Comments:: BILLIE JEAN/SMOOTH CRIMINAL:: Page 1

Title:BILLIE JEAN/SMOOTH CRIMINAL

Subtitle:originally by Michael Jackson

Instructionsquarter note= 117

Author:arr. by Stacy Rechelle Lear

Copyright:April 1997

Keywords: -------------·------~-----~-------------- --------~

* Basses should truncate their notes, singing them with accents, instead of holding them straight out to their written value.

* Two Sopranos should split to the alternate soprano line when it appears in the music.

*In the other lines where two parts are written on one track, have one singer sing the part very stylistically.

* You may wish to add a one beat rest between measures 96 and 97 to facilitate a smoother transition back into Billie Jean

* In measure 97, have the background singers hit the dotted half note very hard and loud, back off almost to the point of silence and then have a *huge* crescendo to get the best effect

* have anyone who is holding a sustained whole note or two whole notes to do the 'clothespin' effect of a crescendo followed by a decrescendo

* start hand claps at measure 113 on beats 2 and 4 - if you have enough singers, adding in cool vocal percussion parts from here to the end will help spice the piece up. Try not to have the basses doing percussion however, since their parts become more important here.

* in measures 113-117, bring the bass 2 line out as loudly as possible, but don't cover up the soloist and 'smooth' soprano.

BILLIE JEAN/SMOOTH CRIMINAL

quarter note = 117

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19

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10

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11

50 ~11

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53 ~a

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12

56 ~oil:

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13

61 3 o~HI:

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14

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68 ~ .tl:. -+-- j +--

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15

70

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16

75

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17

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18

83 ~ ~- -- ~

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19

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