bibliography langston hughes primary...
TRANSCRIPT
BIBLIOGRAPHY
LANGSTON HUGHES
PRIMARY SOURCES
(i) BOOKS
Hughes, Langston. The Weary Blues. New York: Knopf, 1926.
Fine Clothes to the Jew. New York: Knopf, 1927.
Not Without Laughter. New York: Knopf, 1930.
_______193 . Dear Lovely Death. Armenia, New York: Troutbeck Press,
The Dream Keeper. New York: Knopf, 1932.
Ways gf White Folks. New York: Knopf, 1934.
The Big Sea. New York: Knopf, 1940.
Shakespeare in Harlem. New York: Knopf, 1942.
and Mercer Cook, trans. Masters of the Dew, by Jacquesöiiinain. New York: Reynal and Hitchcock, 1947.
Hughes, Langston. Fields of Wonder. New York: Knopf,1949.
Hughes, Langston and Ama Bontemps, eds. The Poetry of the Negro, 1746-1949. Garden City: Doubleday, 1949.
Hughes, Langston. Simple Speaks His Mind. New York: Simon and Schuster,
Montage afa Dream Deferred. New York: Henry Holt, 1951.
trans. Romancero Gitano, by Ferderico Garcia Lorca.---PiilIished by Beloit Poetry Journal, 1951.
The First Book of Negroes. Franklin Watts, 1952.
Laughing Lo Keep from Crying. New York: Henry bit, 1952.
Simple Takes a Wife. New York: Simon and Schuster, 1953.
Famous American Negroes. New York: Dodd, Mead, 1954.
First Book .of Rhythms. New York: Franklin Watts, 1954.
Famous Negro Music Makers. New York: Dodd, Mead, 1955.
The First Book of Jazz. New York: Franklin Watts, 1955.
The Sweet Flypaper of Life. New York: Simon and Schuster,1955.
I Wonder As 1 Wander. New York: Rinehart, 1956.
The First Book of the West Indies. New York: FranklinWatts, 1956.
and Milton Meltzer. A Pictorial Histor y f ffi Negro InAmerica. New York: Crown Publishers, 1956.
Hughes, Langston, tr.ns. Selected Poems f Gabriel a Mistral. Bloomington:Indiana University Press, 1957.
Simple Stakes a Claim. New York: Rinehart, 1957.
Hughes, Langston an4 Ama Bontemps, eds. The Book of Negro Folklore. NewYork: Dodd, Mead, 1958.
Hughes, Langston. Famous Negro Heroes of America. New York: Dodd, Mead,
- . The Langston Hughes Reader. New York: George1*aiiller, 1958.
Selected Poems of Langston Hughes. New York: Knopf,1359.
Tambourines to Glory. New York: John Day, 1959.
ed. An African Treasury. New York: Crown Publishers, 1960.
The First Book of Africa. New York: Franklin Watts, 1960.
Ask Your Mama. New York: Knopf, 1961.
ne Best fSiniple. New York: Hall and Wang, 1961.
Fight for Freedom: —The Story f the NAACP. New York:Berkley, 1962.
Smalley, Webster, ed. Five Plays by Langston Hughes. Bloomington: IndianaUniversity Press, 1963.
Hughes, Langston, ed. Poems from Black Africa. Bloomington: IndianaUniversity Press, 1963.
Something in Common and Other Stories. New York: Hilland Wang, 1963.
ed. New Negro Poets: 1J..A. Bloomington: IndianaTJni'ersity Press, 1964.
Simple's Uncle Sam. New York: Hill and Wang, 1965.
ed. The Book of Negro Humor. New York: Dodd, Mead,1966.
La Poésie Negro - Américaine. Paris: Editions Seghers, 1966.
____ ed. Best Short Stories y Negro Writers. Boston: Little,Bro__wn, 1967.
_____ and Milton Meltzer. Black Magic: A Pictorial History fNeg__ro j American Entertainment. Englewood Cliffs, New Jersey:Prentice-Hall, 1967.
• Don't You Turn Back. Ed. Lee B.Hopkins. New York: AlfredA.Knopf, .1969.
Berry, Faith, ed. Good Morning Revolution: Uncollected Social Protest Writingsby Langston Hughes. New York: Lawrence Hill, 1973.
Charles H.Nicholas. Ama Bontemps-Langston Hughes Letters, 1925- 1967.New York: Dodd, Mead, 1980.
(ii) OTHER PUBLICATIONS
Hughes, Langston. "Letter to the Editor." Crisis, 35, No.9 (September 1928),p.302.
• "Don't You Want to Be Free?" One ActPlay Magazine.(Oüober 1938), pp.359-393.
145 "Songs Called the Blues." Phylon, II (Summer 1941), pp. 141-
______________• "The 'Simple' Columns." Chicago Defender, 1943- 1965.
_ "My Adventures as a Social Poet." Phylon, VIII (Fall 1947),pp.205-212.
"When I Worked for Dr. Woodson." NHB, (May 1950), p.188.
"Some Practical Observations: A Colloquy." Ph ylon, XI(Winter 1950), pp.307-311.
• "Ten Ways to Use Poetry in Teaching." CLA Bulletin, (Spring1951), pp. 6-7.
"Writers: Black and White." The American Negro Writersand His Roots, New York: American Society of African Culture(1960), pp.41-45.
p.38. "Langston Hughes On Writing." Overview, II (July 1961),
"The Simple Columns." New York Post, 1962-1965.
20. "Bread and Butter Side," SatR, XLVI (April 20, 1963), pp. 19-
"Langston Hughes' Acceptance of the Spingarn Medal,NACCP Convention, St. Paul Minnesota, June 26, 1960." NewYork: Schomburg Collection, Hughes Archive.
"Hold Fast to Dreams," LUB, LXVII (July 1964), pp. 1-8.
"Tribute to W.E.B. DuBois." Freedomways, (Winter 1965),p.'!.
"The Twenties: Harlem and its Negritude." African Forum,(Spring 1966), pp. 11-20.
(iii) PHONOGRAPHIC RECORDINGS
Simply Heavenly. Columbia, OL 5240.
Street Scene. Columbia, OL 4139.
Jericho Jim Crow. Folkways, FL 9671.
The Weary Blues. Verve, VSP 36.
The Dream Keeper. Folkways, FP 104.
The Glory af Negro History. Folkways, FP 752.
The Weary Blues and Other Poems. MGM Record LPs E 3697.
The of Jazz. Folkways, FP 712.
Rhythms ofç World. Folkways, FP 740.
The Best of Simple. Folkways, FL 9789.
Did you Ever Hear the Blues? United Artists, UAL 3047.
SECONDARY SOURCES
(i) STANDARD BIBLIOGRAPHIES
Arata, Esther Spring. Black American Playwright, 1800 Present: ABibliography. New Jersey: Scarecrow Press, 1976.
More Black American Playwrights: A Bibliography. NewJersey: Scarecrow Press, 1978.
Babb, Inez Johnson. Bibliography of Langston Hughes, Negro Poet, UnpublishedMasters Thesis, Pratt Institute Library School, 1947.
Chapman, Dorothy H. index to Black Poetr y. Boston: G.K. Hall, 1974.
Dickinson, Donald C. A Bjo-Biblio g raphy of Langston Hughes. Hamden:Archon Books, 1964.
______ A fflQ-Bibliography f Langston Hughes, 1902-1967. Pref.Ama Bontemps. Hamden, CN: Archon Books, 1967.
_ ffl-Bibliography f Langston Hughes. Hamden: ArchonBOoks, 1972.
Jackson, Blyden. "Langston Huhes.' in Black American Writers: BibliographicalEssay s: The Beginnings Through the Harlem Renaissance andLangston Hughes. Ed. M.Thomas Inge et al. New York: St.Martin's Press, 1978.
Kaiser, Ernest. "Selected Bibliography of the Published Writings of LangstonHughes." Freedomways, 8 (Spring 1968), pp.185-191.
McPherson, James M., et al. Blacks in America: Bibliographical Essays. NewYork: Doubleday, 1971.
Mikolyzk, Thomas A. Langston Hughes: A Bibliography. New York: GreenwoodPress, 1990.
Miller, R. Baxter. Langston Hughes and, Gwendol yn Brooks: A Reference Guide.Boston: Hall, 1978.
The MLA Annual International Bibliography of Books and Articles onModem Languages and Literatures. New York: Modem LanguagesAssociation of America, 1921-1980.
O'Daniel, Therman B. "A Langston Hughes Bibliography." CLA Bulletin, 7(Spring 1951), pp.12-13.
"Langston Hughes: A Selected Classified Bibliography.---CTTAJ, 11(4) (June 1968), pp.349-366.
Langston Hughes: "A Selected Classified Bibliography," inLangston Hughes: Black Genius. New York: William Morrow,1971.
"Langston Hughes: An U pdated Selected Bibliography."BALF, 15(3) (Fall 1981), pp.104-107.
Olsson, Martin. A Selected Bibliography of Black Literature: The HarlemRenaissance. England: University of Exeter, 1973.
Rose, Vattel T., et al., comp. "An Annual Bibliography of Afro-AmericanLiterature, 1975. With Selected Bibliographies of African andCaribbean Literature." CLAJ, 20 (September 1976), pp.94-131.
"An Annual Bibliography of Afro-American, African andCaribbean Literature for the Year 1976." CLAJ, 20 (September1977), pp. 100-157.
Rowell, Charles H. "Studies in Afro-American Literature: An Annual AnnotatedBibliography 1974-1975." Obsidian, 1 (Winter 1975), pp. 100-127;(Winter 1976), pp.96-123.
Rush, Theressa Gunnels. Black American Writers Past and Present: ABiographical and Bibliographical Dictionary. 2 Volumes. NewJersey: Scarecrow Press, 1975.
Spiller, Robert E., et al. Literary History of the United States: Bibliography.New York: Macmillan, 1974.
Turner, Darwin T. Afro-American Writers, Goldentree Bibliographies. NewYork: Appleton-Century-Crofts, 1970 pp.58-61.
Vassilowitch, John Jr. "An Addendum tothe Hughes Secondary Bibliography."LHR y., 1(2) (Fall 1982), p.33.
(ii) BIOGRAPHIES
Cowl, Carol. Preface to Harlem Glory: A Fragment of Afro-American Life.Chicago: Charles H.Kerr Publishing Company, 19907
1-laskin, James. Always Movin' : The Life f Langston Hughes. New York:Franklin Watts, 1976.
Meltzer, Milton. Langston Hughes: A Biography. New York: Crowell, 1968.
Rampersad, Arnold. The Life f Langston Hughes Volume 1:1902- 1941. 1,T, Sing America. New York: Oxford University Press, 1986.
_____ The Life of Langston Hughes Volume II: 1941-1967. I DreamA World. New York: Oxford University Press, 1988.
Toppin, Edgar A. A Bio graphical History of Blacks Since 1528. New York:David Mckay, 1969.
(iii) FULL LENGTH CRITICAL STUDIES
Bajaj, Nirmal. Search for Identit y in Black Poetry. New Delhi: AtlanticPublishers and Distributors, 1990.
Baker, Houston A. Jr. Modernism and the Harlem Renaissance. Chicago:University of Chicago Press, 1987.
_______ Singers f Daybreak Studies in Black American Literature.Washington, D.C: Howard University Press, 1983.
Barksdale, Richard K.. Black American Literature and Humanism. Ed. Baxter R.Miller. Lexington: University Press of Kentucky, 1981.
--- -iiëi . Langston Hughes: T Poet and ffl Critics. Chicago:Xrican Library Association, 1977.
Barton, Rebecca Charimer. Witnesses for Freedom. New York: Harper andBrothers, passim, 1948.
Berry, Faith. Langston Hughes: Before and Beyond Harlem. Westport, Conn.Lawrence Hill, 1983.
Bigsby, C.W.E., ed. The Black American Writer YQI.I1 Poetry and Drama.Baltimore Maryland: Penguin Books Inc., 1969.
Bloom, Harold, ed. Langston Hughes. New York: Chelsea, 1989.
Bone, Robert A. NegroNovel j j America. New Haven: Yale Univ. Press, 1958.
Bontemps, Ama, ed. Harlem Renaissance Remembered. New York: Dodd,Mead,1972.
Brawley, Benjamin. The Negro Genius. New York: Biblo and Tanker, 1969.
Brooks, Charlotte K., ed. Tapping an
Potential: English Language Arts forBlack Learner. Urba, IL: Black Caucus of National Council ofTeachers of English, 1985.
Brown, Demin. Soviet Attitudes Towards American Writing. Princeton:University Press, 1962.
Brown Sterling. The Negro in American Fiction. Washington: Associates inNegro Folk Education, Passim, 1937.
-
. Negro Poetry and Drama. Washington: The Associates inNegro Folk Education, 1937.
Brown, Sterling and Arthur P.Davis. The Negro Caravan. New York: DrydenPress, Passim, 1941.
Butcher, Margaret Just. The Negro in American Culture. New York: AlfredA.Knopf, 1972.
Calverton, V.F. The Liberation of American Literature. New York: CharlesScribners Sons, 1932.
Cargill, Oscar, Intellectual America: Ideas on the March. New York: Macmillan,1941.
Christian, Barbara. Black Feminist Criticism Perspectives on Black WomenWriters. Oxford, U.K: Pergamon Press, 1985.
Cobb, Martha K. Harlem, Haiti, and Havana: A Comparative Critical Study fLangston Hughes, Jacques Roumain, .anci Nicolas Quillen.Washington DC: Three Continents Press, 1979.
Cook, Mercer, and Stephen E.Henderson. The Militant Writer. Madison: TheUniversity of Wisconsin Press, 1969.
Cuban, Larry. Ii Negro America. Glenview: Scott, Foresman, andCompany, 1964.
Cunard, Nancy, ed. Negro. New York: Frederick Unger Publishing, 1970.
Davis, Arthur P. From the Dark Tower: Afro-American Writers (1900- 1960).Washington: Howard University Press, 1974.
Davis, Charles T., and Daniel Walter, eds. On Being Black. Greenwich: Fawcett,1970.
Dodat, Francois. Langston Hughes. Paris: Postes Twayne, 1967.
Emanuel, James A. Langston Hughes. New York: Twayne Publishers, 1967.
Embree, Edwin R. 13. Against the Odds. New York: Viking Press, 1944.
Gayle, Addison Jr. Black Expression: Essa ys fty and About Black Americans inthe Creative Arts. New York: Weybright and Talley, 1969.
______ The Way of the World: The Black Novel in America. GardenCity,NY: Anchor Press / Doubleday, 1975.
Gibson, Donald B., ed. Five Black Writers. New York: New York UniversityPress, 1970.
______ ed. Modern Black Poets: A Collection f Essa ys. EnglewoodChiffs, NJ: Prentice Hall, 1973.
Gloster, Hugh M. Negro Voices in American Fiction. New York: Russell andRussell, 1965.
I-lernton, Calvin C. The Sexual Mountain and Black Women Writers: Adventuresin Sex Literature and Real Life. New York: Anchor Press, 1987.
Huggins, Nathan I. Harlem Renaissance. New York: Oxford, 1971.
Jahn, Janheinz. Muntu: The African Culture. Germany: Eugene DiedrichsDusseldorf, 1958.
Neo-African Literature: A History pf Black Writing. New- --York: Grove Press, 1968.
Jackson, Blyden. The Twenties: Fiction, Poetry, Drama. Ed. Warren French.Deland F L: Everett / Edwards, 1975.
The Waiting Years: Essays on American Negro Literature.Baton Rouge: Louisiana State University Press, 1976.
Jackson, Blyden, and Louis D. Rubin. Black Poetry in America: Two Essays inHistorical Interpretation. Baton Rouge: Louisiana State UniversityPress, 1974.
Jemie, Onwuchekwa. Langston Hushes: An Introduction to the Poetry. NewYork: Columbia University Press, 1976.
Johnson, James Weldon. Black Manhattan. New York: Alfred A.Knopf, 1930.
Johnson, Lemuel A. The Devil, The Gargo y le, and The Buffoon. PostWashington: Kennikat Press, 1969.
-. jj Devil, Gargoyle, j Buffoon: [i NegroMtaphQr in Western Literature. Post Washington: New York:Kenmkat Press, 1971.
Kent, George E. Blackness andtheAdventure of Western Culture. Chicago:Third World Press, 1972.
Littlejohn, David. Black on White: A Critical Survey gf Writing By AmericanNegroes. New york: Viking Press, 1965.
Locke, Alain. The New Negro. New York: Charles Boni, 1925.
The Pamphlet Poets. New York: Simon and Schuster, n.d.
Mandelik, Peter, and Stanley Schatt, comp. Concordance to Langston Hughes.Detroit: Gale Research Company, 1975.
Margolies, Edward. Native Sons: A Critical Survey gf Twentieth CenturyAmerican Authors. Philadelphia and New York: J.P. Lippincott,1968.
McLaron, Joseph. The Harlem Renaissance: Revaluations. Eds. Amritjit Singh,et al. New York: Garland, 1989.
McPherson, James M.,et al. Blacks in America. Garden City: Doubleday, 1971.
Miller, R. Baxter. [h fl, and Imagination of Langston Hughes. Lexington, KY:University Press of Kentucky, 1989.
• Writing About Black Literature. Ed. Chester J. Fontenot.incoln: Nebraska Curriculum Development Centre, 1976.
Mitchell, Loften. Black Drama. New York: Hawthorn Book, 1967.
Mullen, Edward J., ed. Critical Essays on Langston Hughes. Boston: Hall, 1986.
-- ., ed. Langston Hughes n ffi. Hispanic World and Haiti.Wamden, Conn: Archon Books, 1977.
Myers, Elizabeth P. Langston Hughes: Poet of flj People. Champaign, Illinois:Garrard Publishing Company, 1970.
Neal, Larry. American Writing Today. Ed. Richard Kostelanetz. Washington DC:US International Communication Agency, 1982.
Newquist, Roy. Conversation. Chicago: Rand McNally, 1967.
O'Daniel, Therman B., ed. Langston Hughes: Black Genius. A, CriticalEvaluation. New York: William Morrow, 1971.
O'Sheel, Thomas Yoseloff. Seven poets in Search of an Answer. New York:Bernard Ackerman, n.d.
Ovington, Mary White. Portraits in Color. Freeport: Books for Libraries, 1927.
Perry, Margaret. Silence to the Drums: A Survey of the Literature of the HarlemRenaian. Westport CT: Greenwood Press, 1976.
Piccinato, Stefania. Testo g Contesto Della çj Langston Hughes. Roma: Buizonieditors, 1979.
Piquion, Rend. Langston Hughes: Un Chant Nouveau. Port au Prince, Haiti:Imprimerie de 1 'Etat, n.d.
Popkin, Michael, ed. Modern Black Writers. New York: Frederick UngerPublishing Company, 1978.
Poulakis, Peter, ed. American Folklore. New York: Scribner's, 1969.
Quinot, Raymond. Langston Hughes. Bruxelles: Editions CELF, 1964.
Randall, Dudley. The Black Aesthetic. Ed. Addison Gayle Jr. New York:Anchor Books, 1972.
Redding, J.Saunders. To a Poet Black. Chapel Hill: University of NorthCarolina Press, 1930.
Redmond, B.Eugene. Drumvoices: The Mission of Afro-American Poetry. NewYork: Doubleday, 1976.
Rollins, Charlemae Hill. Black Troubador: Langston Hughes. New York: RandMcNally, 1970.
Famous American Negroes. New York: Dodd, Mead, 1965.
Rosenblatt, Roger. Black Fiction. Cambridge: Harvard University Press, 1974.
Russell, Mariann. Melvin .Tolson's "Harlem Galler y ": A Literary Analysis.Columbia: University of Missouri Press, 1980.
Smith Raymond. The Harlem Renai ssance ReExamined. Ed. Victor A. Kramer.New York: AMS, 1987.
Starke, Catherine J. Black Portraiture in American Fiction. New York: BasicBooks, 1971.
Stept, Fisher, ed. Afro-American Literature. New York: Modern LanguageAssociation of America, 1979.
Sylvander, Carolyn W. Jesse Redmon Fauset, Black American Writer. Troy,NY: Whitston, 1981.
Tracy, Steven C. Langston Hu ghes and the Blues. Chicago: University of IllinoisPress, 1988.
Wagner, Jean. Black Poets offli United States. Urbana:University of IllinoisPress, 1973.
Les Poètes Nères des Etats-Unis. Paris: Librairie istra, 1963.
Waldron, Edward E. Walter White and the Harlem Renaissance. PostWashington. NY: Kennikat Press, 1978.
Walker, Alice. Langston Hughes. New York: Thomas Crowell, 1974.
- - . Langston Hughes: American Poet. New York: Thomas—rCiPowell, 1974.
Whitlow, Roger. Black American Literature. Chicago: Nelson Hall, 1973.
Black American Literature: A. Critical History. Totowa NJ:Littlefield, 1974.
Williams, J.Kenny. They Also Spoke: An Essay On Negro Literature inAmerica, 1787-1930. Nashville: Townsend Press, 1970.
Williams, Sherley A. Afro-American Literature: The Reconstruction ofInstruction. Ed. Dexter Fisher and Robert B. Stepto. New York:Modern Language Association, 1979.
. Give Birth to Brightness: A Thematic Study In Neo- BlackLiterature. New York: Dial Press, 1972.
Young, James 0. Black Writers of the Thirties. Baton Rouge: Louisiana StateUniversity Press, 1973.
(iv) ANTHOLOGIES
Adoff, Arnold. Brothers and Sisters: Modern Stories by Black Americans. NewYork: Macmillan, 1970.
i am the Darker Brother: An of Modem Poems byNegro Americans. New York: Macmillan, 1968.
The Poetry f Black America: Anthology f the 20th Century.New York: Harper and Row, 1973.
Brasmer, William and Dominik Gonsolo. Black Drama: An Anthology.Columbus, Ohio: Merrill, 1970.
Crossland, Dawn M., et al., "Langston Hughes: Griot and Troubadour." LIIR., 7(1) (Spring 1988), pp .9-21.
Davis, Arthur Paul. Cavalcade: Negro American Writing from 1760 to thePresent. Boston: Houghton Mifflin, 1971.
Emanuel, James A. Dark Symphony: Negro Literature America. New York:Free Press, 1968.
Harper, M. Charl S., ed. Chant of Saints: A Gathering of Afro- American.Literature, Art, and Scholarship. Urbana: University of IllinoisPress, 1979.
Hatch, James V. Black Theatre, Forty Five Plays by Black Americans.New York: Free Press, 1974.
Hill, Herbert. Soon, One Morning: New Writing by American Negroes. NewYork: Knopf, 1963.
Hughes, Langston. An African Treasury. New York: Crown, 1960.
The Best Short Stories by Negro Writers: An Anthology from1899 to the Present. Boston: Litfie, Brown —,196T-rown, 1967.
The Book of Negro Folklore. New York: Dodd, Mead, 1956.
The Book of Negro Humor. New York: Dodd, Mead, 1966.
New Negro Poets: U.S.A. Bloomington: Indiana Universityiés, 1964.
Poems from Black Africa. Bloomington: Indiana UniversityPress, 1964.
The Poetry sf the Negro, 1746-1970, An Anthology. NewYork: Doubleday, 1970.
and Ama Bontemps, ed. The Poetry offt Negro 1746-1949.Garden City, New York: Doubleday, 1949.
Kearns, Francis Edward. The Black Experience: Au Anthology f AmericanLiterature for 1970s. New York: Viking Press, 1970.
Lomax, Alan, ed. 3000 Years of Black Poetry. New York: Dodd, Mead &Company, 1970.
Miller, Ruth, ed. Black American Literature 1760-PFesent California: GlencoePress, 1971.
Mitchell, Loften. Black Drama. New York: Hawthorn Books, 1967.
Turner, Darvin T., and Jean M.Bright. "Images of the Negro in America. Boston:D.C. Heath and Company, 1965.
(v) JOURNAL ARTICLES
Ako, Edward 0. "Langston Hughes and the Negritude Movement: A Study inLiterary Influences." CLAJ, 28(1) (September 1984), pp.46-56.
Allen, Samuel. "Remembering Langston Hughes." LH Rev., 4(2) (Fall 1985),pp.39-40.
Allen William. "The Barrier: A Critique." Phylon, 11 (Second Quarter 1950),pp. 134-136.
Alridge, June M. "Langston Hughes and Margaret Danner." LH Rev., 3(2)(Fall 1984), pp.7-9.
Anon. "The Anisfield-Wolf Awards." SatR, (April 1953), p.20.
__p.4.
of
and Memoirs." Book Week, (October 27, 1963),
"Birth of a Poet." MJ, 36 (February 5, 1945), pp. 12-16.
"Birth of a Poet." N, 36 (April 1945), pp.41-42.
"The Browsing Reader." Crisis, 37 (September 1929), p.321.
"The Death of Simple." Newsweek, (June 5, 1967), p.104.
____ "Farewell to Langston Hughes." Crisis, 74 (June 1967),pp.252-254.
______ "Five Silhouttes on the Slopes of Mount Parnassus." NYTBR,(Marëh 21, 1926), pp.6,16.
"Hughes at Columbia." New Yorker, 43 (December 30,-T967j P.21.
"Langston Hughes Dies at 65: Noted Poet and Playwright."NHB30 (October 1967), p.16.
"Langston Hughes - 45 ISpingarn Medalist." Crisis, 67-------- ugust - September 1960), pp.422-423.
"Langston Hughes Manuscripts." Ban, 56 (1973), pp.6-7.
"Langston Hughes: Poet Laureate Graces Los Angeles."Sepiä16 (June 1967), pp.55-59.
"NAACP Mourns Hughes." NYAN, (27 May 1967), p.29.
"Obituary Notes." i. 191, No.24. (June 1967), p.37.
"What to read?" Crisis, (March 1927), p.20.
Anderson, Sherwood. "Paying for Old Sins." The Nation, 139 (July 11, 1934),pp.49-50.
Apthekar, Herbert. "Afro-American Superiority as Literary Theme." Ph ylon, 31(4) (Winter 1970), pp.340-343.
62"Negro Panorama." Mainstream, 10 (February 1957),
63.
Arvey, Verna." Langston Hughes: Crusador." Opportunity, (December 1940),pp.363-364.
B., E.L. "Seventeen Leaders." NYTBR, (May 2, 1954), p.26.
Baldwin, James. "Sermons and Blues." NYTBR, (March 29, 1959), p.6.
Ball, John. "Hughes on Jazz." MidJ, 7-8 (Summer 1955), pp. 195- 196.
Baraka, Amiri. "Afro-American Literature & Class Struggle." BALF. 14 (Spring1980), pp.5-14.
Barksdale, Richard K. "A Chat with Langston Hughes: Spring 1960." LJj Rev., 2(2) (Fall 1983), pp.25-26.
"Comic Relief in Langston Hughes' Poetry." BALE. 15(3)(1-gall 1981), pp. 108-111.
"White Triangles, Black Circles." CLAJ, 18 (June 1975),pp. 465-476
Barisonzi, Judith Anne. "Black Identity in the Poetry of Langston Hughes." DA,32 (1971), 3291 A.
Bass, George Houston. "Five Stories About a Man Named Hughes: A CriticalReflection." jjj Rev., 1(1) (Spring 1982), pp. 1-12.
Bell, Bernard. "New Black Poetry: A Double-Edged Sword." CLAJ, 15 (1)(September 1971), pp.37-43.
Belschel, Louise S. "For Boys and Girls." NYHTBR, February 27, 1955), p.10.
Benét, William Rose, "Round About Parnassus." SatR, 9 (November 12, 1932),p.24!.
Berry, Abner. "Not So Simple." MaM, 6 (September 1953), pp.55-58.
Berry, Faith. "Did Van Vechten Make or Take Hughes' Blues?" BlackW,(February 1976), pp.22-28.
"In Memoriam: Tribute to Henry Lee Moon, a Lifelong Friendof Langston Hughes." LH Rev., 4(2) (Fall 1985), pp.41-42.
/
_____ "Saunders Redding as Literary Critic of Langston Hughes."LH Rev., 5(2) (Fall 1986), pp.24-28.
"The Universality of Langston Hughes." 1k! Rev., 1(2) (Fall1982), pp. 1-10.
"Voice for the Jazz Age, Great Migration or Black1ourgedisie." BlackW. 20 (November 1971), pp.10-16.
Betschel, L.S. "Thinking Toward a Better World." NYHTBR, (November 16,1952), p.32.
Blain, Derrel R. "A Mathematical Model for Alliteration." Style, 21(4) (Winter1987), pp.607-625.
Blake, Susan L. "Modern Black Writers and The Folk Tradition." DAI, 38(1977), 260A.
"Old John in Harlem: The Urban Folktales of LangstonHughes " BALE. 14 (Fall 1980), pp. 100-104.
Blesh, Rudi. "Jazz as a Marching Jubilee." NYHTB, (Sunday, November 26,1961), p.4.
Bonner, Patricia E. "Crying the Jazzy Blues and Livin' Blue Jazz: Analyzing theBlues and Jazz Poetry of Langston Hughes." WGCR, 20 (May 1990),pp. 15-28.
"Sassy Jazz and Sb' Draggin' Blues as Sung by LangstonITiihes." DAI, 51(4) (October 1990), 1227A.
Bonosky, Phillip. "Humor and Hope." Mainstream, 11, (January 1958),pp. 3-56.
Bontemps, Ara. "Black and Bubbling." SatR, 35 (April 5, 1952), p.17.
"The Black Renaissance of the Twenties." BlackW. 20 (Nov.1970), pp.5-9.
"How the Money Rolled In." NYI-IT, (December 17, 1958),p.'L
_ "Langston Hughes: He Spoke of Rivers." Freedomways, 8(May 1968), pp.140-143.
Win"Memories of Langston Hughes, 1902-1967." NALF, 1
téi 1967), pp.12-13.
"That Not So Simple Sage, Mr.Simple." NYHTBR, (June 14,1953).
Breaux, Elvryn Ellison. "Comic Elements in Selected Prose Works by JamesBaldwin, Ralph Ellison, and Langston Hughes." DA (OklahomaState University), 33 (July 1972), 747A.
Brickell, Herschel. "The Literary Landscape." NAR, 238 (September 1934),p.286.
"A Poet's Debut as Novelist." SatR, 7 (August 1930), p.69.
Britt, David Dobbs. "The Image of the White Man in the Fiction of LangstonHughes, Richard Wright, James Baldwin, and Ralph Ellison." PA(Emory University), 29 (October 1968), 1532A.
Brooks, Gwendolyn. "He Knew the Street." CDN, (June 3, 1967).
"Langston Hughes." The Nation, 205 (1967), p.7.
Brooks, Hallie Beachem, "For Young Readers." Phylon, 14 (Fall 1953),pp.343-344.
Brown, Llyod W. "The American Dream and the Legacy of Revolution in thePoetry of Langston Hughes." SBL, 7 (Spring 1976), pp. 16-18.
"Lorraine Hansberry as Ironist: A Reappraisal of A Raisin inthe j." Journal of Black Studies, 4 (March 1974), pp.237-247.
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_ "Langston Hughes: War Correspondent." JKL, 5 (1976),pp. 481-491.
Primeau, Ronald. "Blake's Chimney Sweeper as Afro-American Minstrel."Bulletin of the New York Public Library, 76 (Summer 1975),pp.41 8-430.
Rampersad, Arnold. "Langston Hughes and His Critics on the Left." LII5(2) (Fall 1986), pp.34-40.
______ "Langston Hughes's Fine Clothes ç" Callaloo, 9(1)(Winter 1986), pp.144-157.
"The Origins of Poetry in Langston Hughes." SoR, 21(3)()___ummer 1985), pp.695-705.
Randall, Dudley. "Three Giants Gone." N1, 16 (November 1967), p.87.
Redding, J.Saunders. "The American Negro's Role in History." NYHTBR,(November 18, 1956), p.7.
"Langston Hughes in an Old Vein With New Rhythm."NYFITBR, (March 11, 1951), p.S.
______ "Travels of Langston Hughes's Events as Seen in Passing."NYHTBR, (December 23, 1956), p.6.
_."What it Means to be Coloured." NYHTBR, (June 1950),p.13.
Redmond, Eugene B. "The Black American Epic: Its Roots. Its Writers." BlackScholar, 2 (8 January 1971), pp. 15-22.
Reid, Margaret A. "Langston Hughes: Rhetoric and Protest." LJI Rev., 3(1)(Spring 1984), pp.13-20.
Richards, Robert F. "Literature and Politics." Colorado Quarterly. 19 (Summer1970), pp.97-106.
Ricks, Sybil Ray. "A Textual Comparison of Langston Hughes' Mulatto, 'Fatherand Son' and 'The Barrier'." BALF. 15(3) (Fall 1981), pp. 101-103.
Ross, Mary. "A Little Colored Boy Grows Up." NYHTBR, (Sunday July 27,1930), p.S.
Rubeo, Ugo. "Langston Hughes' Critical Recognition in Italy." Lii R y., 6(1)(Spring 1987), pp.13-19.
Rugoff, Milton "Negro Writer's Heap of Living." NYHTB, (Sunday August 25,1940), p. 5.
Russell, Mariann. "Langston Hughes as Source for Gwendolyn Brooks." LIIR., 7 (1) (Spring 1988), pp.31-34.
Scarnhost, Gary F. "Theme for English B." Explicator, 32 (December 1973),item 27.
Schatt, Stanley. "Langston Hughes: The Minstrel as Artificer." JML, 4 (1975),pp
.1 15-120.
Schleifer, Marc. "Sepia Deb Ball." The Nation, 198 (June 1964), pp.665-666.
Schoell, F.L. "Un Poète Negro." Rblp, 67 (July 20, 1927), pp.436-438.
Schuyler, George S. "The Negro Art Hokum." Nation, 122, (June 1926),pp. 662-63
Scott, Mark: "Langston Hughes of Kansas." JNH, 66 (Spring 1981) pp. 1-9.
Scruggs, Charles W. "Alain Locke and Walter White: Their Struggle for Controlof the Harlem Renaissance." BALE 14 (Fall 1980), pp.91-99.
Sergeant, Elizabeth. "The New Negro." NR, 46 (May 12, 1926), pp.371-372.
Shagaloff, June. "First Book of Negroes." Crisis, 60 (January 1953), pp.62-63.
Singh, Amritjit. "Beyond the Mountain: Langston Hughes on Race / Class andArt." LH R., 6(1) (Spring 1987), pp.37-43.
"Self-Definition as a Moral Concern in the Twentieth CenturyAfro-American Novel." Indian Journal f American Studies, 8 (2)(July 1978), pp.23-38.
Smith, Raymond. of
Hughes: Evolution of the Poetic Persona." Studiesin the Literary Imagination, 7 (Fall 1974), pp.49-64.
Smith Robert P. "Memorable Encounter with Langston Hughes." LH Rey., 2(1),(Spring 1983), pp. 14-15.
Smith, William Gardner. "Simple's Dialogue." NR, 123 (September 1950),p.20.
Smythe, Hugh M. "Hughesesque Insight." Crisis, 57 (June 1950), pp.377-378.
Skinner, Daniel T. "Langston Hughes at Harvard College." LH Rev., 1(2) (Fall1982), p.82.
Souffrant, Claude. "Ideologies afro-americaines du developpement: LangstonHughes et le cas d'Haiti." PA, 103 (1977), pp. 129-144.
Spences, T.J., and Clarence J. Rivers. "Langston Hughes: His Style andOptimism." DC, 7 (Spring 1964), pp.99-103.
Spicer, Eloise Y. "The Blues and the Son: Reflections of Black Self-Assertion inthe Poetry of Langston Hughes and Nicolas Guillen." IJI3(1) (Spring 1984), pp.1-12.
Staples, Elizebeth. "Langston Hughes: Malevolent Force." AM, 88 (January1959), pp.46-50.
Story, Ralph D. "Patronage and the Harlem Renaissance: You Get What YouPay For." CLAJ, 32(3) (March 1989), pp.284- 295.
Streator, George. "A Nigger Did It." Crisis, 41 (July 1934), p.216.
Sutherland, Zena. "Reviewing Stand." SatR, 52 (August 16, 1969), p.27.
Sweet, Donald. "Langston Hughes' Hope." LH R., 2(2) (Fall 1983), pp. 19-21.
Thompson, Eva! Bell. "Belles Lettres." NP, 8-9 (July 1950), pp.40- 41.
Tolson, M. B. "Books and Authors: Let My People Go." SJ, 4 (Fall- Winter1948), pp.41-43.
Tracy, Steven Carl. "The Influence of the Blues Tradition on Langston Hughes'sBlues Poems." DAI, 47(1) (July 1986), 183 A.
"Midnight Ruffles of a Cat-gut lace': the Boogie Poems ofLangston Hughes." CLAJ, 32 (1) (September 1988), pp.55-68.
"Simple's Great African-American Joke." CLAJ, 27 (3)'J9B4), pp.239-253.
"To the Tune of Those Weary Blues: The Influence of theBlues Tradition in Langston Hughes's Blues Poems." Melus, 8(3)(Fall 1981), pp.73-98.
Turner, Darwin T. "Introductory Remarks About the Black Literary Tradition inthe United States of America." BALE, 12 (Winter 1978), pp. 140-147.
"Langston Hughes as Playwright." CLAJ, 11 (June 1968), pp.297-309.
"Past and Present in Negro American Drama." NALF, 2(Summer 1968), pp.26-27.
Turpin, Waters E. "Four Short Fiction Writers of the Harlem Renaissance - TheirLegacy of Achievement." CLAJ, (September 1967), pp.64-67.
Velenti, Suzanne. "The Black Diaspora: Negritude in the Poetry of West Africansand Black Americans." Phylon, 34 (December 1973), pp.390-398.
Van Vechten, Carl. "Dialogues But Barbed." NYTBR, (May 7, 1950), p.10.
Vidal, David. "What appens to a Dream: This One Lives." NYT., (March 24,1977),p . B
Vilard, Oswald Garrison. "The Negro Intellectual." SatR, 22 (August 31, 1940),p.12.
Waldron, Edward E. "The Blues Poetry of Langston Hughes." NALF, 5- 6(Winter 1971), pp.140-149.
Walter White and the Harlem Renaissance: Letters from 1924-1927." CLAJ, 16 (June 1973), pp.438-457.
Walker, AlIce, "Turning into Love: Some Thoughts on Surviving and MeetingLangston Hughes." Callaloo, 12 (4) (Fall 1989), pp.663-666.
Walker, Carolyn P. "Liberating Christ: Sargeants' Metamorphosis in LangstonHughes's 'On the Road'." BALE, 25 (3), (Winter 1991), pp.745-
Ward, Jerry W. "Folklore and the Study of Black Literature." MFR, 6 (1972),pp.83-90.
_____rth "Legitimate Resources of the Soul: An Interview with theAenia Bates Mihicon." Obsidian, 3 (Spring 1977), pp. 14-34.
Walton, Edna Lou. "Nothing New Under the Sun." NM, 43 (June 1942), p.23.
Waterhouse, Keith. "New Novels." NS, 58 (July 1959), p.366.
Watkins, Charles A. "Simple: The Alter Ego of Langston Hughes." BlackScholar, 2 (September 1970), pp.18-26.
Webster, Harvey Curtis. "One Way Poetry." Poetry. 75 (October 1949 - March1950), pp.300-302.
Wilkins, Roy. "Langston Hughes: A Tribute." Crisis, 74(June 1967), p.246.
Williams, John A. "The Harlem Renaissance: Its Artists. Its Impact. ItsMeaning." BlackW. 20 (November 1970), pp. 17- 18.
Williams, Melvin G. "The Gospel According to Simple." BALE, 11 (Summer1977), pp.46-48.
______ "Langston Hughes's Jesse B. Semple: A Black Walter Mitty."NALE 10 (Summer 1976), pp.66-69.
"Snow White." Christianity and Literature, 22 (Winter 1973),pp.29-34.
Williams, Sherlay Anne. "Langston Hughes and the Negro Renaissance: 'HarlemLiterati in the Twenties' (1940) 'The Twenties: Harlem and ItsNegritude,' (1966)." LH Rev., 4 (1) (Spring 1985), pp.37-39.
Winslow, Henry F. "Two Black Poets and Their Legacy." Crisis, 87 (November1980), pp.365-372.
Winz, Cary D. "Langston Hughes: A Kansas Poet in the Harlem Renaissance."KanQ, 7 (Summer 1975), pp.58-69.
Woodruff, Bertram L. "Of Myth and Symbol." Ph ylon, 8 (Summer 1947), pp.198-200.
Woods, Catherine. 'A Negro Intellectual Tells His Life Story." NYTBR,(August 5, 1940), p.S.
Wright, Bruce McM. "The Negritude Tradition in Literature." Studies in BlackLiterature, 3 (1) (Spring 1972),pp. 1-4.
Wright, Richard. "Forerunner and Ambassador." NR, 103 (July - December1940), pp.600-601.
Yestadt, Sister Marie. "Two American Poets: Their Influence on theContemporary Art-Song." XVS, 10 (Spring 1971), iii pp.33-43.
(vi) REVIEWS
Alexander, Lewis. Review of Fine Clothes IQ the Jew. The Caroline Magazine,(May 1927), pp.41-44.
Anon. Review of Black Magic. At1M, 224 (August 1969), p.103.
Review of Poemas. Crisis, 59 (November 1952), p.606.
Review of Shakespeare in Harlem. The Nation, 155 (August 8,1942), p.119.
Review of Simple Takes a Wife. Crisis, 60 (October 1953),
B., A. Review of The First Book of Jazz. SatR, 38 (January-June 1955), p.55.
Baldwin, James. • Review of Selected Poems. NY], (March 29, 1959), p.6.
Barksdale, Richard K. Review of "Langston Hughes in the Hispanic World," byEdward J.MuIIen. BALE. 13 (Spring 1979), p.32.
Bontemps, Ara. Review of Countee Cullen's On These I Stand and Hughes'sFields of Wonder. SatR, (March 22, 1947), pp. 12, 13, 44.
Brisbane, Robert H. Review of Walter White and the Harlem Renaissance, byEdward E.Waldron. CLAJ, 22 (March 1979), pp.288-289.
Calverton, V.F. Review of Not Without Laughter. The Nation, 31 (August 6,1930), pp. 157-158.
Campbell, Francis D.Review of Simple's Uncle Sam. Li, 90 (November 1,1964), p.4806.
Carroll, Richard A. Review of Langston Hughes: The Poet and His critics, byRichard K. Barksdale. CLAJ, 22 (December 1978), pp. 173-181.
Cullen, Countee. Review of The Weary Blues. Opportunity. (February 1926),pp.73-74.
Deutsch, Babette. "Waste Land of Harlem." Review of Montage of the DreamDeferred. NYT, (May 6, 1951), p.23.
Dodson, Owen. "Love and Race." Review of Simple Speaks His Mind byLangston Hughes. Harlem Quarterly, 1 (Fall-Winter 1950),pp.56-58.
Dunbar-Nelson, Alice. Review of Fine Clothes to the Jew, by Langston Hughes.In "As in a Looking Glass." The Washington Eagle, 11 (March1927).
Farrison, W.Edward. Review of 'Me Best Short Stories of Negro Writers. CLAJ,10, (4) (June 1967), p.358.
Review of Black Magic. CLAJ, 13 (September 1969),-p87-88.
Review of Black Mis ery. CLAJ, 13 (1) (September 1969),pp87-88.
____• Review of The Book f Negro Humor. CLAJ, 10 (September -June 1967), pp.72-74.
_______________• Review of Langston Hughes in the Hispanic World Haiti,Ed. Edward J.Mullen. CLAJ, 21 (September 1977), pp.158-160.
• Review of Simples Uncle Sam. CLAJ, 9 (September 1965 -March 1966), pp.296-300.
Review of Sweet Flypaper of Life. CLAJ, 11, (2) (March1968), pp.261-263.
Review of The Panther and the Lash. CLAJ, 3 (March 1968),pp259-26l.
Fauset, Jesse. Review of The Weary Blues. Crisis, (March 1926), p.239.
George, P.Cunningham. Book Review: Lanston Hughes and the Blues bySteven C.Tracy. Melus, 16 (1) (Spring 1989-1990), pp.1 19-122.
Harper, Donna Akiba Sullivan. Book Review: Arnold Rampersad, The Life ifLangston Hughes.Vol 11902-1941: "I I, Sing
pp. 148-152.
America," Vol II1941-1967: '1 Dream a World." Obsidian 11,5 (2) (Summer 1990),
Hatch, Robert R. Review of Sweet Flypaper of Life. 'Me Nation, 181 (December1955) p.538.
Ivy, James. Review of The Book of Negro Humor. Crisis, 66 (March 1959),pp. 181-182.
Review of Pictorial History Qf the Negro in America. Crisis,64 (February 1955), p.132.
Jackson, Luther. Review of 1 Wonder as 1 Wander. Crisis, 64 (February 1957),pp. 119-120.
• Review of Simple Stakes a Claim. Crisis, 64 (May 1957), pp.576-577.
Katz, Bill. Review of The Panther and the Lash: Poems of Our Times. U, 92(June 1967), p.2164.
Lee, Ulysses. Review of Ask Your Mama. CLAJ, 6, (3) (March 1963),pp.225-226.
Lloyd, Hortense D. Review of Tambourines Lo Glory. NER, 10 (1952),pp.100-101.
Long, Richard. Review of Poems from Black Africa. CLAJ, 7, (2) (December1963), p.177.
• Review of Something in Commonand Other Stories. CLAJ, 7,(2) (December 1963), p.177.
• Review of Tambourines to Glory. CLAJ, 2 (March 1959),pp. f92-l93
Miller, R.Baxter. Review of Ama Bontemps-Langston Hughes Letters. Ed.Charles H.Nichols. BALF. 15 (3) (Fall 1981), pp.113- 116.
______ Review of Langs ton Hughes: M Introduction the Poetry, byOnwuchekwa Jemie. The Journal of Ethnic Studies, 6 (Summer1978), pp. 111-114.
_______ Review of Langston Hughes: I Poet and Fll Critics, byRichard K. Barksdale. BALE 12 (Summer 1978), pp.76-77.
Hansell, William H. Review of Langston Hushes and Gwendol yn Brooks: AReference Guide by R. Baxter Miller. BALF, 13 (Summer 1979),pp.74-75.
Flemenway, Robert E. Review of Langston Hughes: An Introduction to the Poetryby Onwuchekwa Jemie. BALF. 11 (Winter 1977), pp. 156-157.
Parker, John W. Review of The Best of Simple. CLAJ, 5 (December 1961),pp. 155-157.
Scharnhorst, Gary F. Review of Hughes' "Theme iE English fl." Explicator,XXXII (4) (December 1973), n.p.
Smythe, Marcel M. Review of Famous American Negroes. Crisis, 62 (Spring1955), p.58.
Turpin, Walter. Reiew of Five Plays by Langston Hughes. CLAJ, 7 (2)(December 1963), pp.180-181.
Walker, Alice. Review of Good Morning Revolution. Ed. Faith Berry BlackScholar, 7(July - August 1976), pp.53-55.
Winslow, Harry F. Review of Selected Poems. Crisis, 66(October 1959), pp.512-513.
(vii) DISSERTATIONS
Aruna Devi. "Search for Identity in Langston Hughes' Poetry." Madras, 1989.
Bajaj, Nirmal. "Narcissism in Black Poetry Between the Wars." Diss. PunjabiUniv. 1989.
Barisonzi, Judith Anne. "Black Identity in the Poetry of Langston Hughes."Diss. Univ. of Wisconsin 1971.
Blake, Susan Louise. "Modern Black Writers and the Folk Tradition." Diss.Univ, of Connecticut 1976.
Breaux, Elwyn Ellison. "Comic Elements in Selected Prose Works by JamesBaldwin, Ralph Ellison, and Langston Hughes." Diss. OklahomaState Univ. 1971.
Britt, David Dobbs. "The Image of the White Man in the Fiction of LangstonHughes, Richard Wright, James Baldwin, and Ralph Ellison," Diss.1968.
Brown, Michael Robert. "Five Afro-American Poets: A History of the MajorPoets and Their Poetry in the Harlem Renaissance." Diss. Univ. ofMichigan 1971.
Bryant, James David. "Satire in the Work of Langston Hughes." Diss. TexasChristian Univ. 1972.
Cobb, Martha K. "The Black Experience in the Poetry of Nicolas Guilen JacquesRoumain, Langston Hughes," Diss. Catholic Univ. of America1974.
Curb, Rosemary Keefe. "The Idea of the American Dream in Afro- AmericanPlays of the Nineteen Sixties." Diss. 1977.
Emanuel, James Andrew. "the Short Stories of Langston Hughes." Diss.Columbia Univ. 1962.
Etonde, Grace. "Langston Hughes et l'esthetique de la simplicite." Diss. 1977.
Freeman, Gordon Query. "Climbing the Racial Mountain: The Folk Element inthe Works of Three Black Writers." Diss. Univ. of New Mexico1977.
Graham, Mary Emma. "Aesthetic and Ideological Radicalism in the 1930's: TheFiction of Richard Wright and Langston Hughes." Diss. CornellUniv. 1978.
Hall, George Earlen Franklin. "Recurrent Themes in the Novels and Short Fictionof Langston Hughes." Diss. Univ. of Utah 1975.
Hansell, William Harold. "Positive Themes in the Poetry of Four Negroes:Claude McKay, Countee Cullen, Langston Hughes, and GwendolynBrooks." Diss. Univ. of Wisconsin 1972.
Hawthorne, Lucia Shelia. "A Rhetoric of Human Rights as Expressed in the'Simple Columns' by Langston Hughes." Diss. Pennsylvania StateUniv. 1971.
Hill, Roy L. "The Significant Influence of Langston Hughes on the Thinking andInner Lives of Nine Contemporary Black Poets." Diss. RutgersUniv. 1972.
Jemie, Onwuchekwa. "Dream Deferred: A Comment of Langston Hughes'Poetry." Diss. Columbia Univ. 1972.
Liddell. Janice Lee. "The Whip's Corolla: Myth and Politics in the Literature ofthe Black Diaspora: Aime Cesaire, Nicolas Guillen, LangstonHughes." Diss. Univ. of Michigan 1978.
Lowery, Dellita Martin. "Selected Poems of Nicolas Guillen and LangstonHushes: Their Use of Afro-Western Folk Music Genres." Diss.Ohio State Univ. 1975.
Mudbhatkal, Maya K. "Black Identity in the Poems of Paul Lawrence Dunbar andLangston Hughes." Madras, 1985.
Royster, Philtiss. Maurice. "The Poetic Theory and Practice of Langston Hughes." Loyola Univ. 1974.
GWENDOLYN BROOKS
PRIMARY SOURCES
(i) BOOKS
Brooks, Gwendolyn. A Street in Bronzeville New York: Harper and Brothers,1945.
______________• Annie Allen. New York: Harper and Brothers, 1949.
_____________• Maud Martha A Novel. New York: Harper and Brothers, 1953.
Bronzeville Boys and Girls. New York: Harper and Brothers,1963.
The Bean Eaters. New York: Harper Row, 1960.
Selected Poems. New York: Harper Row, 1963.
_____ A Portion of That Field: The Centennial f Burial f Lincoln.Urbana: Illinois Press, 1967.
In the Mecca Poems. New York: Harper Row, 1968.
Riot. Detroit: Broadside Press, 1969.
Aloneness. Detroit: Broadside Press, 1971.
A Broadside Treasury. Detroit: Broadside Press, 1971.
Family Pictures. Detroit: Broadside, 1971.
1971. Jump BadA New Chicago Anthology. Detroit: Broadside Press,
The World of Gwendolyn Brooks. New York: Harper Row, 1971.
- - -- -. Report from Part One: A Anthology. Detroit: Broadside- -- PFss, 1972.
___P__ Broadside Press Poetry Collection No. 1. Detroit: Broadsideës, 1973.
The Tiger Who Wore White Glows, or What You Really A, YouAre Chicago: Third World Press, 1974.
______ A Capsule Course in Black Poetry Writings. Detroit: BroadsidePress, 1975.
Beckonings. Detroit: Broadside Press, 1975.
(ii) OTHER PUBLICATIONS
Brooks, Gwendolyn. "Two Poems." Poetr y, 65 (November 1944), pp.76-77.
"Death of the Dinosaur," "One Wants a Teller in a Time LikeTffi," "Memorial to Ed Bland." Cross-Section, 1945: A Collectionof New American Writing, Ed. Edwin Seaver. New York: L.B.Fischer, 1945.
-. "Negro Hero (To Suggest Done Miller)." Common Ground, 5(Siimmer 1945), pp.44-45.
"Truth." Common Ground, 5 (Spring 1945), p.37.
"We're the Only Colored People Here." Portfolio, no.!(Süiiimer 1945), leaf 13.
"The Birth in a Narrow Room." The Poetry fffi Negro,----T74-1949, Ed. Langston Hughes and Ama Bontemps. Garden City,
N.Y. Doubleday, 1949.
"Four Poems" Poetry. 73 (March 1949), pp.318-320.
"My Happiest Christmas." CDN, 14 (December 1950).
"Poets Who Are Negroes." Phylon, 11 (December 1950), p.312.
______ "They Call It Bronzeville." Holiday, (October 1951), pp.60-67,Passim.
"Why Negro Women Leave Home." ND, (March 1951),W.26-28.
"You Made Me and Shall Keep Me, Chicago!" Chicago- Tfibiine, 6 (December 1953).
- . "What Prayer Did For Me." Jj Chicago American, 26(Febiüary 1958).
"The Bean Eaters." Poetry, 94 (September 1959), pp.373-375.
"The Explorer." Harper's Magazine, 209 (December 1959), p.35.
"For Clarice." Harper's Magazine, 209 (December 1959), p.69.
"Writers Fini to Nothing." Chicago Tribune Magazine, 4---(Aiiüst 1963).
_____ "I Don't Like to Think of Myself as a Poet." Panorama, CDN,- 28 (September 1963).
The Assassination of John F.Kennedy." CST, 19 (DecemberT963).
"The Life of Lincoln West." Soon, One Morning, Ed. HerbertHill. New York: Random House, 1963, pp.316-317.
"A Time for Courage." CST, (12 April 1964).
"Children Are Writing Poetry." CDN, (11 July 1964).
"A Concert of Poetry for an American Institution." Panorama,CDN, (7 November 1964), p.3.
- I3l. "Foreword." New Negro Poets U.S.A., ed. Langston Hughes.oomington, Indiana: Indiana University Press, 1964.
"I See Chicago." Commissioned by Illinois Bell Telephone, 1964.
"Poetry With Shiver of Winter." CSN, (31 January 1965).
• "The Truth and Beauty Expected from Engle." CST, (14 March1965).
• "The Indivisible Man." Book Week, The Chicago Sunday HeraldTribune, (18 April 1965), p.3, Passim.
"Perspectives." Negro Digest, 15 (July 1966), pp.49-50.
"We Real Cool." Detroit: Broadside Press, 1966.
______P
"In the Time of Detachment / in the Time of Cold /1965." Aortion of That Field. Urban, Illinois: University of Illinois Press,
1967.
"Langston Hughes." Nation, (3 July 1967), p.7.
"The Wall." Detroit: Broadside Press, 1967.
______ "We're the Only Colored People Here." The Best Short StoriesNegro Writers. An Anthology from 1899 to the Present, Ed. LangstonHughes. Boston: Little, Brown, 1967.
"The Life of Lincoln West." New Writings by American---Nfôes, 1940-1962. Ed. Herbert Hill. New York: Knopf, 1968.
"Henry Rago. "Poetry, 115 (November 1969), pp.95-96.
______ "Rockie Taylor Sharpens, / Clarifies the blur-." Preface to DrumSong, by Rockie Taylor (Tejumola Ologboni). Milwaukee: Ologboni,1969.
"In Montgomery." Ebony, August 1971, pp.42-48.
Letter to the Editor of Time. Time, (18 October 1971), p.6.
"Thank You; (A love note to all the components of 12 GwenWith Love)." Blackw, (November 1971),p.42.
"Dreams of a Black Christmas." McCall's Magazine,(Dëémber 1971), pp.136-139.
_____ "Walter Bradford" and "Speech to the Young Progress-Toward."Journal of Black Poetry. (Fall-winter 1971), p.13.
"Boys. Black a preachment." Ebony, August 1972, p.45.
"Autobiographical Excerpt: Report From Part One." BlackW,7September 1972), pp.4-12.
"Introduction." The Poetry of Black America: Anthology of th e20th Century, Ed. Arnold Adoff. New York: Harper Row, 1973.
"A Report From: Report From Part Q." Ebony, (March 1973),pp.1 16-120.
"Of Flowers and Fire and Flowers." Black Books Bulletin, 3 (Fall1975), pp. 16-18.
"For Dudley Randall." BlackW, 25 (January 1976), p.91.
"Primer for Blacks." Chicago: Black Position Press, 1980.
"Young Poet's Primer Chicago: Brooks Press, 1980.
"Black Love." Ebony. 36 (August 1981).
To Disembark. Chicago: Third World Press, 1981.
Very Young Poets. Chicago: Brooks Press, 1983.
"Blacks." Chicago: The David Company, 1987.
(iii) RECORDS AND TAPES
Brooks, Gwendolyn: "Gwendolyn Brooks Reading Her Poetry." New York:Caedmon Records, 1968.
---B-roadsideBrooks Reads Family Pictures Riot." Detroit:
-- Broadside Press, 1971.
(iv) INTERVIEWS
Angle, Paul M. We Asked Gwendol yn Brooks. Chicago: Illinois Bell, Telephone,n.d.
Garland, Phyl. "Gwendolyn Brooks: Poet Laureate." Eby, July 1968, pp.48-49.passim.
Hull, Gloria T., and Posey Gallagher. "Update on 'Part one': An Interview withGwendolyn Brooks." CLAJ, 21(1) September (1977).
Lewis, Ida. "Conversation" Gwen Brooks and Ida Lewis." Essence, April 1971,pp.27-31.
Stavros, George. "An Interview with Gwendolyn Brooks." Contemporary Literature,2 (Winter 1970), pp.1-20.
SECONDARY SOURCES
(i) STANDARD BIBLIOGRAPHIES
Anon. The in American Literature and Bibliography By and About NegroAmericans. Oshkosh, Winconsin: Winconsin Council of Teachers ofEnglish, 1966.
Glikin, Ronda. Black American Women in Literature: A Bibliography, 1976 through1987.McFarland & Co., 1989.
Loff, Jon N. "Gwendolyn Brooks: A Bibliography." CLAJ, XVII(l) September 1973,pp.21-32.
McPherson, James M., et al. Blacks in America. Garden City: Doubleday, 1971.
Miller, Elizabeth. The Negro in America: A Bibliography. Cambridge: HarvardUniversity Press, 1966.
Miller, R.Baxter. Langston Hughes and Gwendolyn Brooks: A Reference Guide.Boston: Hall, 1978.
The MLA Annual International Bibliography of Books and Articles on the ModernLanguages and Literatures. New York: Modern Languages Associationof America, 1921-1980.
Ray, David, ed. "Gwendolyn Brooks," in Contemporary Poets of the EnglishLanguage. New York: St.Martins press, 1970.
(ii) BIOGRAPHIES
Cherry, Gwendolyn, Ruby Thomas and Pauline Willis. Portraits in Color. NewYork: Pageant Press, 1962.
Dreer, Herman. "Gwendolyn Brooks," in American Literature by Negro Authors.New York: Macmillan, 1950.
Droting, Phillips T, and Wesley W. Smith, eds. iJp From the Ghetto. New York:Cowles, 1970, pp. 172-176.
Etheridge, James M. Contemporary Authors. Detroit: Gale Research Co., The BookTower, 1962.
Kent, George E. A Life of Gwendol yn Brooks. Lexington: University Press ofKentucky, 1990.
Roethe Anna, ed. Current Biography Vol. 89. New York: H.W.Wilson, 1950.
Toppin, Edgar A. A Biographical Histor y of Blacks in America Since 1528. NewYork: David Mckay, 1969.
Who's Who of American Woman. Chicago: Kingsport Press, 1971.
Who's Who in the Midwest (and Central Canada). Vol. 9. Chicago: Marquis-Who's Who.
Who's Who in Chicago and Illinois. Chicago: A.N.Marquis, 1950.
(iii) FULL LENGTH CRITICAL STUDIES
Abel, Marianne Hirsch, et al., Fictions of Female Development. Hanover, NH:University Press of New England for Dartmouth Coil., 1983.
Adams, Russell L. Great Negroes Past and Present. Chicago: Afro-AmericanPublishing Co., 1963.
Baker, Houston A., JR. Singers of Da ybreak. Washington DC: Howard UniversityPress, 1974.
Baraka, Imamu Amiri. Home in New Black Voices. New York: New AmericanLibrary, 1972.
Bardoiph Richard. The Negro Vanguard. New York: Holt Rinehart & Winston,1959.
Bigsby C.W.E., ed. The Black American Writers, Vol II. Poetry and Dramas.Deland, Florida: Everett / Edwards, 1969.
Bowlers, Juliette, ed. in the Memory Spirit f Frances, Zorn and Lorraine:Essays and Interviews Black Women and Writings. Washington DC:Institute1r the Arts and the Humanities, Howard University, 1979.
Bloom, Harold, ed. Modem Critical Views: Contemporary Poets. New York: NewHaven, Philadelphia, 1986.
Brown, Patricia L., et al., eds. To Gwen With Love. Chicago: Johnson PublishingCompany, 1971.
Davis, Arthur P. From the Dark Tower. Washington: Howard University Press1974.
Davis, Charles T., and Daniel Walden, ed. On Being Black. Greenwich: Fawcett,1970.
Droning, Phillip T., and Wesley W. South. !2p From the Ghetto. New York:Cowles Book, Inc., 1970.
Gayle Jr., Addison, ed. The Black Aesthetic. Garden City, New York: Doubleday,1972.
Black Expression. New York: Weybright and Tally, 1969.
Gustavo, Perez Firmat, ed. Do the Americans Have a Common Literature? Durham:Duke University Press, 1990.
Henderson, Steven, ed. Understanding the New Black Poetry. New York: WilliamMorrow, 1973.
Herzberg, Max J., ed. The Reader's Encyclopedia f American Literature. NewYork: Thomas Y. Crowell, 1955.
Jackson, Blyden and Louis D. Rubin, JR. Black Poetry In America. Baton Rouge:Louisiana State University Press, 1974.
Juhasz, Suzanne. Naked and Fiery Forms Modern American Poetr y by Women: ANew Tradition. New York: Octagon, 1978.
Kent, George E. Blackness and the Adventure of Western Culture. Chicago: ThirdWorld Press, 1955.
Kurnlz, Stanley J. Twentieth Century Authors. New York: H.W. Wilson, 1955.
Littlejohn David, Black On White: A Critical Survey Qf Writings by AmericanNegroes. New York: Viking, 1966.
Malkoff, Karl. Crowell's Handbook of Contemporary American Poetry. NewYork: Thomas Y. Crowell Company, 1973.
Miller, R. Baxter, ed. Black American Literature and Humanism. Lexington:University Press of Kentucky, 1981.
Black American Poets Between Worlds. 1940-1960. Knoxville,University of Tennesse Press, 1986.
Maria, K. Mootry and Gary Smith, eds. A Life Distilled: Gwendol yn BrooksHer Poetry and Fiction. Urbana: University of Illinois Press, 1987.
Melhem, D.H. Gwendol y n Brooks: Poetry and the Heroic Voice. Lexington:University Press of Kentucky, 1987.
Robinson, Donald, ed. The 1120 Most Important People in the World Today.New York: G.P. Patnam's Son's, 1970.
Shaw, Harry B. Gwendolyn Brooks. Boston: Twayne, 1980.
Tate, Claudia, ed., Black Women Writers at Work. New York: Continuum,1983.
(iv) ANTHOLOGIES
Adoff, Arnold. The Poetry -Qf Black America: Anthology of the 20th Century.Introduction by Gwendolyn Brooks. New York: Harper, 1973.
Brown, Patricia L., Don L. Lee, and Francis Ward, eds. To Gwen with Love: AnAnthology Dedicated to Gwendolyn Brooks. Chicago: JohnsonPublishing Company, 1971.
Davis Arthur Paul. Cavalcade: Negro American Writings from 1760 to the Present.Boston: Houghton Mifflin, 1971.
Emanuel, James A., and Theodore L. Gross. Dark Symphony. New York: FreePress, 1968,
Hayden, Robert Earl. Kaleidoscope: Poems by American Negro Poets. New York:Brace and World, 1967.
Hughes, Langston. New Negro Poets U .S. A. Bloomington: Indiana University Press,
Hill, Herbert. Soon, One Morning: New Writing y American Negroes. New York:Knopf, 1963.
___ The Poetry f the Negro, 1946-1970: An Antholog y. Ed. LangstonHughes and Ama I3ontemps. New York: Doubleday, 1970.
Lomax, Alan. 3000 Years of Black Poetry: An Anthology. New York: Dodd,Mead, 1970.
Seaver, Edwin, ed. Cross Section 1945: A Collection of New American Writing.New York: L.B Fischer, 1945.
(v) JOURNAL ARTICLES
Anon. "An Evening With the Poets." CST, (November 12, 1964).
"Announcement: The 1949 Awards." Poetr y. 75 (October-March1950), pp.93-97.
"Artists, Friends, Admirers Gather in Tribute to PoetessGëñdolyn Brooks." Jet, 39 (February 25, 1971), pp. 16-17.
_____________• "Autograph Party for Miss Brooks." CDN, (August 31, 1949).
"Blue Songs and Funeral Chants." CDN, (22 August 1943).
___ "Books for Young Adults." Booklist, 67-68 (December 1971),P .327 .
"Chicago." CST, (2 November 1952).
"Chicago Poet Wins Pulitzer Prize." NYAN, (May 6, 1950),pp. F, 6.
"Chicago Poet Wins $1000 Arts Prize." CS, (May 6, 1946).
____-. "City Has Faith of Nation's Most Influential Negroes." CST,(August 20, 1963), p.14.
"Depres to Talk Here at College Commencement." CST, (June-1964).
-. Ebony Magazine Report - City Had Fifth of Nation's MostInifuential Negroes." CST, (20 August 1963).
--T,-T964), "55 Good Citizen Awards Given Out by Local Unit." CST, (April
p.34.
"Front Row Center." CST, (April 2, 1964).
Garlands from Morningside Heights." SatR, 33 (May 13, 1950),p.'8.
"Guest at Tea." CDN, (June 9, 1950).
"Guggenheim Fellowships Won by 4 Educators, Authors Here."CS , (April 14, 1947).
"Gwendolyn Brooks." CST, (July 3, 1964).
"Gwendolyn Brooks to Be Honored." CDN, (May 31, 1950),FIJ
"Gwendolyn Brooks's Tribute." BlackW. (July 1973), p.86.
"Honor 31 Leaders as Good Americans." CDN, (April 2, 1964).
"Jesuits' 100 Outstanding Chicagoans." CST, (December 3,--T9157), p.18.
"Joins Faculty." CDN, (October 21, 1963), Sec.2, p.15.
__'" Language Arts Judges in Act in Difficult Field." CDN, (May20, 1958).
"Literary Notes." CST. (October 29, 1963), p.31.
. "Miss Brooks and Depres Honored by College Here." CST,Jimne
- 17, 1964).
"Miss Brooks to Teach at Last." CDN, (October 26, 1963).
"Name Scientist, Poet to Student Grants Agency." CST, (October13, 1964).
T%4) . "Negro Author Gets Degree at Columbia." CDN, (July 17,
"New Books for the Younger Reader's Library." NYHTBR,(December 1956).
"Notes." CDN, (May 5, 1964).
"Notes and Chatter." CDN, (October 17, 1961).
"Notes on a Poet." IL.!, 11 (August 1962), pp. 50, 76.
"Notçs on People and Occurrences." CST., (May 27, 1964).
"Note to Negro Hero." Common Ground, 5 (1944), p.45.
"Poetry." CDN, (May 20, 1950), p.3.
"Poetry's Impact on Public Stressed." CDN, (November 13,
"Poetry Winners Named." KCI, (April 17, 1964).
"Poets Tells of Life in Bronzeville." CST. (June 19, 1960).
"Poet to Talk." CDN, (December, 1962).
"Prices." CDN, (August 3, 1944).
_______ ," Prize Winning Poet Will Get College Honor." CT, (June 14,i%4) ec.!, p.27.
"Proclaim Saturday as Poetry Day." CST. (November 1963).
"Pulitzer Poetess at Library Nov.2." CDN, (November 1, 1950),p.34.
"Pulitzer Poet to Lecture at Northwestern University on Mid-Century American Poets." CDD. 27 (June, 1964), p.16.
___ Pulitzer Prize Announced by Columbia University." W, 157(May 1950), p.1972.
Pulitzer Winner Appointed Poet Laureate in Illinois." NYT, (9anuary 1968), p.14.
"Sketches of the Pulitzer Prize Winners in Journalism, Letters- aiñMusic for 1950." NYT, (2 May 1950).
"Society of Midland Authors Makes 1963 Book Awards." CST,(May 23, 1964).
"Song and Funeral Chants." CDN, (August 22, 1945).
-. "S-Side Center to Honor Author." CDN, (June 13, 1946).
-. "S-Siders Honor Pulitzer Poet." CST, (May 22, 1950).
"S-Side Wife Wins Pulitzer Poetry Award." CST, (May 2,950).
"Symposium." CDN, (18 July 1964).
_ "Tell It Like It Is." Newsweek, 64 (July - September 1964),pp.84-85.
"The Pulitzer." CDN, (May 2, 1950).
."The Sun Salutes Gwendolyn Brooks." QS, (January 1, 1946),P. 1-2:.
"12 Arts Advisers Named by Kerner." CDN, (August 24,---T63).
of Chicago Poets to Appear February 12 in Loyola Series."— CS1, (March 2, 1958).
"'Women of the Year' List Names Two Chicagoans." CS,---Dmber 25, 1945), Sec.2, p.21.
Austin, Dorothy Witte. "Poetry Enriches Life, Woman Finds." Mi, (Mar. 24, 1964),Part 6, p.2.
Baker, Houston A., JR. "The Achievement of Gwendolyn Brooks." CLAJ, 16(Fall 1972), pp.23-31.
Banwick, Mary Beth, "Pulitzer Prize Winner Joins Lecture Staff." Interim, 2(February 24, 1965), p.1.
Barrow, Williams. "On Black Women." N1, 12 (July 1963), pp.78-83.
Baur, Lois. "Literary Agents' Party Talks of Town." CA, (June 1964), Sec.2,p.9.
Beja, Morris. "It Must Be Important." Antioch Review, 24 (Fall 1964), 323-36.
Berquist, Ronald. "Expect 1200 to Attend England Book-Author Luncheon."CST, (September 26, 1963), p.6.
Bird, G. Leonard. "Gwendolyn Brooks: Educator Extraordinaire." Discourse, 12(Spring 1969), pp. 158-166.
Bishop, Claire Huchet. "A Selected List of Children's Books." Commonweal, (16November 1956), p.181.
Bock, Frederick. "A Prize-Winning Poet Fails to Measure Up." CST (SundayMagazine), (June 5, 1960), Sec. 1V, p.12.
B[radley], V[an] A[llen]. "Miss Brooks' Sensitive and Sure Verse." CDN, (August24, 1949), p.32.
• "Negro's Life Here Effectively Portrayed in First Novel." CDN,étember 30, 1953), p.26.
T(J5-6). "Poetry Prize Winner Got an Early Start." CDN, (2 May
"Poetry Contest Judges Selected." CDN, (July 23, 1962).
"On Recognizing Our Writers." CDN, (April 6, 1963).
"Chicago Poem' Jury at Work." CDN, (June 8, 1963), p.11.
Brown, Frank London. "Chicago's Great Lady of Poetry." NJ, 10 (December1961), pp.53-57.
Brown, Martha H. "GLR Interview: Gwendolyn Brooks." GLR, 6(i) (1979),pp.48-55.
Butcher, Fanny. "The Literary Spotlight." CT, 11(June 1950).
"Swift, Sharp Prose By a Poet." CMBST, (October 14, 1953),Sec. IV, p.11.
Clark, Norris Berkeley, III "The Black Aesthetic Reviewed: A CriticalExamination of the Writings of Imamu Amiri Baraka, GwendolynBrooks and Toni Morrison." DAI, (41) 1592A-93 A.
Creekmore, Herbert, "Daydreams in Flight." NYTBR, (4 October 1953), p.4.
Crockett, Jaqueline. "An Essay on Gwendolyn Brooks." NHB, 19 (November1955), pp.37-39.
Cromie, Robert. "Looks at Authors and Books." CT, (June 9, 1964).
Culter, Bruce. "A Long Reach, Strong Speech." Poetry, 103 (Oct. - Mar. 1963),pp.387-393.
Dana, Robert Patrick, "Double Martini and Broken Crank Shaft." PrairieSchooner, 35 (Winter 1961), pp.357-362.
Darletti, August. "Btonzeville Boys and Girls." Voices. (September-December1957), pp.41-46.
Davis, Arthur P. "The Black and Tan Motif in the Poetry of GwendolynBrooks." CLAJ, 6 (December 1962), pp.90-97.
"Gwendolyn Brooks: Poet of the Unheroic." CLAJ, 7(2)(Dèmber 1963), pp. 114-125.
Davison, Peter. "Now Poetry Prizewinners and Apprentices." Atlantic, (2 July1966), p.93.
Dawson, Emma Waters. "Vanishing Point: The Rejected Black Woman in thePoetry of Gwendolyn Brooks." Obsidian II, 4(1) (Spring 1989), pp. 1-11.
Derleth, August. "A Varied Quartette." Voices, (September-December 1957),pp.44-46.
Deutsch, Babette. "Six Poets." Yale Review, 39 (Winter 1950), pp.362-363.
Duffy, John. "Style and Exasperation." Spirit, 30-31 (1963-1965), pp.47-48.
"Ebony Magazine Reports - City Has Fifth of Nation's More Influential Negroes."CST, (20 August 1963).
Edwards, Thyra. "She'll Write Novel of Normal Negro Family." Now. (July 1946).
Engle, Paul. "Miss Brooks: City's Laureate." CT, (September 22, 1963), p.2.
Faherdt, Robert. "Literature in Chicago." CDN, (May 23, 1964).
Ford, Nick Aaron. "Better of the Books: A Critical Survey of Significant Books byand about Negroes Published in 1960." Phy lon, 22 (Summer 1961),pp.128-129.
______ "The Fire Next Time? A Critical Survey of Belles Lettres by andabout Negroes." Phylon, 25 (Summer 1964), p.132.
Fuller, Hoyt W. "The Negro Writer in the United States." Ebony, (November,1964), pp. 126-128, 134.
Furman, Marva Riley. "The 'Unconditioned Poet'." CLAJ, 17 (September 1973),pp.1 -10.
Garland, Phyl. "Gwendolyn Brooks: Poet Laureate." Ebony, (July 1968), pp.48-49.
Gayle, Addison, JR. "Making Beauty from Racial Anxiety." NYTBR, (January 2,1972), p.420.
Giovanni, Nikki. "For Gwen Brooks." Essence, (April 1971), p.26.
Glauber, Robert H. "Our Miss Brooks: Lyricist." CST, (September 22, 1963).
"Poet Tells of Life in Bronzeville." CST, (19 June 1960).
Greasley, Philip A. "Gwendolyn Brooks: The Emerging Poetic Voice." GrLR,10(2) (Fall 1984), pp.14-23.
Groutt, Kathleen Eleanor McKenna. "A Metahealth Analysis of the Lives ofGwendolyn Brooks, Dorothy Day, Ruth Gordon, Anais Nm, GeorgiaO'Keefe.' PAl, 48(1) (July 1987), 52A.
Hansell, William H. "Aestheticism Versus Political Militancy in Gwendolyn Brooks's'The Chicago Picasso' and 'The Wall'." CLAJ, 17 (September 1973),pp. 11-iS.
"The Roll of Violence in Recent Poems of Gwendolyn Brooks."SBL, 5 (Summer 1974), pp.21-27.
______ Gwendolyn Brooks's in ffi Mecca: A Rebirth into Blackness."NALF. 8 (Summer 1974), pp. 199-217.
____ "Essences, Unifyings and Black Militancy: Major Themes inGwendolyn Brooks's Family Pictures and Beckonings." BALF, 11(Summer 1977), pp.63-66.
• "The Uncommon Commonplace in the Early Poems of GwendolynBrooks." CLAJ, 30(3), (March 1987), pp.261-277.
Harriott, Frank. "The Life of a Pulitzer Poet." NP, (August 1950), pp. 14-16.
Hartman, Geoffrey H. "Les Belles Dames Sans Merci." KeR, 22 (Autumn 1960),pp. 691-700.
Hazard, Eloise Perry. "A Habit of Firsts." SatR, (May 20, 1950), p.23.
Hedlund, Marilou. "1-low Noted Poets Spin Verses." CT, (November 1964).
1-lerguth, Robert. "Distinguished Panel to Select Top Youths." CDN, (March 23,1959), p.9.
Hoilman, Dona. "A Red Southwestern House for a Black Midwestern Poet."f, 13(u), pp.55-61.
Horvath, Brooke Kenton. "The Satisfactions of What's Difficult in GwendolynBrooks." AL, 62(4) (December 1990), pp.600- 616.
Hudson, Clenora F. "Racial Themes in the Poetry of Gwendolyn Brooks."CLAJ, 17 (September 1973), pp.16-20.
Hughes, Langston. "Name, Race and Gift in Common." Voices, no. 140 (Winter1950), pp.54-56.
"Annie Allen". Voices, No.140, p.31.
Hull, Gloria T. "Update on 'Part One': An Interview with Gwendolyn Brooks."CLAJ,Vol. XXI (1) (September 1977), pp. 19-40.
- . "A Note on the Poetic Technique of Gwendolyn Brooks."--- CLAJ, 19, (2) (December 1975), pp.280-285.
Humphries Roiphe, "Bronzeville." NYTBR, (November 4, 1945), p.14.
--- —p"Verse Chronicle." The Nation, 169 (September 24, 1949),
3U6.
Ignatow, David. "Engagements." Poetry, 99 (January 1962), pp.247- 253.
Jaffe, Dorothea Kahn. "A Poem, No Propaganda." CSM, (March 25, 1964).
"Her Poetry Speaks Across Barriers Separating People." KCS,April 1964).
Janssen, Ronald R. "Brook's 'A Song in the Front Yard." Explicator, 43(3) (Spring1985), pp.42-43.
Johnson, Thomas A. "Yale Conference Studies Role of Black Women." NYT,(December 14, 1970), p.45.
Kennedy, Lee. "Chicago's Finest Writer." CST. (August 29, 1949), p.43.
Kent, George E. "The Poetry of Gwendolyn Brooks, Part I." BlackW. 20 (September1971), pp.30-43.
__ "The Poetry of Gwendolyn Brooks, Part II." BlackW. 20 (October1971), pp.36-48.
"Notation Concerning the World of Gwendolyn Brooks." Booklist,67-68 (November 15, 1971), p.277.
______________• "Gwendolyn Brooks" Portrait in Part, of the Artist as a Young Girland Apprentice Writer." CallaIoo, 2(3 [7]) (October 1979), pp. 74-83.
Kogan, Herman. "Many Chicago Writers on Fall Publishing Lists." CST, (July 12,1953), Sec.2, p.6.
"Maud Martha." CS, (4 October 1953).
"Two Chicagoans' Charm." CST, (October 4, 1953), Sec.2, p.6.
KuniLz, Stanley. "Bronze by Gold." Poetry, 76 (April 15, 1950), pp.52-56.
"Kup's Column." CST, (3 May 1950).
Laing, Alexander. "The Politics of Poetry." The Nation, 209 (July 7, 1969),p.2628.
Landick, Beatrice. "New Books for the Younger Reader's Library." NYTBR, (9December 1956), p.40.
Lattin, Patricia H., and Vernon E.Lattin. "Dual Vision in Gwendolyn Brook'sMaud Martha." Crit, 25(4) (Summer 1984), pp. 180-188.
Lechlinter, Ruth. "Love Songs." NYHT, (September 25, 1949), Sec.7, p.44.
Lee, Don L. "The Achievement of Gwendolyn Brooks." Black Scholar, 3 (Summer1972), pp.32-41.
Libby, Margaret Sherwood. "Bright is the Ring of Words When the Right PersonRings Them." NYHTBR, (18, November 1956), p.2.
Lupack, Alan C. Brooks' 'Piano After War'." Explicator, 36 (iv), pp.2-3.
Madhubuti, Safisha N. "Focus on Form in Gwendolyn Brooks." Black BooksBulletin, 2 (1) (1974), pp.25-27.
Mahoney, Heidi L. "Selected Checklist of Material By and About GwendolynBrooks." NALF. 8 (Summer 1974), pp.210-21 1.
Manjo, Nicholas, "Young Girl Growing Up." SatR, 36 (October 1953), p.41.
McCluskey, John. "In the Mecca." Studies in Black Literature, 4 (Autumn 1973),pp.25-30.
McGinley, Phyllis. "Poetry for Prose Readers." NYTBR, (January 22, 1950), p.7.
Melhem, D.1-I. "Gwendolyn Brooks : 'The Heroic Voice of Prophecy'." Studies inBlack Literature, 8 (Spring 1977), pp. 1-3.
Menn, Thorpe. Major National Prize Winners to Poetry Series." KCS, (September 9,
Miller, Jeanne-Marie A. "Gwendolyn Brooks -- Poet Laureate of Bronzeville,U.S.A.." Freedomways, 10 (1St Quarter 1970), pp.63-75.
Miller, R.Baxter, "Define .... the Whirlwind: In the Mecca - Urban Setting, ShiftingNarrator and Redemptive Vision." Obsidian, 4(1) (Spring 1978),pp. 19-3!.
Moore, Maxine Funderburk. "Characters in the Works of Gwendolyn Brooks." DAI,44(12) (JUne 1984), 3686 A.
Mootry, Maria K. "'Brooks' A Bronzeville Mother Loiters in Mississippi.Meanwhile, A Mississippi Mother Burns Bacon'." Explicator, 42(4)(Summer 1984), pp.51-52.
__ "Chocolate Mabbie' and 'Pearl May Lee': Gwendolyn Brooks andthe Ballad Tradition." CLAJ, 30(3) (March 1987), pp.278-293.
"The Step of Iron Feet: Creative Practice in the War Sonnets ofMelvin B.Tolson and Gwendolyn Brooks." Obsidian ii, 2(3) (Winter1987), pp.69-87.
Moron, Ronald. "Time of Heterogeneity." SoR, 1(1965), pp.473-485.
Morse, Carl. "All Have Something to Say." NYTBR, (October 6, 1963).
Nathan, Leonard E. "tour Books." Voices, (Sept - Dec. 1960).
Nelson, Starr. "Social Comment in Poetry." SatR, 29 (January - June 1946), p.15.
Newman, M.W. "Bronzeville Poet Seeks 'Ordinary'." CDN, (1 July 1961).
Ottley, Roi. "Poet Finds Universe in Negro Life." CST, (May 16, 1954), III, p.3.
• "Woman Poet Probes Life of City's Negroes." C T, (October 15,1955), p.17.
Overmeyer, Janet. "The Poet and the Realist." Christian Service Moniter, (19September 1968), p.13.
Parke, Richard H. South Pacific Wins 1950 Pulitzer Prize." NYT, (May 2, 1950),
p.23.
Parker, John W. "Sage of the Bronzeville Community." CLAJ, (4 September1960), p.59.
Pike, Kenneth L. "Phonological Hierarchy in a Four Call Tagmemic Representationfrom Discourse to Phoneme Class." Forling, 7(1) (August 1982),pp.65-91.
Powers, Irene. "Cold Doesn't Deter Poets from Rounds." ci, (February 12, 1958).
Randall, Dudley. "To Gwendolyn Brooks, Teacher." BlackW, (February 1973), p.53.
Redding J.Saunders. "Cellini-like Lyrics." SatR, 32 (Sept. 17, 1949), pp.23-27.
Rehm, Barbara. "Pulitzer Prize Poetess, 'Old, inarticulate at 55'." PP (august 27,
1972), p.E1.
Rexroth, Kenneth. "Panelizing Dissent." The Nation, 199 (September 1964),pp.97-99.
Riley, Furman. "Gwendolyn Brooks: The Unconditioned Poet." CLAJ, 17 (September1973), pp-1-10.
Rivers, Conrad Kent. "The Poetry of Gwendolyn Brooks." PjD, 13 (June 1964),pp.67-68.
Rosenberger, Coleman. "A Work of Art and Jewelled Precision." NYHTBR,(October 18, 1953), p.4.
Rosenthal, M. L, "in the Mecca." NYTI3R, (March 2, 1969), p.14.
Rushing, Andrea. "Images of Black Women in Afro-American Poetry." BlackW. 24(11) (September 1975), pp. 17-30.
Schleifer, Mare. "Sepia Deb Ball." Nation, (29 June 1964), pp. 665-666.
Schuchat, Marjorie Jane Smock. "Gwendolyn Elizabeth Brooks: A Janus Poet."DAI, 43(9) (March 1983), 2994 A.
Shands, Annette Oliver. "Report from Part One." BlackW. (MArch 1973), pp.70-71.
"Gwendolyn Brooks as Novelist." BlackW, (June 1973),p22-3o.
Shapiro, Charles. "Quiet Beauty in First Novel." Currier Journal, (17 December1953).
Shapiro, Harvey. "A Quartet of Younger Singers." NYTBR, 23 (October 1960),p.32.
Simpson, Louis. "Don't Take a Poem by the Horns." Bookweek, (October 27, 1963),pp. 6,26.
Sims, Barbara B. "Btooks's 'We Real Cool'. " Explicator, 58 (April 1976).
Smith, Gary. It
Brooks's A Street in Bronzeville, the Harlem Renaissanceand the Mythologies of Black Women." MELUS, 10(3) (Fall 1983),pp.33-46.
"Brooks's 'We Real Cool'." Explicator, 43(2) (Winter 1985),
"Gwendolyn Brooks' Children of the Poor: Metaphysical Poetryand the Inconditions of Love." Obsidian II, 1(1-2) (Spring-Summer1986), pp.39-51.
"The Black Protest Ballad." Obsidian II, 1(3) (Winter 1986),pT54-67.
Smith, John Justin. "Chicago a Harbor for Anyone Who Comes Here." CDN, (April28, 1962).
Spector, Robert S. "The Poet's Other Voices Other Poems." SatR, 47 (February1, 1964), pp. 36-38.
Spillers, Hortense J. "'An Order of Constancy': Notes on Brooks and theFeminine." Cen R, 29(2) (Spring 1985), pp.223- 248.
Stafford, Williams. "Books That Look Out, Books That Look In." Poetry, 113(March 1969), pp.421-425.
Stern, Fredrick C. "The Populist 'Politics of Gwendolyn Brooks's Poetry."Midamerica, 12(1985), pp. 111-119.
Stratton, Kathryn Alice Abels. "Woman as B: Woman as A." DAI, 43(2)(August 1982), 447A-448A.
Tancill, Karen. "Poet Laureate of Illinois Gives Reading at Dominican." HIT,(December 6, 1972), p.7 A.
Towns, Saundra. "Black Autobiography and the Dilemma of Western ArtisticTradition." Black Books Bulletin, 2 (1) (1974), pp. 17-23.
"Beckonings." BlackW, 25 (2) (1975), pp.51-52.
Walsh, Chad. "A Present Rooted in the Past." Book World, (3 November 1968),p.20.
Warren, Marr II. "Black Pulitzer Awardees." Crisis, 77 (May 1970), pp. 186-188.
Washington, Mary Helen. "'Report from Part One': The Autobiography ofGwendolyn Brooks." BlackW. (March 1973), pp.51-52.
"Taming All That Anger Down: Rage and Silence in GwendolynBrooks' Maud Martha." MR, 24(2) (Summer 1983), pp.453-466.
Webster, Harvey Curtis. "Pity the Gods." Nation, (September 1, 1962), p. 967.
"The Poetry of Gwendolyn Brooks." CDN, (October 13, 1962),
Wilder, Amos R. "Sketches From Life." Poetry, 67-68 (December 1945),pp. 164-166.
Williams, Gladys Margaret. "Gwendolyn Brooks's Way With the Sonnet."CLAJ, 26(2) (December 1982), pp.215-240.
(vi) REVIEWS
Anon. Review of Annie Allen. KiR, (June 15, 1949), p.319.
Review of Annie Allen. SFC, (September 18, 1949), p.18.
__ Review of Annie Allen. New Yorker, (December 17, 1949),p.130.
Review of Annie Allen. USQBL, (March 1950), p.21.
Review of A Street in Bronzeville. KiR, (July 15, 1945), p.306.
______ Review of A Street I Bronzeville. New Yorker: 21 (September1945), p.88.
Review of A Street in Bronzeville. WLJ, (October 1945), p.99.
Review of Bronzeville Boys and Girls. KiR, (October 15,T956), p.788.
Review of Bronzeville Boys and Girls. SFC, (November 11,1956), p.23.
Review of Bronzeville Boys and Girls. NYHTBR, (November18, 1956), p.8.
_ Review of Bronzeville Boys and Girls. Booklist, (January 1957),p.228.
Review of In the Mecca. Booklist, 64-65 (October 15, 1968),pp.223-224.
Review of In the Mecca. Booklist, 64-65. (November 1, 1968),p.298.
Review of In the Mecca. VQR, 45 (Winter 1969), p.20.
Review of Maud Martha. SIR, (July 15, 1953), p.458.
Review of Maud Martha. Booklist, (October 1953), p.365.
Review of Maud Martha. New Yorker, 29 (October 10, 1953),p.142.
Review of Maud Martha. WLJ, (November-December 1953),----p72s9.
Review of Selected Poems. U, 88 (February 1963), p.4491.
Review of Selected Poems. Booklist, (October 15, 1963), p.127.
Review of The Bean Eaters. 1[R, (February 1, 1960), p.131.
Review of The Bean Eaters. Bookmark, (April 1960), p.171.
Review of The Bean Eaters. Booklist, 56-57 (July 1, 1960),p.65-0.
Benson, Brian J. Review of in Mecca, by Gwendolyn Brooks. CLAJ, 13(December 1969), p.203.
Bombara, Toni Cade. Report from Part u: A Review. NYTBR, (January1973), Sec.7, P.I.
Burke, Herbert. Review of Bean Eaters. j, 85 (April 15, 1960), p.1599.
Harrison, James. Review of Brooks's "A Bronzeville Mother Loiters in Mississippi.Meanwhile, A Mississippi Mother Burns Bacon." Explicator, 42 (4)(Summer 1984), pp.51-52.
Janssen, Ronald R. Review of Brooks's "A Song in the Frontyard." Explicator, 43(3) (Spring 1985), pp.42-43.
Libby, Margaret Sherwood. Review of Bronzeville Boys and Girls. NYHTBR, 33(November 18, 1956).
Lupack, Alan, C. Review on Brooks's "Piano After War." Explicator, 36 (4) (1978),pp.2-3.
Nyren, Dorothy. Review of Selected Poems. j, 88 (July 1963), p.2708.
Parker, John W. Review of The Bean Eaters. CLAJ, (September 4, 1960), pp.59-61.
Rollins, Charlemae. Review of Bronzeville Boys and Girls. CST, (November 11,1956), Sec.iv, p.20.
Skeeter, Sharyn J. Review of Family Pictures. Essence, 2 (June 1971), p.72.
Smith, Guy. Review of Brooks's "We Real Cool." Explicator, 43 (2) (Winter 1985),pp.49-SO.
Walker, Alice. Review of Good Morning Revolution. Ed. Faith Berry. BlackScholar, 7 (July-August 1976), pp.53-55.
(vii) DISSERTATIONS
Clyde, Glenda E. An Oral Interpreter's Approach ffi Poetry of GwendolynBrooks. Carbondale: Doctoral Disserta&cvi,Southem Illinois University,1966.
Loff, Jon N. To Be a Black Woman in Poetry of Gwendol y n Brooks.Steven's Point: Master Thesis: University of Winconsin, 1972.
Shaw, Harry Bernard. Social Themes in the of Gwendol y n Brooks.Urbana: Doctoral Dissertckoi,the University of Illinois, 1972.