUE IN A LANDSCAPE, Regina Gouger Miller Gallery, Carnegie Mellon University, Pittsburgh, PA

2003 Barbara Krakow Gallery, Boston Musee d’art Moderne et Contemporain, Geneva Il Gabbiano, Rome Sonnabend Gallery, New York

2002 Akira Ikeda Gallery, Berlin, Germany MEL BOCHNER, PHOTOGRAPHYS 1966-1969, Arthur M. Sackler Museum, Harvard

University, Cambridge, MA Carnegie Museum of Art, Pittsburgh, Pennsylvania Michael Carlos Museum, Emory University, Atlanta, GA

2001 Akira Ikeda Gallery Nagoya, Japan Lawrence Markey Gallery, New York

Grant Selwyn Fine Art, Beverly Hills, California Galleria Primo Piano, Rome, Italy Bound & Unbound, New York

2000 Sonnabend Gallery, New York MEL BOCHNER: PAINTINGS, INSTALLATIONS, DRAWINGS, PHOTOGRAPHS 1966-1999,

Grant Selwyn Fine Art, Beverly Hills MEL BOCHNER MEASUREMENTS: WORKS FROM THE 1960’S/1990’S, Frac Bourgogne, Dijon, France

IN PROCESS: PHOTOGRAPHS FROM THE LATE 1960’S AND 1970’S, Curt Marcus Gallery, New York 1999 Centro de Arte Helio Oiticica, Rio de Janeiro, Brazil MEL BOCHNER COUNTING AND MEASURING PIECES 1966-1998, Akira Ikeda Gallery, AIG Exhibition, Taura, Japan 1998 The Drawing Center, New York Lawrence Markey Gallery, New York



Betsy Senior Gallery, New York 1997 Museum of Modern and Contemporary Art, Geneva, Switzerland Cabinet des estampes du Musee d’art et d’histoire, Geneva, Switzerland 1996 MEL BOCHNER: THOUGHT MADE VISIBLE, 1966-1973, La Societe des Exposition du Palais Beaux-Arts, Brussels, Belgium

MEL BOCHNER: THOUGHT MADE VISIBLE, 1966-1973, Stadtische Galerie im Lenbachhaus, Munich, Germany CONSTANTS AND VARIABLES 1966-96, Sonnabend Gallery, New York 1995 MEL BOCHNER: THOUGHT MADE VISIBLE, 1966-1973, Yale University, New Haven, CT 1994 Galerie Amaud Lefebvre, Paris, France 1993 one Five, Antwerp, Belgium Via Tasso, Museo Storico della Liberazione di Roma, Rome, Italy 1993 Gallery 360, Tokyo, Japan Sonnabend Gallery, New York, NY Betsy Senior, New York, NY 1992 Galerie Vega, Liege, Belgium Thomas Segal Gallery, Boston, MA 1991 The Butler Institute of American Art, Youngstown, OH SteinGladstone Galllery, New York, NY Studio Casoli, Milan, Italy 1990 Galleria Primo Piano, Rome, Italy David Nolan Gallery, New York, NY Fred Jahn Galerie, Munich, West Germany Barbara Kornblatt Gallery, Washington, D.C. Roger Ramsey Gallery, Chicago, IL 1989 The Baltimore Museum of Art, Baltimore, MD Sonnabend Gallery, New York, NY 1988 Martina Hamilton Gallery, New York, NY Paul Cava Gallery, Philadelphia, PA David Nolan Gallery, New York, NY Greene Gallery, Coral Gables, FL 1987 Sonnabend Gallery, New York, NY Center for the Fine Arts, Miami, FL Galerie Montenay, Paris, France 1986 Kunstmuseum Luzern, Switzerland (April 25 – June 15) Primo Piano, Rome, Italy 1985 Carnegie-Mellon University, Pittsburgh, PA Sonnabend Gallery, New York, NY Janet Steinberg Gallery, San Francisco, CA Carnegie-Mellon University Art Gallery, Pittsburgh, PA 1984 Roger Ramsay Gallery, Chicago, IL 1983 Yarlow Salzman Gallery, Toronto, Canada Daniel Weinberg Gallery, San Francisco, CA Pace Editions, New York, NY Carol Taylor, Art, Dallas, TX Sonnabend Gallery, New York, NY 1982 Sonnabend Gallery, New York, NY

Centre Internationale de Creation Artistique, Abbaye de Senanque, Gordes, France 1981 Texas Gallery, Houston, TX Daniel Weinberg Gallery, San Francisco, CA South Methodist University, Dallas, TX



1980 Sonnabend Gallery, New York, NY 1979 Art in Progress Gallery, Dusseldorf, Germany 1978 Sonnabend Gallery, New York, NY Daniel Weinberg Gallery, San Francisco, CA Schema Gallery Milan & Florence, Italy Sonnabend Gallery, Paris, France 1977 Bernier Gallery, Athens, Greece 1976 Sonnabend Gallery, New York, NY Baltimore Museum of Art, Baltimore, MD 1975 Sonnabend Gallery, New York, NY Ricke Gallery, Cologne, Germany 1974 Sonnabend Gallery, Paris, France 1973 Sonnabend Gallery, New York, NY Sonnabend Gallery, Paris, France

Sonnabend Gallery, New York, NY 1972 Sonnabend Gallery, Paris, France Sonnabend Gallery, New York, NY Lisson Gallery, London, England M T L Gallery, Brussels, Belgium Bonomo Gallery, Bari, Italy Toselli Gallery, Milan, Italy 1971 112 Greene Street, New York, NY Museum of Modern Art, New York, NY 1970 Sperone Gallery, Torino, Italy Toselli Gallery, Milan, Italy 1969 Heiner Friedrich Gallery, Munich, Germany Konrad Fischer Gallery, Dusseldorf, Germany Ace Gallery, Los Angeles, CA 1966 School of Visual Arts Gallery, NY SELECTED GROUP EXHIBITIONS 2017 MODUS OPERANDI, The Société, Brussels, Belgium COLORI: L’EMOZIONE DEI COLORI NELL’ARTE, Castello de Rivoli Museo d’Arte Contemporanea and GAM Galleria Civica d’Arte Moderna e Contemporanea of Turin VARIABLE DIMENSIONS: ARTISTS AND ARCHITECTURE, MAAT Museum of Art, Architecture and Technology, Lisbon, Portugal 2016 CO-OP – FEATURING: ATOMIC BAZAAR + JOSEPH BELLOWS GALLERY + QUINT PROJECTS, Quint Gallery, La Jolla, California THIS IS A PORTRAIT IF I SAY SO: IDENTITY IN AMERICAN ART, 1912 TO TODAY, Bowdoin College Museum of Art, Brunswick, Maine VERBA VOLANT SCRIPTA MANENT, TOTAH, New York, New York 65 MODERN AND CONTEMPORARY ARTISTS, Gallerie Maximillian, Aspen, Colorado THE SERIAL ATTITUDE, Eykyn Maclean, New York GROUP EXHIBITION: RHONA HOFFMAN 40 YEARS, PART 1, Rhona Hoffman Gallery, Chicago 2015-2016 GREATER NEW YORK, MoMA PS1, Long Island City, NY DIMENSIONS VARIABLES; ARTISTS AND ARCHITECTURE, Pavillon de l’Arsenal, Paris,

France MUSEUM OF STONES, The Noguchi Museum, Long Island City, NY

2015 THE FUNNIES, MOT International, Brussels, Belgium

SELECTED GROUP EXHIBITIONS - continued


MUSEUM OF STONES, Noguchi Museum, New York, New York PANGRAMMAR PART II, P! Gallery, New York, New York SUMMER GROUP EXHIBITION, Quint Gallery, La Jolla, California BOOLEAN EXPRESSIONS: CONTEMPORARY ART AND MATHEMATICAL DATA, The Lewis Glucksman Gallery, Cork, Ireland WORKING DRAWINGS AND OTHER VISIBLE THINGS ON PAPER NOT NECESSARILY MEANT TO BE VIEWED AS ART (AFTER BOCHNER), Conceptual Art Centre Bukovje/Landskrona, Võru, Estonia

THE SELF: PORTRAITS OF THE ARTISTS IN THEIR ABSENCE, National Academy Museum, New York, NY TWENTY BY SIXTEEN, Morgan Lehman Gallery, New York, NY IF THESE WALLS COULD TALK, Jim Kempner Fine Art, New York, New York

2014 UNE LETTRE ARRIVE TOUJOURS À DESTINATIONS, La Panacée, Montpellier, France ART BY TELEPHONE…RECALLED, La Panacée, Montpellier, France NOUVEAU FESTIVAL, Centre Pompidou, France 2013-2014 ILEANA SONNABEND: AMBASSADOR FOR THE NEW, Museum of Modern Art, New York 2013 PUSH PINS IN ELASTIC SPACE, Peter Freeman, Inc., New York, NY THE CEILING SHOULD BE GREEN, P! Gallery, New York XEROGRAPHY, Firstsite, Colchester, UK

WORKS ON PAPER II, Quint Contemporary Art, La Jolla, CA RE-MAKING WHEN ATTITUDES BECOME FORM, Fondazione Prada, Milam, Italy SIGN, IMAGE, OBJECT, 21er Haus, Vienna, Austria TEMPTATIONS OF THE DIAGRAM, Andrea Rosen Gallery 2, New York MERCI/MERCY, Restoin Roitfeld Gallery, New York THE UNPHOTOGRAPHABLE, Fraenkel Gallery, San Francisco, California

2012 A WINDOW ON THE WORLD, Museo d’Arte, Lugano, Switzerland NOTATIONS: CONTEMPORARY DRAWING AS IDEA AND PROCESS, Kemper Art Museum, St. Louis, MO SECOND NATURE: ABSTRACT PHOTOGRAPHY THEN AND NOW, deCordova Museum, Lincoln, MA MINIMAL MYTH, Museum Boijmans Van Beuningen, Rotterdam, The Netherlands TOWARD A WARM MATH, On Stellar Rays, New York, NY ALICE IN THE WONDERLAND OF ART, Hamburger Kunsthalle, Hamburg, Germany CHATTANOOGA GEMS III, Hunter Museum of Art, Chattanooga, TN

A THOUSAND WORDS AND COUNTING, Honolulu Museum of Art, Spalding House, Honolulu, HI TEXT AS IMAGE: MEL BOCHNER, GRAHAM GILLMORE, GLENN LIGON, BRUCE NAUMAN, GARY SIMMONS, Senior & Shopmaker Gallery, New York, NY 2011 ALICE IN WONDERLAND, Tate Liverpool, Liverpool, UK THE PRIVATE COLLECTION OF ROBER RAUSCHENBERG, Gagosian Gallery, New York, NY

MALEVICH AND THE AMERICAN LEGACY, Gagosian Gallery, New York SYSTEMS, ACTIONS, AND PROCESSES, 1965-1975, Fundacion Proa, Buenos Aires, Argentina ART?=?TEXT?=?ART, University of Richmond Museum, Richmond, VA LIGHT YEARS: CONCEPTUAL ART AND THE PHOTOGRAPH, 1964–1977, Art Institute of Chicago, Chicago, IL DRAWINGS FROM THE COLLECTION OF IRVING STENN, JR., Art Institute of Chicago, Chicago, IL ARTE POVERA INTERNATIONAL, Castello di Rivoli, Turin, Italy ART BY NUMBER: KEN NICOL (AND MEL BOCHNER, AND MARY TEMPLE, AND ROMAN OPALKA), MKG127, Toronto, Canada

2010 THIRD THOUGHTS, CCA Andtrax, Majorca, Spain DOUBLE UP, Quint Contemporary Art, La Jolla, CA



FORMS OF CONTINGENCY: NEW YORK AND TURIN, 1960S-1970S, Philadelphia Museum, Philadelphia, PA SAMMLUNG HERMAN UND NICOLE DALED, 1966 – 1978, Haus der Kunst, Munich, Germany GRAPHIC MASTERS III, Smithsonian American Art Museum, Washington, DC DOUBLE BIND/ STOP TRYING TO UNDERSTAND ME, Villa Arson, Nice, France 2009 L’ARTE E UNA PAROLA, Galleria il Ponte Firenze, Florence, Italy

1969, PS1 Contemporary Art Center, New York IF WE COULD IMAGINE, Glenstone Foundation, Potomac, Maryland TARGET PRACTICE: PAINTING UNDER ATTACK 1949-78, Seattle Art Museum, Washington INVENTING MARCEL DUCHAMP: THE DYNAMICS OF PORTRAITURE, National Portrait Gallery, Washington, DC SCULPTURE SHOW, Eastside Projects, Birmingham, England

2008 FOR THE PLEASURE OF SEEING: MEL BOCHNER, JOHN CHAMBERLAIN, ALEX HAY, MICHAEL HEIZER, RICHARD SERRA AND FRANK STELLA, Peter Freeman, Inc., New York, NY GEOMETRY AS IMAGE, Robert Miller Gallery, New York, NY CLOSE-UP, The Fruitmarket Gallery, Edinburgh, Scotland NOTATION, Akademie der Kunste, Berlin, Germany; traveled to Zentrum fur Kunst, Karlsruhe MEL BOCHNER, ALIGHIERO BOETTI, HANNE DARBOVEN, College Jacque Cartier,

Chauny, France GENAU UND ANDERS, Museum Ludwig, Vienna

2007 COMMEMORATING 30 YEARS 1976 – 2007: PART I and PART III, Rhona Hoffman Gallery, Chicago, IL

LINES, GRIDS, STAINS, AND WORDS, The Museum of Modern Art, New York. CONCEPTUAL PHOTOGRAPHY, 1964 – 1989, Zwirner & Wirth, New York.

IF EVERYONE HAD AN OCEAN: BRIAN WILSON, AN ART EXHIBITION, Tate St. Ives, Cornwall, England MAGRITTE AND CONTEMPORARY ART: THE TREACHERY OF IMAGES, Los Angeles County Museum of Art, Los Angeles, CA LIVE/WORK: PERFORMANCE INTO DRAWING, THE MUSEUM OF MODERN ART, New York, NY

2006 ELEMENTAL FORM, L&M Arts, New York, NY NOTHING AND EVERYTHING, Peter Freeman, Inc., New York, NY MEL BOCHNER / ALFRED JENSEN: HOMMAGE TO PYTHAGORAS, Marc Selwyn Fine Art, Los Angeles

2005 LOOKING AT WORDS, Andrea Rosen Gallery, New York, NY DESSINS DE LA COLLECTION/DRAWINGS FROM THE COLLECTION, Musée d'art contemporain de Montréal, Quebec

BUILDING AND BREAKING THE GRID, Whitney Museum of American Art, New York, NY OPENSYSTEMS: RETHINKING ART C.1970, Tate Modern, London, UK

THE LAST PICTURE SHOW: ARTISTS USING PHOTOGRAPHY, 1960-1982, Miami Art Central, Miami, FL WAHLVERWANDTSCHAFTEN, Städelsches Kunstinstitut und Städtische

Galerie, Frankfurt/Main LOGICAL CONCLUSIONS, PaceWildenstein Gallery, New York, NY DRAWING FROM THE MODERN, 1945-1975, The Museum of Modern Art, New York, NY THE PHOTOGRAPH IN QUESTION, Von Lintel Gallery, New York, NY

WORDPLAY, Julie Saul Gallery, New York, NY DOWN THE GARDEN PATH: THE ARTIST’S GARDEN AFTER MODERNISM, Queens Museum,

NY



THRESHOLD, Max Wigram Gallery, London RUB OUT THE WORD, Dumbo Arts Center, Brooklyn, NY THE TOP ROOM, Chelsea College of Art and Design, London

2004 VISIONS OF AMERICA, Sammlung Essl-Kunsthaus, Klosterneuburg INTRA-MUROS, Musee d'Art Moderne et d'Art Contemporain, Nice

BEYOND GEOMETRY: EXPERIMENTS IN FORM 1940S-70S, Los Angeles County Museum of Art, Los Angeles, CA SCHRIFTBILDER/BILDERSCHRIFT, Galerie von Bartha, Basel THE LAST PICTURE SHOW: ARTISTS USING PHOTOGRAPHY, 1960-1982, UCLA Hammer Museum, Los Angeles, CA

WHITNEY BIENNIAL EXHIBITION, The Whitney Museum of American Art, New York

A MINIMAL FUTURE?, Los Angeles Museum of Contemporary Art, Los Angeles, CA THE COPY AGE, Museum of Modern Art, Shiga, Japan INFINITE POSSIBILITIES, Davis Museum and Cultural Center, Wellesley College, MA TRACES, NATIONAL MUSEUM OF MODERN ART, Kyoto, Japan

2003 RIEN NE PRESSE/SLOW AND STEADY/FESTINA LENTE (CINQUIÈME ÉPISODE), and MEL BOCHNER: MEASUREMENT PAINTINGS, Musée d´art moderne et contemporain, Geneva THE LAST PICTURE SHOW: ARTISTS USING PHOTOGRAPHY, 1960-1982, Walker Art Center, Minneapolis, MN GAME OVER, Galerie Grimm/Rosenfeld, Munich

PRIVATE/CORPORATE II: EIN DIALOG DER SAMMLUNGEN, DaimlerChrysler Contemporary, Berlin

SELECTED AMERICAN GRAPHIC PRINTS FROM THE LINCOLN CENTER COLLECTION, City Art Museum Ljubljana, Mestna Galerija 1, Ljubljana DUST MEMORIES, SI Swiss Institute, New York, NY

FINE LINES: DRAWINGS FROM THE COLLECTION OF WYNN KRAMARSKY, Santa Barbara Contemporary Arts Forum, CA

UNDER PRESSURE: PRINTS FROM TWO PALMS PRESS, The Cooper Union, New York, NY EXHIBITION3, Bard College, Annandale-on-Hudson, NY PITTSBURGH PLATFORMS, Carnegie Museum of Art, Pittsburgh, PA WORK ETHIC, Baltimore Museum of Art, Baltimore, MD

2002 FORUM: MEL BOCHNER PHOTOGRAPHS, Carnegie Museum of Art, Pittsburg, PA UNDER PRESSURE: PRINTS FROM TWO PALMS PRESS, The University Gallery, Amherst, MA

FLASHING INTO THE SHADOWS: THE ARTISTS’ FILM 1966-1976, Tate Modern, London. AN EMPTY SPACE, Akira Ikeda Gallery, New York, NY COPY, Roth Horowitz Gallery, New York, NY AD INFINITUM, Wynn Kramarsky, 560 Broadway, New York, NY THE OBJECT SCULPTURE, The Henry Moore Institute, Leeds, UK VISIONS FROM AMERICA, Whitney Museum of American Art, New York, NY SHIMMERING SUBSTANCE, Arnolfini Gallery, Bristol, UK

2001 FLASHING INTO THE SHADOWS: THE ARTISTS FILM IN AMERICA, 1966-76, Whitney Museum of American Art, New York, NY

ART EXPRESS: ART MINIMAL ET CONCEPTUEL, ÉTAT D’UNE COLLECTION, Musée d´art moderne et contemporain, Geneva DRAWING IS ANOTHER KIND OF LANGUAGE, The Contemporary Museum

Honolulu, HI SAYING SEEING, Leo Castelli Gallery, New York, NY AS PAINTING, DIVISION AND DISPLACEMENT, Wexner Center for the Arts, Columbus, Ohio AFTER THE BEGINNING AND BEFORE THE END (DRAWINGS FROM THE GILBERT AND LILA



SILVERMAN COLLECTION, DETROIT), Bergen Kunstmuseum, Bergen, Norway 2000 AFTERIMAGE: DRAWING THROUGH PROCESS, Contemporary Arts Museum, Houston, TX PAINTING FUNCTION: MAKING IT REAL, Spaces, Cleveland, OH IN PROCESS: PHOTOGRAPHS FROM THE LATE 1960’S AND 1970’S, Curt Marcus Gallery, New York

CONTEMPORARY DRAWINGS FROM THE SARAH - ANN AND WERNER KRAMARSKY COLLECTION, Southern Methodist University, Dallas, Texas L' ELEMENTS VERBALE NELL' ARTE CONTEMPORANEA, Galleria Milano, Milan, Italy ZIG - ZAG, Frac Picardie, Amiens, France RETROSPECTIVE, Sonnabend Gallery, New York, NY PRESUMES INNOCENTS - L' ART CONTEMPORAIN ET L' ENFANCE, CAPC, Bordeaux, France OPEN ENDS, Museum of Modern Art, New York, NY

1999 AMERICAN ACADEMY INVITATIONAL EXHIBITION OF PAINTING AND SCULPTURE, The American Academy of Arts and Letters, New York THE AMERICAN CENTURY: ART AND CULTURE 1900-2000 (PART II, 1950-2000), Whitney

Museum of American Art, New York, NY CIRCA 1968, Museu de Arte-Contemporanea de Serralves, Porto, Portugal

LEWITT, BOCHNER, Tschubarov, Tatunz Gallery, New York SCRIPTA MANENT, Esso Gallery, New York AFTER IMAGE: DRAWING THROUGH PROCESS, The Museum of Contemporary Art, Los Angeles DRAWN TO SCALE, Dieu Donne Gallery, New York, NY DRAWINGS FROM THE 1970'S, Lawrence Markey Gallery, New York, NY DRAWINGS FROM THE 1960'S, Curt Marcus Gallery, New York, NY

1998 MORE PIECES FOR THE PUZZLE: RECENT ADDITIONS TO THE COLLECTION, The Museum of Modern Art, NY THE SERIAL ATTITUDE, Addison Gallery of American Art, Andover, MA

DEEP THOUGHT I, Basilico Fine Arts, New York, NY DEEP THOUGHT II, Basilico Fine Arts, New York, NY BACK TO BACK, De Chiara/Stewart, New York, NY PAPER PLUS, Dieu Donne Gallery, New York, NY

ART PARED DOWN: EXPLORING MINIMALISM ACROSS MEDIA, Queensland Art Gallery, Queensland, Australia.

1997 GRAVITY-AXIS OF CONTEMPORARY ART, National Museum of Osaka, Japan DRAWING IS ANOTHER KIND OF LANGUAGE, Fogg Art Museum,

Cambridge, MA THE SERIAL ATTITUDE, Addison Gallery of American Art, Andover, MA GROUP EXHIBITION, Sonnabend Gallery, New York, NY ONE LINE DRAWING, Ubu Gallery, New York, NY LAYING LOW: POST MINIMALISM / SCATTER ART, kunstnernes Hus, Oslo AU PIED DU MUR, Frac Picardie, Amiens, France

GEOMETRIC ABSTRACTIONS: MEL BOCHNER, IMI KNOEBEL, SOL LEWITT, ANDREW SPENCE, Numark Gallery, Washington, D.C. MAGIE DER ZAHL, Staatsgalerie Stuttgart, Stuttgart, Germany 1996 THINKING PRINT: BOOKS TO BILLBOARDS, 1980-1995, The Museum of Modern Art, New York

THE ROBERT AND JANE MEYERHOFF COLLECTION: 1945-1995, National Gallery of Art, Washington DC MEL BOCHNER, ERIK SATIE, PHILIPPE SEUX, Galerie Arnaud Lefebre, Paris, France NEW ART ON PAPER, Philadelphia Museum of Art, Philadelphia, PA SAMMLUNG SONNABEND, Deichtorhallen Hamburg, Hamburg, Germany



L’INFORME: MODE D’EMPLOI, Centre Georges Pompidou, Paris, France COLLECTION IN CONTEXT, Selected contemporary photographs of hands form the collection of Henry Mendelssohn Buhl, Thread Waxing Space, New York,

NY FROM FIGURE TO OBJECT: A CENTURY OF SCULPTOR'S DRAWINGS, Frith Street Gallery, and Karsten Schubert Gallery, London. LIMITED EDITION ARTISTS BOOKS SINCE 1990, Brooke Alexander Gallery, New York

1995 1965-1995: RECONSIDERING THE OBJECT OF ART, The Museum of Contemporary Art, Los Angeles, CA

REPICTURING ABSTRACTION: THE POLITICS OF SPACE, The Anderson Gallery, Virginia Commonwealth University, Richmond, VA

MAPPING: A RESPONSE TO MOMA, American Fine Art Co., Colin de Land Fine Art, New York, NY

DRAWING ON CHANCE: SELECTIONS FROM THE COLLECTION, Museum of Modern Art, New York, NY

PRINTMAKING IN AMERICA: 1960-1990, Block Gallery, Northwestern University, Evanston, IL 1994 EXTENDED RELATIONS, Andrea Rosen Gallery, New York, NY LOCATION I, Basilico Fine Arts, New York, NY

Sonnabend Gallery, New York, NY FROM MINIMAL TO CONCEPTUAL ART: WORKS FROM THE DOROTHY AND HERBERT VOGEL COLLECTION, National Gallery of Art, Washington, D.C. PAINTING AND SCULPTURE:RECENT ACQUISITIONS, The Museum of Modern Art, New York GALLERY GROUP EXHIBITION, Sonnabend Gallery, New York A CENTURY OF ARTISTS BOOKS, The Museum of Modern Art, New York, NY

1993 EUROPEAN & AMERICAN DRAWINGS 1961-1969, Nolan/Eckman Gallery, New York, NY

TUTTE LE STRADE PORTANO A ROMA?, Palazzo delle Exposizioni, Roma OUT OF SIGHT, OUT OF MIND, Lisson Gallery, London, England NEW YORK WORKS ON PAPER, Geoffrey Young Gallery, Great Barrington, MA A MATCHBOX ENCLOSED, Yavne Art Workshop, Yavne, Israel THE AMERICAN LIVRE DE PEINTRE, Grolier Club, New York DO ALL ROADS LEAD TO ROME?, Palazzo delle Esposizioni, Rome

1992 AMERICAN ART: 1930-1970, Lingotto, Torino, Italy MARKING THE DECADES: PRINTS 1960-1990, The Baltimore Museum of Art,

Baltimore MEL BOCHNER, SOL LEWITT AND CHUNG EUN MO, Primo Piano, Rome, Italy POSTCARDS FROM ALPHAVILLE: JEAN-LUC GODARD IN CONTEMPORARY ART 1963-1992, P.S.1 Museum, New York

1991 A VIEW FROM THE 60’S: SELECTIONS FROM THE CASTELLI AND SONNABEND COLLECTIONS, Guild Hall Museum, East Hampton, NY DRAWINGS, Lorence Monk Gallery, NY DOTS, Angles Gallery, Santa Monica, CA ISSUES (DRAWING), Ruggiero Gallery, New York, NY AMERICAN ABSTRACTION, Addison Gallery of American Art, Andover, MA MEL BOCHNER, CARROLL DUNHAM, BARRY LEVA, TERRY WINTERS, Galerie Faust,

Geneva, Switzerland WORDS & #S, Museum of Contemporary Art Wright State University, Dayton, OH IMMATERIAL/OBJECTS: WORKS FROM THE PERMANENT COLLECTION OF THE WHITNEY MUSEUM OF AMERICAN ART, The Whitney Museum of American Art at Equitable Center; Downtown at Federal Reserve Plaza; Philip Morris, New York, NY DRAWING RANGES, Ricky Renier Gallery, Chicago, IL



MOTION AND DOCUMENT/SEQUENCE AND TIME: EDWARD MUYBRIDGE AND CONTEMPORARY AMERICAN PHOTOGRAPHY, Organized by the Addison

Gallery of American Art, Andover, MA 1990 AMERIKANISCHE ZEICHNUNGEN IN DEN ACHTZIGER JAHEREN, Albertina Museum, Vienna, Austria: Museum Morsbroich, Leverkuseun, Germany

THE MATTER AT HAND: CONTEMPORARY DRAWINGS, Fine Arts Gallery, UWM Art Museum, University of Wisconsin, Milwaukee, WI

CONCEPT-DECORATIF: ANTI-FORMALIST ART OF THE 70’S, Nahan Contemporary, New York, NY

DIVERGENT STYLES: CONTEMPORARY AMERICAN DRAWING, University Gallery, College of Fine Arts, Univ. of Florida, Gainesville, FL. ART CONCEPTUEL, FORMES CONCEPTUELLES, GALERIE 1900-2000, Paris, France Galerie Faust, Geneva, Switzerland

ENTRE LA GEOMETRIE ET LE GESTE, Galerie Georges-Philippe Vallois, Paris, France INVITATIONAL EXHIBITION OF PAINTING AND SCULPTURE, American Academy

and Institute of Arts and Letters, New York, NY (exhb. cat.) OVERVIEW, David Nolan Gallery, New York, NY

MINIMALISM AND POST-MINIMALISM: DRAWING DISTINCTIONS, Hood Museum, Dartmouth, NH

THE UNIQUE PRINT, Museum of Fine Arts, Boston, MA CONCEPT ART, MINIMAL ART: SAMMLUND MARZONA, Kunsthalle Bielefeld,

Bielefeld, Germany GEOMETRIC ABSTRACTION, Greene Gallery, Bay Harbor Islands, FL MEL BOCHNER, PETER HALLEY, ROBERT RAUSCHENBERG, Sonnabend Gallery,

New York, NY MINIMALIST PRINTS, Susan Sheehan Gallery, New York

1989 CONSPICIUOUS DISPLAY, Stedman Art Gallery, Rutgers, Camden, NJ REPETITION, Hirschl & Adler Modern, New York, NY GROUP SHOW, Paul Cava Gallery, Philadelphia, PA LINES & GEOMETRY: MARTIN BALL, KARL HEINZ STROHLE, Rickey Renier Gallery,

Chicago, IL NEW WORKS BY GALLERY ARTISTS, Sonnabend Gallery, New York, NY PROJECTS AND PORTFOLIOS, THE 25TH NATIONAL PRINT EXHIBITION, Brooklyn

Museum, Brooklyn, NY IMMATERIAL OBJECTS, North Carolina Museum of Art, Raleigh, NC; Albany

Museum of Art, Georgia; San Jose Museum of Art, CA L’ART CONCEPTUEL, UNE PERSPECTIVE, Musee d’Art Moderne de la Ville de

Paris, Paris, France 1988 ABSTRACTED IMAGE, Elizabeth McDonald Gallery, New York, NY

RAW MATERIALS, Althea Viafora Gallery, New York, NY COLLECTION SONNABEND, Centro de Arte Reina Sofia, Madrid, CAPC, Musee

d’Art Contemporain, Bordeaux, Art Cologne, Cologne, West Germany, Hamburger Bahnhof, Berlin, West Germany, Galleria Nazionale d”Arte Moderna, Rome, Italy, Museo d’Arte Moderna e Contemporanea, Trento, Italy, Musee Rath, Geneva, Switzerland, Sezon Museum of Art, Tokyo, Japan, Miyagi Museum of Art, Sendai, Japan, The Fukuyama Museum of Art,

Hiroshima, Japan AMERIKANISHCE DRUCKGRAPHIK: RECENT AMERICAN PRINTS, Galerie Fred Jahn, Munchen, West Germany

SYSTEMS AND ABSTRACTION, Leubsdorf Gallery, Hunter College, New York, NY TURNING POINT; ART AND POLITICS IN 1968, Lehman College Gallery, The

Bronx, NY 1987 THE SHAPE OF ABSTRACTION, Russell Sage College, Albany, NY



THIS IS NOT A PHOTOGRAPH: 20 YEARS OF LARGE-SCALE PHOTOGRAPHY, 1966 – 1967: AT THE CROSSROADS, INSTITUTE OF CONTEMPORARY ART, Univ. of Pennsylvania, Philadelphia, PA; The John and Marble Ringling Museum of Art, Sarasota, FL; Akron Art Museum, Akron, OH DRAWINGS, Sylvia Cordish Fine Art, Baltimore, MD RECONNECTING, Detroit Institute of Arts, Detroit, MI POINTS OF CONTACT, Laurie Rubin Gallery, New York, NY DRAWINGS FROM THE EIGHTIES, Carnegie Mellon Univ. Art Gallery, Pittsburg, PA EARLY CONCEPTS OF THE LAST DECADE, Holly Solomon Gallery, New York, NY

1986 SPIRIT TRACKS: BIG ABSTRACT DRAWING, Pratt Institute Gallery, Brooklyn, NY AN AMERICAN RENAISSANCE: PAINTING & SCULPTURE SINCE 1940, Museum of Art, Ft. Lauderdale, FL, (1/2-3/30/86)

ART FROM TWO CONTINENTS, Bruce Helander Gallery, Palm Beach, FL CONTEMPORARY ISSUES III, Holman Hall Art Gallery, Trenton State College (works form the collection of Robert and Nancy Kaye)

Dolly Fiterman Gallery, Minneapolis, MN THE SHAPE OF ABSTRACTION, Stux Gallery, New York, NY PERSPECTIVES: 1985-1986, PAINTINGS AND SCULPTURE, Fuller Goldeen Gallery, San Francisco, CA 1985 Rosemont College, Rosemont, Pennsylvania, PA

Greene Gallery, Coconut Grove, FL THE MAXIMAL IMPLICATIONS OF THE MINIMAL LINE, Bard College Center,

Annandale-on-Hudson, New York NEW ABSTRACTION, Mangold Gallery/Milwaukee Art Museum, Milwaukee, WI DRAWINGS, Daniel Weinberg Gallery, Los Angeles, CA

1984 VIEWPOINT, “84”, Cranbrook Academy of Art Museum, Bloomfield Hills, MI VANISHING POINTS, Moderna Musset, Stockholm, Sweden

MINDING MEASURE: MEASURING MIND, Islip Art Museum, East Islip, NY 1983 MINIMALISM TO EXPRESSIONISM, Whitney Museum of American Art, New York, NY

SCULPTORS AS DRAFTSMEN, Whitney Museum of American Art, New York, NY 1982 74TH AMERICAN EXHIBITION, Chicago Art Institute, Chicago, IL

PRINTS BY CONTEMPORARY SCULPTORS, Yale University Art Gallery, New Haven, CT

ONE, TWO, THREE, Musee des Beaux Arts, Archeologie, Besancon, France 1981 SUMMER GROUP SHOW, Sonnabend Gallery, New York, NY

MURS, Beaubourg Centre Nationale d”Art et de Culture, Centre Georges Pompidou, Paris, France 1980 MEL BOCHNER/RICHARD SERRA, Massachusetts Institute of Technology,

Cambridge, MA EXPLORATIONS IN THE 70’S, Pittsburgh Plan for Art, Pittsburgh, PA

1979 WHITNEY BIENNALE, Whitney Museum of American Art, New York, NY THE MINIMAL TRADITION, Aldrich Museum, CT

PITTURA AMBIENTE, Palazzo Reale, Milan, Italy THE DECADE IN REVIEW, Whitney Museum of American Art, New York, NY OEUVRES CONTEMPORAINES DES COLLECTIONS NATIONALES, Centre Georges

Pompidou, Beauborg, Paris 1978 EIGHT ARTISTS, Philadelphia Museum of Art, Philadelphia, PA

CONTEMPORARY DRAWING/NEW YORK, University of California Museum, Santa Barbara, CA

NUMERALS 1924-1977, Leo Castelli Gallery, New York, NY THREE INSTALLATIONS: ACCONCI, BOCHNER, LE VA, Tampa Bay Art Center, FL

1977 WHITNEY BIENNALE, Whitney Museum of American Art, New York, NY



TEN YEARS, Museum of Contemporary Art, Chicago, IL PHOTONOTATIONS II, Rosa Esman Gallery, New York, NY ACCONCI / BOCHNER / LE VA, Sonnabend Gallery, New York, NY

1976 DRAWING NOW, Museum of Modern Art, New York, NY PHOTONOTATIONS, Rosa Esman Gallery, New York, NY SEVENTY-SECOND AMERICAN EXHIBITION, Chicago Art Institute, Chicago, IL FOURTEEN ARTISTS: THE NEW DECADE, Forth Worth Museum, Texas and Detroit Institute of Art, MI

1975 BOCHNER, LE VA, ROCKBURNE, TUTTLE, The Contemporary Arts Center, Cincinnati, OH

PRINT SEQUENCE, Museum of Modern Art, New York, NY DRAWINGS 3, American Drawings, Museum Leverkusen THE NEW IMAGE, High Museum, Atlanta, GA

FOURTEEN ARTISTS, Baltimore Museum of Art, Baltimore, MA PRINTS, Art Gallery of Ontario, Canada

1974 LINE AS LANGUAGE, Princeton Art Museum, Princeton, NJ SOME RECENT AMERICAN ART, Organized by The Museum of Modern Art for Circulation in Australia and New Zealand

IDEA & IMAGE, Art Institute of Chicago, Chicago, IL PROJECT 74, Cologne, West Germany

1973 Festival d”Automme a Paris, Paris, France NEW AMERICAN GRAPHIC ART, Fogg Museum, Harvard University Cambridge,

MA AMERICAN ART, THIRD QUARTER CENTURY, Seattle Museum of Art, Seattle, WA AMERICAN DRAWINGS, Whitney Museum of American Art, New York, NY 2D INTO 3D, New York Cultural Center, New York, NY

CONTEMPORANEA, Parcheggio di Villa Borghese, Rome, Italy 1972 420 WEST BROADWAY AT THE SPOLETO FESTIVAL, Spoleto, Italy

DOCUMENTA (5), Kassel, Germany 13 ARTISTS CHOSEN FOR DOCUMENTA, Sonnabend Gallery, New York, NY Konzept-Kunst, Kunstmuseum, Basel, Switzerland

1971 SITUATION CONCEPTS, Gallery Nachst St.Stephen, Innsbruck 1970 INFORMATION, Museum of Modern Art, New York, NY

CONCEPTUAL ART/ARTE POVERA/ LAND ART, Museo Civico d’Arte Moderna, Turin, Italy

CONCEPTUAL ART AND CONCEPTUAL ASPECTS, Cultural Center, New York, NY USING WALLS, The Jewish Museum, New York, NY

ART IN THE MIND, Allen Memorial Museum, Oberlin, OH LANGUAGE IV, Dwan Gallery, New York, NY ARTISTS AND PHOTOGRAPHS, Multiples Gallery, New York, NY

1969 ART IN PROGRESS IV, Finch College Museum of Art, New York, NY Konzep-tion/Conception, Museum Leverkusen 577, 087, Seattle Art Museum, Seattle, WA

1968 LANGUAGE II, Dwan Gallery, New York, NY NO. 7, Paula Cooper Gallery, New York, NY GROUP EXHIBITION, Bykert Gallery, New York, NY REJECTIVE ART, organized by American Federation of Arts for Travel in USA

1967 ART IN SERIES, Finch College Museum of Art, New York, NY SCALE MODELS AND DRAWINGS, Dwan Gallery, New York, NY MONUMENTS, Museum of Contemporary Crafts, New York, NY

BIBLIOGRAPHY - continued


BIBLIOGRAPHY 2015 Weiss, Jeffery, Mel Bochner: Drawings 1966-1968 (exhibition catalogue), Craig F Starr

Gallery, New York Sheets, Hilarie. A Retrospective on Wall Painting in Chelsea. The New York Times, June

18, 2015. 2014 Mel Bochner Strong Language (exhibition catalogue), Norman Kleeblatt, Jewish

Museum, New York; Yale University Press, New Haven Johnson, Ken. Secret Power of Synonyms. Mel Bochner Turns Up the Volume in

‘Strong Language’ Holmboe, Rye Dag, 'Review: Mel Bochner Strong Language at the Jewish

Museum,' Apollo Magazine, 19 July Altman, Anna, Mel Bochner’s Thesaurus Paintings, The New Yorker, June 17, 2014 Kalina, Richard, 'Stop, Look And Listen! Mel Bochner Strong Language,' The Brooklyn

Rail, 5 June Johnson, Ken, 'Secret Power of Synonyms,' The New York Times, 2 May, p.C21 Pechman, Alexandra, 'The Painted Blah,' artnews, May, p.25 2013 Smith, Roberta. A Calculus With Chalk, Stones and Walnuts, The New York Times, May 23, 2013. Cullinan, Nicholas, 'Critic's Picks: Mel Bochner', Artforum, February 2013 2012 Vogel, Carol, ‘Inside Art’, The New York Times, 29 June, p.24

Mel Bochner: If The Colour Changes (exhibition catalogue), Achim Borchardt-Hume and Doro Globus (eds), Whitechapel Gallery, London; Ridinghouse, London; Haus der Kunst, Munich and Museu de Arte Contemporânea de Serralves, Porto

Barry Schwabsky, ‘Bochner’s Language-Colour Synthesis’, Monoprints, Two Palms, New York

Theory of Sculpture: Fontana’s Light (exhibition catalogue), Marc Selwyn Fine Art, Los Angeles

Vogel, Carol. The War Photographer, Way Back in 1666. June 28, 2012. Altug, Ervim, ‘Mel Bochner at Egeran Gallery’, Cumhuriyet, Istanbul, Turkey, June 3 Morse, Trent, ‘Mel Bochner’,artnews, April, p.107 Finkel, Jori, ‘Mel Bochner recreates a 1991 show for Marc Selwyn Fine Art’, Los Angeles

Times, 4 March 2010 Baker, Kenneth. Mel Bochner Survey at Fraenkel Gallery. San Francisco Chronicle, September 16, 2010. Jeffrey Weiss, ‘Ad Infinitum’, Mel Bochner Photographs and Not Photographs

(exhibition catalogue), Fraenkel Gallery, San Francisco 2009 Casati, Marta, Mel Bochner Monoprints, Galleria Metroquadro, Rivoli 2008 Bois, Yve-Alain, Solar System & Rest Rooms, Writings and Interviews 1965-2007, MIT Press, Cambridge, MA. 2007 Paul, Frédéric, and Mel Bochner, Mel Bochner (exhibition catalogue), Domaine de

Kerguéhennec, Bignan Johanna Burton, James Meyer and James Rondeau, Mel Bochner: Language 1966–

2006 (exhibition catalogue), Art Institute of Chicago, Chicago Godfrey, Mark, Abstraction and the Holocaust, Yale University Press, New Haven 2006 Ruth Fine, Mel Bochner: Drawings from Four Decades (exhibition catalogue), Fifth Floor

Foundation, New York Smith, Roberta. Art In Review: Mel Bochner, The New York Times, June 16, 2006 Griffin, Tim, Secrets of the Domes, Mel Bochner on “The Domain of the Great Bear”, Artforum, No. 45, September 2006, pp.341-345.

2004 Goldstein, Ann. A Minimal Future? Art as Object 1958-1968, (Cambridge: the MIT Press,

BIBLIOGRAPHY - continued


2004). Zelavansky, Lynn, Beyond Geometry, Los Angeles County Museum of Art, Los Angeles

and Yale University Press, New Haven 2003 Fiamma Arditi, Mel Bochner: Opera Recenti (exhibition catalogue), Galleria d’Arte il

Gabbiano, Rome 2001 Smith, Roberta. Art In Review: Mel Bochner. The New York Times, December 14, 2001

Armstrong, Philip, Laura Lisbon and Stephen Melville (Eds.). As Painting: Division and Displacement, (Cambridge: The MIT Press, 2001), pp. 199-204.

Rorimer, Anne. New Art in the 60s and 70s, Redefining Reality, (London: Thames and Hudson, 2001), p. 75, pp. 182-188. Minimalism: Art and Polemics in the Sixties, (Connecticut: Yale University Press, 2001), pp. 150, 175-79, 184. 2000 Johnson, Ken. Art In Review: Mel Bochner, The New York Times, December 1, 2000. 1999 Friedel, Helmut, Ulrich Wilmes (Eds.). Das Gedächtnis öffnet seine Tore, (Ostfildern-Ruit: Hatje Cantz Verlag, 1999), pp. 34-35. 1997 Smith, Roberta. Art In Review, ‘One-Line Drawing’. The New York Times, July 11, 1997.

Godfrey, Tony. Conceptual Art (Art & Ideas), (London: Phaidon, 1998), pp. 115-116 Bois, Yves-Alain, and Rosalind Krauss. Formless: A User’s Guide, (New York: Zone Books, 1997)

1996 Smith, Roberta. Art in Review, ‘Constants and Variables’, The New York Times, December 6, 1996. 1995 Smith, Roberta. Art View; Some 70’s Ephemera. The New York Times, November 12, 1995.

Kimberly Davenport (ed), ‘Impossible Liberties: Contemporary Artists on the Life of Their Work over Time’, Art Journal, no.54, Summer, pp.40–52.

Goldstein, Ann, Anne Rorimer (Eds.). Reconsidering the Object of Art: 1965-1975, (Chicago: MIT Press, 1995) 1994 Smith, Roerta. Art In Review, ‘Extended Relations’. The New York Times, January 7, 1994.

Wiebel, Peter (Ed.). Kontext Kunst, (Cologne: DuMont Buchverlag, 1994), pp. 129- 133 1993 Mel Bochner, exhibition catalogue, Gallery 360°, Tokyo.

Cecilia Casorati, Stefano Chiodi and Giovanni Iovane (trans), Mel Bochner: Venticinque Anni: Scritti e interviste 1966–1990’, Carte d Arte: Internazionel Rivista d’ Arte Contemporanea, no. 3, September.

1991 Danto, Arthur C. ‘Introduction’ in Ludwig Wittgenstein, On Certainty/Uber Geweissheit, (San Francisco: Arion Press, 1991) Smith, Roberta. Art In Review. The New York Times, October 18, 1991. 1982 Mel Bochner: oeuvres récentes, exhibition catalogue, Centre International de Création Artistique, Paris. 1981 Ronald Alley, Catalogue of the Tate Gallery's Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, pp.61-2. 1978 Raynor, Vivian. Art: Mel Bochner in Paint and Print. The New York Times, January 13, 1978. 1976 Russell, John. Art: ‘Cubism and Affinities’ I Prints at the Modern. The New York Times, February 14, 1976. 1975 ‘Catalogue Statement’, Prints: Bochner, LeWitt, Mangold, Marden, Martin, Renouf, Rockburne, Ryman, Art Gallery of Ontario, Toronto. 1974 Mel Bochner: (toward) Axiom of Indifference 1972–1973, Sonnabend Gallery, New York and Paris. 1968 Glueck, Grace. $75,000 IN GRANTS TO SPUR ART TEST; Union With New Technology Is Aim of Program. The New York Times, September 19,1968.

COLLECTIONS – CONTINUED


COLLECTIONS Carnegie Museum of Art Cleveland Museum of Art Courtauld Institute of Art David Winton Bell Gallery Fonds Regional d’Art contemporain (FRAC) Bourgogne Harvard University Art Museum Database MIT List Visual Arts Center MOCA Grand Avenue, Los Angeles Musee d’art contemporain de Montreal Musée National de Art Moderne, Paris Museet for Samtidskunst Museum of Modern Art Smithsonian American Art Museum Tate Britain Wadsworth Atheneum Museum of Art Whitney Museum of American Art

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