baroque music george freidrich handel part i renaissance music baroque music

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Page 1: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music
Page 2: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Baroque MusicGeorge Freidrich Handel

Page 3: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Part I

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Renaissance Music

Baroque Music

Page 5: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Renaissance Polyphony(Palestrina)

too sophisticated;can’t understand all those voices!!!

They even sing in Latin!*?#!

Page 6: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Protestant Church (the Reformation)Catholic Church

Page 7: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Protestant Church (the Reformation)Catholic Church

Simplify musical expression

Page 8: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Part II

Page 9: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Opera

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Opera

Musical and theatrical performance. The lines (dialogue) sung, not spoken

Page 11: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Recitative

Page 12: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Baroque composers looked back to Greek theatre

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Text sung with musical accompaniment

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Result was a recitative:

single vocal line with simple instrumental accompaniment

Within the Messiah, the recitative acts as an informational segue to the

narrative

Page 15: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Much easier to understand music (vocal lines)

Music gave emotional intensity to performance.

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Oratorio

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Oratorio:

Music set to stories derived from Bible

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Recitatives normally secular

Oratorios normally sacred

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Part III

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George Frideric Handel (1685–1759)

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Child Prodigy

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By the age of seven he was a skillful performer on the harpsichord and

organ, and at nine he began to compose music.

Page 23: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Father wanted him to study LAW, but he died and Handel turned to…

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Music

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He moved to Hamburg, accepting a position as violinist and harpsichordist in the orchestra of

the opera-house.

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In 1710 Handel became Kappellmeister (Choir Master) to George, Elector of Hanover, who

would soon be King George I of Great Britian.

Page 27: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

He visited London in 1710 and settled there permanently in 1712, receiving a yearly

income of £200 from Queen Anne.

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In 1723, Handel moved into a newly built house in Brook Street, London,

where he rented until his death 36 years later.

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Handel lived at 25 Brook Street, London, now commemorated by a blue plaque on the outside of the

building.

It was here that he composed Messiah

Next door at 23 Brook Street is another blue plaque for a more modern musician……….

Page 30: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Handel lived at 25 Brook Street, London, now commemorated by a blue plaque on the outside of the building.

It was here that he composed Messiah

Next door at 23 Brook Street is another blue plaque for a

more modern musician, Jimi Hendrix.

Page 31: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

If you don’t believe it, look at this photo of Mr. Holdren

outside the apartments on Brooke Street in London in

March 2011.

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Page 33: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Part IV

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Handel’s Messiah

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Handel’s Messiah

sacred Oratorio

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Composed in 24 days

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Thematic Outline for Messiah

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Thematic Outline for Messiah

1. Messianic prophecy: the coming of Christ

Page 39: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Thematic Outline for Messiah

1. Messianic prophecy: the coming of Christ

2. Suffering and death of Christ. The defeat of humanity and the spread of God’s doctrine

Page 40: Baroque Music George Freidrich Handel Part I Renaissance Music Baroque Music

Thematic Outline for Messiah

1. Messianic prophecy: the coming of Christ

2. Suffering and death of Christ. The defeat of humanity and the spread of God’s doctrine.

3. Redemption of Humanity through Christ; overthrow of death; and a hymn of thanksgiving.

This is the same theme as the Sistine Ceiling!!!!

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O=Orchestra; R=Recitative; A=Aria, C=Chorus

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Aria= a solo piece; emphasizing great emotion; noted for high pitches—a soaring sound—particular to Italian operas. Love is an often used subject for arias

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CHORUS:

And the glory of the Lord shall be revealed.And all flesh shall see it together, for the mouth of the Lord hath spoken.

(Isaiah 40:5)

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Recitative:

Behold, a virgin shall conceive, and bear a son, and shall call his name Emmanuel, “God with us”.

(Isaiah 7:14/Matthew 1:23)

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Aria (air):

I know that my Redeemer liveth, and that he shall stand at the latter day upon the earth. And though worms destroy this body, yet in my flesh I see God.

(Job 19:25-26)

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Chorus:

Hallelujah, for the Lord God Omnipotent reigneth, Hallelujah!The Kingdom of this world is become the Kingdom of our Lord and of his Christ, and he shall reign for ever and ever, Hallelujah!King of Kings, and Lord of Lords, and he shall reign for ever and ever, Hallelujah!

(Revelation 19:6, 11:15, 19:16)