berklee college - fingering patterns guitar.pdf
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FREE music lessons from Berklee College of MusicA Modern Method for Guitar Volume 2 William Leavitt Section One Four Basic Major-Scale Fingering Patterns
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SECTION ONE Four Basic Major-Scale Fingering Patterns
TYPE 1 (s): Finger Stretch
TYPE 2
TYPE 3
TYPE 4
Remember: Do not move entire hand. TYPE 1 All out-of-position scale tones played with rst-nger stretches (See Vol. I, pg. 60.)4 2 4 1 2 1 3 4 2 4 (s) 1 2
C Major
&4 4II
5 4 3
2
1 4
4
(s) 2
4 3
2
1
4
2
(s) 1
1
2
w5 6 5
TYPE 2
No nger stretches necessary for scale tones
G Major
# 4 & 4II
w2 4 1 2 4 1 3 4 1 3 4 2 4 1 1
2 4
4
6
5
3
2
1
2
3
4
5
6
TYPE 3
No stretches
D Major
# & # 4 4II
w4 1 3 4 1 3 1 2 4 4 3 1 4 2 1
4 1 2
5 4
3
2
1
2
3
4
5
6
5
TYPE 4
All out-of-position scale tones played with fourth-nger stretches
A Major
### 4 & 4II
w4 1 3 4 3 1 1 4 3 1
(s) 1 1 3 4
3 4 2 4 1
(s) 4 3
4
3
6 5
2
1
2
3
4
5
6
All scales (major and minor, etc.) will be derived from these four basic major-scale patterns. Ultimately, ve major keys will be possible in each position with Type 1 and its four derivative ngering patterns: 1A, 1B, 1C, and 1D. This also applies to Type 4 and its derivatives: 4A, 4B, 4C, and 4D. Fingering Types 2 and 3 have no derivative major ngering patterns.3
C MajorAscending (Five Positions)FINGERING TYPE 1
4 .. .. &4 II 2 4 1 2 2 4 1 4 2
5
4
1
3
4
(s) 1
2
4
(s) 1
1 3 1 3 1
TYPE 44 1
1 3 (s) 4 1 3 4 3 1
V32 4 1 3 4 3 1
(s) 4
3
1
4
3
1
.. .. V 5
1 3 (s) 4 _ 4 1 4 3 1 4 2 1 4
VII TYPE 2 .. . . VII 44 1 3 4 2 4 1 2 1 3 4 2 4 1 2 4
6
4
1
_
1
2
4
1
2 4 2 1 4 2 1
(s) 4
2
IX TYPE 1A .. . . IX 4 1 2 4 1 2
5
1
2
4
1
2
4
2
4
(s) 1
2
4
6
XII TYPE 3 .. .. 1 2 1 3 1 1 3 1 4 3 1 2 4 2
3
4
1
3
4
1
3
1
2
4
1
2
4
3
1
4
2
1
XII
5
w(s): FINGER STRETCH
5
C MajorDescending (Five Positions)FINGERING TYPE 34
4 &4XII5
TYPE 1A(s) 1
4
2
IX6
_ IX 3 1 2 1 4 2 1
(s) 1
3
TYPE 22
2
(s) 1 _ 1
4
VII
VII
_ 2 1 1 3 1 (s) 1
TYPE 44
2
V
TYPE 12
3 1 3 1 4
3
II
II5
w
6