"Bad for the Glass": Representation and Filmic Deconstruction in Chinatown and Chan isMissingAuthor(s): William GalperinSource: MLN, Vol. 102, No. 5, Comparative Literature (Dec., 1987), pp. 1151-1170Published by: The Johns Hopkins University PressStable URL: http://www.jstor.org/stable/2905315Accessed: 29/04/2010 09:33

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Issue Table of ContentsMLN, Vol. 102, No. 5, Comparative Literature (Dec., 1987), pp. 989-1272Volume Information [pp. 1249 - 1253]Front MatterThe Witty Butcher's Wife: Freud, Lacan, and the Conversion of Resistance to Theory [pp. 989 - 1013]Remembering Swann: Memory and Representation in Proust [pp. 1014 - 1042]Comedy and Modernity: Dante's Hell [pp. 1043 - 1061]Autopsies of Faith in Kierkegaard's Philosophiske Smuler [pp. 1062 - 1089]Bourgeois Class Position and the Esthetic Representation of Class Interest: The Social Determination of Taste [pp. 1090 - 1121]Genre and Structure: Toward an Actantial Typology of Narrative Genres and Modes [pp. 1122 - 1150]"Bad for the Glass": Representation and Filmic Deconstruction in Chinatown and Chan is Missing [pp. 1151 - 1170]NotesFilm and Fiction: Hitchcock's Vertigo and Proust's "Vertigo" [pp. 1171 - 1181]Pass Simple: The Essay as Autobiographical Form in Jean-Paul Sartre [pp. 1182 - 1190]

Reviewsuntitled [pp. 1191 - 1196]untitled [pp. 1196 - 1201]untitled [pp. 1201 - 1206]untitled [pp. 1206 - 1209]untitled [pp. 1209 - 1212]untitled [pp. 1212 - 1215]untitled [pp. 1215 - 1220]untitled [pp. 1220 - 1222]untitled [pp. 1222 - 1225]untitled [pp. 1225 - 1227]untitled [pp. 1228 - 1230]untitled [pp. 1230 - 1233]untitled [pp. 1233 - 1235]untitled [pp. 1235 - 1238]untitled [pp. 1238 - 1241]untitled [pp. 1241 - 1244]untitled [pp. 1244 - 1247]untitled [pp. 1247 - 1248]

AAUP Benchmarks: 1988 [pp. 1255 - 1272]Back Matter [pp. 1254 - 1254]