1. Adams, Barry, ‘The Audiences of The Spanish Tragedy’, Journal of English and Germanic Philology 68(1969), 221-236 journal article (in the library: hard copy)

2. Adams, Robert P., ‘Despotism, Censorship, and Mirrors of Power Politics in Late Elizabethan Times’, Sixteenth Century Journal, 10.3, Renaissance Studies (Autumn, 1979), 5-16 journal article (JSTOR)

3. Adams, Robert P., A Companion to Shakespeare. The Non-Shakespearean Elizabethan Drama: An Introduction (Washington: UP of America, 1978), 91-99

4. Aggeler, Geoffrey, ‘The Eschatological Crux in The Spanish Tragedy’, Journal of English and Germanic Philology, 86.3 (July 1987), 319-331 The Spanish Tragedy - drama - treatment of beliefs - compared to judgment - relationship to classical tragedy - Christianity journal article (in the library: hard copy)

5. Aikin, Judith P., ‘The Audience Within the Play: Clues to Intended Audience Reaction in German Baroque Tragedies and Comedies’, Daphnis 13.1-2 (1984), 187-201 [On the German adaptation of The Spanish Tragedy] journal article

6. Allman, Eileen Jorge, ‘Ch.3. The Revenger as Rival Author’, in Jacobean Revenge Tragedy and the Politics of Virtue (Newark: University of Delaware Press; London; Cranbury, NJ: Associated University Presses, 1999), 57-85 17th century, history and criticism, revenge in literature, political plays, virtue, tragedy, politics and literature PR 659 T7

7. Altman, Joel B., The Tudor Play of Mind: Rhetorical Inquiry and the Development of Elizabethan Drama (Berkeley: University of California Press, 1978), 267-82 PR 649 R4

8. Andrews, John F., ‘ “Dearly Bought Revenge”: Samson Agonistes, Hamlet, and Elizabethan Revenge Tragedy’, Milton Studies 13 (1979), 81-107 journal article (in the library: hard copy)

9. Andrews, Michael Cameron, ‘Hamlet: Revenge and the Critical Mirror’, English Literary Renaissance 8.1 (Winter, 1978), 9-23 (in the library: hard copy)

10. Ardolino, Frank R., ‘Thomas Dekker’s Use of Kyd’s The Spanish Tragedy in Satiromastix’, English Language Notes, 41.1 (Sept., 2003), 7-18 journal article (in the library: hard copy)

11. Ardolino, Frank R., ‘The Influence of Spenser’s Faerie Queen on Kyd’s Spanish Tragedy’, Early Modern Literary Studies: A Journal of Sixteenth- and Seventeenth-Century English Literature, 7.3 (Jan., 2002), 70 paragraphs (16 pages electronically) journal article (electronic via Warwick Lib)

12. Ardolino, Frank R., Apocalypse and Armada in Kyd’s Spanish Tragedy, Sixteenth Century Essays and Studies, vol. XXIX, Kirksville, MO, USA, 1995 dating study, Hermeneutics, Historicism, Revenge in literature, Theatre and Politics, Apocalypse in literature, Protestantism in literature, Reformation in literature, Armada in literature, Literature and History, History and Religion, Literature and Religion, 16th century England, Spain and Portugal, English-Spanish relations, Spanish-Portuguese relations

13. Ardolino, Frank R., ‘Contention within a Little Room: Marlowe, Kyd, the Dutch Church Libel, and the Paris Massacre’, Journal of Evolutionary Psychology, 16.3-4 (Aug. 1995), 242-47 journal article

14. Ardolino, Frank R., ‘“Now I Shall See the Fall of Babylon”: The Spanish Tragedy as a Reformation Play of Daniel’, Renaissance and Reformation/ Renaissance et Reforme, 26.1 (Winter, 1990), 49-55 drama - relationship to Reformation - sources in Old Testament - Daniel journal article (in the library: hard copy)

15. Ardolino, Frank R., ‘“In Paris? Mass, and Well Remembered!”: Kyd’s The Spanish Tragedy and the English Reaction to St. Bartholomew’s Day Massacre’, Sixteenth Century Journal, 21.3 (Autumn, 1990), 401-409 journal article (JSTOR)

16. Ardolino, Frank R., ‘“Now I Shall See the Fall of Babylon”: The Spanish Tragedy as Protestant Apocalypse’, Shakespeare Yearbook, 1 (Spring, 1990), 93-115 drama - treatment of the apocalypse - anti-Christ - relationship to Catholicism - Protestantism - sources in New Testament – Revelation journal article

17. Ardolino, Frank R., Thomas Kyd’s Mystery Play: Myth and Ritual in The Spanish Tragedy (NY: Peter Lang, 1985) [reviews: Year's Work in English Studies, 66 (1985), 263; Neuse, Richard, Sixteenth Century Journal, 18.3 (Fall, 1987), 431] relationship to allegory – mystery – myth – ritual PR 2657.A7

18. Ardolino, Frank R., ‘The Bearing of Deadly Letters: ‘Uriah’'s Letter’ in Marlowe, Kyd, and Shakespeare’, Journal of Evolutionary Psychology, 6.3-4 (Aug. 1985), 292-301 journal article

19. Ardolino, Frank R., ‘Corrida of Blood in The Spanish Tragedy: Kyd’s Use of Revenge as National Identity’, Medieval and Renaissance Drama in England, 1(1984), 37-49 journal article (in the library: hard copy)

20. Ardolino, Frank R., ‘Hieronimo as St. Jerome in The Spanish Tragedy’, Études Anglaises, 36.4 (Oct-Dec, 1983), 435-437 journal article (in the library: hard copy)

21. Ardolino, Frank R., ‘”Sit we down to see the Mystery”: Detection and Allegory in The Spanish Tragedy’, Allegorica: A Journal of Medieval and Renaissance Literature, 5.2 (Winter, 1980), 168-176 journal article

22. Ardolino, Frank R., ‘The Hangman’s Noose and the Empty Box: Kyd’s Use of Dramatic and Mythological Sources in The Spanish Tragedy (III.iv-vii), Renaissance Quarterly, 30.3 (Autumn, 1977), 334-340 journal article (JSTOR, LION)

23. Ardolino, Frank R., ‘“Veritas Filia Temporis”: Time, Perspective, and Justice in The Spanish Tragedy’, Studies in Iconography {Highland Heights, KY}, 3(1977), 57-69 themes and figures - role of emblems - sources in Lucian journal article

24. Astington, John, ‘The London Stage in the 1580s’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 19-32

25. Astington, John, ‘Gallows Scenes on the Elizabethan Stage’, Theatre Notebook 37.1 (1983), 3-9 journal article (in the library: hard copy)

26. Ayres, Philip J., ‘Marston’s Antonio’s Revenge: The Morality of the Revenging Hero’, Studies in English Literature, 1500-1900, 12.2, Elizabethan and Jacobean Drama (Spring, 1972), 359-374 John Marston - Antonio's Revenge (1599) - drama - parody - of hero - of revenge tragedy - treatment of appearance - relationship to reality journal article (JSTOR)

27. Baines, Barbara J., ‘Antonio’s Revenge: Marston’s Play on Revenge Plays’, Studies in English Literature, 1500-1900, 23.2, Elizabethan and Jacobean Drama (Spring, 1983), 277-294 John Marston - Antonio's Revenge (1599) - drama - as metatragedy - relationship to revenge tragedy journal article (JSTOR)

28. Baines, Barbara J., ‘Kyd’s Silenus Box and the Limits of Perception’, Journal of Medieval and Renaissance Studies 10(1980), 41-51 journal article (in the library: hard copy)

29. Baker, Howard, ‘The Formation of the Heroic Medium’, in Elizabethan Poetry: Modern Essays in Criticism, ed. by Paul J. Alpers, (London: OUP, 1967), 126-168 PR 533 A5

30. Baker, Howard, ‘Ch. III. The Spanish Tragedy, Titus Andronicus and Senecanism’, in Induction to Tragedy: A Study in a Development of Form in Gorboduc, The Spanish Tragedy and Titus Andronicus (Louisiana: Louisiana State UP, 1939; reissued Russell & Russell, INC, 1965), 106-153 Elizabethan Tragedy, Senecanism, history and criticism, comparative study Kyd’s The Spanish Tragedy – Shakespeare’s Titus Andronicus, Thomas Norton’s Ferrex and Porrex, Thomas Sackville, 1st Earl of Dorset PR 659 T7

31. Baker, Howard, ‘Ghosts and Guides: Kyd’s “Spanish Tragedy” and the Medieval Tragedy’, Modern Philology, 33.1 (Aug., 1935), 27-35 Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - treatment of ghost - revenge - relationship to guide - in journey - to other world - compared to Sackville, Thomas, 1st Earl of Dorset and Baron Buckhurst (1536-1608) - Induction (1563) - The Complaint of Henry Duke of Buckingham (1563), journal article (JSTOR)

32. Baldwin, T. W., ‘On the Chronology of Thomas Kyd’s Plays’, Modern Language Notes, 40.6 (Jun., 1925), 343-349 journal article (JSTOR)

33. Barber, C. L., ‘Ch. 3 Unbroken Passion: Social piety and Outrage in The Spanish Tragedy’, in Creating Elizabethan Tragedy: The Theatre of Marlowe and Kyd (Chicago: Chicago University Press, 1988), 131-163 [Reviews: Stephenson, James, Library Journal, 112.20 (Dec. 1987), 112-13; Levenson, Jill L., Studies in English Literature, 1500-1900, 28.2 (Spring 1988), 342; Redding, D. C., Choice, 25.11-12 (July/August 1988), 1691; Charney, Maurice, Renaissance Quarterly, 41.4 (Winter 1988) (JSTOR), 746-49; Year's Work in English Studies, 69 (1988), 259-60; Martin, Randall, Queen's Quarterly, 96.3 (Autumn 1989), 710-11; Wymer, Rowland, English Studies, 71.3 (June 1990), 277-78; Clare, Janet, Review of English Studies, ns 41.164 (Nov. 1990), 556-58; Kahn, Coppélia, Modern Philology, 88.2 (Nov. 1990), 188-91; Sorge, Thomas, Zeitschrift für Anglistik und Amerikanistik, 39.3/4 (1991), 323] Christopher Marlowe, Thomas Kyd, criticism and interpretation, history, Elizabethan England, tragedy

34. Barish, Jonas A., ‘The Spanish Tragedy, or The Pleasures and Perils of Rhetoric’, in Brown, John Russell and Bernard Harris, eds., Elizabethan Theatre (London: Edward Arnold, 1966), 59-85 PR 653 E5

35. Barrie, Robert, ‘“Unknown Languages” and Subversive Play in The Spanish Tragedy’, Explorations in Renaissance Culture, 21 (1995), 63-80 The Spanish Tragedy (ca. 1589) - drama - word play - as subversion journal article

36. Barton, Anne, Ben Jonson, Dramatist (Cambridge: Cambridge UP, 1984) 13-28 PR 2638 B2

37. Bate, Jonathan, ‘The Performance of Revenge: Titus Andronicus and The Spanish Tragedy’, in Laroque, Francois, ed., The Show Within: Dramatic and Other Insets: English Renaissance Drama (1500-1642), vol. II, (Montpellier: Paul-Valery UP, 1990?1992), 267-283 Shakespeare, William - Titus Andronicus - tragedy - framing - relationship to performance - treatment of revenge - compared to Kyd, Thomas - The Spanish Tragedy

38. Belsey, Catherine, The Subject of Tragedy: Identity and Difference in Renaissance Drama (London, NY: Methuen, 1985), 75-78 and 113-14 Renaissance England, Early modern and Elizabethan drama, history and criticism, sex role in literature, drama-psychological aspects, difference (psychology) in literature, identity (psychology) in literature PR 658 W6

39. Bentley, Gerald Eades, ‘Ch. 11. Revision’, in The Profession of Dramatist in Shakespeare’s Time 1590-1642 (Princeton: Princeton University Press, 1971), 235-263 17th century England, history, criticism, theatre, actors, playwriting PR 658 A8

40. Bentley, Greg, ‘Kyd's The Spanish Tragedy’, Explicator 39.1 (Fall 1980), 17-19 journal article

41. Bercovitch, Sacvan, ‘Love and Strife in Kyd’s Spanish Tragedy’, Studies in English Literature, 1500-1900, 9.2, Elizabethan and Jacobean Drama (Spring, 1969), 215-229 The Spanish Tragedy (ca. 1589) - drama - dramatic structure - treatment of love - strife - sources in Empedocles (fl. 444 B.C.) journal article (JSTOR)

42. Berry, Francis. The Shakespeare Inset: Word and Picture (London : Routledge & Kegan Paul, 1965; Carbondale: Southern Illinois UP, 1971), 30-40 and 129-137 PR 3091 B3

43. Bevington D., R. Strier, and David Smith, eds., The Theatrical City: Culture, Theatre and Politics in London (Cambridge: CUP, 1995) 16th and 17th century England, London, history and criticism, politics in literature and theatre, literature and anthropology, politics and government, London(England) in civilization and literature PR 658 P6

44. Bevington, D., ‘Ch. 17. Satire and the State’, in Tudor Drama and Politics. A Critical Approach to Topical Meaning (Cambridge: Massachusetts, 1968), 260-288 PR 649 P6

45. Bluestone, Max, and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama (New Jersey: Prentice-Hall, 2nd ed. 1970) Shakespeare’s contemporaries, history and criticism [See the section ‘The Theme and Structure of The Spanish Tragedy, which includes: Wolfgang Clemen - ‘The Uses of Rhetoric’, 47-56; William K. Wiatt - ‘The Dramatic Function of the Alexandro-Villuppo Episode in The Spanish Tragedy’, 57-60; and G. K. Hunter - ‘Ironies of Justice in The Spanish Tragedy’, 61-74] PR 653 B5

46. Boas, Frederick S. Shakespeare and His Predecessors (New York: Gordian, 1st 1896, 1968), 62-66

47. Boas, F. S., ‘Ch. XIV. Marlowe’s Accusers: Greene and Kyd’, in Christopher Marlowe. A Biographical and Critical Study (Oxford: Clarendon, 1940), 236-244 PR 2673

48. Boas, F. S., The Works of Thomas Kyd (Oxford: The Clarendon Press, 1st ed. 1901, additions 1955, 1962) [review by Thorndike, A. H., ‘English Literature’, Modern language Notes, 17.5

(May, 1902) (JSTOR), 142-147; Tupper, James W., ‘The Works pf Thomas Kyd’, The American Journal of Philology, 23.1 (1902), 87-93] PR 2651

49. Boas, F. S., ‘Ch.7. Thomas Kyd and the Revenge Tragedies’ and ‘Ch. 10. The University Wits and Their Experiments’, in An Introduction to Tudor Drama (Oxford: Clarendon Press, 1933), 94-110 and 151-169 PR 646 B6

50. Boas, F. S., ‘Ch. 3. Marlowe in London: The Charges of Kyd and Baines’ (56-78) and Appendix I. Allegations against Marlowe in Kyd’s Letters’ (139-142), in Marlowe and His Circle: A Biographical Survey (Oxford: Clarendon Press, 1929) Marlowe-biography, Canterbury and Cambridge: The three Christopher Morleys.--Robert Poley: Prisoner, spy, and 'complotter.'--Marlowe in London: The charges of Kyd and Baines.--The 'atheism' of Richard Chomley and Sir Walter Raleigh.--Marlowe's death and the coroner's inquest.--The survivors and the sequel.-- Allegations against Marlowe in Thomas Kyd's letters PR 2673 B6

51. Bowers, Fredson, ‘The Death of Hamlet: A Study in Plot and Character’, in Studies in The English Renaissance Drama, eds. Josephine W. Bennett, Oscar Cargill, and Vernon Hall, Jr., (London: Peter Owen & Vision Press, 1st 1959, 1961), 28-42 PR 651 B3

52. Bowers, Fredson, ‘Ch. III. The Spanish Tragedy and the Ur-Hamlet’ (62-100) and ‘Ch. IV. The School of Kyd’ (101-154), in Elizabethan Revenge Tragedy 1587-1642 (1st published by Princeton, Princeton: Princeton UP, 1940; Gloucester, Mass.: Peter Smith, 1959) PR 659 T6

53. Bowers, Fredson, ‘A Note on The Spanish Tragedy’, Modern Language Notes, 53.8 (Dec., 1938), 590-591 The Spanish Tragedy (ca. 1589) - drama - treatment of soliloquy - of Hieronimo (character) - sources in Bible journal article (JSTOR)

54. Boyer, Clarence Valentine, On The Spanish Tragedy in ‘Ch. 5. Marlowe and the Machiavellian Villain-Hero’ and ‘Ch. 8. The Revengeful Villain-Hero’, in The Villain as Hero in Elizabethan Tragedy (London: George Routledge and Sons; New York: E. P. Dutton & Co., 1914), 40-59 and 99-132 PR 659 T7

55. Bradbrook, M. C., ‘Shakespeare and His Contemporaries: Other Poets and Playwrights’, William Shakespeare: His World, His Work, His Influence, (3 vols.), vol. 2, ed. John F. Andrews, (New York: Scribner’s, 1985), 331-42

56. Bradbrook, M. C., Themes and Conventions in Elizabethan Tragedy (Cambridge: CUP, 1st ed. 1935, 2nd ed. 1980), 122 and 159 PR 659 T7 (1), PR 654 T7 (2)

57. Braden, Gordon, ‘Thomas Kyd’, in Elizabethan Dramatists, vol. 62 of Dictionary of Literary Biography, gen. ed. Fredson Bowers, (Detroit: Gale, 1987), 183-95

58. Braden, Gordon, Renaissance Tragedy and the Senecan Tradition: Anger's Privilege (New Haven and London: Yale University Press, 1985), 200-216 [reviews: Patey, D. L., Choice, 23.1 (Sep. 1985), 102; Aggeler, Geoffrey, Western Humanities Review, 40.4 (Winter, 1986), 383-86; Bulman, James C., Shakespeare Bulletin, 4.5 (Sep.-Oct. 1986), 31; Trousdale, Marion, Medieval and Renaissance Drama in England, 4 (1989), 223-27] European drama – tragedy, history and criticism, Roman influences, Seneca PN 1896

59. Braunmuller, A. R., ‘“Second Means”: Agent and Accessory in Elizabethan Drama’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 177-203 drama - treatment of legal

agency - study example Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - Greene, Robert (1560?-1592) - Friar Bacon and Friar Bungay (ca. 1589) - James IV (ca. 1590) - Shakespeare, William (1564-1616) - The Two Gentlemen of Verona (1592)

60. Braunmuller, A. R., ‘Early Shakespearian Tragedy and Its Contemporary Context: Cause and Emotion in Titus Andronicus, Richard III, and The Rape of Lucrece’, in Shakespearian Tragedy, eds. Malcolm Bradbury and David Palmer, (London: Edward Arnold; New York: Holmes & Meier, 1984), 96-128

61. Brodwin, Leonora Leet. Elizabethan Love Tragedy 1587-1625 (New York: New York UP, 1971; London: University of London Press, 1972), 65-68. [On Soliman and Perseda] PR 659 T7

62. Broude, Ronald, ‘Four Forms of Vengeance in Titus Andronicus’, Journal of English and Germanic Philology 78.4 (Oct. 1979), 494-507 journal article (in the library: hard copy)

63. Broude, Ronald, ‘Revenge and Revenge Tragedy in Renaissance England’, Renaissance Quarterly, 28.1 (Spring, 1975), 38-58 English literature and language - Elizabethan period - drama - revenge tragedy - relationship to legal system - lexical approach to English language (Modern) - lexicology - journal article (JSTOR)

64. Broude, Ronald, ‘Vindicta Filia Temporis: Three English Forerunners of the Elizabethan Revenge Play’, Journal of English and Germanic Philology, 72.4 (Oct. 1973), 489-502 journal article (in the library: hard copy)

65. Broude, Ronald, ‘Time, Truth, and Right in The Spanish Tragedy’, Studies in Philology, 68 (1971), 130-145 journal article (in the library: hard copy)

66. Buckley, George T., ‘Who was “The Late Arrian”?’, Modern Language Notes, 49.8 (Dec., 1934), 500-503 English literature - 1700-1799 - Strype, John (1643-1737) - Memorials of Thomas Cranmer (1694) - prose - treatment of Arianism - relationship to Kyd, Thomas (1558?-1594?) journal article (JSTOR)

67. Burnett, Anne Pippin, ‘Ch. 1. Huge Frenzy and Quaint Malice: Seneca and the English Renaissance’, in Revenge in Attic and Later Tragedy, Sather Classical Lectures, (Berkeley: University of California Press, 1998), 1-32 available at http://www.netlibrary.com Revenge in literature, History and Criticism, Greek Drama (Tragedy), Roman Drama, Seneca and English Renaissance PA 3136.B8

68. Burrows, Ken C., ‘The Dramatic and Structural Significance of the Portuguese Subplot in The Spanish Tragedy’, Renaissance Papers, 1969, 25-35 journal article

69. Byron, Mark, ‘Logic’s Doubt: The Spanish Tragedy and Tamburlaine’, Comitatus: A Journal of Medieval and Renaissance Studies, 30 (1999), 81-94 Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - political allegory - compared to Marlowe, Christopher (1564-1593) - Tamburlaine the Great (ca. 1587) - sources in Seneca (d. 65 A.D.) journal article

70. Cairncross, S., ‘Thomas Kyd and the Myrmidons’, The Arlington Quarterly, 1.4. (1968), 40-5

71. Cannon, Charles K., ‘The Relation of the Additions of The Spanish Tragedy to the Original Play’, Studies in English Literature, 1500-1900, Elizabethan and Jacobean Drama, 2.2 (Spring, 1962), 229-239 Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - on textual variants - (date) 1602 journal article (JSTOR)

72. Carpenter, Frederic Ives, ‘Kyd: Noteworthy Metaphors and Similes in Jeronimo and The Spanish Tragedy – Tropes Common to Various Plays Ascribed to Kyd’, 49-53 and ‘General Summary and Conclusions’, 161-213, in Metaphor and Simile, (Chicago: University of Chicago Press, 1895) PR 658 S8

73. Carrère, Felix, Le théâtre de Thomas Kyd : contribution à l'étude du drame élizabéthain (Toulouse: E. Privat, 1951; Philadelphia: R. West, 1984) history and criticism PR 2656 C2

74. Caruana, Stephanie, and Elisabeth Sears, Oxford’s “Revenge”: “Shakespeare’s” Dramatic Development from ‘Agamemnon’ to ‘Hamlet’, (Napanoch: Spear Shaker, 1989)

75. Cash, Joe L., ‘A Source and Symbolic Function for the Hawk and the Nightingale in The Spanish Tragedy’, McNeese Review 21 (1974-75), 67-71 journal article

76. Charney, Maurice, ‘Shakespeare —and the Others’, Shakespeare Quarterly 30.3 (Summer 1979), 325-42 journal article

77. de Chickera, Ernst, ‘Divine Justice and Private Revenge in The Spanish Tragedy’, Modern Language Review, 57 (1962), 228-232 journal article

78. Clemen, Wolfgang, ‘Ch. 7. Kyd’, in English Tragedy Before Shakespeare: The Development of Dramatic Speech, trans. T.S. Dorsch, (London: Methuen, 1st published 1955, 1961), 100-112 [reprinted as ‘The Uses of Rhetoric’ in Max Bluestone and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama (New Jersey: Prentice-Hall, 2nd ed. 1970), 47-56] PR 646 C5

79. Cohen, Eileen Z., ‘Hamlet and The Murder of Gonzago: Two Perspectives’, Revue Belge de Philologie et d'Histoire 61.3 (1983), 543-56 journal article

80. Cole, Douglas, ‘The Comic Accomplice in Elizabethan Revenge Tragedy’, Renaissance Drama 9 (1966), 125-39 journal article

81. Colley, John, ‘The Spanish Tragedy and the Theatre of God’s Judgments’, Papers on Language and Literature: A Journal for Scholars and Critics of Language and Literature, 10 (1974), 241-253 journal article

82. Cook, Albert S., ‘Shakespeare, Hamlet 3.4.56’, Modern language Notes, 20.7 (Nov., 1905), 216-217 English literature - Shakespeare, William (1564-1616) - Hamlet (1600-1601) - tragedy - sources in Kyd, Thomas - The Tragedy of Solymon and Perseda journal article (JSTOR)

83. Cook, Judith, At the Sign of the Swan: An Introduction to Shakespeare’s Contemporaries (London: Harrap, 1986), 46-49 and 112-15

84. Coursen, Herbert R., Jr., ‘The Unity of The Spanish Tragedy’, Studies in Philology, 65 (1968), 768-782 journal article (in the library: hard copy)

85. Craig, D. H., ‘Authorial Styles and the Frequencies of Very Common Words: Jonson, Shakespeare, and the Additions to The Spanish Tragedy’, Style, 26.2, (Summer, 1992), 199-220 English literature - 1500-1599 - Kyd, Thomas - The Spanish Tragedy - drama - on textual variants - (date) 1602 - stylometric analysis - attribution of authorship - to Jonson, Ben - Shakespeare, William journal article

86. Crawford, Charles, A Concordance to the Works of Thomas Kyd (Vaduz: Kraus Reprint, 1963) PR 2412

87. Crewe, Jonathan V., ‘The Violence of Drama: Towards a Reading of the Senecan Phaedra’, Boundary 2, 17.3 (Fall, 1990), 95-115 journal article

88. Crundell, H. W., ‘The 1602 Additions to The Spanish Tragedy’, Notes and Queries, 164.9 (1933), 147-9 journal article Oxford Journals Online Archives

89. Crundell, H. W., ‘The 1602 Addition to The Spanish Tragedy’, Notes and Queries, 167.5 (1934), 88 journal article Oxford Journals Online Archives

90. Crundell, H. W., ‘The Authorship of The Spanish Tragedy Additions’, Notes and Queries, 180.1 (1941), 8-9 journal article Oxford Journals Online Archives

91. Cutts, David, ‘Writing and Revenge: The Struggle for Authority in Thomas Kyd's The Spanish Tragedy’, Explorations in Renaissance Culture 22 (1996) 147-59 drama - narrative authority journal article

92. Daalder, Joost, ‘Kyd’s The Spanish Tragedy 3.6.89-94’, Explicator, 48.3 (Spring, 1990), 175-6 drama - syntax - punctuation journal article

93. Daalder, Joost, ‘The Role of ‘Senex’ in Kyd’s The Spanish Tragedy’, Comparative Drama, 20.3 (Fall, 1986), 247-260 treatment of revenge - relationship to murder - justice - sources in Seneca (d. 65 A.D.) journal article

94. Dawson, Anthony B., ‘Madness and Meaning: The Spanish Tragedy’, Journal of Dramatic Theory and Criticism, 2.1 (Fall, 1987), 53-67 journal article

95. Dent, R. W., Proverbial Language in English Drama Exclusive of Shakespeare, 1495-1616: An Index (Berkeley: University of California Press, 1984)

96. Dessen, Alan C., ‘Ch.4. Imagery and Symbolic Action for the Viewer’s Eye’, in Elizabethan Drama and the Viewer's Eye. (Chapel Hill: U of North Carolina P, 1977), on The Spanish Tragedy 80-83 PR 655 D3

97. Dessen, Alan C., ‘The Logic of ‘This’ on the Open Stage’, in Elizabethan Stage Conventions and Modern Interpreters (Cambridge: CUP, 1984), 53-70 reading Elizabethan playscripts – stage directions – clues – Elizabethan darkness vs modern lighting – place vs locale – stage violence – seeing vs not-seeing metaphors PR 658 T3

98. Diehl, Huston, ‘Ch. 4. Rehearsing the Eucharistic Controversies: The Revenge Tragedies’, in Staging Reform. Reforming the Stage. Protestantism and the Popular Theater in Early Modern England (Ithaca and London: Cornell University Press, 1997), 94-124 PR 658 R3

99. Diehl, Huston, ‘Observing the Lord's Supper and the Lord Chamberlain's Men: The Visual Rhetoric of Ritual and Play in Early Modern England’, Renaissance Drama 22, (1991), 147-74 Kyd, Thomas - drama - treatment of religious rites - recreation - new historical approach journal article

100. Diehl, Huston, ‘Inversion, Parody, and Irony: The Visual Rhetoric of Renaissance English Tragedy’, Studies in English Literature, 1500-1900, 22.2, Elizabethan and Jacobean Drama (Spring, 1982), 197-209 Renaissance - iconography - of stage props - costume - gesture - in theatrical production - of tragic drama - irony - sources in morality play - of Tudor period journal article (JSTOR)

101. Diehl, Huston. ‘The Iconography of Violence in English Renaissance Tragedy’, Renaissance Drama ns 11 (1980), 27-44 drama - iconography - treatment of violence - sources in visual arts journal article

102. Diehl, Huston. ‘Iconography and Characterization in English Tragedy 1585-1642’, Comparative Drama 12.2 (Summer 1978), 113-22 drama - tragic drama - 1585-1642 - iconography - relationship to characterization - study example Middleton, Thomas - Marston, John journal article

103. Dillon, Janette, ‘Ch. 6. Shaping a rhetoric’ and ‘Ch. 7. English and Alien’, in Language and Stage in Medieval and Renaissance England (Cambridge: CUP, 1998), 141-161 (end notes 238-240) and 162-187 (end notes 240-243) [Review by Ton Hoenselaars, English Studies, 81.2 (April 2000), 154-5] PR 645 D4

104. Dillon, Janette, ‘The Spanish Tragedy and Staging Languages in Renaissance Drama’, Research Opportunities in Renaissance Drama, 34 (1995), 15-40 drama - language - in theatrical production journal article

105. Dollimore, Jonathan, Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and His Contemporaries (Brighton, Sussex: Harvester Press, 1984) PR 651 D6

106. Donald, Roslyn Lander, ‘Formulas and Their Imitations: The Spanish Tragedy and Titus Andronicus’, Publications of the Arkansas Philological Association, 4.2(1978), 13-18 journal article

107. Dudrap, Claude. ‘La Tragédie Espagnole face à la critique élisabéthaine et jacobéenne’, in Dramaturgie et Société: Rapports entre l'oeuvre théâtrale, son interprétation et son public aux XVIe et XVIIe siècles (2 vols.), vol. 2, ed. Jean Jacquot, avec la collaboration d'Elie Konigson et Marcel Oddon, (Paris: Éditions du Centre National de la Recherche Scientifique, 1968), 607-31

108. Dunkel, Wilbur D., ‘The Authorship of The Revenger’s Tragedy’, PMLA, 46.3 (Sep., 1931), 781-785 journal article

109. Dunn, Kevin, ‘“Action, Passion, Motion”: The Gestural Politics of Counsel in The Spanish Tragedy’, Renaissance Drama, 31 (2002), 27-60 journal article

110. Edwards, Philip, ‘Thrusting Elysium to Hell: The Originality of The Spanish Tragedy’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990),117-132

111. Edwards, Philip, ‘Shakespeare and Kyd’, in Muir, Kenneth, Jay Halio, and D. J. Palmer, eds., Shakespeare, Man of the Theater, (Newark: University of Delaware Press,1983), 148-154 PR 2889 I6

112. Edwards, Philip, Thomas Kyd and Early Elizabethan Tragedy (London and New York: Longman, 1966) PR 105

113. Edwards, Philip. Rev. of The Spanish Tragedy, ed. B. L. Joseph (1964), Modern Language Review, 61.1 (Jan. 1966), 104-5 journal article

114. Eggler, Bruce, ‘Shakespeare Who? The Plot Thickens’, New Orleans Times-Picayune, 22 October 1989, B1 and B7

115. Eliot, T. S., ‘Seneca in Elizabethan Translation (1927)’, 11-57, and ‘Cyril Tourneur (1930)’, 107-119, in Elizabethan Dramatists (London: Faber and Faber, 1st ed.1963, 1968) Seneca in Elizabethan translation, English revenge plays, Christopher Marlowe.--Ben Jonson.--Thomas Middleton.--Thomas Heywood.--Cyril Tourneur.--John Ford.--Philip Massinger.--John Marston PR 653 E5

116. Empson, William, ‘The Spanish Tragedy (II)’, in Essays on Renaissance Literature, Volume Two: The Drama, ed. by John Haffenden (Cambridge: CUP, 1994), 41-65 PR 423 E6

117. Empson, William, ‘The Spanish Tragedy’, Nimbus, III.3 (1956), 16-29 [reprinted in R. J. Kaufmann, ed., Elizabethan Drama: Modern Essays in Criticism (London: OUP, 1961), 60-80] the Ghost of Andrea journal article

118. Engel, William E., ‘Ch. 1 “Common places of memory”: Visual Regimes and Charmed Spaces’, Death and Drama in Renaissance England (Oxford: OUP, 2002), 37-64 PR 658 D32

119. Epperly, Elizabeth R., ‘Trollope Reading Old Drama’, English Studies in Canada, 13.3 (Sep. 1987), 281-303 journal article

120. Erne, Lukas, Beyond the Spanish Tragedy: a Study of the works of Thomas Kyd (Manchester: MUP, 2001),Thomas Kyd – life, education, works, complete works, critical studies; The Spanish Tragedy – origin, sources, editions, editors, additions, adaptations, stage history – directors, productions, critical survey, Kyd’s works - Don Horatio, First Part of Hieronimo, Soliman and Perseda, Hamlet, Cornelia, apocrypha; Elizabethan plays, playwrights, theatres, life, publishing, history [review: Ardolino, Frank, Early Modern Literary Studies 8.2 (September, 2002), 17.1-20] PR 2657 E7

121. Erne, Lucas, ‘Thomas Kyd’s Christian Tragedy’, Renaissance Papers (2001), 17-34 journal article

122. Erne, Lukas, ‘Enter the Ghost of Andrea: Recovering Thomas Kyd’s Two-Part Play’, English Literary Renaissance 30.3 (Autumn, 2000), 339-72 journal article (in the library: hard copy)

123. Erne, Lukas, ‘W. E. Burton’s Dramatic Works of Thomas Kyd of 1848’, Notes and Queries, 242 [n.s. 44.4] (1997), 485-7 Oxford Journals Online Archives

124. Evans, M. Blakemore, ‘“Der Bestrafte Brudermord” and Shakespeare’s “Hamlet”’, Modern Philology, 2.3 (Jan., 1905), 433-449 journal article

125. Faber, M. D., and Colin Skinner, ‘The Spanish Tragedy: Act IV’, Philological Quarterly, 49 (1970), 444-459 journal article

126. Feinberg-Jütte, Anat, ‘Painters and Counterfeiters: The Painting Artist in Elizabethan and Stuart Drama’, Arbeiten aus Anglistik und Amerikanistik, 16.1 (1991), 3-12 journal article

127. Findlay, Alison, ‘Ch. 2 Revenge Tragedy’, in A Feminist Perspective on Renaissance Drama (Oxford, Massachusetts: Blackwell, 1999), 49-86 PR 658 W6

128. Foakes, R. A., Illustrations of the English Stage 1580-1642 (London: Scolar; Stanford: Stanford UP, 1985), 104-6 PN 2589 A25

129. Foakes, R. A., ‘Tragedy at the Children's Theatres after 1600: A Challenge to the Adult Stage’, in The Elizabethan Theatre II, ed. David Galloway, (Waterloo: Archon, 1970), 37-59

130. Forker, Charles R., ‘Titus Andronicus, Hamlet, and Limits of Expressibility’, Hamlet Studies 2.2 (Winter 1980), 1-33 journal article

131. Forsythe, R. S., ‘Some Parallels to Passages in The First Part of Jeronimo’, Modern Language Notes, 27.4 (Apr., 1912), 110-111 journal article (JSTOR)

132. Fraser, Russell, Young Shakespeare (New York, Guilford: Columbia UP, 1988), 156-58 and 161-62 PR 2903 F7

133. Freeman, Arthur, ‘Thomas Hawkins, Richard Farmer, and the Authorship of The Spanish Tragedy’, Notes and Queries, 50.2 [248], (Jun., 2003), 214-215 journal article Oxford Journals Online Archives

134. Freeman, Arthur, ‘Inaccuracy and Castigation: The Lessons of Error’, in Anne Lancashire, ed., Editing Renaissance Dramatic Texts, English, Italian, and Spanish: papers given at the eleventh annual Conference on Editorial Problems, University of Toronto, 31 October-1 November 1975, (New York, London: Garland, 1976), 97-120 PN 242 C6

135. Freeman, Arthur, ‘Marlowe, Kyd, and the Dutch Church Libel’, English Literary Renaissance, 3.1 (1973), 44-52 journal article (in the library: hard copy)

136. Freeman, Arthur, ‘The Printing of The Spanish Tragedy’, Library: A Quarterly Journal of Bibliography, 24(1969), 187-199 journal article

137. Freeman, Arthur, Thomas Kyd: Facts and Problems (Oxford: Clarendon Press, 1967) Thomas Kyd – early life – circle - later life - arrest; The Spanish Tragedy – authorship, sources, date, structure, style; 16th/17th century print history - stage history - Jacobean parodies - imitations; criticism Soliman and Perseda; translations - lost works – apocrypha - letters to Sir John Puckering PR 2656 F7 [reviews: Sjögren, Gunnar, Moderna Sprak, 62.2 (1968), 178-79; Sprott, S. E., Dalhousie Review, 48.1 (Spring 1968), 122; Choice, 5 (May 1968), 362; Hunter, G. K., Notes and Queries, 213[ns 15].7 (July 1968), 272-73 Oxford Journals Online Archives; Gunby, D. C., AUMLA, 30 (Nov. 1968), 243-45; Pendry, E. D., Review of English Studies, ns 19.76 (Nov. 1968), 430-31; Edwards, Philip, Modern Language Review, 64.2 (April 1969), 386-87; Cairncross, Andrew S., Shakespeare Studies, 5 (1970), 321-25; Levin, Richard,

Modern Philology, 67.3 (Feb. 1970), 282-85; van Fossen, R. W., English Language Notes, 7.3 (March 1970), 217-19]

138. Fuzier, Jean, ‘Le déni de justice dans The Spanish Tragedy de Thomas Kyd: Hiéronimo, juge et justicier’, in Jones-Davies, Marie-Therese, ed., Societe francais Shakespeare: Actes du congrès 1981, 85-97 drama – justice

139. Fuzier, Jean, ‘La tragédie de Vengeance élisabéthaine et le théâtre dans le théâtre’, Revue des Sciences Humaines ns 145 (Janvier-Mars 1972), 17-33 journal article

140. Fuzier, Jean, ‘Carrière et popularité de la Tragédie Espagnole en Angleterre’, in Dramaturgie et Société: Rapports entre l'oeuvre théâtrale, son interprétation et son public aux XVIe et XVIIe siècles (2 vols.), vol.2, ed. Jean Jacquot, avec la collaboration d'Elie Konigson et Marcel Oddon, (Paris: Éditions du Centre National de la Recherche Scientifique, 1968), 589-606

141. Gonzáles Fernández de Sevilla, José Manuel, ‘Political Strategies of Drama in Renaissance England’, in Proceedings of the I National Conference of the Spanish Society for English Renaissance Studies, ed. Javier Sánchez Escribano, (Zaragoza: SEDERI, 1990), 95-104

142. Goodstein, Peter, ‘Hieronimo's Destruction of Babylon’, English Language Notes 3.3 (March 1966), 172-73 journal article

143. Gorrell, Robert Mark, ‘John Payne Collier and the Murder of Iohn Brewen’, Modern Language Notes, 57.6 (Jun., 1942), 441-444 journal article (JSTOR)

144. Graham, Kenneth J. E., ‘Ch. 4. The Mysterious Plainness of Anger: The Search for Justice in Satire and Revenge Tragedy’, in The Performance of Conviction. Plainness and Rhetoric in the Early English Renaissance (Ithaca, London: Cornell University Press, 1994), 125-167 PR 418 S6

145. Gray, Henry David, ‘Thomas Kyd and the First Quarto of Hamlet’, PLMA, 42.3 (Sept., 1927), 721-735 journal article

146. Greenfield, Thelma N., ‘The Spanish Tragedy: Revenge’s and Andrea’s Kindred’, Pacific Coast Philology, 16.2 (Nov., 1981), 33-43 journal article

147. Greenfield, Thelma N. The Induction in Elizabethan Drama (Eugene: University of Oregon Books, 1969), 51-8 PR 658 I6

148. Greg. W. W., ‘The Spanish Tragedy – A Leading Case?’, in Collected Papers, ed. by J.C. Maxwell, (Oxford: Clarendon Press, 1966), 149-155 Z 1005 G7

149. Greg. W. W., ‘The Spanish Tragedy – A Leading Case?’, The Library: a Quarterly Journal of Bibliography, 4th series, 6 (1926), 47-56 – partly reprinted in Collected Papers, 1966

150. Griffin, Eric, ‘Ethos, Empire, and the Valiant Acts of Thomas Kyd’s Tragedy of “the Spains”’, English Literary Renaissance, 31.2 (Spring, 2001), 192-229 journal article (in the library: hard copy)

151. Griswold, Wendy, ‘Ch. 3. Revenge Tragedies’, in Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theatre 1576-1980 (Chicago; London: University of Chicago Press, 1986), 55-100 PN 2596 L6

152. Grubb, Marion, ‘Kyd’s Borrowing from Garnier’s Bradamante’, Modern Language Notes, 50.3 (Mar., 1935), 169-171 journal article (JSTOR)

153. Hadfield, Andrew, ‘The Spanish Tragedy, the Alencon Marriage Plans, and John Stubb’s Discoverie of a Gaping Gulf’, Notes and Queries, 47 (245).1 (Mar., 2000), 42-3 journal article Oxford Journals Online Archives

154. Hadfield, Andrew, ‘A Handkerchief Dipped in Blood in The Spanish Tragedy: An Anti-Catholic Reference?’, Notes and Queries, 46 (244).2 (Jun., 1999), 197 journal article Oxford Journals Online Archives

155. Hadfield, Andrew, ‘The Spanish Tragedy and The Elizabethan Homilies’, Notes and Queries, 39.3 [237], (Sept., 1992), 307-8 journal article Oxford Journals Online Archives

156. Hall, Joan Lord, The Dynamics of Role-playing in Jacobean Tragedy (NY: St. Martin’s Press, 1991) role-play in literature PR 658 T7

157. Hallett, Charles A. and Elaine S. Hallett, ‘The Spanish Tragedy’, in The Revenger’s Madness: A Study of Revenge Tragedy Motifs (Lincoln, (Neb.); London: University of Nebraska Press, 1980), 131-160 [see also ‘The Ghost and Its Call to Excess’ (17-34), ‘Madness as a Dramatic Symbol’ (41-59), ‘The Revenger’s Madness and Renaissance Psychological Theory’ (61-83), ‘The Other Motifs’ (84-100), ‘The Revenge Experience as Tragedy’ (101-130)] PR 659 T7 [Reviews: Year's Work in English Studies, 61 (1980), 164; Choice, 18 (1981), 1545; Keyishian, Harry, Medieval and Renaissance Drama in England, 1 (1984), 271-74]

158. Hallett, Charles A., ‘Andrea, Andrugio and King Hamlet: The Ghost as Spirit of Revenge’, Philological Quarterly, 56 (1977), 43-64 [rpt. in revised form in The Revenger’s Madness: A Study of Revenge Tragedy Motifs, 1980] journal article

159. Hamelman, Steve, ‘Revenge Tragedy and the Art of the Aside’, Shakespeare and Renaissance Association of West Virginia - Selected Papers, 16 (1993), 64-87 English literature - 1500-1699 - drama - revenge tragedy – aside journal article

160. Hammersmith, James P., ‘The Death of Castile in The Spanish Tragedy’, Renaissance Drama, 16 (1985), 1-16 journal article

161. Hamilton, Donna B., ‘The Spanish Tragedy: A Speaking Picture’, English Literary Renaissance, 4.2 (Spring 1974), 203-217 journal article (in the library: hard copy)

162. Hamlin, William M., ‘Ch. 6. The Spanish Tragedy: Doom and The Exile of Justice’, in Tragedy and Scepticism in Shakespeare’s England, (London & New York: Palgrave Macmillan, 2005), 155-166

163. Hapgood, Robert, ‘The Judge in the Firie Tower: Another Virgilian Passage in The Spanish Tragedy’, Notes and Queries, 13 [211], (August, 1966), 287-8 journal article Oxford Journals Online Archives

164. Happé, Peter, ‘“Alone in the Place”: Soliloquy in Magnyfycence, Apius and Virginia and The Spanish Tragedy’, in Lascombes, André, ed., Tudor Theatre: ‘Let there be covenants…’: Convention et theatre (Bern: Peter Lang, 1998), 25-44 Skelton, John (1460?-1529) - Magnyfycence (1515) - drama - soliloquy - compared to Apius and Virginia (1575) - Kyd, Thomas - The Spanish Tragedy (ca. 1589)

165. Harbage, Alfred, ‘Intrigue in Elizabethan Tragedy’, in Hosley, Richard. ed., Essays in Shakespeare and Elizabethan Drama in Honour of Hardin Craig (London: Routledge and Kegan Paul Ltd., 1963), 37-44 PR 653 H6

166. Hartley, Andrew James, ‘Spaces for Characters in The Spanish Tragedy’, Cahiers Élisabéthains: Études sur la Pré-Renaissance et la Renaissance Anglaises, 58 (October 2000), 1-14 Shakespeare Institute journal article

167. Hatcher, O. L., ‘The Ur-Hamlet Problem’, Modern Language Notes, 21.6 (Jun., 1906), 177-180 journal article (JSTOR)

168. Hattaway, Michael, ‘Ch.4. The Spanish Tragedy: Architectonic Design’, in Elizabethan Popular Theatre: Plays in Performance (London: Routledge and Kegan Paul, 1982), 101-28 PR 2589 H2

169. Hawkins, Harriett, ‘“See here my show”: Theatrical Illusion and Realities in The Spanish Tragedy, A Midsummer Night’s Dream, and The Tempest’, in Likenesses of Truth in Elizabethan and Restoration Drama (Oxford: Clarendon Press, 1972), 27-50

170. Hawkins, Harriett, ‘Fabulous Counterfeits: Dramatic Construction and Dramatic Perspectives in The Spanish Tragedy, A Midsummer Night’s Dream, and The Tempest’, Shakespeare Studies, 6 (1970), 51-66 journal article

171. Hays, Peter L., ‘T. S. Eliot's The Waste Land’, Explicator, 42.4 (Summer, 1984), 36-38 journal article

172. Helzle, Martin, ‘Seneca and Elizabethan Revenge Tragedy: Aspects of Thomas Kyd’s The Spanish Tragedy and Shakespeare’s Titus Andronicus’, Antike und Abendland, 31.2 (1985), 137-52 journal article

173. Henke, James T., ‘Politics and Politicians in The Spanish Tragedy’, Studies in Philology, 78 (1981), 353-69 journal article (in the library: hard copy)

174. Henke, James T., Courtesans and Cuckolds: A Glossary of Renaissance Dramatic Bawdy (Exclusive of Shakespeare), (New York and London: Garland), 1979

175. Hibbard, G. R., ‘From “iygging vaines of riming mother wits” to “the spacious volubilitie of a drumming decasillabon”’, The Elizabethan Theatre XI, eds. A. L. Magnusson and C. E. McGee, (Port Credit: P. D. Meany, 1990), 55-73

176. Hill, Eugene D., ‘Revenge Tragedy’ in A Companion to Renaissance Drama, ed. Arthur F. Kinney (Oxford: Blackwell, 2002), 326-335

177. Hill, Eugene D., ‘Senecan and Virgilian Perspectives in The Spanish Tragedy’, English Literary Renaissance, 15.2 (Spring, 1985), 143-165 [Rpt. Renaissance Historicism: Selections

from English Literary Renaissance, eds. Arthur F. Kinney and Dan S. Collins, (Amherst: University of Massachusetts Press, 1987), 108-30] journal article (in the library: hard copy)

178. Hillman, Richard W., ‘Meaning and Mortality in Some Renaissance Revenge Plays’, University of Toronto Quarterly 49.1 (Fall, 1979), 1-17 journal article

179. Hodgdon, Barbara, ‘Recent Studies in Tudor and Stuart Drama’, Studies in English Literature, 1500-1900, 43.2 (2003), 495-544 journal article (JSTOR)

180. Hoenselaars, Ton, ‘The Seventeenth-Century Reception of English Renaissance Drama in Europe’, SEDERI: Journal of the Spanish Society for English Renaissance Studies 10, (2001), 69-87 journal article

181. Holdsworth, R. V., ‘A Biblical Echo in The Spanish Tragedy’, Notes and Queries, 35.1 [233], (March, 1988), 36 journal article Oxford Journals Online Archives

182. Honan, Park, ‘Ch. 8. Attitudes’, in Shakespeare: A Life (Oxford: OUP, 1998), 120-144 PR 2894 H6

183. Honey, William, The Life, Loves and Achievements of Christopher Marlowe alias Shakespeare (London: privately published, 1982) [Review: Edwards, Francis. "Marlowe's Second Life?" The Bard 4.2 (1984), 68-75]

184. Hopkins, Lisa, ‘What’s Hercules to Hamlet? The Emblematic Garden in The Spanish Tragedy and Hamlet’, Hamlet Studies: An International Journal of Research of the Tragedie of Hamlet, Prince of Denmarke, 21.1-2 (Summer-Winter, 1999), 114-43 journal article

185. Horwich, Richard, ‘The Setting in The Spanish Tragedy’, CEA Critic: An Official Journal of the College English Association, 49.2-4 (Winter 1986 – Summer 1987), 33-36 journal article

186. Howard, Rebecca M., ‘The Ironic Consolation of The Spanish Tragedy’, Selected Papers from the West Virginia Shakespeare and Renaissance Association, 4 (Spring 1979), 9-15 Latin language literature – Boethius journal article

187. Hunt, Maurice, ‘Compelling Art in Titus Andronicus’, Studies in English Literature, 1500-1900, Elizabethan and Jacobean Drama, 28.2 (Spring, 1988), 197-218 journal article (JSTOR)

188. Hunter, G. K., ‘Tacitus and Kyd’s The Spanish Tragedy’, Notes and Queries, 47.4 [245], (Dec., 2000), 424-425 journal article Oxford Journals Online Archives

189. Hunter, G. K., ‘On Victim Tragedy in Ch. 3. The Emergence of the University Wits: Early Tragedy’, in English Drama 1586-1642: The Age of Shakespeare, The Oxford History of English Literature, 6 (Oxford: Clarendon Press, 1997), 69-92 PR 651 H8

190. Hunter, G. K., ‘Tyrant and Martyr: religious Heroism in Elizabethan Tragedy’, in Poetic traditions of the English Renaissance, edited by Maynard Mack and George de Forest Lord, (New Haven; London: Yale University Press, 1982), 85-102 PR 533 M2

191. Hunter, G. K., ‘Ch. 7. Seneca and English Tragedy’ and ‘Ch. 8. Ironies and Justice in The Spanish Tragedy’, in Dramatic Identities and Cultural Tradition. Studies in Shakespeare and

his Contemporaries (Liverpool: Liverpool University Press, 1978), 174-213 and 214-229 [includes in revised form: ‘Ironies of Justice in The Spanish Tragedy’, Renaissance Drama 8 (1965), 89-104, reprinted in Bluestone, Max, and Norman Rabkin, eds., Shakespeare’s Contemporaries: Modern Studies in English Renaissance Drama (New Jersey: Prentice-Hall, 2nd ed. 1970), 61-74; ‘Seneca and the Elizabethans: A Case-Study in Influence’, Shakespeare Survey, 20 (1967), 17-26; and ‘Seneca and English Tragedy’, in Seneca ed. by C. D. N. Costa (London: Routledge & Kegan Paul, 1974), 166-204] PR 653 H8

192. Hutson, Lorna, ‘Rethinking the “Spectacle of the Scaffold”: Juridical Epistemologies and English Revenge’, Representations, 89 (2005), 30-58 journal article

193. Hyde, Thomas, ‘Identity and Acting in Elizabethan Tragedy’, Renaissance Drama 15 (1984), 93-114 journal article

194. Ide, Richard S., ‘Elizabethan Revenge Tragedy and the Providential Play-within-a-Play’, Iowa State Journal of Research 56.1 (Aug. 1981), 91-96 journal article

195. Jack, Albert E., ‘Thomas Kyd and the Ur-Hamlet’, PMLA, 20.4(1905), 729-748 journal article

196. Jacobs, Edward Craney, ‘An Unnoted Debt to Kyd in King Lear’, American Notes and Queries 14 (Oct. 1976), 19 journal article

197. Jacobs, Henry E., ‘The Banquet of Blood and the Masque of Death: Social Ritual and Ideology in English Revenge Tragedy’, Renaissance Papers (1985), 39-50 tragic drama - treatment of revenge - relationship to ideology - power - compared to drama - of Jacobean period journal article

198. Jacobs, Henry E., ‘Kyd’s The Spanish Tragedy III.xii.sd’, Explicator, 34 (1976), entry 63 journal article

199. Jensen, Ejner, ‘Kyd’s Spanish Tragedy: The Play Explains Itself’, Journal of English and Germanic Philology, 64 (1965), 7-16 journal article (in the library: hard copy)

200. Johnson, Robert Carl, comp., ‘Thomas Kyd 1940-1966’, in Elizabethan Bibliographies Supplements IX: Minor Elizabethans: Roger Ascham 1946-1966, George Gascoigne 1941-1966, John Heywood 1944-1966, Thomas Kyd 1940-1966, Anthony Munday 1941-1966, (London: Nether Press, 1968), 33-41 Kyd – bibliography 1940-1966 ZPR 421.E5   

201. Johnson, S. F., ‘The Spanish Tragedy, or Babylon Revisited’, in Hosley, Richard. ed., Essays in Shakespeare and Elizabethan Drama in Honour of Hardin Craig (London: Routledge and Kegan Paul Ltd., 1963), 23-36 PR 653 H6

202. Jones, Emrys, ‘The Sense of Occasion: Some Shakespearean Night Sequences’, in Muir, Kenneth and Jay Halio, eds., Shakespeare, Man of the Theater, (Newark: University of Delaware Press,1983), 98-104 PR 2889 I6

203. Jones, Emrys, ‘On The Spanish Tragedy in Ch. 10. Richard III: A Tudor Climax’, The Origins of Shakespeare (Oxford: Clarendon Press, 1977), 196-206 PR 2976 J6

204. Joseph, B. L., ‘The Spanish Tragedy and Hamlet: Two Exercises in English Seneca’, in Anderson, M. J., eds., Classical Drama and Its Influence: Essays Presented to H. D. F. Kitto, etc., (London: Methuen, 1965), 121-134 PN 883 A6

205. Joy, Susan E., ‘The Kyd/Marlowe Connection’, Notes and Queries, 33.3 [231] (September, 1986), 338-9 journal article Oxford Journals Online Archives

206. Justice, Steven, ‘Spain, Tragedy, and The Spanish Tragedy’, Studies in English Literature, 1500-1900, 25.2, Elizabethan and Jacobean Drama (Spring, 1985), 271-288 journal article (JSTOR)

207. Kahan, Jeffrey, ‘The 1597 Additions to The Spanish Tragedy and Its Subsequent Influence on A Warning for Faire Women’, ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, 17.2 (Spring, 2004), 20-24 journal article

208. Kahan, Jeffrey, ‘An Argument for Emending Bazardo to Buzalto in the 1602 Version of The Spanish Tragedy’, English Language Notes, 40.3 (March, 2003), 13-18 journal article

209. Kay, Carol McGinnis, ‘Deception Through Words: A Reading of The Spanish Tragedy’, Studies in Philology, 74.1 (1977), 20-38 journal article (in the library: hard copy)

210. Kernan, Alvin, ‘The Plays and the Playwrights’, in The Revels History of Drama in English 1576-1613, vol. 3, gen. eds. Clifford Leech and T. W. Craik, (London: Methuen, 1975), 257-61 PR 625 R3

211. Kerrigan, John, ‘Ch.. 7. ‘“Remember me!”: Horestes, Hieronimo and Hamlet’, in Revenge Tragedy: Aeschylus to Armageddon (Oxford: Clarendon Press, 1996), 170-192 PN R48

212. Kerrigan, John, ‘Revision, Adaptation and the Fool in King Lear’, in Taylor, Gary and Michael Warren, eds., The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear (Oxford: OUP, 1983), 195-245 PR 2819 T2

213. Kerrigan, John, ‘Hieronimo, Hamlet and Remembrance’, Essays in Criticism, 31 (1981), 105-26 journal article

214. Kesler, R. L., ‘Time and Causality in Renaissance Revenge Tragedy’, University of Toronto Quarterly, 59.4 (Summer, 1990), 474-97 drama - revenge tragedy - treatment of time – causality journal article

215. Keyishian, Harry, ‘Review of The Spanish Tragedy. The Classic Theatre in Association with Riverside Shakespeare Company’, Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 4.3 (May-June 1986), 11 production review

216. Keyishian, Harry, ‘An Interview with Ron Daley, Director of The Spanish Tragedy. The Classic Theatre in Association with Riverside Shakespeare Company’, Shakespeare Bulletin: A Journal of Performance Criticism and Scholarship, 4.3 (May-June 1986), 10-11 English literature - 1500-1599, The Spanish Tragedy (ca. 1589) - The First Part of Ieronimo - drama - theatrical production - interview with Daley, Ron; journal article

217. Kiefer, Frederick, ‘Ch. 10. Fate on the Stage’, in Writing on the Renaissance Stage: Written Words, Printed Pages, Metaphoric Books (Newark: University of Delaware Press; London: Associated University Presses, 1996), 232-246 PR 658 W7

218. Kiefer, Frederick, ‘Senecan Influence: A Bibliographic Supplement’, Research Opportunities in Renaissance Drama, 28 (1985), 129-42 [with an appendix on The Spanish Tragedy entitled ‘Problems and Opportunities’, 141-42] journal article

219. Kiefer, Frederick, Fortune and Elizabethan Tragedy (San Marino: Huntington Library, 1983), 122-57

220. Kiss, Attila, ‘Ch.5. Identity and Authorship in The Spanish Tragedy’, in The Semiotics of Revenge: Subjectivity and Abjection in English Renaissance Tragedy (Szeged: Department of English, Jozsef Attila University, 1995), 39-52 PR 659 T7

221. Kirschbaum, Leo, ‘Is The Spanish Tragedy a Leading Case?: Did a Bad Quarto of Love’s Labour’s Lost Ever Exist’, Journal of English and Germanic Philology, 37 (1938), 501-512 journal article (in the library: hard copy)

222. Kistner, A. L., and M. K. Kistner, ‘The Senecan Background of Despair in The Spanish Tragedy and Titus Andronicus’, Shakespeare Studies, 7(1974), 1-9 journal article

223. Kline, Daniel T., ‘The Circulation of the Letter in Kyd’s The Spanish Tragedy, in Kermode, Lloyd Edward (ed. and introd.), Jason Scott-Warren (ed. and introd.), Martine Van Elk (ed. and introd.), and Pamela King (postscript), Tudor Drama before Shakespeare 1485-1590: New Directions for Research, Criticism, and Pedagogy, (New York: Palgrave Macmillan, 2004), 229-47 drama - epistolary technique

224. Knight, G. Wilson, ‘Visual Art in Kyd and Shakespeare’ in Shakespearean Dimensions (Sussex: Harvester P; New Jersey: Barnes and Noble, 1984), 92-109 PR 2976 K6

225. Knight, W. Nicholas, ‘Julius Caesar and Shakespearean Revenge Tragedy’, Erasmus Review 1.1 (Sep. 1971), 19-34

226. Knutson, Roslyn L., ‘Influence of the Repertory System on the Revival and Revision of The Spanish Tragedy and Dr. Faustus’, English Literary Renaissance, 18.2 (Spring, 1988), 257-274 journal article (in the library: hard copy)

227. Knutson, Roslyn L., ‘Henslowe’s Diary and the Economics of Play Revision for Revival, 1592-1603’, Theatre Research International, 10.1 (Spring, 1985), 1-18 journal article

228. Kobernick, Mark, ‘The Phenomenology of Time in The Spanish Tragedy’, Journal of English, 14 (Sep. 1986), 6-14 journal article

229. Kohler, Richard C., ‘Kyd’s Ordered Spectacle: “Behold…/What ’tis to be subject to destiny”’, Medieval and Renaissance Drama in England: An Annual Gathering of Research, Criticism and Reviews, 3 (1986), 27-49 drama - symmetry - in theatrical production journal article

230. Lagarde, Fernand, ‘La Guerre et la drama de la vengeance’, Caliban (Toulouse, France), 19 (1982), 23-34 revenge tragedy - treatment of war – case study Kyd, Thomas - The Spanish Tragedy - Shakespeare, William journal article

231. Laird, David, ‘Hieronimo’s Dilemma’, Studies in Philology, 62 (1965), 137-46 journal article (in the library: hard copy)

232. Lamb, Margaret, ‘Beyond Revenge: The Spanish Tragedy’, Mosaic: A Journal for the Comparative Study of Literature, 9.1 (1975), 33-40 journal article

233. Law, Robert Adger, ‘On Bellforest, Shakespeare and Kyd’, ‘Joseph Quincy Adams Memorial Studies, ed. by James G. McManaway, Giles E. Dawson [and] Edwin E. Willoughby, 279-294

234. Leggatt, Alexander, ‘“A Membrane as Broken”: Returning from the Dead in The Spanish Tragedy’, in Höfele, Andreas (ed. and introd.) and Werner von Koppenfels (ed. and introd.), Renaissance Go-Betweens: Cultural Exchange in Early Modern Europe (Berlin: Walter de Gruyter, 2005), 214-30

235. Leggatt, Alexander, On Kyd’s The Spanish Tragedy in ‘Ch. 6. The Early Jacobeans’, in English Drama: Shakespeare to the Restoration 1590-1660 (London and New York: Longman, 1988), 101-3 tragedy vs satire – universe vs individual – style – rhetorical speech vs conversational speech - morality – money – property – class – sex PR 651 L3

236. Leggatt, Alexander, ‘The Three Worlds of The Spanish Tragedy’, Southern Review: Literature and Interdisciplinary Essays, 6 (1973), 35-47

237. Lengeler, Rainer, ‘Mongrel Tragy-Comedy’: Chaosdarstellung und Gattungsmischung in The Spanish Tragedy und Romeo and Juliet’, in Plett, Heinrich, ed., Renaissance Poetik/ Renaissance Poetics (Berlin: Walter de Gruyer, 1994), 271-285 PN 1181 R3

238. Levenson, Jill, ‘Anonymous Plays: Soliman and Perseda’, in The Predecessors of Shakespeare: A Survey and Bibliography of Recent Studies in English Renaissance Drama, eds. Terence P. Logan and Denzell S. Smith. Lincoln, (Nebraska: Univeristy of Nebraska Press, 1973), 230-39

239. Levin, Michael Harry, ‘“Vindicta Mihi!” Meaning, Morality, and Motivation in The Spanish Tragedy’, Studies in English Literature, 1500-1900, 4.2, Elizabethan and Jacobean Drama, (Spring, 1964), 307-324 journal article (JSTOR)

240. Levin, Harry, ‘An Echo from The Spanish Tragedy’, Modern Language Notes, 64.5 (May, 1949), 297-302 journal article (JSTOR)

241. Limon, Jerzy, ‘Revenge Tragedy, or, a Decayed Form: A Review Essay’, Southern Humanities Review, 16.3 (Summer, 1982), 257-267 journal article

242. Lomax, Marion, Stage Images and Traditions: Shakespeare to Ford (Cambridge and New York: CUP, 1987), 34-44 PR 678.S9 Shakespeare Institute

243. Lucas, F. L., Seneca and Elizabethan Tragedy (Cambridge: Cambridge University Press, 1922; Folcroft: Folcroft Library Editions, 1972), 110-17 PA 6675 L8

244. Lupton, Julia, ‘Truant Dispositions: Hamlet and Machiavelli’, Journal of Medieval and Renaissance Studies, 17.1 (Spring 1987), 59-82 journal article

245. Lyle, E. B., ‘Act I Scene II of The Spanish Tragedy as a Model for Macbeth’, Archiv für das Studium der Neueren Sprachen 209.2 (Januar 1973), 361-63 journal article

246. Maclure, Millar, ed., Marlowe: The Critical Heritage 1588-1896, (London: Routledge & Kegan Paul, 1979), 32-36

247. Madelaine, R. E. R., ‘Boys’ Beards and Balurdo’, Notes and Queries, 30.2 [228], (April 1983), 148-50 journal article Oxford Journals Online Archives

248. Maguin, Jean-Marie, La nuit dans le théâtre de Shakespeare et de ses prédécesseurs, (2 vols.), (Lille: Université de Lille III, 1980), 262-71 and 339-70.

249. Maguin, Jean-Marie, ‘Of Ghosts and Spirits Walking by Night: A Joint Examination of the Ghost Scenes in Robert Garnier's Cornélie, Thomas Kyd's Cornelia and Shakespeare's Hamlet in the Light of Reformation Thinking as Presented in Lavater's Book’, Cahiers Élisabéthains 1 (Janvier 1972), 25-40 journal article

250. Marcham, Frank, The King's Office of the revels 1610-1622: fragments of documents in the Department of manuscripts, British museum, transcribed by Frank Marcham, with a preface by J. P. Gilson, (London: 1925) PR 652 Shakespeare Institute

251. Margeson, J. M. R., The Origins of English Tragedy (Oxford: Clarendon, 1967) 87-97, 128-29, and 168-75

252. Maslen, Elizabeth, ‘The Dynamics of Kyd’s “Spanish Tragedy”’, English: The Journal of the English Association, 32.143 (Summer, 1983), 111-125 journal article

253. Masten, Jeffrey, ‘On Kyd in Ch. 20 Playwriting: Authorship and Collaboration’, in A New History in Early English Drama, eds. John D. Cox and David Scott Kastan, (New York: Columbia University Press, 1997), 360-65 and 376-79 PR 647 N3

254. Matheson, Tom, ‘Shakespeare Without Words’, in Kennan, Patricia and Mariangela Tempera, eds., International Shakespeare: The Tragedies, (Bologna: CLUEB, 1996 ), 65-74

255. Maus, Katharine Eisaman, ‘The Spanish Tragedy, or the Machiavel’s Revenge’, in Inwardness and Theatre in the English Renaissance (Chicago: University of CP, 1995), 55-71 – also in Maus, Katharine Eisaman, ‘The Spanish Tragedy; or the Machiavel’s Revenge’, in Simkin, Stevie, ed., Revenge Tragedy (Basinstoke: Palgrave, 2001), 88-106 drama - revenge tragedy - treatment of Machiavellian figure [review Watson, Robert N., ‘Inwardness and Theater in the English Renaissance’, Modern Philology, 94.3 (Feb., 1997), 366-372] PR 658 P89

256. Mazzio, Carla, ‘Staging the Vernacular: Language and Nation in Thomas Kyd’s The Spanish Tragedy’, Studies in English Literature, 1500-1900, 38.2, Tudor and Stuart Drama (Spring, 1998), 207-232 journal article (JSTOR)

257. McAdam, Ian, ‘The Spanish Tragedy and the Politico-Religious Unconscious’, Texas Studies in Literature and Language, 42.1 (Spring, 2000), 33-60 journal article

258. McAlindon, Thomas, ‘Tamburlaine the Great and The Spanish Tragedy: The Genesis of a Tradition’, Huntington Library Quarterly: A Journal for the History and Interpretation of English and American Civilization, 45.1 (Winter, 1982), 59-81 Marlowe, Christopher - Tamburlaine - drama - tragic drama - tragic polarity - compared to Kyd, Thomas - The Spanish Tragedy journal article

259. McAlindon, Thomas, ‘II.2 Thomas Kyd: The Spanish Tragedy’, in English Renaissance Tragedy (London: Macmillan, 1st 1986, reprint with alterations 1988), 55-81 [also see ‘I.1 Common Elements’, 3-54]

260. McLuskie, Kathleen, ‘Ch. 6 “Devis’d and play’d to take spectators”: Women in Dramatic Structures’, in Renaissance Dramatists (Hemel Hempstead: Harvester Wheatsheaf, 1989), 123-157 (131-3) PR 658 W6

261. McMillin, Scott, ‘The Book of Seneca in The Spanish Tragedy’, Studies in English Literature, 1500-1900, 14.2, Elizabethan and Jacobean Drama (Spring, 1974), 201-208 journal article (JSTOR)

262. McMillin, Scott, ‘The Figure of Silence in The Spanish Tragedy’, ELH, 39.1 (Mar., 1972), 27-48 journal article

263. Mehl, Dieter, The Elizabethan Dumb Show: The History of a Dramatic Convention (London: Methuen, 1965), 63-71 PR 658 D8

264. Mercer, Peter, ‘Hamlet’ and the Acting of Revenge, (London: Macmillan, 1987), 15-22 and 37-59

265. Miola, Robert S., ‘Another Senecan Echo in Kyd’s The Spanish Tragedy’, Notes and Queries, 33.3 [231], (September, 1986), 337 journal article Oxford Journals Online Archives

266. Mousley, Andy, ‘The Spanish Tragedy in Ch.2. Structuralism: King Lear; The Duchess of Malfi; Hamlet; The Spanish Tragedy’, in Renaissance Drama and Contemporary Literary Theory, (London: Macmillan, 2000), 66-73 (n.224), structuralism – binary oppositions – langue vs parole – psychology vs society – personal vs impersonal – private vs public – ignorance vs\knowledge – Aristotelian tragedy vs individual tragedies: Hieronimo’s, Andrea’s, Kyd’s – Revenge vs private revenge – speech – language – sundry languages - communication – play-within-the-play as recognition PR 651 M6

267. Müller, Wolfgang G., ‘Dissimulation as a Theme and Rhetorical Device in Kyd’s Spanish Tragedy’, Arbeiten aus Anglistik und Amerikanistik, 10.1/2 (1985), 21-41 journal article

268. Mulryne ‘Nationality and Language in Thomas Kyd’s The Spanish Tragedy’, in Travel and Drama in Shakespeare’s Time, eds. Jean-Pierre Maquerlot, Michele Willems, (Cambridge: CUP, 1996), 87-105 [also in Langues et Nations au temps de la Renaissance, ed. Marie-Therèse Jones-Davies, (Paris: Klincksieck, 1991) 67-91] drama - treatment of language - relationship to Spanish nationalism

269. Murray Biggs, eds., The Arts of Performance in Elizabethan and Early Stuart drama: essays for G. K. Hunter (Edinburgh: Edinburgh University Press, 1991) not quite relevant – Stanley Wells’ ‘Performing Sh’s Ghosts’, 50-69 PR 658 P3

270. Murray, John J., ‘Shakespeare's Sonnet XX’, Explicator 36.2 (Winter, 1978), 16-17 journal article

271. Murray, Peter, Thomas Kyd (NY: Twayne Publishers, 1969) [Reviews: Booklist 66 (15 June 1970), 1252; Mulryne, J. R., Modern Language Review 66.3 (July 1971), 659-60] PR 2657 M8

272. Müller, Wolfgang G., ‘Dissimulation as a Theme and Rhetorical Device in Kyd’s Spanish Tragedy’, Arbeiten aus Anglistik und Amerikanistik, 10.1-2 (Spring, 1985), 21-41 journal article

273. Neill, Michael, ‘English Revenge Tragedy’, in Bushnell, Rebecca, (ed. and introd.) A Companion to Tragedy (London: Blackwell, 2005), 328-50 revenge tragedy PR 653 C6

274. Neill, Michael, ‘Anxieties of Ending’, in Issues of Death: Mortality and Identity in English Renaissance Tragedy (Oxford: Clarendon, 1997), 203-215 PR 658 D32

275. Nelson, Malcolm, ‘“Irony” in The Spanish Tragedy’, American Notes and Queries, Supplement 1 (1978): Studies in English and American Literature. Eds. John L. Cutler and Lawrence S. Thompson, 43-49 journal article

276. Nojima, Hidekatsu, ‘Revenge and Ghost: A Study of The Spanish Tragedy’, Studies in English Literature (Tokyo) 44.1 (1967), 1-13 journal article

277. Norland, Howard B., ‘Kyd's Formulation of the Conventions of Revenge Tragedy’, in Lascombes, André (ed. and introd.), Tudor Theatre: 'Let There Be Covenants ...': Convention et Théâtre, (Bern: Peter Lang, 1998), 67-88 drama - revenge tragedy – genre conventions

278. O’Meara, John, ‘Hamlet and the Fortunes of Sorrowful Imagination: A Re-Examination of the Genesis and Fate of the Ghost’, Cahiers Élisabéthains, 35 (Avril 1989), 15-25 journal article

279. Orgel, Stephen, ‘What is a Text?’, in Kastan, David Scott and Peter Stallybrass, eds., Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (New York: Routledge, 1991), 83-87 [reprinted in Research Opportunities in Renaissance Drama 24, (1981), 3-6] Renaissance - drama - and poetry - relationship to manuscript editing - text establishment - bibliographical PN 2589 S8

280. Oroval Martí, Víctor A., Semiotics of Drama: A Way and a Proposal around Thomas Kyd's The Spanish Tragedy (Valencia: Universitat de Valencia, 1992)

281. Ostenberg, V., ‘Nashe’s ‘Kin in Aesop’: A Danish Interpretation’, The Review of English Studies, 18.72 (Oct., 1942), 385-394 journal article

282. Palmer, D. J., ‘Elizabethan Tragic Heroes’, Elizabethan Theatre. Ed. John Russell Brown and Bernard Harris. Stratford-Upon-Avon Studies 9, (London: Edward Arnold, 1966; New York: St. Martin's, 1967), 11-34

283. Palumbo, Ronald J., ‘From Melodrama to Burlesque: A Theatrical Gesture in Kyd, Shakespeare, and Marston’, Theatre Survey 17.2 (Nov. 1976), 220-23 journal article

284. Parsons, Robert D., ‘Thomas Kyd's Letters’, Notes and Queries 27.2 [225], (April 1980), 140-41 journal article Oxford Journals Online Archives

285. Paul, David, ‘The Bard and Company’, New Criterion 1.9 (May 1983), 8-26 journal article

286. Pavel, Thomas G., ‘Plot-Structure and Style: Remarks on an Unstable Relationship’, Canadian Review of Comparative Literature 9.1 (March 1982), 27-45 [part rpt. in revised form in The Poetics of Plot: The Case of English Renaissance Drama (Minneapolis: University of Minnesota Press, 1985), 116-26] journal article

287. Pendleton, Thomas A., ‘Revengers and Rivals: Antonio's Revenge and Hamlet’, Hamlet Studies 2.2 (Winter 1980), 42-61 journal article

288. Pendry, E. D., ‘Thomas Kyd: Facts and Problems’, The Review of English Studies, New Series, 19.76 (Nov., 1968), 430-431 journal article

289. Penninger, Frieda Elaine, English Drama to 1660 (Excluding Shakespeare), (Detroit: Gale, 1976), 271-73

290. Plard, Henri, ‘Adaptations de la Tragédie espagnole dans les Pays-Bas et en Allemagne’, in Dramaturgie et société : Nancy, 14-21 avril 1967 : rapports entre l'oeuvre théâtrale, son interprétation et son public aux XVIe et XVIIe siècles / études réunies et présentées par Jean Jacquot, avec la collaboration d'Elie Konigson et Marcel Oddon, 2 vols., (Paris: 1968), II, 633-53 q PN 1811 Shakespeare Institute

291. Pollard, Richard N. "Authorship of the Spanish Tragedy Additions." Revue de l'Université d'Ottawa 40.1 (1970), 25-61 journal article

292. Prior, Moody E. The Language of Tragedy (Gloucester, MA: Peter Smith, 1964, [c1947]; Bloomington and London: Indiana UP, 1966), 46-59 PR 633 P7

293. Prosser, Eleanor, Hamlet and Revenge (Stanford(California) ; London : Stanford University Press : Oxford University Press, 1st ed. 1967, 2nd ed. 1971), 44-52 PR 2807 P7

294. Proudfoot, Richard, ‘Kyd’s Spanish Tragedy’, Critical Quarterly, 25.1 (Spring, 1983), 71-76 journal article

295. Putt, Gorley S., ‘Ch.2. Experiments in Entertainment: The “University Wits” and the new theatre – George Peele – Thomas Kyd and John Lyly – Christopher Marlowe’s Tamburlaine and Doctor Faustus’, The Golden Age of English Drama: Enjoyment of Elizabethan and Jacobean Plays (Cambridge: published on behalf of the English Association by D.S. Brewer and Rowman and Littlefield, 1981), 25-48 (n223-4), 35-6 on Kyd PR 651 P8

296. Ramsdell, Donald D., ‘Another (?) Shakespeare Allusion’, Modern Language Notes, 38.8 (Dec., 1923), 500-2 journal article (JSTOR)

297. Ratliff, John D., ‘Hieronimo Explains Himself’, Studies in Philology, 54 (1957), 112-118 journal article (in the library: hard copy)

298. Reibetanz, John, ‘Hieronimo in Decimosexto: A Private-Theater Burlesque’, Renaissance Drama ns 5 (1972), 89-121 journal article

299. Ribner, Irving, Tudor and Stuart Drama. Goldentree Bibliographies in Language and Literature (New York: Appleton-Century-Crofts, 1966; 2nd ed. Arlington Heights : AHM Publications, 1978), 37-38 ZPR 651 R4

300. Richmond-Garza, Elizabeth M., ‘Ch. IV. “Canst paint me a tear?” Kyd’s Inversion of Senecan Revenge’, in Forgotten Cities/Sights: Interpretation and the Power of Classical Citation in Renaissance English Tragedy (NY: Peter Lang, 1994), 133-153

301. Righter, Anne Barton, ‘Ch. III.3. The New Attitude Towards the Audience’, in Shakespeare and the Idea of Play (London: Chatto and Windus, 1962), 76-86 PR 3095 R4 or 2976 R4

302. Roberts, Josephine A. and James F. Gaines, ‘Kyd and Garnier: The Art of Amendment’, Comparative Literature 31.2 (Spring 1979), 124-133 journal article

303. Ross, Thomas W., ‘Kyd’s The Spanish Tragedy: A Bibliographical Hypothesis’, The Bulletin of the Rocky Mountain Modern Language Association, 22.2 (Jun., 1968), 13-21 journal article

304. Routh, James E., Jr., ‘Thomas Kyd’s Rime Schemes and the Authorship of Soliman and Perseda and of The First Part of Jeronimo’, Modern Language Notes, 20.2 (Feb., 1905), 49-51 journal article (JSTOR)

305. Rowan, D. F., ‘The Staging of The Spanish Tragedy’, in Hibbard, George Richard, ed., The Elizabethan Theatre V (Toronto: Macmillan for Canada, 1975), 112-23

306. Rubin, Deborah, ‘Justice, Revenge and Villainy in Kyd's Spanish Tragedy’, Thoth 16.2 (Spring 1976), 3-13 journal article

307. Rozett, Martha Tuck, ‘The Spanish Tragedy in Ch. VI. Revenge Tragedy’, in The Doctrine of Election and the Emergence of the Elizabethan Tragedy (New Jersey: Princeton University Press, 1984), 174-208 (186-193) tragic drama - treatment of protagonist - relationship to predestination - salvation - damnation - sources in Calvinism

308. Russell, Gillian, ‘Lamb’s Specimens of English Dramatic Poets: The Publishing Context and the Principles of Selection’, The Charles Lamb Bulletin. The Journal of Charles Lamb Society, 65 (Jan., 1989), 1-8 journal article

309. Sacks, Peter, ‘Where Words Prevail Not: Grief, Revenge, and Language in Kyd and Shakespeare’, ELH, 49.3 (Autumn, 1982), 576-601 [rpt. in The English Elegy: Studies in the Genre from Spenser to Yeats (Baltimore and London: Johns Hopkins UP, 1985) 64-89; part rpt. in Elizabethan Dramatists, ed. by Harold Bloom, (New York: Chelsea House, 1986), 47-56] journal article

310. Salkeld, Duncan, ‘Kyd and the Courtesan’, Notes and Queries, 47 (245).1 (Mar., 2000), 43-48 journal article Oxford Journals Online Archives

311. Salkeld, Duncan, ‘Kyd’s Absalon’, Notes and Queries, 40 (238).2 (June, 1993), 177 journal article Oxford Journals Online Archives

312. Salkeld, Duncan, ‘Ariosto’s Orlando Furioso and The Spanish Tragedy’, Notes and Queries, 38.1 [236], (Mar., 1991), 28-9 journal article Oxford Journals Online Archives

313. Salomon, Brownell, Critical Analyses in English Renaissance Drama: A Bibliographic Guide (Bowling Green: Bowling Green University Popular Press, 1979; 2nd ed. New York : Garland Pub., 1985; 3rd revised New York : Garland Pub.,1990; rpt. 1991), 5 and 52-53

314. Sanderson, Richard K., ‘Suicide as Message and Metadrama in English Renaissance Tragedy’, Comparative Drama, 26.3 (Fall, 1992), 199-217 English literature - 1500-1699 - drama - tragic drama - in Renaissance - treatment of suicide journal article

315. Schucking, Levin L., ‘The Spanish Tragedy Additions: Acting and Reading versions’, TLS, 12 June 1937, 442 journal article

316. Schaar, Claes, ‘The Spanish Tragedy III.xiii.95 ff’, English Studies, 66.3 (June 1985), 226 journal article

317. Schaar, Claes, and James L. Smith, ‘They hang him in the arbour’, English Studies: A Journal of English Language and Literature, 47 (1966), 27-8 journal article

318. Schaar, Claes, [A reply to James L. Smith's rejoinder.]English Studies 47.5 (Oct. 1966), 373 journal article

319. Scott, Margaret, ‘Machiavelli and Machiavell’, Renaissance Drama, 15 (1984), 147-174 journal article

320. Seaton, Ethel, ‘Marlowe, Robert Poley, and the Tippings’, The Review of English Studies, 5.19 (Jul., 1929), 273-287 journal article

321. Semenza, Gregory M. Colón, ‘The Spanish Tragedy and Revenge’, in Early Modern English Drama. A Critical Companion, eds. Garrett A. Sullivan, Jr., Patrick Cheney, and Andrew Hadfield (New York, Oxford: OUP, 2006), 50-60

322. Shakespeare, William, Hamlet, ed. by Philip Edwards, (Cambridge: CUP, 1st 1985, 2nd

2003), PP???on KYD??? PR 2807

323. Shaheen, Naseeb, ‘A Warning for Fair Women and the Ur-Hamlet’, Notes and Queries, 30.2 [228](April, 1983), 126-7 journal article Oxford Journals Online Archives

324. Shapiro, James, ‘“Tragedies Naturally Performed”: Kyd’s representation of Violence, The Spanish Tragedy’ (c.1587), in Kastan, David Scott and Peter Stallybrass, eds., Staging the Renaissance: Reinterpretations of Elizabethan and Jacobean Drama (New York: Routledge, 1991), 99-113 drama - treatment of violence - new historical approach PN 2589 S8

325. Siemon, James R., ‘Sporting Kyd’, English Renaissance Drama, 24.3 (Autumn, 1994), 553-582 journal article

326. Siemon, James R., ‘Dialogical Formalism: Word, Object, and Action in The Spanish Tragedy’, Medieval and Renaissance Drama in England. An Annual Gathering of Research Criticism and Reviews V, 5 (1991), 87-115 journal article

327. Smith, Emma, ‘Author vs. Character in Early Modern Dramatic Authorship: the Example of Thomas Kyd and The Spanish Tragedy’, Medieval and Renaissance Drama in England, 11 (1999), 129-142 journal article

328. Smith, James L. ‘ “They hang him in the arbor”: A Defence of the Accepted Text’, English Studies 47.5 (Oct. 1966), 372-73 journal article

329. Smith, Molly Easo, ‘Spectacles of Torment in Titus Andronicus’, Studies in English Literature, 1500-1900, 36.2, Tudor and Stuart Drama (Spring, 1996), 315-331 journal article (JSTOR)

330. Smith, Molly, ‘The Theater and the Scaffold: Death as Spectacle in The Spanish Tragedy’, Studies in English Literature, 1500-1900, 32.2, Elizabethan and Jacobean Drama (Spring, 1992), 217-232 also in Simkin, Stevie, ed., Revenge Tragedy (Basingstoke: Palgrave, 2001), 71-87 journal article (JSTOR)

331. Smith, M. W. A., and Hugh Calvert, ‘Word-links as a General Indicator of Chronology of Composition’, Notes and Queries, 36.3 [234], (Sept., 1989), 338-341 journal article Oxford Journals Online Archives

332. Smith, Winifred, ‘Italian and Elizabethan Comedy’, Modern Philology, 5.4 (Apr., 1908), 555-567 journal article

333. Sofer, Andrew, ‘Absorbing Interests: Kyd’s Bloody Handkerchief as Palimpsest’, Comparative Drama, 34.2 (Summer, 2000), 127-153 journal article

334. Spencer, Theodore, Death and Elizabethan Tragedy: a Study of Convention and Opinion in the Elizabethan Drama (NY: Pageant Books, 1960), death in literature, history and criticism PR 658 T7

335. Sprinchorn, Evert, ‘An Intermediate Stage Level in the Elizabethan Theatre’, Theatre Notebook, 46.2 (1992), 73-94 theatre - Elizabethan period - role of stage design journal article

336. Sportelli, Annamaria ‘What’s a Play without a Woman in It?’: Bel-imperia in The Spanish Tragedy di Thomas Kyd’, in Baccolini, Raffaella, Riat Fortunati and Romana Zacchi, eds., Il teatro e le donne (Urbino: QuattroVenti, 1991), 57-65 English literature - 1500-1599 - Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - treatment of Bel-imperia (character)

337. Spriet, Pierre, ‘Antisocial Behaviour and the Code of Love in Kyd’s The Spanish Tragedy’, Cahiers Élisabéthains: Études sur la Pré-Renaissance et la Renaissance Anglaises, 17 (1980), 1-9 journal article

338. Spurgeon, Dickie, ‘Thomas Kyd’, in The Predecessors of Shakespeare: A Survey and Bibliography of Recent Studies in English Renaissance Drama. Eds. Terence P. Logan and Denzell S. Smith. Lincoln, (Nebraska: University of Nebraska Press, 1973), 93-106

339. Stabler, Arthur P., ‘King Hamlet’s Ghost in Belleforst?’, PMLA, 77.1 (Mar., 1962), 18-20 journal article

340. Stackhouse, Janifer Gerl, on Flemming’s ‘Jeronimo Marschalck in Hispanien: Das deutche Wandertruppen-Manuskript der Spanish Tragedy’, German Quarterly, 49.1 (Jan., 1976), 112-114 journal article

341. Stadter, Andrea, “Hyperion to a Satyr”: Hamlet im Kontext zeitgenössicher Rachetragödien 1589-1603, Forum Anglistik N. F. 1, (Heidelberg: Carl Winter, 1989)

342. Stagg, Louis Charles, ‘The Figurative Language of the Tragedies of Shakespeare’s Chief Contemporaries: An Index’ (New York and London: Garland, 1984), 121-218 [review Cynthia Lewis, South Atlantic Review, 50.2 (May 1985), 105-7]

343. Stamm, Renate, The Mirror-Technique in Senecan and Pre-Shakespearean Tragedy (Bern: Francke, 1975), 61-81

344. Stamm, Rudolf, ‘The First Meeting of the Lovers in Shakespeare’s Romeo and Juliet’, English Studies, 67.1 (Feb. 1986), 2-13 journal article

345. Stamm, Rudolf, ‘The Theatrical Physiognomy of The Spanish Tragedy and Hamlet’, English Studies Today (Fourth Series), eds. Ilva Cellini and Giorgio Melchiori, (Roma: Edizioni di Storia e Letteratura, 1966), 137-58. [Rpt. The Shaping Powers at Work, (Heidelberg: Carl Winter, 1967), 11-32. Also rpt. in German as "Kyds Spanish Tragedy und Shakespeares Hamlet." Hamlet-Interpretationem. Wege der Forschung 214, ed. Willi Erzgräber, (Darmstadt: Buchgesellschaft, 1977), 462-87]

346. Stein, Charles, ‘Justice and Revenge in The Spanish Tragedy’, Iowa State Journal of Research, 56.1 (Aug. 1981), 97-104 revenge tragedy – justice journal article

347. Stevenson, Warren, ‘Shakespeare’s Hand in The Spanish Tragedy 1602’, Studies in English Literature, 1500-1900, 8.2, Elizabethan and Jacobean Drama (Spring, 1968), 307-321 journal article (JSTOR)

348. Stilling, Roger, Love and Death in Renaissance Tragedy (Baton Rouge: Louisiana State UP, 1976), 26-40

349. Stockholder, Kay, ‘The Aristocratic Woman Scapegoat: Romantic Love and Class Antagonism in The Spanish Tragedy, The Duchess of Malfi and The Changeling’, in Magnusson, A. L. and McGee, C. E., eds., The Elizabethan Theatre XIV (Toronto: P.D. Meany, 1996), 127-151 Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) - drama - treatment of women aristocrats – as scapegoat - relationship to social class - romantic love - compared to Middleton & Rowley - The Changeling (1653) - Webster, John (1580?-1625?) - The Duchess of Malfi (1623)

350. Stockholder, Kay, ‘“Yet can he write”: Reading the Silences in The Spanish Tragedy’, American-Imago: A Psychoanalytic Journal for Culture, Science and the Arts, 47 (Summer, 1990), 93-124 drama - treatment of revenge - relationship to social class journal article

351. Stodder, Joseph H., ‘Shakespeare and His Contemporaries in Los Angeles’, Shakespeare Quarterly, 36.4 (Winter, 1985), 474-477 journal article JSTOR

352. Stoll, Elmer Edgar, ‘Hamlet and The Spanish Tragedy Again’, Modern Philology, 37.2 (Nov., 1939), 173-186 journal article

353. Stoll, Elmer Edgar, ‘Hamlet and The Spanish Tragedy Quartos I and II: A Protest’, Modern Philology, 35.1 (Aug., 1937), 31-46 journal article

354. Stratman, Carl J., comp. and ed. Bibliography of English Printed Tragedy 1565-1900 (Carbondale: Southern Illinois UP, 1966), 331-34

355. Stull, William L., ‘This Metamorphosde Tragoedie’: Thomas Kyd, Cyril Tourneur, and the Jacobean Theatre of Cruelty’, ARIEL: A Review of International English Literature, 14.3 (July, 1983), 35-49 Jacobean period - Tourneur, Cyril (1575?-1626) - The Revenger's Tragedy (1607) - drama - as theatre of cruelty - sources in Kyd, Thomas (1558?-1594?) - The Spanish Tragedy journal article

356. Sutherland, Sarah P., ‘Chapter???’, Masques in Jacobean Tragedy (New York: AMS, 1983), 9-15 PR 658 M2

357. Sweet, George Elliott, ‘The Shakespeare Thirteen’, Shakespeare Newsletter, 39.1-2 (Spring-Summer, 1989), 18 journal article

358. Sweet, George Elliott, ‘Seven for Shakespeare’, Shakespeare Newsletter, 36.2 (Summer, 1986), 28-29 journal article

359. Talbert, Ernest William, Elizabethan Drama and Shakespeare's Early Plays (Chapel Hill: University of North Carolina Press, 1963, rpt. 1973), 61-65, 71-79 and 133-41

360. Tannenbaum, Samuel A., comp. Thomas Kyd (Port Washington: Kennikat, 1967), vol. 4 of Elizabethan Bibliographies, comps. Samuel A. Tannenbaum and Dorothy R. Tannenbaum [A reprint of his 1941 Thomas Kyd, a Concise Bibliography]

361. Tassi, Marguerite, ‘The Player’s Passions and the Elizabethan Painting Trope: A Study of the Painter Addition to Kyd’s The Spanish Tragedy’, Explorations in Renaissance Culture, 26.1 (Summer, 2000), 73-100 journal article

362. Thompson, Ann, ‘The Taming of the Shrew and The Spanish Tragedy’, Notes and Queries, 31.2 [229] (June, 1984), 182-4 journal article Oxford Journals Online Archives

363. Thorn, Lee, ‘Kyd Caps Revenge: Hamlet as Rite of Passage’, Hamlet Studies: An International Journal of Research on The Tragedie of Hamlet, Prince of Denmarke, 10.1-2 (Summer-Winter, 1988), 126-129 Shakespeare, William (1564-1616) - Hamlet (1600-1601) - tragedy - treatment of rites of passage - relationship to Hamlet - sources in Kyd, Thomas (1558?-1594?) - The Spanish Tragedy (ca. 1589) journal article

364. Trousdale, Marion, ‘Shakespeare’s Oral Text’, Renaissance Drama 12 (1981), 95-115 journal article

365. Truchet, Sybil, Le Théâtre Médiéval en Angleterre et son influence sur l'oeuvre de Marlowe, Kyd et Lyly: Contribution à l'étude du drame pré-shakespearien (2 vols.), (Lille, Université de Lille III; Paris: Honoré Champion, 1980), 111-13, 178-86, 205-18, and 275-87

366. Tweedie, Eleanor M., ‘“Action Is Eloquence”: The Staging of Thomas Kyd’s Spanish Tragedy’, Studies in English Literature, 1500-1900, 16.2, Elizabethan and Jacobean Drama, (Spring, 1976), 223-239 journal article (JSTOR)

367. Ule, Louis, ‘Vocabulary Richness in Shakespeare’, Association for Literary and Linguistic Computing Bulletin 5.2 (1977), 174-77 journal article

368. Ure, Peter, ‘On Some Differences between Senecan and Elizabethan Tragedy’, in Elizabethan and Jacobean Drama, ed. J. C. Maxwell, (Liverpool: Liverpool UP; New York: Barnes & Noble, 1974), 63-74 PR 653 U7

369. Velz, John W., ‘An Early Allusion to Troilus and Cressida’, Notes and Queries, 33.3 [231], (Sep. 1986), 358-60 journal article Oxford Journals Online Archives

370. Viswanathan, S., ‘The Seating of Andrea's Ghost and Revenge in The Spanish Tragedy’, Theatre Survey 15.2 (Nov. 1974), 171-76 journal article

371. Voros, Sharon D., ‘Feminine Symbols of Empire in Thomas Kyd and Pedro Calderon: “The Spanish tragedy” and “De un Castigo Tres Venganzas”’, Pacific Coast Philology, 27.1/2 (Sept., 1992), 145-158 journal article

372. Voros, Sharon Dahlgren, ‘Thomas Kyd and Pedro Calderón: Toward a Semiotics of Revenge Drama’, in Fothergill-Payne, Louise and Peter, eds., Parallel Lives: Spanish and English National Drama 1580-1680, (Bucknell UP, 1991), 108-124 Kyd, Thomas - The Spanish Tragedy - drama - treatment of revenge - compared to Calderón de la Barca, Pedro - De un castigo, tres venganzas - semiotic approach PR 675 P2

373. Watson, George, ‘Thomas Kyd 1558-94’, in The New Cambridge Bibliography of English Literature (4 vols.), vol. 1. 600-1660, (Cambridge: Cambridge UP, 1974), 1427-31 ZPR 1 C2

374. Watson, Robert N., ‘Ch. 1. Religio Vindicis. Substitution and Immortality in The Spanish Tragedy’ and ‘Ch. 2. Giving up the Ghost’, in The Rest Is Silence: Death as Annihilation in the English Renaissance (Berkley, LA and London: University of California Press, 1999), 55-73 and 74-102 History and criticism, Death in literature, Annihilation(ism) in literature, Shakespeare, William,--1564-1616, Donne, John,--1572-1631, Kyd, Thomas,--1558-1594.--Spanish tragedy. Herbert, George,--1593-1633.—Temple, Renaissance—England PR 429 D3 also NetLibrary e-book

375. Watson, Robert N., ‘Ch. 9. Tragedy’, The Cambridge Companion to English Renaissance Drama, eds. A. R. Braunmuller and Michael Hattaway, (Cambridge: Cambridge UP, 1990, 2003), 320-24 PR 651 C2

376. Watt, Stephen, ‘Emblematic Tradition and Audience Response to Kyd’s The Spanish Tragedy’, Studies in Iconography 6 (1980), 95-106 journal article

377. Weld, John S., ‘The Spanish Tragedy as the Fall of Babylon’, Mediaevalia: An Interdisciplinary Journal of Medieval Studies Worldwide, 6(1980), 335-352 journal article

378. Wells, Stanley, ed., English Drama (Excluding Shakespeare): Select Bibliographical Guides (Oxford: Oxford UP, 1975), 40

379. Wentersdorf, Karl P., ‘The Repertory and Size of Pembroke's Company’, Theatre Annual 33 (1977), 71-85 journal article

380. Werstine, Paul, ‘The Editorial Usefulness of Printing House and Compositor Studies’, in Shand, G. B., and Raymond Shady, eds., Play-texts in Old Spelling: Papers from the Glendon Conference, (New York: AMS, 1984), 35-64 Shakespeare, William - Love's Labour's Lost (1593) - comedy - printer's copy - for Quarto 1 - (date) 1598 - compared to Kyd, Thomas - The Spanish Tragedy - textual criticism - history of printing - compositor study bibliographical - history of printing - relationship to printer's copy - study example Shakespeare, William - Love's Labour's Lost (1593) compared to Kyd, Thomas - The Spanish Tragedy [printed earlier in Analytical and Enumerative Bibliography 2 (1978), 153-65] PR 658 T4

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382. Whigham, Frank, ‘Reading Social Conflict in the Alimentary Tract: More on the Body in Renaissance Drama’, ELH, 55.2 (Summer, 1988), 333-50 drama - anatomical imagery - digestive imagery - relationship to social conflict journal article (JSTOR)

383. White, Martin, ‘Ch. 4. Palaces of Pleasure. Outdoor Playing Spaces and Theatre Practice’, in Renaissance Drama in Action. An Introduction to Aspects of Theatre Practice and Performance (London & New York: Routledge, 1998), 109-143 history and criticism, theatre, England, production and direction

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385. Wiggins, Martin, Journeymen in Murder: The Assassin in English Renaissance Drama (Oxford: Clarendon, 1991), 40-41, 52-56, 103-6, and 131-32 Renaissance drama – history and criticism – assassins in literature – murder in literature PR 658 M8

386. Willbern, David, ‘Thomas Kyd’s The Spanish Tragedy: Inverted Vengeance’, American Imago: A Psychoanalytic Journal for Culture, Science, and the Arts, 28 (1971), 247-267 journal article

387. Williams, Gordon, ‘Shakespeare, Kyd, and the Nature of Reality’, Trivium 12 (1977), 26-38 journal article

388. Wineke, Donald, ‘Hieronimo’s Garden and ‘the fall of Babylon’: Culture and Anarchy in The Spanish Tragedy’ in Fricke, Donna G., and Douglas C. Fricke, Aeolian Harps: Essays in Literature in Honor of Maurice Browning Cramer (Bowling Green: Bowling Green UP, 1976), 65-79 PN 36 C7

389. Witherle Lawrence, William, ‘Hamlet and Fortinbras’, PMLA, 61.3 (Sep., 1946), 673-698 journal article

390. Witherle Lawrence, William, ‘Hamlet’s Sea-Voyage’, PMLA, 59.1 (Mar., 1944), 45-70 journal article

391. Witherspoon, Alexander MacLaren, The Influence of Robert Garnier on Elizabethan Drama. (New Haven, Conn.: Yale University Press; London : Humphrey Milford : Oxford University Press, 1924). [rpt. Hamden, Conn.: Archon Books, 1968), 91-99

392. Wyler, Siegfried. ‘“Death” in Thomas Kyd's Spanish Tragedy: A Study of a Semantic Field’, in Festschrift Rudolf Stamm zu seinem sechzigsten Geburtstag, eds. Eduard Kolb and Jörg Hasler, (Bern and München: Francke, 1969), 163-87

393. Young, Steven C., The Frame Structure in Tudor and Stuart Drama. Elizabethan and Renaissance Studies 6, (Salzburg: Universität Salzburg, 1974), 31-46

394. Zamfirescu, Ion, ‘Teatrul elisabetan. I. Precursori şi contemporani ai lui Shakespeare [The Elizabethan Theatre. I. Forerunners and Contemporaries of Shakespeare]’, in Panorama dramaturgiei universale (Bucureşti: Editura enciclopedică română, 1973) 184-96

395. Zitner, Sheldon, ‘The Spanish Tragedy and the Language of Performance’, in Magnusson, A. L. and C. E. McGee, eds., The Elizabethan Theatre XI, Papers given at the Eleventh International Conference on Elizabethan Theatre held at the University of Waterloo, Ontario, in July 1985, (Port Credit: P.D. Meany, 1990), 75-94

396. Zunino Garrido, Cinta, ‘Rhetoric and Truth in The Spanish Tragedy’, SEDERI: Journal of the Spanish Society for English Renaissance Studies 12, (2001), 341-48 journal article