beyond the rights clearance culture: new ways to think about copyright in film

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Beyond the Rights Clearance Culture: byron bay film festival | 8 march 2010 New Ways to Think about Copyright in Film of brian fitzgerald & jessica coates

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A beginners guide to copyright and Creative Commons from a 3 hour workshop presented at the Byron Bay Film Festival in March 2010. Some slides containing copyright images used under fair dealing have been removed and replaced by representative thumbnails. Sorry - no speakers notes yet.

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Page 1: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Beyond the Rights Clearance Culture:

byron bay film festival | 8 march 2010

New Ways to Think about Copyright in Film

prof brian fitzgerald& jessica coates

Page 2: Beyond the Rights Clearance Culture: new ways to think about copyright in film
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copyright

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AUSTRALIApart of the Creative Commons international initiative

CRICOS No. 00213J

"Copyright", R

andall Munroe, http://xkcd.org/14/, C

reative Com

mons A

ttribution-NonC

omm

ercial 2.5 license

Page 6: Beyond the Rights Clearance Culture: new ways to think about copyright in film
Page 7: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 20081104_Indianpolis_IN_UAWGOTV0304 by Barack Obama, http://flickr.com/photos/barackobamadotcom/3008245391Generic 2.0 20081104_Indianpolis_IN_UAWGOTV0304 by Barack Obama, http://flickr.com/photos/barackobamadotcom/3008245391

Page 8: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 Yoko Ono by cliff1066™, http://flickr.com/photos/nostri-imago/2873284890Generic 2.0 Yoko Ono by cliff1066™, http://flickr.com/photos/nostri-imago/2873284890

Page 9: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 The Child Abdullah by Al Jazeera, http://cc.aljazeera.net/asset/language/arabic/child-abdullah-reportGeneric 2.0 The Child Abdullah by Al Jazeera, http://cc.aljazeera.net/asset/language/arabic/child-abdullah-report

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copyright

Page 12: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 Printing Press by Gastev, http://flickr.com/photos/gastev/360505392Generic 2.0 Printing Press by Gastev, http://flickr.com/photos/gastev/360505392

gutenberg press

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statute of anne

Page 14: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 Dollar Eagle Paper by Photos8, http://www.photos8.com/dollar_eagle_paper-wallpapers.htmlGeneric 2.0 Dollar Eagle Paper by Photos8, http://www.photos8.com/dollar_eagle_paper-wallpapers.html

Page 15: Beyond the Rights Clearance Culture: new ways to think about copyright in film

stainless steel globe; Corona Park by Global Jet, http://flickr.com/photos/global-jet/2473311265stainless steel globe; Corona Park by Global Jet, http://flickr.com/photos/global-jet/2473311265

TRIPS Agreement 1994Rome Convention 1961

Berne Convention 1886

WCT and WPPT 1996

Page 16: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830Generic 2.0 No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830

covers everything you want to use - film, music, script, dance, art, computer programs

covers everything you want to do – copy, publish, email, post online, remix, reuse, share

commercial or non-commercial

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ALL RIGHTS RESERVED

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ALL RIGHTS RESERVED

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WORKS

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literary workscompilation expressed in words,

figures or symbols – incl computer programs

Open Book by Osbornb, http://flickr.com/photos/osbornb/2457712870Open Book by Osbornb, http://flickr.com/photos/osbornb/2457712870

Page 21: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Tribal Dance by BdwayDiva1, http://flickr.com/photos/bdwaydiva1/2306372642Tribal Dance by BdwayDiva1, http://flickr.com/photos/bdwaydiva1/2306372642

literary workscompilation expressed in words,

figures or symbols – incl computer programsdramatic

worksplay, choreography, dumb show

Page 22: Beyond the Rights Clearance Culture: new ways to think about copyright in film

literary workscompilation expressed in words,

figures or symbols – incl computer programsdramatic

worksplay, choreography, dumb showmusical worksscore, tune – not recording

A gal and her guitar by xlordashx, http://www.flickr.com/photos/xlordashx/2936494210A gal and her guitar by xlordashx, http://www.flickr.com/photos/xlordashx/2936494210

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artistic workspaintings, sculptures, photographs,

diagrams, buildings & models of buildings

literary workscompilation expressed in words,

figures or symbols – incl computer programsdramatic

worksplay, choreography, dumb showmusical worksscore, tune – not recording

portrait: yellows and blues by freeparking, http://flickr.com/photos/freeparking/2801058207portrait: yellows and blues by freeparking, http://flickr.com/photos/freeparking/2801058207

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OTHER SUBJECT MATTER

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filmsincluding moving images in computer games

16mm educational film screening by lorelei, http://flickr.com/photos/filmfatale/42332916716mm educational film screening by lorelei, http://flickr.com/photos/filmfatale/423329167

Page 26: Beyond the Rights Clearance Culture: new ways to think about copyright in film

filmsincluding moving images in computer gamessound recordingsthe actual ‘taping’ – eg original v cover

Audio Technica ATH-M50 by CLF, http://flickr.com/photos/clf/3184796740 Audio Technica ATH-M50 by CLF, http://flickr.com/photos/clf/3184796740

Page 27: Beyond the Rights Clearance Culture: new ways to think about copyright in film

filmsincluding moving images in computer gamessound recordingsthe actual ‘taping’ – eg original v cover

broadcastsradio and TV

Kent Portable Tube AM Radio by alexkerhead, http://flickr.com/photos/alexkerhead/3607581577Kent Portable Tube AM Radio by alexkerhead, http://flickr.com/photos/alexkerhead/3607581577

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published editionsthe ‘look’ and ‘layout’ of books etc

filmsincluding moving images in computer gamessound recordingsthe actual ‘taping’ – eg original v cover

broadcastsradio and TV

Side by euphbass, http://flickr.com/photos/euphbass/3317710740Side by euphbass, http://flickr.com/photos/euphbass/3317710740

Page 29: Beyond the Rights Clearance Culture: new ways to think about copyright in film

RIGHTS

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reproduce

Do Not Turn The Photo Copier Off by Beige Alert, http://flickr.com/photos/beigephotos/329699908Do Not Turn The Photo Copier Off by Beige Alert, http://flickr.com/photos/beigephotos/329699908

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reproducecommunicate to the public

http://icanhascheezburger.com/2007/06/29/i-m-in-ur-internet/

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reproduce

publish

communicate to the public

The Fruits of Religion 1 by andymangold, http://flickr.com/photos/andymangold/3489545384The Fruits of Religion 1 by andymangold, http://flickr.com/photos/andymangold/3489545384

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reproduce

publishperform in public

communicate to the public

Red drapery by shaire productions, http://flickr.com/photos/shaireproductions/3056579358Red drapery by shaire productions, http://flickr.com/photos/shaireproductions/3056579358

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reproduce

publish

adapt (except artistic)

perform in public

communicate to the public

Cut my breath by batega, http://flickr.com/photos/batega/1467019878Cut my breath by batega, http://flickr.com/photos/batega/1467019878

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reproduce

publish

adapt (except artistic)

perform in publicrental right for software

communicate to the public

Cut my breath by batega, http://flickr.com/photos/batega/1467019878Cut my breath by batega, http://flickr.com/photos/batega/1467019878

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S.O.T.WRIGHTS

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copy (only right for published editions)

Do Not Turn The Photo Copier Off by Beige Alert, http://flickr.com/photos/beigephotos/329699908Do Not Turn The Photo Copier Off by Beige Alert, http://flickr.com/photos/beigephotos/329699908

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perform (seen/heard in public)

copy (only right for published editions)

Red drapery by shaire productions, http://flickr.com/photos/shaireproductions/3056579358Red drapery by shaire productions, http://flickr.com/photos/shaireproductions/3056579358

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communicate to the public

perform (seen/heard in public)

copy (only right for published editions)

http://icanhascheezburger.com/2007/06/29/i-m-in-ur-internet/

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communicate to the publicalso commercial rental for sound recordings

perform (seen/heard in public)

copy (only right for published editions)

http://icanhascheezburger.com/2007/06/29/i-m-in-ur-internet/

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Generic 2.0 No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830Generic 2.0 No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830

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Desk

Min

e b

y K

itty

de M

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ttp

://w

ww

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kr.co

m/p

hoto

s/kit

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works owner = authorsubject matter owner = maker(with some exceptions)

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Generic 2.0 No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830Generic 2.0 No unauthorised persons @ Troutbeck Road, Sheffield by timparkinson, http://flickr.com/photos/timparkinson/3248398830

automatic protectionregistration not requirednotification not requiredoriginal expression

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Generic 2.0 Onions by Margot Wolfs by Margot Wolfs, http://flickr.com/photos/margotwolfs/4032976495Generic 2.0 Onions by Margot Wolfs by Margot Wolfs, http://flickr.com/photos/margotwolfs/4032976495

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material can be protected in more than one copyright category eg computer games = literary works and films

a single product can include more than one copyright work eg broadcast = broadcast, film, sound recording, script, music, lyrics, art

Generic 2.0 Onions by Margot Wolfs by Margot Wolfs, http://flickr.com/photos/margotwolfs/4032976495Generic 2.0 Onions by Margot Wolfs by Margot Wolfs, http://flickr.com/photos/margotwolfs/4032976495

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Generic 2.0 Stop by brainware3000, http://flickr.com/photos/brainware3000/22205084Generic 2.0 Stop by brainware3000, http://flickr.com/photos/brainware3000/22205084

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PUBLIC DOMAIN

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Generic 2.0 Stopwatch by wwarby, http://flickr.com/photos/wwarby/3297205226Generic 2.0 Stopwatch by wwarby, http://flickr.com/photos/wwarby/3297205226

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Generic 2.0 Tombstone of Bertha Heilborn (nee Epstein) in Guttentag cemetery by dlisbona, http://flickr.com/photos/dlisbona/1117569429Generic 2.0 Tombstone of Bertha Heilborn (nee Epstein) in Guttentag cemetery by dlisbona, http://flickr.com/photos/dlisbona/1117569429

WORKS = LIFE

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Generic 2.0 Zombie! cemetery by danhollisterduck, http://flickr.com/photos/dhollister/2596483147Generic 2.0 Zombie! cemetery by danhollisterduck, http://flickr.com/photos/dhollister/2596483147

+70 YEARS

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S.M.O.T.W

Generic 2.0 Compact Calendar Card - Design 3 by Joel Lanman, http://flickr.com/photos/joelanman/367425390Generic 2.0 Compact Calendar Card - Design 3 by Joel Lanman, http://flickr.com/photos/joelanman/367425390

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70 YEARS

Generic 2.0 Compact Calendar Card - Design 3 by Joel Lanman, http://flickr.com/photos/joelanman/367425390Generic 2.0 Compact Calendar Card - Design 3 by Joel Lanman, http://flickr.com/photos/joelanman/367425390

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Generic 2.0 Shakespeare by Plutor, http://www.flickr.com/photos/plutor/174493667/Generic 2.0 Shakespeare by Plutor, http://www.flickr.com/photos/plutor/174493667/

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SUBSTANTIAL PART

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Generic 2.0 Tiny by AMagill, http://www.flickr.com/photos/amagill/3660775191/Generic 2.0 Tiny by AMagill, http://www.flickr.com/photos/amagill/3660775191/

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EXCEPTIONS

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FAIRDEALING

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Generic 2.0 That time of year again… by Etwood, http://flickr.com/photos/etwood/231364920Generic 2.0 That time of year again… by Etwood, http://flickr.com/photos/etwood/231364920

research or study (s40)

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Generic 2.0 Cut my breath by batega, http://flickr.com/photos/batega/1467019878Generic 2.0 Cut my breath by batega, http://flickr.com/photos/batega/1467019878

criticism or review (s41)

research or study (s40)

Page 60: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 Evil Dead Poster Parodies by jbcurio, http://flickr.com/photos/jbcurio/2593693627Generic 2.0 Evil Dead Poster Parodies by jbcurio, http://flickr.com/photos/jbcurio/2593693627

parody or satire (s41A)

research or study (s40)criticism or review (s41)

Page 61: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 yesterdays news by chaosinjune, http://flickr.com/photos/cijmyjune/521661296Generic 2.0 yesterdays news by chaosinjune, http://flickr.com/photos/cijmyjune/521661296

reporting the news (s42)

research or study (s40)criticism or review (s41)parody or satire (s41A)

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Generic 2.0 Barrister Bear by Shiny Things, http://flickr.com/photos/shinythings/161216658Generic 2.0 Barrister Bear by Shiny Things, http://flickr.com/photos/shinythings/161216658

legal advice (s43)

research or study (s40)criticism or review (s41)parody or satire (s41A)reporting the news (s42)

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OTHER EXCEPTIONS

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incidental filming (s67)

public buildings and statues (s66)

Generic 2.0 Writing for Film & Television students behind the scenes while filming "7 Day Work Week", a Port Short by vancouverfilmschool, http://www.flickr.com/photos/vancouverfilmschool/3704913141/Generic 2.0 Writing for Film & Television students behind the scenes while filming "7 Day Work Week", a Port Short by vancouverfilmschool, http://www.flickr.com/photos/vancouverfilmschool/3704913141/

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STATUTORY (and blanket)

LICENSING

Page 66: Beyond the Rights Clearance Culture: new ways to think about copyright in film

screenrights – use of films

(apra-amcos – music)ppca – sound recordings

Money, Money, Money by borman818, http://www.flickr.com/photos/dborman2/3258378233/Money, Money, Money by borman818, http://www.flickr.com/photos/dborman2/3258378233/

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VOLUNTARY LICENSING

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you can do anything with permission

OMGWTF... weighing in at 800 lbs. … by joebeone http://www.flickr.com/photos/joebeone/2585191273/OMGWTF... weighing in at 800 lbs. … by joebeone http://www.flickr.com/photos/joebeone/2585191273/

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PERMISSIONS CULTURE

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http://www.youtube.com/watch?v=mLDQL23nutw

Tarnationcreated on a mac for $218

screened at Sundance, won awards$400k for copyright clearances

home footage and cultural ref

http://jonathancaouette.blogspot.com/

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http://www.outfoxed.org/

…I learned how cumbersome and expensive it can be to license footage from news organizations I could think of no better way to walk the talk myself than by releasing the interviews from Outfoxed and Uncovered under a license that allows other filmmakers to use my material in new and creative ways - David Greenwald

Outfoxeddoco criticising Fox news

so released own footage under CC

footage permissions not forthcoming

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Aims to make copyright more flexible by providing free

licences that creators can use to give certain permissions in

advance

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OPEN LICENSING

Page 75: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 Proce55ing Source Code by schoschie, http://flickr.com/photos/schoschie/8821223Generic 2.0 Proce55ing Source Code by schoschie, http://flickr.com/photos/schoschie/8821223

Page 76: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Generic 2.0 Mail art, Copyleft by Manfred Stirnemann by tomislavmedak, http://flickr.com/photos/tomislavmedak/3804029530Generic 2.0 Mail art, Copyleft by Manfred Stirnemann by tomislavmedak, http://flickr.com/photos/tomislavmedak/3804029530

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Generic 2.0 And free as in beer by elliottbledsoe, http://flickr.com/photos/flashphotographyandscreams/2798838205Generic 2.0 And free as in beer by elliottbledsoe, http://flickr.com/photos/flashphotographyandscreams/2798838205

Page 78: Beyond the Rights Clearance Culture: new ways to think about copyright in film

ALL RIGHTS RESERVED

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SOME RIGHTS

RESERVED

Page 80: Beyond the Rights Clearance Culture: new ways to think about copyright in film

CC is designed to…

• provide standardised licences

• that facilitate sharing

• are flexible

• are easy to use and understand (for people and machines) and

• that apply in the same way anywhere in the world.

AUSTRALIApart of the Creative Commons international initiative

CRICOS No. 00213J

Page 81: Beyond the Rights Clearance Culture: new ways to think about copyright in film

CC Myths

CC is not:• anti-copyright – just another rights

management tool

• the public domain – just giving certain permission in advance

• anti-commercial – can charge for first use, commercial uses, “premium” service, or embed advertising

• right for every situation – entirely voluntary, and won’t be best solution for all creators

AUSTRALIApart of the Creative Commons international initiative

CRICOS No. 00213J

Free, as in beer by Unhindered by Talent available at http://www.flickr.com/photos/nicmcphee/2345633527/ under a Creative Commons Attribution ShareAlike 2.0

licence

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ATTRIBUTION

Page 84: Beyond the Rights Clearance Culture: new ways to think about copyright in film

(BY)

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NON-COMMERCIAL

Page 87: Beyond the Rights Clearance Culture: new ways to think about copyright in film

(NC)

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SHARE ALIKE

Page 90: Beyond the Rights Clearance Culture: new ways to think about copyright in film

(SA)

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NO DERIVATIVE

WORKS

Page 93: Beyond the Rights Clearance Culture: new ways to think about copyright in film

(ND)

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by

by-nc

by-sa

by-nd

by-nc-sa

by-nc-nd

Page 95: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Attribution-ShareAlike• Attribution

AUSTRALIApart of the Creative Commons international initiative

CRICOS No. 00213J

Attribution-Noncommercial

Attribution-NoDerivatives

Attribution-Noncommercial-ShareAlike

Attribution-Noncommercial-NoDerivatives

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CC AS A RESOURCE

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http://creativecommons.org.au/infopacks/findingmaterial

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About 250 million CC objects on the internet

Over 130 million photos on Flickr alone

Thank you for sharing by Clearly Ambiguous available at http://www.flickr.com/photos/clearlyambiguous/39896923/ under a Creative Commons Attribution 2.0 licence

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www.smh.com.au

Eiffel Tower at night by rednuht, http://www.flickr.com/photos/rednuht/275062341/,

Creative Commons Attribution 2.0 http://creativecommons.org/licenses/by/2.0/deed.en

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Generic 2.0 Andy in the VAB by adactio, http://flickr.com/photos/adactio/301112397Generic 2.0 Andy in the VAB by adactio, http://flickr.com/photos/adactio/301112397

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http://openchannel.org.au/blogs/videoslam/

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http://www.pool.org.au/

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CRICOS No. 00213J

Powerhouse Museum

• released 1500 public domain photographs to Flickr Commons

• ‘Play’ worksheets available under CC BY-NC

• encouraged CC for ‘photo of the day’

• collection descriptions and data under CCWoman holding decorated bicycle, Phillips Glass Plate Negative Collection, Powerhouse Museum, www.powerhousemuseum.com/collection/database/collection=Phillips_Glass_Plate_Negative

• 20x increased visitation

• crowd-sourced metadata

• unexpected discoveries (eg locations)

• partnerships (eg ABC)

• reduced costs for Australian community (eg

schools)

• didn’t hurt sales

promotional + other benefits = net +ve $

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Generic 2.0 IBM Think D100 Test by Howdy, I'm H. Michael Karshis, http://flickr.com/photos/hmk/2741404653Generic 2.0 IBM Think D100 Test by Howdy, I'm H. Michael Karshis, http://flickr.com/photos/hmk/2741404653

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LICENCE COMPLIANCE

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NEED NON-© RIGHTS?

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DON’T BE DEROGATORY

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ATTRIBUTE

Page 116: Beyond the Rights Clearance Culture: new ways to think about copyright in film

USE COMMON SENSE

Page 117: Beyond the Rights Clearance Culture: new ways to think about copyright in film

LICENSING YOUR WORK

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Australia 2.5 Which Creative Commons licence is right for me? by ccAustralia, http://creativecommons.org.au/factsheets/licensing-flowchartAustralia 2.5 Which Creative Commons licence is right for me? by ccAustralia, http://creativecommons.org.au/factsheets/licensing-flowchart

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the tide of ‘big screen movie-and-popcorn’ enthusiasts did not exchange the box office lines for their computers . . . if there were no demand, the film would not have returned to the big screen

http://www.cafune.com/

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Many of these videos address concerns that are largely ignored by other funding and distribution outlets. . . Creative Commons provides a very usable framework for filmmakers … They can allow reproduction and distribution while preserving some rights . . .that leaves open the potential to recoup production funds through commercial distribution of their work. – Anna Helm

http://www.engagemedia.org/

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Sita Sings the Blues – Nina PaleyTotal donations from people who appreciate her giving out free content: $23,000 Profits from her online store which sells merchandise and DVDs: $19,000 Theatrical distribution revenues: $3,000 (out of total box office tally of $22,350) Additional DVD distribution: $3,000 Broadcast television distribution: $3,000 Revenue from Central Cinema in Seattle which showed the film: $4,000 Grand total: $55,000

http://www.sitasingstheblues.com/

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Connect With Fans (CwF) + Reason To Buy (RtB) = Business ModelMike Masnick, Techndirt (Midemnet, Feb 2009)

http://techdirt.com/articles/20090201/1408273588.shtml

While the traditional industries are resisting, new players like Apple are taking the spoils

- Joe Trippi, Obama campaign adviser

The question to ask is, "What portion of the world knows my brand?" - Jonathon Schwartz, COO Sun Microsystems (CNET, Aug 2007)

Creative Commons is like having 100,000 free publicity officers.- Pete Foley, Black brow (http://wiki.creativecommons.org/Black_brow)

My fans' tireless evangelism for my work doesn't just sell books - it sells me. - Cory Doctorow, author (Forbes, Jan 2006)

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Two Fists, One Heart• using CC as a promotional tool• Aussie film released 30 minutes of unused

footage and soundtrack under CC BY (March 2009)

• To encourage remixing, running competition with AFTRS - best 5 remixes get posted to Disney’s official site

“To me, the thought of footage being wasted and unused when someone could make something really creative with it was a real shame. There are so many people out there cutting great videos and posting them on YouTube, but the biggest barrier is often having the footage to play with. This way we could give them something to use - and the footage is what professional editors deal with - and promote the film at the same time - it was a win-win.”

– Brownen Clune, Norg Media

• Suggested by publicists Norg Media, to give value to junk material

http://cutyourownscene.com/

Page 125: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Revver • Advertising supported• Video sharing site with embedded advertising –

money split 50/50 with creators• All videos under Creative Commons BY-NC-ND

licence – to allow for maximum distribution• Success story – Eepybird.com’s “Extreme diet

coke and mentos experiment” - watched over 6 million times; made US$30,000 in first year

• Now hosts other popular video series - eg Lonelygirl15, “ask a ninja”

• Countless previews

http://www.revver.com/

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Beatpick

• ‘premium service’ model• ‘Fairplay’ music label• All music downloadable DRM free under Creative

Commons BY-NC-SA licence• Sells ‘high quality’ downloads• Negotiates ‘commercial’ licences • Success story – “Memories Child” by Jamison Young

(Australian musician) licensed for “The X-Files: I Want to Believe“ feature film

• Has also licensed material for ads, video games, corporate events, political campaigns

http://www.beatpick.com/

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United States 2.0 Ghosts I-Iv (cover) by Nine Inch Nails, http://ghosts.nin.comUnited States 2.0 Ghosts I-Iv (cover) by Nine Inch Nails, http://ghosts.nin.com

9 tracks free download36 tracks licensed5 payment options$300 ultra deluxe package2500 unitssold out in 30 hoursamazon’s highest selling MP3s

Page 128: Beyond the Rights Clearance Culture: new ways to think about copyright in film

United States 2.0 Ghosts I-Iv (cover) by Nine Inch Nails, http://ghosts.nin.comUnited States 2.0 Ghosts I-Iv (cover) by Nine Inch Nails, http://ghosts.nin.com

“The end result is a wildly varied body of music that we're able to present to the world in ways the confines of a major record label would never have allowed – from a 100% DRM-free, high-quality download, to the most luxurious physical package we've ever created.” – Trent Reznor

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Generic 2.0 IBM Think D100 Test by Howdy, I'm H. Michael Karshis, http://flickr.com/photos/hmk/2741404653Generic 2.0 IBM Think D100 Test by Howdy, I'm H. Michael Karshis, http://flickr.com/photos/hmk/2741404653

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DO I HAVE THE RIGHTS?

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HOW DO I WANT TO

ENGAGE, AND WITH WHO?

Page 132: Beyond the Rights Clearance Culture: new ways to think about copyright in film

WHAT’S MY BUSINESS MODEL?

Page 133: Beyond the Rights Clearance Culture: new ways to think about copyright in film

WHAT DO I WANT?

Page 134: Beyond the Rights Clearance Culture: new ways to think about copyright in film

Thanks

creativecommons.org

wiki.creativecommons.org/casestudies

creativecommons.org.au

[email protected]

CRICOS No. 00213J

This slide show is licensed under a Creative Commons Australia Attribution licence. For more information see

http://creativecommons.org/licenses/by/2.5/au/.

Images in the slideshow are licensed as marked.

Carpeted com

mons by G

lutnix, http://ww

w.flickr.com

/photos/glutnix/2079709803/in/pool-ccswagcontest07 available

under a Creative C

omm

ons Attribution 2.0 licence, http://creativecom

mons.org/licenses/by/2.0/deed.en