b.music kathak.pdf

26
" "' "-" \<-. "" . ",,,,, . \.A .. Set No. I Question Booklet No. 00051 12U/111118 (To be filled up by the calldidate by blue/black ball-point pen) Roll No. L.I_-'-_-'-_-'-_...J..._...J..._...L_...L--J Roll No. (Write the digits in words) ................................................................................................ . Serial No. of Answer Sheet ............................................. . . ......................................... . Day and Date .................................................................. .. ( Signature of Invigilator ) INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on boto sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring 1t to the notice of the Superintendentllnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper. written or blank. inside the Examination Hall except tire At/mit Card wilhout Us envelope. 3. A separate Answer Sheel is given. It should not be folded or mutUatell. A secflnd Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. S. On the front page of the Answer Sheet, write by pen your Roll Number in tlte space provided at the top and by darkening the circles at the bottom. Also, wherever applicahle. write 'he Qtlesti(m Booklet Numher and the Set Number in appropriate places. 6. No overwriting is allowed in the elltries of Rolf No., Quesfion BooMet no. lind Set Ill). (if tU!J') on O/dR sheet and Roll No. and OMR slleet no. on the Queston Booklet. 7. Any change in the aforesaid entries is to be verified by the invigilator, otherwise it will he takell as unfairmeans. 8. Each question in this Booklet if'JIol/owecl hy four altermltive answers. For each question, yo" are to record the correct option on the Answer Sheet by darkening tlte appropriate circle iilllu corresponding row of the Answer Sheet, hy pen (IS mentioned in 'lte guidelines gil'e" 011 Ihe first page of the Answer Sheet. 9. For each question, darken only one circle on the I\ns'Wcr Sheet. Ifym; darken morc than one .::irck or darken a circle partially, the answer will be treated incorrect. 10. Note thai the answer once filled in ink cunY/Of be changed. If you do no! wish /0 aftemri u ques,ion. leave all the circles ill the corresponding row blank (such question will be awan!:!d zero marksj. 11. For rough work, use the inner back page of the title cover and the blank page at the end of th:'i. Booklet. 12. Depusit only OMR Answer Sheel at the end of the Test. 13. You are not pennitted to leave the Examination Hatlllntil the end of the Test. 14. Ifa candidate attempts to use any form or'unfai! means, heishe shall be liable to such punishment as the University may detennine and impose on him/her. Total No. of Printed Pages :28

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Page 1: B.Music Kathak.pdf

" "' "-" \<-. "" . ",,,,, . r-~ ,~ \.A \~

(!).t'\",~. ~ .. Set No. I Question Booklet No. 00051

12U/111118 (To be filled up by the calldidate by blue/black ball-point pen)

Roll No. L.I_-'-_-'-_-'-_...J..._...J..._...L_...L--J

Roll No. (Write the digits in words) ................................................................................................ .

Serial No. of Answer Sheet ............................................. . . ......................................... . Day and Date .................................................................. .. ( Signature of Invigilator )

INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on boto sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to ensure that it

contains all the pages in correct sequence and that no page/question is missing. In case of faulty Question Booklet bring 1t to the notice of the Superintendentllnvigilators immediately to obtain a fresh Question Booklet.

2. Do not bring any loose paper. written or blank. inside the Examination Hall except tire At/mit Card wilhout Us envelope.

3. A separate Answer Sheel is given. It should not be folded or mutUatell. A secflnd Answer Sheet shall not be provided. Only the Answer Sheet will be evaluated.

4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvided above. S. On the front page of the Answer Sheet, write by pen your Roll Number in tlte space provided at

the top and by darkening the circles at the bottom. Also, wherever applicahle. write 'he Qtlesti(m Booklet Numher and the Set Number in appropriate places.

6. No overwriting is allowed in the elltries of Rolf No., Quesfion BooMet no. lind Set Ill). (if tU!J') on O/dR sheet and Roll No. and OMR slleet no. on the Queston Booklet.

7. Any change in the aforesaid entries is to be verified by the invigilator, otherwise it will he takell as unfairmeans.

8. Each question in this Booklet if'JIol/owecl hy four altermltive answers. For each question, yo" are to record the correct option on the Answer Sheet by darkening tlte appropriate circle iilllu corresponding row of the Answer Sheet, hy pen (IS mentioned in 'lte guidelines gil'e" 011 Ihe first page of the Answer Sheet.

9. For each question, darken only one circle on the I\ns'Wcr Sheet. Ifym; darken morc than one .::irck or darken a circle partially, the answer will be treated ~s incorrect.

10. Note thai the answer once filled in ink cunY/Of be changed. If you do no! wish /0 aftemri u ques,ion. leave all the circles ill the corresponding row blank (such question will be awan!:!d zero marksj.

11. For rough work, use the inner back page of the title cover and the blank page at the end of th:'i. Booklet.

12. Depusit only OMR Answer Sheel at the end of the Test. 13. You are not pennitted to leave the Examination Hatlllntil the end of the Test. 14. Ifa candidate attempts to use any form or'unfai! means, heishe shall be liable to such punishment as

the University may detennine and impose on him/her.

Total No. of Printed Pages :28

Page 2: B.Music Kathak.pdf

12U/111/18 No. oCQueationa: 100

'9v:if qft ~: 100

Time : 2 Hours

'f/11<T : 2 'E1'1t Full Marks: 300

v:urfl':300

Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted/or each incorrect answer. Zero mark will be awarded for each unattempted question.

Ol.

3lf~"," w.jy qi) ~ ~ ~ lI'W! <RI ~ >IFf 3 (<IFf) ajq; ~ tl lIi'4.., 'Tt"Iif TTrr ~ fffi( 1l<Ii 3i<1; <1m!T vlii/'I/I ~ aif'1Rd >IFf ~ ~ I '<I j'l> l'l"'1" m>rr I

(2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one.

~ ~"'" ~'I>f01'l> ~ ~ ~ iI; f.1<R mful m. 111 f1'1>cd'l ~ ~ tl

Makhan Chor is denoted for?

(1 ) G&'flesh (2) Vishnu (3) Buddha (4) Krishna

"'I I lSI '1 <il {" f4i fI iii fW1 JO! TR1 iRrr~ ......... (1 ) trltl;r (2) ~ (3) ~ (4) 'f?"T

02. The Term ""Natwar" is related to .............. ..

(1) Vishnu

(3) Ganesh

3

(2) Krishna

(4) Kamdeo

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12U/111/18

"'1"''1('' ~l"': f<liWf; ffiiI 1l~'k1 m-m ~ ? (1) ~ (2) '£"'T (3) <M~T (4) 'fiTli~

03. The Lord of Dance ..........

(1) Brahma (2) Krishna (3) Shiva (4 ) Vishnu

'li"f '" "1lfu ~ .......... ( J ) ~ (2) '£"'T (3) fll1<f (4 ) ~

04. G1HU Shishya Parampan.l ."., .. " ...

( 1) Business (2) Music (3) Hotel (4 ) Army

j' . '0- ~JU! ~<:T ...............

i 1 ) fEf'l"lB (2) WWr (3) titc<il (4 ) {-R[

05. "Khandil;<.' ...........

i 1) R(l,'~cJ (2) Hasta Mudra

\31 Nayika (4) Taal

'lS!'P",,,H' . . . . . . . . . . . . . ( 1) TIl (2) ~-~ (3) '11 fl:I 'Ill (4 ) <lR'T

06. Vibhaag of Teen Taal ....................

,fA ffiC! i; m'1T'f ............

( 1) 5 12) 6 (3) 4 (4) 8

07. When three matra is counted in one matra called ........ . (1) Duglln (2) Tllkda (3) Bole

qq, l'fPlT ii <WI l'fPlT 'Il1f.\ 'lir ......... ~ ~ I

(1) ~ (2) S'Il9f (3) ~ (4) ~

4

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12t1/111/1S

OS. When Poetry is set to Tal is called .......... "

(1) Toda (2) Natwari (3) Kavitta (4) Palta

;;ror 'Ilfi1ctl ~ dR'f <r.& ~ ~ ~ ........... <m.m ~ I (11 ~ (2) '"1<!Clti (3) 'Ilfi1tt1 (4) G01CI

09. Abhinaya are of ........... Types

~ <f; ............ !:f'Ilr{ tM ~ I (1) 3 (2) 5 (3) 4 (4) 6

10. Nritya means .......... .

(1) Nritta+ Nrirya (2) Nritta + Natya

(3) Natya + Abhinaya (4) Nritta + Natan Bhed

~ 'liT dlt<l4 ......... ~ I

(1) ~ +~ (2) ~ +~

(3) ~+~ (4) ~ + "fC'r ~

11. Karh:.-,k N:-itya is known for its famous .......... Gharanas.

I 1 \ ", \ . , ~ (2) 3 (3) 4 (4) 5

12. Lare p\ Kundanlal Oangani was the Guru of Gharana

(2) Lucknow (4) Raigarh

(2) '"" <si'1 '" (4) ':I'l'l"

5 P.T.O.

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13. Shri Nandikeshwar was the writer of -------

(1) Natya Shastra

(3) Ahhinaya Darpan

(1) ~ ~m'3[

(3) >31~'14 ~

14. . ......... Tir Kita Taka:

(1) Tak

(3) Dha

(2) Meghdoot

(4) Geet Govind

(2) q>l~'"

(4) ~ 'nf<i'G

(2) Tira Kita Taka

(4) Tigdha

...................... , m fll;c <i'Ii :

(1) (i<l;

(3) m

15. . ......... Jaipur Gharana.

(1) Pt. Radey

(3) Ram Kishore

.. . . . . .. . . .. . . ... "'4~F m:AT \

(1) qo ~

(3) <:1"l fili~itt

16. Kamdeva is the God of .................. .

(2) m fll;c (i<l;

(4) fu<Tm

(2) Pt. Sunder Prasad

(4) Shambhooji

(2) qo WG' ~ (4) ~i'!;>f\

(1) Happiness (2) Sorrow (3) Love (4) Hate

'Wl~<"l ........ if; '<l'\CI\'1 ~

(I) ~~ (2) ~ (3) i:rq (4) f!"TT

6

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17. The famous Folk dance of Rajasthan is .,,,,,,,',"

(1) Ghoomar (2) Santhal (3) Lawani (4 ) Garba

~ '!iT §!OIfB'I§: W:I; 'F'I ......... ~ I (1 ) ~ (2) <r"'-lR'l (3) 11 1'1 aft (4) 'f{OIT

18. Prakampita ..................

(1 ) Drishti-Bheda (2) Greeva-Bheda

(3) Pada-Bheda (4) Shiro-Bheda

!OI q;fi"q 111 ................. (1 ) ~-~ (2) >ftm-~ (3) =-~ ,

19. Angarkha ................... (1) Manipuri (2) Kathak (3) Kathakali

>3*'1 "«iSH . . . . . . . . . . . . . . . . . . . . . (1 ) '1fUl:J;{1 (2) 'Ii'l'li (3) ~

20. .............. Parwati ( I) Ram (2) Krishna (3) Muni

~_o ................ 41 ("II

(1 ) <111 (2) 'FT (3) ~

21. Mahalaxmi + .................. + Maha Saraswati (1) Durga (2) Maha Kaali (3) Radhe (4) Mataji

'1 ij I i"Ill'fr +.... ............. + "1m "1< \<I ell

(I) ~

(3) Uq

7

(2) "1m '!iT(i\\

(4) 'ill1lvil

(4) f~ro-~

(4) Odissi

(4) ~~{ft

(4) Shiva

(4) ~

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12U/ll1/18

22. . .............. Ga Tita Tita Ta s

(1) Gadigan

(3) Tagetit

. • • • • • • • . . . • • • • .. 'T f<'R: f<'R: <IT s

(2) Ka Dhita Dhita Dha s

(4) Dhagetita

(1) '1f'G'I'1 (2) '!i fiR fiR '-IT s

(3) t1IIiRtc (4) 'llilRtc

23. Krishna ..................... .

(1) Ganga (2) Saraswati (3) Kaveri (4) Yamuna

~ .................. . (1) ..prr (2) fl W1ct1

24. Satvik ......................... .

(\) Ahhinaya - Bheda

(3) Drishti - Bheda

fll~iIi ................ .

(1) ~~

(3) ~ ~

25. Ardha - Chandra ................... .

(\) Shiro Bheda

(3) Hasta Mudra

~~ ............ . (\) flIffl ~ (3) ~ ~

8

(3) '!iliHl (4) 'l1flT

(2) Greeva - Sheda

(4) Shiro - Sheda

(2) lfim ~ (4) flIm ~

(2) Greeva Sanchalan

(4) Pad Sanchalan

(2) lfim ~ill<'l'1

(4) qs: fiill<'l'1

Page 8: B.Music Kathak.pdf

l3U/lll/18

26. The fifth-veda is known as ................. ..

(1) Abhinaya Darpan (2) Geeta (3) Natyaveda (4) Samveda

~ ~ 'lit ............. q;;ffi ~ I

(1) ~ e:<fuT(2) l\lm (3) ~~

27. The writer of Natya Veda was ................ .. (1) Rama (2) Shiva

(3) Bharat-muni (4) Krishna

~ ~ of; (tlft1\i1 .............. ~ I

(1) <J'1' (2) ~ (3) 'H\i~ (4) 'Ff

28. Kansa was killed by Lord ......................... .

(1) Shiva (2) Rama (3) Krishna (4) Vishnu

'lffi I4ift<fl &m >mT 'T'lT err ?

(1) ~I<l (2) <J'1' (3) 'Ff (4 ) f<l":.l

29. KCithalc ............. ", ... ,.

(li Jatiswaram (2) Tillana (3) Thurnri (4) Allaripu

~ ........ .

(1) <ilfc'i{"4 {~ (2) RlWlI'11 (3) ~

30. The Famous classical dance of .................... is Mohni Attarn.

(1) Kerala

(3) Bengal

9

(2) Andhra Pradesh

(4) Delhi

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12U/l11/18

.................... 'Or \:!llfft"" ~"fOll'l ¥'l ~ I (2) .:m-~ 5!'e:~T (3) ~ (4) ~

31. How many strings are in a Tanpura ?

('I1'l:,!{ if 1'1>('1'1 (iT{ m- ~ ? (1) 2 (2) 1 (3) 3 (4) 4

32. The Lasya & Tandav was performed by ............. & .................... ..

(1) Radha-Krishna (2) Shiva-Parvati

(3) Ram-Sita

i'ilTf'i <'fm ('II 0$ C1 ¥'l (I) 'UtlT-~

(4) Kamdeo-Menaka

.. .. . .. .. .. .. .... am f'I>'lT 'T"IT I

(2) ~T'I-qr<fffi

(3) W!-~

33. Nayak .................. ..

"l1<l'Ii .................. ..

(I) 5 (2) 4

34. Nayika .................... .

'llfti'l>l ....... , .......... '"

(1) 4 (2) 8

35. Dasavtaar ...................... ..

(1) Jayadev

(3) Nandikeshwar

~1!C(dl ( ............... .

(1) "1'l<\'1

(3) 'l;{jif;~<n:

10

(4) 'l>1I1<\'1-iA<!;r

(3) 6

(3) 7

(2) Dhananjay

(4) Bharatmuni

(2) ~

(4) 'l«1~

(4) 8

(4) 9

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12U/111/18

36. Dance performed by Devi Parvati called ............ .

(1) Manipuri (2) Mohini Attam (3) Raas (4) L;,.sya

~ ~ am f<I;o;rr '1'IT ~ (1) 'lfilp,!{)

.. .. • .. .. • .. • • •• '1;(''<'11<11 ~ I (2) ~l~'\) ~

(3) m! (4) <'IR'1

37. The first Srishti Naad was through ................... .

(1) Manjira (2) Dho! (3) Swara (4) Damroo

~ 'liT ll""l'l ~............... f:t SJlT I

(1) I{cfl{l (2) ~ (3) "'1\ (4) S'R'\

38. . .......... the creater (1) Ganesh (2) Shiva (3) Brahma (4) Indra

~ if; {ql'l<1I. ............... .

(1) Tpi)~T (2) mer (3) ~ (4) ~

39 . ............ Rasa

.......... :m (Ii 4 (2) 7 (3) 6 (4) 9

40. Fnf1:J:.., of OC'I.'i ......... ,' .......... .

~'fif~% .................. . (\) 7 (2) 6 (3) 9 14) 5

41. Classical Jances of India are .... >0 ••• Types

"1m[ zf; .11 <4)'1 'l"f .............. qq;n: if; ~ I

II) 4 (2) 7 (3) 6 (4) 8

11

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42. The Gujarati Dance performed with sticks is , .. """, .. ".",.

(1) Garba (2) Tippani

(3) Dandia (4) Ghoomar

p1 <I<f\ ~ "iit it; mei ................ ~ 1

11) 'l'{OIT (2) i"e,,"!uTl

(3) 5i~ql (4) 'i'f'

43. The famous cloth of Rajasthan is .................... '

(1) Cotton (2) Khadi

(3) Silk (4) Chundari

~ 'PT >1ft!", <rei! .................... ~ 1

( 1 ) wf\ (2) 1SI1<ft (3) f'ffi;<!;

44. Katha Kahe so ................... ..

( 1) Kathakacharya

(3) Kathakali

~ ~ <iT ............ . (1) "0"'''01414 (2)_

(2) Kathak

(4) Kavitta

(3) "O~

(4) 'r~

(4) <nf'm'

45. The Dance set to rules and regulations are called ..................... ..

(1) Folk Dance (2) Classical Dance

(3) Festive Dances (4) Mahila Sangeet

~ it; f.'I..,>1'f ~ oiit ~ ~ 'Ii\ ............... ~ ~ 1

(1) oi'tq; ~ (2) ~IH'>fIq ~

(3) <"fI;m ~ (4) 'l~(11 Wlm

12

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12U/lll/18

46. Goddess of Arts .................... (1) Lakshmi (2) Durga (3) Kali (4) Saraswati

'fflIT ~ .............. (1) ~ (2) ~ (3) q;J<i!t (4) fl«<left

47. Dr. Shashi Sankhla belongs to ............ Gharana of Kathak : (I) Lucknow (2) Banaras (3) Raigarh (4) Jaipur

~o mft «i<5t<.1I .............. 'iii ~ ~('qj'HI ~ I (I) (1Gl"I'3i (2) <I'1I<fl (3) <I'l'liii (4) Zil4g<

48. Shri Rajendra Gangani is the son of ................. .. (1) Pt. Sunder Lal Gangani (2) PI. Kundan Lal Gangani (3) Pt. Kanhaiya Lal Gangani (4) Pt. Krishna Lal Gangani

m {(Jl.,; *"'11 ............. if; :=!'31 ~ I (I) tio ~ <.1m *"41 (2) tio ~ <.1m *"41 (3) tio 'ho%41 <.1m 'j'lI41 (4) tio 'li"'I<.1R'I *1141

49. The Facial make up takes 4-6 hours in ............... .. (1) Kathakali Dance (2) Kathak Dance (3) Manipuri Dance (4) Folk Dance

~<5t W'3IT if 4-6 >ft ~ 'I<'< if wmr ~ ? (I) 'h~ 'F'I (2) 'h>l'h 'F'I (3) 'ifill:!" 'F'I (4) oit'!i 'F'I

50. Pt. Jasraj is a famous ..................... .. (1) Dancer (2) Vocalist

(3) Instrumentalist (4) Director

tio "1{HPl '{'h ~~~<& .............. ~ I

(1) "1<\'Ii (2) ~ (3) =

13 P.T.O.

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51. Pt. Vishwa Mohan Bhatt Plays .................. .

(1) Santhoor

(3) Guitar

(2) Violin

(4) Mohan Veena

<to F<t:rq ~ ~ ............. ~ ~ 1

(1) <i"i' (2) Cllq~'1

(3) !7rm (4) ~ cfturr

52. Ustad Zakir Hussain is the son of ........... .

(I) Kareem Khan

(3) Gulam Husain

'3@G "11f4i, ~

(I) ~ lSIt

(3) ~~

(2) Husain Buksha

(4) Allarakha Khan

............ ~ ~I

(2) sBR <r'm (4) 01 i'iiiIl {<ill 1:"<lT

53. The person who teaches the Sangeet is called .................. .

(1) Teacher (2) Professor (3) Guru (4) Lecturer

Wfur ffilSll'l CIR'IT alitR1 ................. '1">$<'11<:1 1 % 1

(1) iT<'R (2) sonChf1{ (3) Ti (4) <Pi'l'<l{(

54. The person who learns Sangeet is called .................... .

(1 ) Student (2) Shishya

(3) Singer (4) Sangeetkar

alitR1 ;;iT Wfur ~lSI<:1 1 % ............. '1">$<'11<:11 ~ 1

(1) = (2) ~ (3) '11<r'I"i (4) {j·ft<:1'1">1{

14

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55. The person who plays other instruments with Artist is called ................ .

(1) Singer (2) Sangeetkar

(3) Sangatikar (4) Tabla Player

~ dlfil\1 ;;it 'I><'1l'l>1 (f of; ~ Wm 'I>'l: ~ ............. ~ ~ 1

(1) '1T<I"'I> (2) fj·ft ('1 '1>1 {

(3) fi<lid'l>l{ (4) _ ~

56. Pag Ghungaroo bandh ............. Nachi Re.

(1) Meera (2) Sita (3) Rani (4) Kumari

. . . . . . . . . . . .. orrift 't 1

(2) <furr (3) "<T'ft (4) P

57. Who was the famous Kavitta writer of Jaipur Gharana ?

(1) Pt. Gopal Das (2) Pt. Narayan Prasad

(3) Pt. Ram Kishore (4) Pt. Harihar Prasad

<iI'l:!{ ~ of; ~ 'I>\4m <q~<11 '1i'A i)" ?

(1) <to <1IQI<'1 G:ffi (2) <to '11<1'l"1 ]:fffiG

(3) <to <1l'! f<I;~m: (4) qo «f,<'< ]:fffiG

58. Who danced on Kalia Nag?

( 1) Rama (2) Shiva (3) Krishna (4) Rawana

'1>1 ~ 'll '1T'T 'IT f<I; t1"1 'l:"1' fil;>:rr 7

(1 ) <1l'! (2) ftr<l (3) ~ (4 ) WI"!

59. Smt. Sitara Devi is known as ........ ...... .

(1) Kathak Queen (2) Dramatist

(3) Choreographer (4) Vocalist

15

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~ Ftta I (I ~............... ifTl1 ~ ;;wit "i"Rft ~ I

(1) ~ <lllll.i) (2) '11,,"''''1 (

(3) <ilf{'{BllCf)( (4) 'II~"'I

60. Kelucharan Mahapatra was devoted to ............ .

(1) Odisi

(3) Kathak

(2) Kathakali

(4) Bharatnatyam

if;<;!,"'I(OI ""'1i$""lmql"'OI ............... ~ <l'l~(1 tl" I

(1) ;ffifgffi (2) ~

(3) ~ (4) "'1«1'1I~q'{

61. Bindadin Maharaj was famous for .................. .

(1) Thumri

(3) Gati

(2) Tatkar

(4) Paran

~ "\ I ~ '1 '"I 1$1 <1"1 .•.•.• • .. .. . • •• if; ~ 51 1ft "" tl" I

(1) wrtt (3) 'If<r

62. . ................ Ohi Na Ohin Na

(1) Ohagetita

(3) Thunga

. . . . • . . . . . . . . .. f<t "IT f<t "IT

(1) "llijRlc

(3) WIT

16

(2) (1'(1"'1 (

(4) 'R"I

(2) Tin Tin Na

(4) Kitataka

(2) RI' RI' "IT

(4) fob c(1 '"

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63. Dha Dhin ........... Dha.

( 1) Taka (2) Thun (3) Dhin (4) Tage

'IT Rr ........... 'IT I

(1 ) <fiji (2) ~ (3) Rr (4) mi\"

64. .............. Gadigan Dha.

( 1) Tat Tat (2) Dhage (3) Tita Kata (4) Dhatraka

................ ·IR·,~ ~ I

(1) mr ffi'fI (2) ~ (3) Rl """11 (4) 'If'r'Ii

65. DhaDha .......... Ta

(1 ) Ta (2) Na (3) Din (4) Tira

'IT 'IT ........... <1T

( 1) \'IT (2) "IT (3) ~ (4) Rl\

66. ..................... Dig Dig Thei (1 ) Tak (2) Thun (3) Tigdha (4 ) Thei

............... ~~~ (1 ) <fiji (2) Tf (3) fu7rm (4 ) ~

67. Dha Tira .............. Tak

( 1) Dhage (2) Din (3) Kita (4 ) Dha

'IT Rl\ ........... <fiji

( 1) ~ (2) ~ (3) fll>c (4) m

17 P.T.O.

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68. Tat Tat Thun Thun ..................

( 1) Gadigan Dha (2) Tigdha digdig thei

(3) Dha Dha Din Ta (4) Tirkita Dha

<roo <roo ~ ~ ••••...•.••.•.•.

(1) ~1f&11'1 'IT (2) ~ ~'I~'I ~ (3) 'IT'lT~ffi (4) RI <[q)" 'IT

69. Dha ........... Tak

( I) Dhagetit (2) Tagetit

(3) Digdig (4) Tirakita

'IT ............ Cf'fi

( 1) '1lilRl" (2) <,uilRl " (3) ~'I~'I (4) RI<[q)"

70. ............ Na Dhin Dhin Na

(1) Dha (2) Na (3) Dhi (4) Dhin

• .. .. .. .. .... "IT f>:i f>:i "IT

( I) 'IT (2) "IT (3) fOr (4) f>:i

71. .............. 16 beats

(1 ) Jhaptal (2) Rastal (3) Teental (4) EkTal

........... 16~ ( I) !fNttl<tt (2) <I fI?I W'l (3) <iFf <'1m (4 ) ~ <'1m

18

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72. ................ 12 beats (1) Chowtal (2) Dhamar (3) Dadra (4) Kaharava

................ 12~ (1) '6i'IctR'I (2) "I"IR (3) = (4) Cbi?'(q(

73. Dha Dha Din Ta, Kit Dha Din Ta ................ . (1) Dha Tira Kit Tak (2) Tigdha Gadigan Dha

(3) Tit Kata Gadi Gan (4) Dhagetit Tagetit

74.

'-IT '-IT ~ <IT, f<l;c: '-IT ~ <IT, ( 1 ) '-IT m f<l;c: <1'Il

(3) fcR: q;m ~ '"A

....................... 10 beats (1) EkTal (2) Jhaptal

........... IO~ (1 ) t:('fi <'IW! (2) $lq(1l(1

75 . ................. 6 beats (I) Roopak (2) Jhaptal

................ 6~ (1) .~ (2) "'$lmQ(1"'I(1'"

76 . .................... 8 beats Il) Ra,Tal

(3) Shikhar

................ 8~

(2) fuTr'-IT '111\'1'1 '-IT (4) "Hi'lRii! ctli'lRi<!

(3) Dhamar (4 )

(3) "I"IR (4)

Teen Tal

eft;'[ <'IW!

(3) Dudra (4) Teen Tal

(3) <::KU

(2) AsUwmangal

(4) Kaherava

(4) m-., <'IW!

(1) -m1 <'IW! (2) 31""4'1(1

(3) ~~ (4) q;~(CJI

19 P.T.O.

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77. Nayak ................ .

(1) Nal

(3) Rama

~ ................. . (I) 'I<'f (2) '1lft1'lil

78. Bois of Tabla called .................... ..

(2) Nayika

(4) Krishna

(3) U'l

(1) Theka (2) Laya (3) Chala

\i"OTffi <f; oi'R>r 'lit ............ ~ ~ I (1) 3<or (2) <'f'l (3) <m'IT

79 . ........................ Govind

(1) Geet (2) Sita (3) Rama

................ 'ilRl"" (I) >1m (2) ~ (3) U'l

80. Vibhaag of Rupak Taal ........... .

'l.'\'l"li em;! <f; Rl "11' I ................... .

(I) 4 (2) 7 (3) 3

81. Ektaa! ..................... .

(I) 3 Taa!i (2) 2 Taali (3) 4 Taali

l('li11R'1 ................ .

(1) 3 ffiOiT (2) 2 ffiOiT (3) 4 ffiOiT

.20

(4) 'Fl

(4) Raga

(4) WT

(4) Shyam

(4) ~

(4) 6

(4) 1 Taali

(4) ! ffiOiT

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82. Who was Tansen " .................

( 1) Singer : 'J \ '~I Wn1;er

(3) Player (4) Dancer

C11'1f1'1 ~~ ?

(1 ) ~ (2) ~

(3) CIWn ( 4) '1C\q;

113. Complete cycle ofTaaL ...................

(1 ) Matra (2) Avartan

(3) Theka (4) Vibhaag

CfR'I >m (1 "!,,i q;p ....................

( 1) 'IT31T (2) ,

\3w:kF1

(3) ~ (4) fCr'<IT'T

84. Trinetra ....... , ..........

(1 ) Brahma (2) Vishnu

(3) Ganesh (4) Shiva

~ ................ (1) Of'lli (2) fc1UJ (3) ~~T (4 ) fill<!

85. The Term Sangeet consists of ................... .

(1) Raga (2) <.layan Vadan Nritya

(3) AJankaar (4) Gayaki

21 P.T.O.

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WlRr ~r.G" •.••....•...•. <"t 0f'1ill % I

(1) "U'T (2) '1T'f'1-'lfiR-¥I

(3) 31<ii>6I( (4) '1I'l'l\j

86. Goddess Lakshmi ..................... .

(1) Lotus (2) Rose

(3) Kevada (4) Chameli

~~ ............... . (1) 'Ii'R'I

(3) ~

(2) ~

(4) ~

87. The smallest unit of time in music is called ........... ........ . (1) Tali

(3) Vibhag

(2) Matra

(4) Khali

WlRr if Wi>T 'Ii\ <1"! <"t ~ ~ 'lit ~ ............. . ( 1 ) <iT(;fi (2) "I"BIT

(3) F<r"IT'T (4) W<'ft

88. The first beat of Tal is known as ........................ ..

(I) Matra (2) Tali

(3) Tal (4) Sum

~ '41 CfR'[ 'Ii\ ~ "I"BIT 'lit .............. ~ ~ I

( I ) "I"BIT (2) <iT(;fi

(3) CfR'[ (4) WI

22

Page 22: B.Music Kathak.pdf

89. Some natural parts of the Tal is called ....................... .

(1) Bole

(3) Theka

<IR'f oj; ~ (<l1'1114'h ~

(1) Giro (3) ~

90. Maha Ras .......................... .

(1) Rawan

(3) Krishna

'H?I<I'R ............. .

(1) mur (3) ~

91. Cheer-Haran ................. .

(1) Devki

(3) Draup"di

(1) ~

(3) rn<ft

{'2) Tali

(4) Vibhag

............. it I (2) ;m;fi

( 4) fcT'1T'T

(2) Arjun

(4) Shiv

(2) ~

(4) film

(2) Radha

(4 J Meera

(2i ~r~:rr

(4) >IT{f

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92. The same speed of time in Music is called ... , ........ , .. , .... .

(1) Gati

(3) Kramia,-u

23

(2) Laya

i'I' Chakra . ,

P.T.O.

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~ if W!'l' 'lit WlR 'lffr 'lit ............... ~ ~ I

(1) 'lffr (2) <'!<r

(3) a;q.,., (4) """"

93. The fast speed of Laya is called ................... .

(1) Aavrati (2) Vilambit

(3) Drut (4) Layakari

~ 'lffr 'lit <'!<r 'lit ............. ~ ~ I

(I) ~ (2) f<1i!1f"'ltf

(3) ~ (4) WN>lfI

94. The Group of fixed beats called ................... .

(1) Theka (2) Laya

(3) Bole (4) TaJ

~ '1l"5!T-3U of; ~ 'lit ............... ~ ~. I

(1) ~ (2) <'!<r

(3) ~

95. . ............ Leela

(1) Vishnu

(3) Ram

............... <;ftm

(1) ~

(3) Ulf

24

(4) <m'f

(2) Devi

(4) Radha

(2) ~

(4) um

Page 24: B.Music Kathak.pdf

96 . ................. Aaroh

................ ~ (I) m?:". '1

(3) m R ~ q

97 . .................. Jhala

(I) Sur

(3) Tabla

.............. ~ (I) W (3) <fOR'IT

(2) m". t m (4) q '1 ". t

(2) Sitar

(4) Pakhawaj

(2) fffim:

(4) q@'lG'1

98. U daishanker was known for .................. .

(I) Story Teller (2) Choreography

(3) Sitar Player (4) Kathak Dance

~~m fil1<! ~ "fA "!ftt ~ ?

(1) 'Ii~

( 3) ff\,m <'!To:'Il

99. Nrityagram "vas founded by ........ .

(2) 'I ;!f~ iii m<liT (4) 'lim ~

12U/ll1/H

(I) Bala Saraswati (2) Protima Bedi

(3) Sitar" Devi

~ 'liT ,<,'1'RT ~.f.'t 'liT ( 1 ) "ITC'IT, l' '2'l <Ii

(3) ffi<'lm 1m!

25

12):!IPI'!l <t<n (4) U~R '!l'illl

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100. More than 100 bells are worn in ........................ .

(1) Kathakali (2) Kathak

(3) Odisi (4) Bharatnatyam

100 "i't ~ ~ film '!i"'I if <Wf "flit ~ ?

(1) ~ (2) ~

(3) ~~ffi

Page 26: B.Music Kathak.pdf

mr 9~." ;I; rnrrr _ ~ lIT 1ffII ;nrr-I/!I' ;I; *'"' '{'<it' lIT

I/;lnIr :fhrf/-~ ff11'T-~ .r.r " tt fmi) 1. lIT-! :{f<1 .. , flRR ~ 10 1lfo!G ~ 3R\ m ~ <'I f.!; ~ if <Nt ~ ~ ~ aft\ <ili

lIT-! 'f'T 'It! t, 1ffi1 .. , ~ ~ "If.! '" ~ 'fI'IT"ffi'ffi'! ~-~ qit ~ "'T'i ,,~~q, <;it ~ ~"" JIl1<! '"' <'It

2, • 'l'R if mq;/Qi/ mw wm-I/!I';I; 3IfirnlRf, tffillr 'IT m<;r <ili \ft 19\9T lIiI'r.! m'II

if '! mif, 3, ;nrr-I/!I' 3IfffT" ff:rtr '1lIT'1 rrt:r Iff >iff 31tH tt flip orrl F' Ofrr-I/!I' :r(fff:rtr .rrtr/TI

I/;lnIr Ofrr-I/!I' IHT tt F"i .. " fit;?n orirrri 4, 3l'!'lT 3!:!",~i .. l!'IT 31\1:-'1'! "" smi<!; 0l>Ill 3!Jq(1lj-~ '" ir.! i'r f.rmft! 1"IR '" ~, 5_ Ofrr- rnr ;I; ntft ~ lIT .r.r it .".." 3Ijlbqj .. R!lffill ffJT'{ lIT fmi'1ffII :f/iI f(ol ¢ i5l ~ 'Iff (I .,p-.,p 3/14,4" BT .m 1TR -g~ .. / l/U ~ irfIT !k IHT :rwr ofiTtr """"' lIT fmi)

6, 3I't0 '1"0 3Iff0 I/!I' lIT 3Ij1b#i .. lh§ln, .,,,gfia .. / lh§ln .". !k lh§ln (rdi( i5lf it) irfIT

.'''gliit .. , lIT 3Ij1b#i.. 3Irr 3I't0 '1"0 3Iffo I/!I' lh§ln i5l.fbfilif ifaqfir4 .. " 1If/ 3Il'ffir 'Itt'tl

7, ~ l1i.,IiJ:'iI/fil'!4,n!' it i5lf til .nalf .. .. ", r:m",.. 1m .#lfil/l, fflr ~ 3l"I'fIT." l(Oi" ~ mtR IHT J/4l7r 1I1'IT orirrr,

8, lTR-g/Rtlii/ >fll1W; lTR;I; il/Tf 4 .. ~ .. Ofrr f(ol rrt t', .m; 1TR ;I; 4 .. ~ .. Ofrr;l; fffi{ 3I/fIOil Ofrr-I/!f 1If/ 1I111f.iht WiRr;l; mri f(ol rrt '" i5l Ofrr-I/!f;l; rnrrr ~ lIT f(ol rrt f.t(vff ;I; 37311« .r.r " ~ ~ tl

9, lJl'lq; lIT-! ~ 31\1: ~ ffit< ~ 11.'" m '1'f qit ~ 'Ii(, 11.'" i'r 3lf>!q; '[iii qit ~ ;gil '" = 11.'" '1'f qit 3l'j;'f 'lB '" q;l 31\1: 'lffi! 'IRT ~, 10, utr.I (til; l(Oi" "" FIliI 1m affi1;II Ofrr _ 'Itt"." II'IfiIT tl rdi( 3rTQ fi1;#IlTR l/U Bf

:rtf" ~ ""* t; '" Jhifil;r WiRr ;I; mri f# rrt 111ft "..r' i5l ~ IJlJ (I ~ l1R7' lIT l'f'T .;.. f(ol ortifiIl

II, "" q;r<f ~ ffit< lIT-!-~r?ii .. , ~ '1"'1'6 ~ ai<;1: 1lR'!T ~ l!'IT 31\1:-~r?ii .. , ~ afflrq ~ "" m 'Ii(,

12, • ~ O'I\RI i/;ar; 3I't 'I" 3Iff Ofrr -I/!f. 'l'R if "1m '"' ~, 13. • <1'IT'<I mit i'r ~ • 'l'R i'r om "If.! <;it 3l'j'lffi 'It! Wft, 14. 'lfi\ ~ 3M?lf • if ~ m'l'Il "" m 'WIT t <it q;l r~ ~qr~QI(1<' mr f.rmft!

~ ",,«b't, 'IT'i\ iPniWft,