bimpe ii catalogue
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The Exhibition Catalogue for the Second Biennial International Miniature Print ExhibitionTRANSCRIPT
BIMPE II
Second Biennial InternationalMiniature Print ExhibitionJuly 1 - October 12, 2002Granville Island, Vancouver, BC, Canada
Dates and Locations:
July 1 - October 12New Leaf Editions1370 Cartwright StreetVancouver, BC V6H 3R8Tel. 604 689 9918
July 1 - August 31Dundarave Print Workshop1640 Johnston StreetVancouver, BC V6H 3S2Tel. 604 689 1640
September 17 - October 12Malaspina Printmakers Society1555 Duranleau StreetVancouver, BC V6H 3S3Tel. 604 688 1827
Benwell Atkins
Cordillera Okanagan Wines
Dindoise
Granville Island CMHC
Inkworks Ltd.
Northwest Graphics
NWZone
Opus Framing and Arts Supplies
Origins Coffee
Prospera Credit Union
Shaggy Dog Story
BIMPE II would like to thank the following sponsors:
ABOUT THE BIMPE
The concept of a Vancouver biennial miniature print exhibition was the brainchild of Peter Braune, owner of New Leaf Editions, aided by Debra Yelva, the then-president of the Dundarave Print Workshop. The goal of this exhbition was to give greater exposure to the art of the print and, by virtue of its lack of size, affordability and transportability, to be able to exhibit many at 3 different small venues on Granville Island. As a tourist mecca, thousands of people visit the island every year; they also visited the exhibition and purchased prints.
New Leaf Editions is a custom print workshop where artists collaboratively work with master printers to create etchings, woodcuts, linocuts and whatever else is in the realm of possibility. Printing continued throughout the exhibition so that interested persons could see the process in motion and ask questions Dundarave Print Workshop and Malaspina Printmakers Society are both non-profit printmaking cooperatives, each with a separate gallery space., where members are provided with fully equipped, affordable, and safe studio space.
An opening reception was held on July 5th at both New Leaf Editions and Dundarave Print Workshop, at which time the winners were announced and prizes awarded. First place winner Yoko Kawazoe from Bloomington, Indiana, was awarded $ 1,500.00, and second prize winner Tomoyo Ihaya from Edmonton, Alberta, was awarded $ 1,000.00. On September 25th, an opening reception was also held at Malaspina Printmakers Society.
It is the aim of the exhibition with each successive BIMPE, to embrace all printmaking techniques from traditional to hyper modern, and to expand and access a broader, more international base of artists. Please spread the word. We welcome any comments, suggestions and recommendations you may have.
Thank you for your participation;Les organisatrices: Katie Dey and Marijke Nap
New Leaf Editions1370 Cartwright StreetVancouver, BC V6H 3R8Canada
tel. 604 689 9918email:[email protected]: www.newleafeditions.com
Juror's statements
On June 1, 2002, three jurors spent an afternoon selecting (and rejecting prints) for the exhibition. Their varying backgrounds allowed for lively discussions and a wide array of prints to be selected.
Kitty BlandyArtist, printmaker, sculptorThe mandate for the BIMPE II jury was one of inclusion. The prints by nature of different techniques and origins made a varied and full exhibition. The works were presented only in the context of the two or three submissions from an individual and among the congregation of prints submitted as a whole.
As much thought and work go in to the making of a successful small print as in a larger work, perhaps because of the scrutiny in editing the marks made within a small frame the resulting images become increasingly acute.
Considering that there were no supporting statements for the works, my selection was based on three criteria; aesthetic appeal/composition, content and technical achievement. No doubt time plays a factor in the jurying process and that the arrangement for viewing works can influence how they are perceived, just as colours affect each other in proximity so too will whole images; some benefiting others not.
The submissions were international and the media used reflected this diversity, though no particular print form was favoured by artists of any one country and all types were represented.
Thanks to the BIMPE II co-ordinators for continuing to bring an international printmaking endeavour to the Pacific Northwest public.
Wayne Eastcott Printmaker, instructor, artistDespite the size restrictions of this competition, it was encouraging to note the tremendous diversity of the individual approaches to the image making. This, of course, increased the difficulty in distilling a quality, representative selection of works. However, precisely because of this variation, the final BIMPE II miniature print exhibition is an optimistic demonstration that good art always transcends size, media, age or culture. I found my participation to be an enriching, informative and pleasant experience.
Davida Kidd Printmaker, instructor, artistWayne Eastcott, Kitty Blandy and I were honoured to jury the BIMPE International Miniature Print Exhibition this year. Many hours were spent trying to narrow down 147 prints which included 2 prize winners (from the U.S. and Canada), and 10 honourable mentions from 96 artists from around the globe. Jurying artwork from other countries is a difficult task, particularly in terms of assessing content, experimental work in the context of a particular location and technical advantages and/or restrictions, We tried as hard as we could to represent a broad spectrum of what is possible within this compact and sometimes dense format. We started by eliminating works that were not technically well executed. After a few hours, the work that we considered the most challenging in terms of process, concept and subject matter kept rising to the top. Some works were also wonderfully humorous or conservative in content but technically virtuosic. Print continues to be a wonderful format for the global sharing of varying visual languages and culture. It is interesting that this has been going on within the global print community long before the internet took hold!
Congratualtions to the winners, and to those who didn't get selected... keep trying! Judging by the numbers of submissions, there is no doubt that the BIMPE print exhibition is growing in reputation. We look forward to another excellent showing next year. Thank you as well to Marijke and Katie for impeccable organization.
First Place
YOKO KAWAZOEJust passing by
Intaglio
USA
Second Place
TOMOYO IHAYATurtle cove
Etching, chine collé
Canada
SUSAN LOWDERMILKDust devil
Relief Engraving
USA
CATHERINE STEWARTAlter ego I
Solar Plate, Chine Collé
Canada
AMANDA SCHEIREREveryone i know
Etching and chine collé
USA
JAMES GREERHighland lovers
Wood Engraving
Scotland
ANNIE FINCHMemory II
Digital print
Canada
VAPPU JOHANSSONNot the same rain 3
Aquatint, relief
Finland
The following artists' prints were also selected for the exhbition by the jury:
HAYK GRIGORIAN (Armenia)The way of pilgrim I - IntaglioThe way of pilgrim II - IntaglioIn vito veritas - Intaglio
BETTY PRITCHARD (Australia)Beside the river - Etching
JEAN-MARIE DECONINCK (Belgium)Mont Aigual - Digital print
MITCH MITCHELL (USA)Reprise - Intaglio and chine collé
HEATHER ASTON (Canada)Veil 1 - Monotype chine colléVeil 2 - Monotype chine colléVeil 3 - Monotype chine collé
ALINE CARREAU (Canada)Un temps pour gémir - Digital printUn temps pour prier - Digitial print
GENE CHU (Canada)The beauty and the skeleton - Lithograph
DEBRA DEDYLUK (Canada)Absence of body - Intaglio, chine collé, serigraphyPosture - Intaglio, chine collé, serigraphy
LORI DOODY (Canada)Sing, sing, sing - Drypoint
BETTY JEAN DRUMMOND (Canada)Forest floor - Collagraph
LESLEY DUBEY (Canada)The unknown - Mezzotint
ANNIE FINCH (Canada)Memory I - Digital printMemory II - Digital printMemory III - Digital print
PETER FREY (Canada)Aberration - Digital transfer printSkybird - Digital print
DENISE GEISS (Canada)A corner in the garden - IntaglioPeas - Hand coloured etching, chine collé
HELEN GERRITZEN (Canada)Rubber box, gilt - Etchomg. relief, lithography and chine colléBall, wood - Lithography and chine collé
JUDE GRIEBEL (Canada)A seagull - Etching, aquatint
MARK HEYWOOD (Canada)Self - Drypoint
TOMOYO IHAYA (Canada)Cells - Etching, chine colléWillow witching - Etching, chine collé
LIZ INGRAM (Canada)Cross - Photo-intaglioSource - Photo-intaglio
HANNAMARI JALOVAARA (Canada)The sentinel I - Etching and aquatint
FRANK JALSOVSKY (Canada)Ex libris Peter Kocak - AquatintMoonlight - Aquatint
LAUREL JOHANNESSON (Canada)Red #1 - Image transferRed #2 - Image transferRed #3 - Image transfer
SHEILA JONAH (Canada)Untitled - Etching, viscosity
DIANE JUTRAS (Canada)O ciel! Terre - Etching
MICHELLE LANTEIGNE (Canada)Chant - Etching with chine colléOde - Etching with chine collé
LOUISE LAVIGNE (Canada)Torse I - Lithograph
JANET LOWRY (Canada)Yellow brick road - Etching
ANDREW LUKETIC (Canada)Pleasantville - EngravingSissi's tuffet - EngravingGreen gelding - Engraving
ANN McCALL (Canada)Luminous point - CollagraphSous terre - Collagraph
WENDY MOROSOFF-SMITH (Canada)Weathering the storm - Watercolour monotype
LIZ INGRAMAquascape
Photo-Intaglio
Canada
ROSAMOND NORBURYMano
Photo intaglio
Canada
JUDE GRIEBELDown the hole in the floorboards
Linocut
Canada
HELEN GERRITZENSlabs, moon cycle
Lithography, etching, relief, chine collé
Canada
ALEXIA TALA (Chile)Petroglifos - Aquatint
ZORAN DURBIC (Croatia)Graphic II - WoodcutGraphic III - Woodcut
LEENA GOLNIK (Finland)Labrus ossifagus - Plastic engravingZeus faber - Plastic engraving
ANNELI HILLI (Finland)Silence I - Softground, aquatintSilence II - Softground, aquatintSilence III - Softground, aquatint
VAPPU JOHANSSON (Finland)Not the same rain 1 - Aquatint, reliefNot the same rain 2 - Aquatint, relief
SUSANNA JUDIN (Finland)Hope - PhotogravureSalt desert III - Photogravure
MARIA KAVSALAINEN (Finland)Press release I - Etching, drypointPress release II - Etching, drypointPress release III - Etching, drypoint
SATU KIURU (Finland)My previous life as a horse - Aquatint
MARKKU LAITAKARI (Finland)Plaza - Digital print
JARVA LEENA (Finland)The frost - Linocut
VIRVE LILJA (Finland)The queen - Photoetching, chine colléThe king - Photoetching, chine colléThe soldier - Photoetching, chine collé
ANNA-MAIJA MATTILA (Finland)Su - Etching, aquatintJotakin samaa - Etching, aquatint
HEIKKI PITKANEN (Finland)Working in the morning - Woodcut
JOUNI SALONEN (Finland)History - Aquatint, photoetching, softground
ALLI SAMMI (Finland)Oustinkjin - Lithograph
SUSANNA SUIKARI (Finland)Gone with the stream - Etching and aquatintSignal - Etching and aquatint
PANU THUSBERG (Finland)Professor - Aquatint
MERJA YLITALO (Finland)Portrait II - Polymer gravurePortrait III - Polymer gravure
CATHERINE GILLET (France)Infirmes - Burin
IRENE JENSEN (Iceland)On the move I - EtchingOn the move II - Etching
BEENA HEMKAR (India)Noble invasion - EtchingSubcutaneous entwine - Serigraph
SEELA PETRA (the Netherlands)No endings - Drypoint
CHRISTINA CUNHA NERY (Portugal)Untitled - Mixed
MARIA NICHITA (Romania)Love letter - DrypointElegy (II) - Drypoint
JAMES GREER (Scotland)Knock! - Wood engraving
GILL TYSON (Scotland)Standing stones - Wood engravingThe house so quiet - Wood engraving
BERKO (Slovenia)Gladiola 560224 - SilkscreenGladiola 560223 - Silkscreen
SUSAN LITIOS (Switzerland)Foliage - Mezzotint, chine colléWaiting - Mezzotint
JANIS GOODMAN (U.K.)Rookery - Etching/aquatint
SHU-SHING YEH (U.K.)Harmony I - Drypoint and aquatintHarmony II - Drypoint and aquatint
MIGUEL ARAGON (USA)Two: 1 - Woodcut, serigraphy, chine collé
NATHAN BAILEY (USA)Compressor - Intaglio
WILLIAM CAMPBELL (USA)Broccoli vs. beef - IntaglioBroccoli vs. beef - Intaglio
ADRIENNE CULLOM (USA)Conversation - Burin engraving
MIGUEL ESCOBEDO (USA)Apuro - Reductive linocut
JACOB FELDMAN (USA)Figure 124542620.02 - Etching
RICHARD FINCH (USA)A partial view - IntaglioSet, VI - Monoprint
BARBARA FLAMM (USA)Daphne - Intaglio/chine collé
YOKO KAWAZOE (USA)Two - Intaglio
SERGIO GONZALEZ-TORNERO (USA)Artefacto - DrypointHokhokw - Drypoint
HEDI KRAUS (USA)Red table - Drypoint and watercolour
SUSAN LOWDERMILK (USA)Twister - Relief engraving
THOM O'CONNOR (USA)The bowl - InkjetBowl in stripes - Inkjet
M. CLAUDIA WILLIS (USA)Graph I - Lithography, polyester platePlot I - Lithography, polyester plate
We would like to thank our most gallant volunteers without whose help this event would not have been made possible: Special thanks to Andrew's many contributions, always accompanied by irrepressible enthusiasm and energy.
Denise GeissNoboyu IwasakiAndrew LuketicFrankie "Pone" LymanNigel ReevesNomis SemajBarb Snyder