baroque baroque 1600-1750. 1600 – the modern world
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Baroque1600-1750
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1600 the modern world
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The old way a network of loyaltiesCITYCITYCITYCITY
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The new way THE STATECITYCITYCITYCITY
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This idea in art Versailles p. 278-79
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BaroqueChange from church to absolute monarchyExemplified by Louis 14th and Versaillesan insult -grotesque- applied to design & architecturecomes to mean: light, energy, motion, drama in painting & sculpture
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Baroque
comes to mean: light, energy, motion, drama also: complex, ornamented, convoluted
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Artists El Greco - Spain Caravaggio - Italy Bernini Italy Rubens - France Rembrant Holland Vermeer - Holland
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El Greco,The Burial of Count Orgaz,1586p. 258
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Detail, The Burial
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Detail,The Burial
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El GrecoView of Toledoc. 1597Oil on canvas47 3/4 x 42 3/4 in.
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El GrecoLaocoon1608-1614Oil on canvas142 x 193 cm2-faced woman
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El Greco The Adoration of the Shepards
The Resurrection
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CaravaggioThe Calling of St. Matthew, c. 1600KEY IMAGEp. 269
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From the Renaissance stability of the triangle or pyramid(the balance valued in Classicism) to the DRAMATIC DIAGONAL of the Baroque
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Caravaggio Murderous, difficult personality perhaps as notorious as famous worked from life directly in oil, no intervening sketching controversial style considered sacrilegious by some used contemporary peasants & common settings for Biblical stories followers called Caravaggisti reputation languished; rehabilitated in 20th-Century
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CARAVAGGIO Bacchusc. 1597Oil on canvas37 3/8 x 33 1/2 in
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CaravaggioAmor Vincit Omniac. 1601-02Oil on canvas75 1/4 x 58 1/4 in
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CARAVAGGIOThe Crucifixion of Saint Peter1600-1601Oil on canvas90 1/2 x 70 in
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Supper at Emmaus, c.1601
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Caravaggio,The Conversion of St. Paul,1600-1601
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Gentileschi,Judith Slaying Holofernes,1620FAMOUS FEMALE ARTIST;A CARAVAGGISTIp. 269; on final!
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Bernini,Ecstasy of St. Teresa,1647-52KEY IMAGEpp. 267-268
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Bernini,David,1623-24p. 266
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Bernini,Baldacchino of St. Peters1624-33Gilt bronze,Height approx. 100 ft.p. 263
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Vatican p. 265
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Velazquez, Las Meninas, 1656p. 260
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SUMMARY BAROQUE ARTPOLITICS: emergence of The StateART: light, motion, drama, complex, ornamented, convoluted, diagonalCHURCH still an active patron with the energy of the Counter-ReformationROYAL patronage & PRIVATE patronage shape tastes tooIDEAS: scientific method
Not fortified(121.3 x 108.6 cm) The Metropolitan Museum of Art, New York Twisted poseCaravaggio, Michelangelo Merisi da Amor Vincit Omnia c. 1601-02 Oil on canvas 75 1/4 x 58 1/4 in
CARAVAGGIO, Michelangelo Merisi da The Crucifixion of Saint Peter 1600-1601 Oil on canvas 90 1/2 x 70 in. Cerasi Chapel, Santa Maria del Popola, Rome
Sacrifice of Isaaco