Jazz at Lincoln Center’sRose TheaterFrederick P. Rose Halljalc.org

Please make certain your cellular phone,pager, or watch alarm is switched off.

Friday and Saturday Evening, January 24 and 25, 2014, at 8:00

Wynton Marsalis, Managing and Artistic DirectorGreg Scholl, Executive Director

Bobby McFerrinSpirityouallBOBBY McFERRIN, VocalsGIL GOLDSTEIN, Piano, Electric Piano, Accordion, Music Director, and ArrangerDAVID MANSFIELD, Violin, Mandolin, National Resonator Guitar, and Lap SteelARMAND HIRSCH, Acoustic and Electric GuitarJEFF CARNEY, Acoustic BassLOUIS CATO, Drums, Guitar, Bass Guitar, VocalsMADISON McFERRIN, Vocals

There will be no intermission during this performance.Please turn off your cell phones and other electronic devices.

Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, MasterCard®,The Shops at Columbus Circle at Time Warner Center, and SiriusXM.

Jazz at Lincoln Center

Notes on the Programby Phil Gallo

Eight months after the May 2013 releaseof his spirityouall album, Bobby McFerrinhas opened his program of spirituals toimprovisation, reinvention, and influencesfrom the secular world. “Joshua” is nowperformed faster than the album version,more a stomp. New vocal harmonies havebeen added to “25:15,” which McFerrinsays increase the number’s intensity andmakes it more central to the show. Songsfrom Blind Faith, Marvin Gaye, and theBeatles have found their way into sets, ashave songs from the bebop canon. “We gowhere the spirit takes us,” McFerrin says.“Our relationship to the tunes gets deeperand deeper as we play them for audiences.”

As with all of his projects, McFerrin devel-oped spirityouall with Linda Goldstein, hisproducer-manager since 1979, and broughtin Gil Goldstein—they are not related—asarranger and co-producer. Obviously, jazz,classical, and African music were in theforeground of the project, though McFerrinwanted to keep the door open to allow forelements of bluegrass, country, folk, rock,and blues.

“We talked about keeping a loose, improvi-sational feel,” McFerrin recalls, “and someof the arrangements changed duringrecording. I think we were clear about thesound we wanted, and we had musicianswhose creativity and input we welcomed,so it felt very natural.”

Among Linda Goldstein’s suggestions wasBob Dylan’s “I Shall Be Released,” a songthat McFerrin immediately embraced. Hedid not listen to the original recordingbefore doing his own interpretation, fearfulof adapting Dylan’s singing style. “I’m stillnot sure if I’m singing the melody exactlyright,” he says. “Or if the lyric means thesame things to me it meant to him. But Ilove singing it.”

McFerrin’s last visit to Jazz at LincolnCenter—three season-opening concerts inSeptember 2012—found the singerexploring a personal repertoire created asan autobiography. The music of CharlieParker, Paul Simon, Sly Stone, and theGershwins shared space with spirituals,Beethoven, and Miles Davis. The New YorkTimes, in its review of that concert, hailedMcFerrin’s “details of phrasing and noteplacement” and the “magical properties”of his voice, specifically “the taut elasticityof timbre and pitch.”

Looking back on those shows, McFerrinpraised the diversity and creativity of theJazz at Lincoln Center Orchestra. “All theprecision and virtuosity anyone could everwant is there, but so is some dirt, somemessiness. I love that,” he says. “I wonderif it’s because of Wynton’s roots in theNew Orleans sound. You can hear theensemble but also each individual.”

The son of two classically trained singers,McFerrin was a multi-instrumentalist whodid not begin to explore singing until he was27. He worked with bands for five yearsbefore taking a shot at unaccompanied solovoice, which had the unlikeliest of results—a No. 1 pop single and a GRAMMY® Award,his first of ten, for Record of the Year.

He promptly turned his back on trying to re-create the magic of the buoyant “Don’tWorry, Be Happy” and resumed exploringhis place in a musical world that allowedhim to incorporate music from all therealms that affected him, including jazz,classical, spirituals, pop music, even moviethemes. He worked with Herbie Hancock,Wayne Shorter, and Chick Corea; JackNicholson and Robin Williams; theorchestras of San Francisco, Chicago,Philadelphia, New York, La Scala, theVienna Philharmonic, and more. spirityouallis his 14th album.

Over the next two years, McFerrin will betouring with the spirityouall band, doing an

Jazz at Lincoln Center

Meet the Artists

For decades, Bobby McFerrin (Vocals) hasblurred the distinction between pop musicand fine art, goofing around barefoot in theworld’s finest concert halls, exploringuncharted vocal territory, inspiring a newgeneration of a cappella singers and thebeatbox movement. His latest album, spirityouall, is a bluesy, feel-good recording,an unexpected move from the music-industry rebel who redefined the role of thehuman voice with his a cappella hit “Don’tWorry, Be Happy,” his collaborations withYo-Yo Ma, Chick Corea, and the ViennaPhilharmonic, his improvising choir Voicestra,and his legendary solo vocal performances.

Since creating that ear-worm of a No. 1hit early in his career, he has continued topursue his iconoclastic musical journey,improvising on national television, singingmelodies without words, spontaneouslyinventing parts for 60,000 choral singers ina stadium in Germany, ignoring boundariesof genre, and defying all expectations.McFerrin began his musical career as apianist at the age of 14. He led his own jazzgroups, studied composition, toured withthe show band for the Ice Follies, andplayed for dance classes.

McFerrin’s history as an instrumentalistand bandleader is key to understanding hisinnovative approach to mapping harmony

and rhythm (as well as melody) with hisvoice. “I can’t sing everything at once,” hesays, “but I can hint at it so the audiencehears even what I don’t sing.” That pioneerspirit and virtuosity have opened doors forsingers, as have McFerrin’s experiments inmulti-tracking his voice. But virtuosity isn’tthe point. “I try not to ‘perform’ onstage,”he says. “I try to sing the way I sing in mykitchen, because I just can’t help myself. Iwant audiences to leave the theatre andsing in their own kitchens the nextmorning. I want to bring audiences into theincredible feeling of joy and freedom I getwhen I sing.“

Gil GoldsteinGil Goldstein (Piano, Electric Piano,Accordion, Music Director and Arranger)was born in Washington D.C. in 1950. Hefound the accordion five years later; it hassince been his favorite instrument. As anarranger his work is not bound by style orgenre, which is why he has been soughtout by adventurous musical seekers suchas Michael Brecker, Paul Simon, DavidSanborn, James Taylor, Pat Metheny, andEsperanza Spalding (for whom he arrangedand produced the award winning ChamberMusic Society project). Internationally hehas worked with the great Anna MariaJopek on her Polanna project; the BraziliansToninho Horta and Romero Lubambo;French masters Juliette Greco and LaikaFatien; Flamenco legends Carles Benaventand Jorge Pardo; and the Cameroonian-born virtuoso Richard Bona. He revived theoriginal Gil Evans arrangements for MilesDavis for the tribute concert conducted byQuincy Jones. He is a disciple of Evans’work, having worked with him from 1982until his death, and strives to carry hislegacy forward. Goldstein is a highly

Bobby McFerrin

a cappella tour with an 18-voice choir, andin June 2015 embarking on another duotour with Chick Corea. He also has a few“Bobby Meets the World” concerts where

he meets and plays with local musicians.He’ll do those in Brazil, Argentina,Budapest, Cuba, Cleveland, and Austin.“Always a joy,” he says.

CAROL FR

IEDMAN

Jazz at Lincoln Center

regarded teacher and film composer, and isone of the finest pianists and accordionistsin the world today.

David Mansfield David Mansfield (Violin, Mandolin, NationalResonator Guitar, and Lap Steel ) joinedBob Dylan’s band for four years at age 18,starting with the Rolling Thunder Revue.He recorded three albums with Dylan inaddition to compilations and live albums.Mansfield appeared in NBC’s Hard Rainand the feature film Renaldo and Clara. Hethen recorded three albums with the AlphaBand before working on solo albums andother projects, including scoring DivineSecrets of the Ya-Ya Sisterhood. Mansfieldis an award-winning film and televisioncomposer with many major scoring credits.His honors include Emmy and GoldenGlobe nominations, as well as the GoldenOcelot (Best Musical Score) at the VeniceFilm Festival and Havana Film Festival.Excerpts from his scores have been per-formed at the Royal Albert Hall andCarnegie Hall. A founding member ofBruce Hornsby and the Range, Mansfieldwas awarded an RIAA platinum album anda GRAMMY® Award for The Way It Is, andRIAA gold albums for Bob Dylan’s Desireand Hard Rain. His instruments includeelectric/acoustic/classical/slide/pedal steelguitars, violin, viola, mandolin, mandocello,Irish bouzouki, lap steel, banjo, andDobro/National resonator guitars.

Armand Hirsch Multi-instrumentalist Armand Hirsch, 23,(Acoustic and Electric Guitar ) is already aveteran of the stage and studio. He beganhis formal music training at age four as astudent of renowned jazz drummer EddieLocke and made his drumming debut atlegendary club The Bitter End as a 12-yearold. Hirsch has had the privilege to playwith such luminaries as McCoy Tyner,Bobby McFerrin, Herbie Hancock, WyntonMarsalis, and more. Starting in 2009,

Hirsch performed regularly as a member ofthe Hank Jones Quartet.

In November 2011 Hirsch was the focus of aJazzTimes article written by Nat Hentoff,entitled “Armand Hirsch and Other YoungMasters.” Hentoff spoke of his “ceaselesslyoriginal and surprising conception.” Outsideof his performing life, Hirsch works exten-sively in record production and engineering,where he’s worked with Donald Fagen,Michael Leonhart, Tony Berg, NPR, and Jeff“Jedi” Jones. Hirsch graduated fromColumbia University in 2013, where hestudied neuroscience and behavior.

Jeff Carney Jeff Carney (Acoustic Bass) has accompa-nied Stan Getz, Art Farmer, JohnAbercrombie, Bobby McFerrin, DeweyRedman, Bobby Hutcherson, JoeHenderson, Woody Shaw, Freddie Hubbard,and Clifford Jordan, as well as popularmusic stars, including Sting, James Taylor,Billy Joel, Elton John, and Barbra Streisand.Principal bassist with the New York PopsOrchestra at Carnegie Hall, Carney hasplayed with the New York Philharmonic,the San Francisco Symphony and theBroadway orchestras for Secret Garden,Beauty and the Beast, and Anything Goes.As a studio player, he can be heard onmany jingles and film soundtracks,including True Grit, Julie & Julia, TheProducers, Shaft 2, and many more.

Louis Cato Louis Cato (Drums, Guitar, Bass Guitar,Vocals) was born in Lisbon, Portugal. Aftermoving to North Carolina in 1990 he spentthe next 13 years as drummer for twochurches and began teaching himselfbass at the age of eight. In 2001 thePfeiffer University Jazz Band traveled toReno, Nevada in 2001 for a national com-petition, in which Cato received an awardfrom Slide Hampton for both bass anddrum performance.

Jazz at Lincoln Center

Noted for his ability to play any genre witha unique passion and instinctive authenticity,Cato has toured extensively throughoutthe world with various artists. He has per-formed with Brian McKnight, Roy Hargrove,Stevie Wonder, LaToya Luckett, Q-tip,Wynton Marsalis, Ahmir “Questlove”Thompson, Derek Trucks, and many more.He is currently touring as the bassist for Bilaland the drummer for Marcus Miller. Hisoriginal projects are 6Figures and Chapter2.

Madison McFerrinMadison McFerrin (Vocals) is a singer/songwriter and the lead singer for thefunk/soul band Cosmodrome. She has per-formed backup vocals for De La Soul(backed by The Roots) at the Roots Picnicin 2012 and on Late Night with JimmyFallon in 2013. McFerrin will graduate fromBerklee College of Music in May 2014.

Jazz at Lincoln Center Jazz at Lincoln Center is dedicated toinspiring and growing audiences for jazz.

With the world-renowned Jazz at LincolnCenter Orchestra and a comprehensivearray of guest artists, Jazz at Lincoln Centeradvances a unique vision for the continueddevelopment of the art of jazz by producinga year-round schedule of performance, edu-cation, and broadcast events for audiencesof all ages. These productions include con-certs, national and international tours, resi-dencies, weekly national radio programs,television broadcasts, recordings, publica-tions, an annual high school jazz band com-petition and festival, a band directoracademy, jazz appreciation curriculum forstudents, music publishing, children’s con-certs and classes, lectures, adult educationcourses, student and educator workshops,and interactive websites. Under the leader-ship of Managing and Artistic DirectorWynton Marsalis, Chairman Robert J. Appel,and Executive Director Greg Scholl, Jazz atLincoln Center produces thousands ofevents each season in its home in New YorkCity, Frederick P. Rose Hall, and around theworld. For more information, visit jalc.org.

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UPCOMING EVENTSJazz at Lincoln Center’sFrederick P. Rose Hall

January 2014IRENE DIAMOND EDUCATION CENTER

Swing University Winter TermNow–March 19Jazz at Lincoln Center’s jazz education program, SwingUniversity, offers students of all ages a chance to learnabout jazz from musicians and scholars. JALC curatorand WKCR personality Phil Schaap and friends shareinsights, expertise, and stories as they lead classesthrough jazz’s storied past and vibrant present. WinterTerm classes include Jazz 101, Jazz 201, Jazz 301, TheEvolution & Development of Big Band Jazz, AlbertAyler, Jelly Roll Morton, and Art Tatum.Please visit jalc.org/swingu for more information.Single tickets are available.

THE ALLEN ROOM

Presented as part of the Ertegun Jazz Concert SeriesVijay Iyer TrioJanuary 24 at 7pmJanuary 25 at 9:30pmA front-runner in numerous critics' polls (2012DownBeat International Critics Poll, including JazzArtist of the Year, Jazz Album of the Year, Jazz Groupof the Year (for the Vijay Iyer Trio), Pianist of the Yearand Rising Star Composer), Vijay Iyer undertakes hisJazz at Lincoln Center debut with his working trio ofbassist Stephan Crump and drummer MarcusGilmore. Iyer's success and acclaim has now landedhim one of the top honors not only in music but inmany disciplines, a 2013 MacArthur "genius" grant.Join us in The Allen Room to hear a pianist consid-ered one of the leaders of his generation.

Presented as part of the Ertegun Jazz Concert SeriesBilly Childs Jazz Chamber EnsembleJanuary 24 at 9:30pmJanuary 25 at 7pmA three-time GRAMMY® winner, Childs makes hisfirst Jazz at Lincoln Center appearance since anOctober 2004 performance celebrating the openingof Frederick P. Rose Hall. For round two, the pianist-composer deploys a sextet with all-stars Scott Colleyon bass and Brian Blade on drums, augmented by astring section featuring the award-winning YingQuartet, known for its diverse performance projects.Don't miss this group reunited once again, last heardon Childs' album Autumn in Moving Pictures.

February 2014ROSE THEATER

Family Concert: Who Is Dave Brubeck?February 8, 1pm & 3pmWhen his sons (also professional musicians) wereyoung, the late great pianist-composer Dave Brubeckused a variety of approaches to instruct them. TheJazz at Lincoln Center Orchestra with WyntonMarsalis brings forth two decades of experience inpresenting interactive, amusing, family-friendlyshows to introduce and illuminate Brubeck’s extraor-dinary life to young and old alike, kicking off a festivalcelebrating Brubeck’s incomparable contributions tojazz, culture, and more.Free pre-concert activities at 12:15pm & 2:15pm

Dianne ReevesFebruary 14–15 at 8pm“Grandeur with refinement,” The New York Timeswrote, describing the impact of Dianne Reeves’February 2012 performance in Rose Theater. On herreturn to Jazz at Lincoln Center for Valentine’s Day,the four-time GRAMMY® Award winner will demon-strate that no singer is better equipped to captivateand seduce you with songs of love and romance. Herastonishing instrument is a given, but even moreimpressive is her refusal to hide behind it–withnuanced restraint and dynamics, she unfailinglyinhabits every story she spins into song. Reeves isjoined by Peter Martin and Raymond Angry on key-boards, Peter Sprague on guitar, Sean Jones ontrumpet, Tia Fuller on saxophone, Reginald Veal onbass, Terreon Gully on drums, and Nadia Washingtonand Brianna Thomas on vocals.

THE ALLEN ROOM

Joshua Redman QuartetFebruary 7–8 at 7pm & 9:30pmWhether the instrument in question is the tenor orsoprano saxophone, Joshua Redman is one of themost individual voices of his generation. Redman, athematic improviser par excellence, showcases hisextraordinary tone and penchant for creating elegantmelodies within challenging structures and infusingthem with emotional content. Propelling the flow anddetailing the nuances are his working quartet–pianistAaron Goldberg, bassist Reuben Rogers, and drummerGregory Hutchinson–each a long-standing partner.

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Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor

Tickets starting at $10To purchase tickets call CenterCharge: 212-721-6500 or visit: jalc.org. The Jazz at Lincoln Center Box Officeis located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.

For groups of 15 or more: 212-258-9875 or jalc.org/groups.For more information about our education programs, visit jalc.org/learn.

For Swing University and WeBop enrollment: 212-258-9922.Find us on Facebook, Twitter, YouTube, and Foursquare.

UPCOMING EVENTS

Jazz at Lincoln Center’sFrederick P. Rose Hall

In deference to the artists, patrons of Dizzy’s Club Coca-Colaare encouraged to keep conversations to a whisper during the performance.

Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York.

Reservations: 212-258-9595 or jalc.org/dizzys; Group Reservations: 212-258-9595 or jalc.org/dizzys/group-sales.Nightly Artist sets at 7:30pm & 9:30pm.

Late Night Session sets Tuesday through Saturday at 11:30 pm.

Cover Charge: $20–40. Special rates for students with valid student ID. Full dinner available at each artist set.

Rose Theater and The Allen Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.

Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theaterand The Allen Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.

Dizzy’s Club Coca-Cola gift cards now available.

Find us on Facebook, Twitter, YouTube, and Foursquare.

January 2014Benny Golson QuartetStories from the Pastwith Mike LeDonne, Buster Williams, and Carl AllenJanuary 24–267:30pm & 9:30pm

Monday Nights with WBGOSimona Premazzi — The Lucid DreamerHosted by Rhonda Hamiltonwith Dayna Stephens, Desmond White, and Otis Brown IIIJanuary 277:30pm & 9:30pm

Champian Fulton Quartetwith Stephen Fulton and Buster WilliamsJanuary 287:30pm & 9:30pm

Amina Claudine Myers Triowith Jerome Harris and Reggie NicholsonJanuary 297:30pm and 9:30pm

Matt Wilson Quartet with Special Guest John Medeskiwith Jeff Lederer, Kirk Knuffke, and Chris LightcapJanuary 30–February 27:30pm & 9:30pm

February 2014Juilliard Jazz EnsembleFebruary 37:30pm & 9:30pm

Amina Figarova Sextetwith Bart Platteau, Alex Pope Norris, Marc Mommaas,Luques Curtis, and Jason BrownFebruary 47:30pm & 9:30pm

Jack Walrath Quartetwith Tim Armacost, Boris Kozlov, George Burton,and Donald EdwardsFebruary 57:30pm & 9:30pm

Big Band Tribute to Terry GibbsLed by Gerry Gibbswith special guests Tom Harrell (2/7), NicholasPayton (2/8), and Paquito D’Rivera (2/9)plus Vince Herring, Eric Alexander, Victor Goines,Mark Gross, Robin Eubanks, Conrad Herwig, Steve Davis, Frank Greene, Lew Soloff, Marvin Stamm, Joe Magnarelli, and Donald VegaFebruary 6–97:30pm & 9:30pm

Ulysses Owenswith Duane Eubanks, Michael Dease, GiladHekselman, Christian Sands, Reuben Rogers (2/10only), and Matthew Rybicki (2/11 only)February 10–117:30pm & 9:30pm

Kenny Rampton Organ Octetwith Bill Sims, Sherman Irby, Donny McCaslin, BrianCharette, Elliot Mason, Dan Stein, and Tony MasonFebruary 127:30pm & 9:30pm

Tierney Sutton Bandwith Christian Jacob, Ray Brinker, and Kevin AxtFebruary 13–167:30pm & 9:30pm

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ALL CLASSES ARE HELD IN IRENE DIAMOND EDUCATION CENTER. JAZZ AT LINCOLN CENTER GRATEFULLY ACKNOWLEDGES THE IRENE DIAMOND FUND FOR ITS LEADERSHIP SUPPORT OF PROGRAMMING IN THE IRENE DIAMOND EDUCATION CENTER.

Lead Corporate Sponsor

get cool schooled.

Jazz 301with Phil Schaap

Jazz 101with John Wriggle

Jazz 201with Phil Schaap

The Evolution & Development of Big Band Jazzwith John Wriggle

Albert Aylerwith Ben Young

Jelly Roll Mortonwith Terry Waldo

Art Tatumwith Felicity Howlett

single ticketsavailable

ENROLL TODAY jalc.org/swingu212-258-9922

january 13 –

212-258-9922jalc.org/webopenroll today

explore your family’s creativity and musicality in interactive jazz classes for adults and kids. ages eight months to five years.

winter term: making jazz friendsJAN 7–MAR 2

spring term: meet the jazz bandMAR 11–MAY 18

new summer term!*

MAY 27–JUNE 22

jalc.org

jazz at lincoln center’s

*programming to be announced