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Especially when it comes to public money it has to be equal. Jane Campion, Cannes 2014 APPEAL to female colleagues, female supporters and male supporters PRO QUOTE REGIE was founded one year ago. In the meantime, we are more than 340 female directors who stand up for the equality of women in our profession. Discussions with film funding officials and politicians have confirmed our endeavour. We would appreciate your support as signatory of this appeal. Please mail to: [email protected] (for directors) or to: [email protected] (for supporters). The impulse for the creation of our association was an article in the film industry magazine black box, which examined the production results of two large German film funds from autumn 2012 in terms of gender equality. The numbers were alarming: in all 47 of the funded cinema projects, men exclusively occupied the position of director. The numbers of the DFFF (German Federal Film Fund) from 2013, which automatically provides awards without a jury’s decision, are similar. In all of the 115 projects funded by the DFFF only 13 had female directors. For the final bids, this means that of the 62.5 million that the DFFF awarded in 2013, only 6 million went to female directors. In 2014 the DFFF awarded 59.5 million and only 7.5 million were awarded to women directors. In awarding contracts by TV productions, which are the bottleneck of filmmaking in Germany, the situation does not look different. Our analysis of publicly available sources found that: in the last ten years, less than 15 per cent of the director jobs in television were awarded to women, from 2010 to 2013, only 11 per cent. But the numbers of film school graduates shows a very different picture: 42 per cent of those who received the director diploma were women. An imbalance! This affects not only the working conditions of female directors, but also has a cultural and political dimension. In our diverse society with different religions, races and cultures, 85 per cent of cinema and television films are directed by men. Where are the other perspectives and opinions? We need a variety of perspectives to represent our world in our films! Should it be the case that as many people as possible switch on and watch, but only as few as possible actually participate? The ultimate result of a lack of pluralism is the weakening of democracy, but also the weakening of competitiveness! For some time, TV has been in search of renewal, and reforms of our film funding system are constantly discussed. A systematic equalization in the distribution of

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„Especially when it comes to public money it has to be equal.“ Jane Campion, Cannes 2014

 

APPEAL        

to  female  colleagues,  female  supporters  and  male  supporters  

PRO  QUOTE  REGIE  was  founded  one  year  ago.  In  the  meantime,  we  are  more  than  340  female  directors  who  stand  up  for  the  equality  of  women  in  our  profession.  Discussions  with  film  funding  officials   and   politicians   have   confirmed   our   endeavour.   We   would   appreciate   your   support   as  signatory   of   this   appeal.   Please   mail   to:   [email protected]   (for   directors)   or   to:  [email protected]  (for  supporters).  

The  impulse  for  the  creation  of  our  association  was  an  article  in  the  film  industry  magazine  black  box,  which  examined  the  production  results  of  two  large  German  film  funds  from  autumn  2012  in  terms  of  gender  equality.  The  numbers  were  alarming:   in  all   47  of   the   funded  cinema  projects,  men   exclusively   occupied   the   position   of   director.   The   numbers   of   the  DFFF   (German  Federal  Film  Fund)  from  2013,  which  automatically  provides  awards  without  a  jury’s  decision,  are  similar.  In  all  of  the  115  projects  funded  by  the  DFFF  only  13  had  female  directors.  For  the  final  bids,  this  means   that   of   the   62.5  million   that   the   DFFF   awarded   in   2013,   only   6  million   went   to   female  directors.   In  2014   the  DFFF  awarded  59.5  million  and  only  7.5  million  were  awarded   to  women  directors.  

In  awarding  contracts  by  TV  productions,  which  are  the  bottleneck  of  filmmaking  in  Germany,  the  situation  does  not  look  different.  Our  analysis  of  publicly  available  sources  found  that:  in  the  last  ten  years,   less  than  15  per  cent  of   the  director   jobs   in  television  were  awarded  to  women,  from  2010  to  2013,  only  11  per  cent.  

But  the  numbers  of  film  school  graduates  shows  a  very  different  picture:  42  per  cent  of  those  who  received  the  director  diploma  were  women.  An  imbalance!  

This   affects   not   only   the   working   conditions   of   female   directors,   but   also   has   a   cultural   and  political  dimension.  In  our  diverse  society  with  different  religions,  races  and  cultures,  85  per  cent  of   cinema   and   television   films   are   directed   by   men.   Where   are   the   other   perspectives   and  opinions?  We  need  a  variety  of  perspectives  to  represent  our  world  in  our  films!  Should  it  be  the  case  that  as  many  people  as  possible  switch  on  and  watch,  but  only  as  few  as  possible  actually  participate?  The  ultimate  result  of  a  lack  of  pluralism  is  the  weakening  of  democracy,  but  also  the  weakening  of  competitiveness!  For  some  time,  TV  has  been  in  search  of  renewal,  and  reforms  of  our  film  funding  system  are  constantly  discussed.  A  systematic  equalization  in  the  distribution  of  

director   assignments   to  women   is   an   essential   step   to   promote   pluralism,   -   50   per   cent   of   the  society  are  women  -  to  expand  the  view  of  the  world  and  thereby  set  a  desired  renewal  in  motion.  

We  are  convinced   that  discrimination  against  women  does  not  happen  programmatically,  but   to  the   greatest   extent,   unconsciously.   Of   course   we   will   also   put   our   own   behaviour   under   the  microscope!  PRO  QUOTE  REGIE  is  committed  to  education;  through  public  relations  we  want  to  create  public  awareness.  

A  look  abroad:  there,  female  directors  have  formed  similar  initiatives,  sometimes  in  collaboration  with  the  politicians.  

SWEDEN:  Due   to   the  Film  Agreement   between   the   government,   parliament,   film   producer   and  television  stations,  50  per  cent  of  the  film  funding  budgets  have  to  be  awarded  to  women  in  the  position  of  director,  screenplay  or  production  by  the  end  of  2015.  Outstanding!  

FRANCE:  Three  women  from  film  marketing  have  founded  Le  Deuxième  Regard  and  brought  to  life   the  Charter   for   Equality   Between  Men   and  Women   in   the   Film   Industry,   in   which   they   call  upon  production  companies,  TV  stations  and  politicians  to  voluntarily  commit  to  hire  more  women  in  film  and  television.  Their  concern   is   to  break  down  gender-specific  statistics  by  gender,   to  be  equally   represented   in  all   decision-making  bodies,   to   raise  awareness  of   gender  equality.  They  also   want   to   ensure   equal   pay   for   men   and   women.   ARTE,   CNC   and   the   French   Minister   of  Culture,  among  others,  have  signed  the  appeal.  

ENGLAND:  The  Women's  Committee  of  Directors  UK  has   launched  a   campaign   for   equality   in  film  and  TV.  Their  numbers  show  that  women  are  represented  in  the  independent  sector  with  only  18  per  cent  and   that   this   is  only   in   the   low  budget   range.   In   the   television  sector,  women  have  even  lost  influence.  

USA:   The   American   Director   Association   (DGA)   commissioned   a   diversity   study   in   2012,   the  result  of  which  corresponds  with  our  research  for  Germany:  less  than  15  per  cent  of  the  director  contracts  were  awarded  to  female  directors.  

PRO  QUOTE  REGIE  demands  for  Germany:  − A   comprehensive   sociological   study   on   the   career   and   professional   situation   of   female  

directors,   and   the   granting   practices   of   TV   stations   and   film   funding   bodies   regarding  gender  specific  aspects  

− Equal  representation  in  the  decision-making  of  all  film  funding  bodies  

− A  quota  for  the  award  of  director  contracts  in  television  and  film  industry,  namely:  

 

   30%  in  3  years,  42%  in  5  years  and    50%    in  10  years    

 

THE  VISION  

2018.  The  proportion  of  female  directors  in  the  award  of  contracts  in  the  public  TV  channels  has  increased  to  30  per  cent.  The  proportion  of  women  in  the  award  committees  is  50  per  cent.  

2020:  The  proportion  of  female  directors  in  the  award  of  contracts  in  the  public  TV  channels  has  increased  to  42  per  cent.  

2025:  The  national  film  funding  goes  50  per  cent  to  female  directors.  The  quota  is  no  longer  an  issue;  variety  and  diversity  are  reflected  in  television  and  in  the  funding  decisions.  PRO  QUOTE  REGIE  is  abolished!  

Of  course,  our  aim  is  an  ideal.  The  drafters  of  our  Constitution  in  1949  did  the  same,  when  they  proposed,  among  other  things,  the  article  3,  paragraph  2:  "Men  and  women  are  equal.  The  state  promotes   the  actual   implementation  of  equal   rights   for  women  and  men  and  works   towards   the  elimination  of  existing  disadvantages."  

To  achieve  our  goals,  we  need  your  solidarity  and  support!  Please  sign   this  appeal,  please  get  touch   with   our   association,   bring   our   concerns   to   your   personal   environment,   and   be   active  yourself:   We   need   many   people   who   are   willing   to   take   responsibility   in   committees,   in  associations,  on  podiums,  in  public!  Make  yourself  visible!  

To  subscribe,  or  join  the  association,  please  send  a  short  email  to:  [email protected]  (for  female  directors)  and  [email protected]  (for  supporters).  

Visit  us  on  www.proquote-governing.de  or  on  Facebook:  https://www.facebook.com/proquoteregie  

With  your  signature  you  agree  that  your  name  will  be  made  public.  Thank  you  very  much!  

So  far  have  signed  the  appeal:    

The   female   directors: Vanessa   Aab,   Maren   Ade,   Alice   Agneskirchner,   Daniela   Agostini,  Kerstin   Ahlrichs,   Barbara   Albert,   Irene   v.   Alberti,   Claudia   von   Alemann,   Sophie   Allet-Coche,    Elena   Alvarez,   Viviane   Andereggen,   Annette   Assmy,   Mo   Asumang,   Emily   Atef,   Johanna   Aust,  Helga   Bahmer,   Christiane   Balthasar,   Ilona   Baltrusch,   Katrin   Barben,   Sabine   Barth,   Neelesha  Barthel,  Patricia  Bateira,  Solvejg  Bauer,  Edda  Baumann,  Ulla  Bay  Kronenberger,  Cynthia  Beatt,  Hilde   Bechert,   Pola   Beck,   Christin   Berg,   Judith   Beuth,   Britt   Beyer,   Barbara   Biegel,   Sophia  Bierend,   Susanne   Binninger,   Juliane   Block,   Maria   Blumencron,   Ina   Borrmann,   Julia   Bossert,  Carolin  Brandl,  Nancy  Brandt,  Bettina  Braun,  Inga  Bremer,  Franziska  Buch,  Eileen  Byrne,  Maria  Teresa   Camoglio,   Gesine   Danckwart,   Daniela   Dar-Creutz,   Felicitas   Darschin,   Anika   Decker,  Miriam   Dehne,   Marlene   Denningmann,   Sabine   Derflinger,   Seyhan   Derin,   Catharina   Deus,  Madeleine   Dewald,   Hanna   Doose,   Doris   Dörrie,   Katja   Dringenberg,   Katja   Duregger,   Sonja  Dürscheid,  Christina  Ebelt,  Sabine  Eckhard,  Carmen  Eckhardt,  Sil  Egger,  Martina  Elbert,  Sylke  Enders,   Silke   C.   Engler,   Aysin   Eralp,   Annette   Ernst,   Katinka   Feistl,   Juliane   Fezer,   Heike   Fink,  

Julia   Finkernagel,   Laura   Fischer,   Azize   Flittner,   Martina   Fluck,   Kristina   Förtsch,     Lillian   Frank,  Maren-Kea  Freese,  Verena  S.  Freytag,  Gloria  Gammer,  Claudia  Garde,  Mechthild  Gaßner,  Katrin  Gebbe,   Almut   Getto,   Nora   Gielke,   Katalin   Gödrös,   Aelrun   Goette,   Susan   Gordanshekan,   Ayla  Gottschlich,  Irene  Graef,  Valeska  Grisebach,  Esther  Gronenborn,  Nina  Grosse,  Juliane  Großheim,  Alexandra  von  Grote,  Cornelia  Gruenberg,  Delia  Gyger,  Petra  Haffter,   Janin  Halisch,  Lioba  von  Hardenberg,   Andrea  Harkin,   Carola  Hauck,  Helene  Hegemann,  Hanna  Maria  Heidrich,   Claudia  Heindl,   Julia   von   Heinz,   Sonja   Heiss,   Maria   von   Heland,   Eva   C.   Heldmann,   Sophie   Heldman,  Carolina  Hellsgård,  Anna  Henckel-Donnersmarck,  Maria  Hengge,  Janine  Hennig,  Juliane  Henrich,  Anke   Hentschel,   Sabine   Herpich,   Kordula   Hildebrandt,   Dagmar   Hirtz,   Sigrid   Hoerner,   Anna  Hofmann,   Petra   Hoffmann,   Ilse   Hofmann,   Maike   Höhne,   Irene   Höfer,   Claudia   Holz,   Kerstin  Honeit,   Sherry   Hormann,   Ullabritt   Horn,   Helena   Hufnagel,   Hermine   Huntgeburth,   Anne-Kristin  Jahn,  Lih  Janowitz,  Friederika  Jehn,  Vanessa  Jopp,  Karin  Jurschick,  Christine  Kabisch,  Cordula  Kablitz-Post,   Henriette   Kaiser,   Inka   Kallwass,   Iman   Kamel,   Steffi   Kammermeier,   Antoinette  Karma,  Marina  Kem,  Döndü  Kilic,  Sophie  Kill,  Imogen  Kimmel,  Caroline  Kirberg,  Solveig  Klaßen,  Isabell   Kleefeld,   Caterina   Klusemann,   Dagmar   Knöpfel,   Kristina   Konrad,   Felicitas   Korn,   Heidi  Kranz,   Kerstin   Krause,   Korinna   Krauss,   Nicoletta   Krebitz,   Franziska   Krentzien,   Jessica  Krummacher,   Antje   Kruska,   Leonie   Kurz,   Ute   Langkafel,   Birgit   Lehmann,   Gosia   Lehmann,  Antonia   Lerch,   Susanna   Leu,   Mirjam   Leuze,   Francesca   Levorato   Sarkis,   Lena   Liberta,   Mónica  Lima,  Caroline  Link,  Gaby  Lingke,   Ivette  Löcker,  Friederike  Lorenz,  Angelina  Maccarone,   Ingrid  Macziev,  Uschi  Madeisky,  Lilo  Mangelsdorf,  Pia  Marais,  Elisabeth  Mayer,  Anna  Martinetz,  Karola  Meeder,  Sarah  Judith  Mettke,  Doris  Metz,  Sylke  R.  Meyer,  Pamela  Meyer-Arndt,  Sabine  Michel,  Barbara  Miersch,  Helke  Misselwitz,  Beatrice  Moeller,  Erica  von  Moeller,  Maria  Mohr,  Birgit  Möller,  Katharina   Mückstein,   Vanessa   Nica   Mueller,   Vera   Mueller,   Christa   Mühl,   Diana   Näcke,   Vivian  Naefe,  Alexandra  Nebel,  Sandra  Nedeleff,  Marita  Neher,  Sandra  Nettelbeck,  Nana  Neul,  Esther  Niemeier,   Käthe   Niemeyer,   Marie   Noelle,   Dorothea   Nölle,   Wendla   Nölle,   Bettina   Oberli,   Ruth  Olshan,   Carolin   Otterbach,   Carolin   Otto,   Jana   Papenbroock,   Daniela   Parr,   Nathalie   Percillier,  Maggie  Peren,  Christina  Perincioli,  Katharina  Peters,  Marion  Pfaus,  Maris  Pfeiffer,  Vivien  Pieper,  Stefanie  Platen,  Franziska  Pohlmann,  Alexandra  Pohlmeier,  Ayse  Polat,  Sonja  Pollikeit,    Kerstin  Polte,  Mischka  Popp,  Claudia  Prietzel,  Anne  Pütz,  Susann  S.  Reck,  Maya  Reichert,  Anne  Kristin  Reyels,  Ziska  Riemann,  Barbara  Rohm,  Jule  Ronstedt,  Claudia  Rorarius,  Caroline  Rosenau,  India  Roth,  Katrin  Rothe,  Margrét  Rún,  Susanna  Salonen,  Hanna  Salzer,  Yasemin  Samderelli,  Helke  Sander,   Silvana   Santamaria,   Katarina   Schickling,   Ika   Schier,     Franziska   Schlotterer,   Claudia  Schmid,  Carolin  Schmitz,  Susanne  Schneider,  Bettina  Schoeller-Bouju,  Franziska  Schönenberger,  Sarah   Schreier,   Marieke   Schroeder,   Alexa   Schulz,   Birgit   Schulz,   Andrea   Schwalbach,   Petra  Seeger,  Christina  Seitz-Ferro,  Satu  Siegemund,  Helen  Simon,  Maru  Solores,  Hilde  Stark,  Tamara  Staudt,   Irma-Kinga   Stellmach,   Sabine   Steyer,   Julia   Stiebert,   Marita   Stocker,   Ula   Stöckl,   Britta  Stöckle,   Eva   Stotz,   Katja   Straub,   Pia   Strietmann,   Franziska   Stünkel,   Isabell   Suba,   Stefanie  Sycholt,   Magda   Szymkow,   Sibylle   Tafel,   Barbara   Teufel,   Frauke   Thielecke,   Clarissa   Thieme,  Anne   Thoma,   Ines   Thomsen,   Sibylle   Tiedemann,   Tina   von   Traben,  Monika   Treut,   Desirée   von  Trotha,  Margarethe   von   Trotta,  Gisela   Tuchtenhagen,   Tini   Tüllmann,   Tatjana   Turanskyj,   Nergis  Usta,  Ulrike  Vahl,  Gwendolen  Van  Der  Linde,  Anett  Vietzke,    Petra  Volpe,  Marie-Theres  Wagner,  Petra  Wagner,    Ulla  Wagner,  Anna  Wahle,  Julia  Walter,  Connie  Walther,  Britta  Wandaogo,  Nicole  Weegmann,  Mareike  Wegener,  Saskia  Weisheit,  Esther  Wenger,  Birgitta  Weizenegger,  Christine  E.   Wiegand,   Ute   Wieland,   Anne   Wild,   Bettina   Wilhelm,   Claudia   Willke,   Lisa   Wimmer,   Bettina  

Woernle,   Monika   Anna   Wojtyllo,   Katharina   Woll,   Ariane   Zeller,   Micaela   Zschieschow,   Angela  Zumpe.  The  supporters:    Claudia  Apel  (Artist),  Michael  Andre  (Journalist),  Stefan  Arndt  (Head  Producer  X  Filme),  Christine  Aufderhaar  (Film  Score  Composer),  Heinz  Badewitz  (Festivaldirector  Int.  Hofer  Filmtage),  Michael  Ballhaus   (DOP),   Altea   Bayo   Pérez   (Event   Manager),   Marie   Bäumer   (Actress),   Julia   Beerhold    (Board  Member,  Actors'  Guild),Prof.  Hans-Joachim  Berndt(Filmhouse  Duck  Soup),   Ines  Berwing  (Scriptwriting  Student),    Martin  Blankemeyer  (Managing  Director  Filmhaus  Köln),  Kathrin  Buchner  (Journalist),   Christian   Becker   (Producer   Rat   Pack   Filmproduction),   Bibiana   Beglau   (Actress),  Connie   Beißer   (DOP),   Senta   Berger   (Actress),   Michael   Bertl   (DOP),   Barbara   Biegel   (Artist),  Milena   Bonse   (TV   Editor,   ZDF   Kleines   Fernsehspiel),   Annette   Bruhns   (Journalist,   Instigator  ProQuote-Medien),   Silke   Burmester   (Journalist),   Oliver   Broumis   (Actor),   Anja   Caspary  (Journalist/Radio   Presenter),   Lauro   Cress   (Filmstudent),   Octavia   Crummenerl-Gloggengießer  (Composer   Film   Score)   Susanne   Degener   (Ministery   of   Science   and   Culture,   Niedersachsen),    Kristin  Derfler  (Writer),  Anke  Domscheit-Berg  (Writer,  Journalist),  Angelika  Doucha-Fasching  (TV  Editor  ORF),  Karen  Duve  (Writer),  Sandra  Ehlermann  (Investigator&Director  of  Scriptmakers.de),  Christine  Eichholz  (Theatre  Pedagogy),  Dr.  Rainer  Fabich  (Composer  Filmscore),  Tom  Fährmann  (DOP),   Elke   Ferner   (parlamentarische   Staatssekretärin   beim   BMFSFJ,   ASF-Bundesvors.),  Veronika   Ferres   (Actress),   Jonas   Fischer   (Student),   Ulrike   Folkerts   (Actress),   Esther   Freymadl  (Administration  Senat  Berlin),  Amelie  Fried  (Writer,  TV-Presenter),  Annette  Frier   (Actress),  Marc  Fritzler  (Writer),  Stephan  Geene  (Film  Director),  Nicole  Gerhards  (Producer  NiKo  Films),  Antonia  Gerke  (Actress),  André  Georgi  (Scriptwriter),  Heleen  Gerritsen  (Director  dokumentART  Festival),  Josefina   Gill   (DOP),     Claudia   Gleisner   (Filmeditor),   Pamela   Gräbe   (Internet   Editor/Community  Mgmt.),   Erika   &   Ulrich   Gregor   (Co   Instigators   dt.   Kinemathek   &   Intern.   Forum   of   Berlinale   &  Festivaldirector,   a..m.),   Ingrid   Gündisch   (Director   Theatre),   Birgit   Gudjonsdottir   (DOP),   Angela  Haardt  (Curator),  Martin  Hagemann  (Head  Producer  Zero  Fiction),  Kirsten  Hager  (Head  Producer  Hager   Moss   Film),   Evelin   Haible   (Producer   Geissendörfer   Film-   &   Fernsehproduktion   KG),  Mahelia  Hannemann  (Master  of  Arts,  Media  Science),  Katja  Harms  (Camera  Student),  (Benjamin  Hassmann   (Film  Student,  Martina  Haubrich   (Producer,   Looks  Film&TV),  Clementina  Hegewisch  (Producer),   Peter   Henning   (Writer/Director,   Professor   Scriptwriting),   Jutta   Hercher   (Writer),  Annette   Hess   (Scriptwriter),   Annika   Hohl   (Agent/Verlag   der   Autoren),   Eva   Hubert   (Director,  Filmförderung   Hamburg,   Schleswig-Holstein),     Sigrid   Hupach   (Kulturpolitische   Sprecherin/Die  Linke),   Akiko   Hitomi   (Writer),     Martin   Hoffmann   (Intendant   Berliner   Philharmoniker),   Alfred  Holighaus   (Director   Deutsche   Filmakademie),   Nicole   Houwer-Joens   (Producer/Writer),   Frédéric  Jaeger   (Filmreviewer),  Karin   Jahns   (Equal  Opportunity  Commissioner),  Beate  Jensen   (Actress),  Anne   Juenemann   (Filmeditor),   Franziska   Kabisch   (Filmstudent),   Bernhard   Karl   (Programer  Filmfest  München,   intern.  Program),  Regina  Karner  (Entrepreneur),  Uschi  Keil   (Agent/Above  the  Line),   Bettina   Kenney   (Actress),   Cordelia   Kissling   (lic.phil/Comunication),     Klaus-Peter   Klauner  (Sound   engineer   WDR),   Dr.   Mechthild   Klotz   (Coach,   Mediator),   Bodo   Knapheide   (Director   of  Studies   DFFB),   Daniela   Knapp   (DOP),   Maria   Köpf   (Producer   Zentropa   Entertainments),  Alexandra  und  Meike  Kordes  (Head  Producers  Kordes&Kordes),  Dieter  Kosslick  (Director  of   Int.  Filmfestival   Berlin),   Alexandra   Krampe   (Producer),   Franz   Kraus   (CEO,   ARRI),   Anke   Krause  (Script  Consultant),  Elin  Krause  Halvorsen  (Student  HFF/B  Konrad  Wolf),  Vicky  Krieps  (Actress),  

Nina  Kronjäger  (Actress),  Rainer  Kühn  (Composer  Film  Score),  Konradin  Kunze  (Writer/Director),  Adrian   Kutter,   (Festival   Director   Filmfestspiele   Biberach),   Barbara   Lackermeier   (Actress),  Katharina   Langensiepen   (Sozialpolitische   Sprecherin/Grüne   Ratsfraktion   Hannover),     Anne  Leppin  (Managing  Director  Deutsche  Filmakademie),  Barbara  Liere  (Social  Padagogue),  Barbara  Leu  (Psychotherapist),  Max  Linz  (Director),  Kristina  Löbbert  (Producer  Wüste  Film  West),  Claudia  Loewe   (Managing   Director   DFA   Produktion),   Petra   Lüschow   (Writer),   Hannah   Maag   (Line  Producer),   Nina   Maag   (Producer   Construction   Film),   Fränzi   Madörin   (Artist),   Helen   Mahlke  (Psychologist),  Cristina  Marx   (Filmuniversität   Babelsberg  Release/Distribution),   Sineb  El  Masrar  (Editor  Gazelle,  Writer),    Sophie  Maintigneux  (DOP),  Sabine  de  Mardt  (Head  Producer  Eyeworks),  Falk   Neubert   (Board   Member   MDR-Rundfunkrat,   Die   Linke,   Landtagsabgeordneter   Sachsen),  Gerda   Nieves   Martinez   Lopez   (Producer),     Sabine   Michel   (Writer),   Cornelia   Möhring   (Member  Bundestag),   Anna   Momber-Heers   (Coaching/Acting),   Jossie   Moormann  (Ltd.Regierungsschuldirektorin  a.D.),  E.R.Nehle  (Sculptress),  France  Orsenne  (Producer),  Martin  Ontrop   (Actor),   Yildiz   Özcan   (Producer  Wüstefilm,  West),   Zoltán   Paul   (Filmdirector),   Franziska  Petri   (Actress),   Harald   Petzold   (MdB,   mediapol.Speaker/Die   Linke),   Esther   Maria   Pietsch  (Actress),    Kristl  Philippi  (Script  Consultant),  Franziska  Pohlmann  (Producer  Pohlmann  Creatives),  Sebastian   Popp   (Head   Producer,   Stoked   Film),   Prof.Dr,   Elisabeth   Prommer   (Professor   Media  Studies),  Nadja  Radojevic   (Women   In  Film  and  Television),  Susann  Rauhaus   (Producer,  Script  Consultant),   Uschi   Reich   (Head   Producer),   Silke   Räbiger   (Director   Int.   Frauenfilmfestival  Dortmund/Köln),   Angelika   Ramlow   (Arsenal,   Inst.f.Film   u.Videoart),   David   Jeremy   Rauschning  (Filmeditor),  Annette  Reeker  (Head  Producer  all-in-production),  Edgar  Reitz  (Filmdirector,  Marcel  Reuter  (Press  Relations  Officer  Bündnis90/Die  Grünen),  Katja  Riemann  (Actress),    Peter  Rommel  (Head  Producer  Rommel  Film),  Tabea  Rößner  (Bundestagsabgeordnete,  Bündnis90/Die  Grünen),  Claudia   Roth   (Vicepresident   d.   dt.   Bundestages),   Astrid   Ruppert   (Writer),   Susanne   Sachhsse  (Actress),  Natasha  Saheli-Shahnian   (Political  Scientist),  Anno  Saul   (Filmdirector),  Ulle  Schauws  (Bundestagsabgeordnete,   Bündnis90/DieGrünen),   Till   Schindler   (Actor),     Brigitte   Schlögel   (Art  Director),  Melanie  Schmidli   (Actress),  Volker  Schlöndorff   (Film  Director)  Katrin  Schlösser   (Head  Producer   ö   Filmproduktion),   Raphaela   Schmakoswski   (Therapist),   Maren   Schmitt   (Producer),  Dorothee   Schön   (Writer),   Ruth   Schönegge   (Filmeditor),   Jan   Schütte   (DFFB   Director),   Monika  Schulz-Strelow   (President   FidAR),   Sylvia   Schwarz   (Actress,   Acting   Teacher),   Antje   Sommer  (Journalist),   Manuel   Siebenmann   (Writer/Director),   Dr.   Gabriela   Sperl   (Producer   Sperlfilm),  Claudia   Splitt   (Actress),     Birgit   Stauber   (Actress),   Phillipp   Stendebach   (Producer   Augenschein  Filmproduktion),   Susanne   Stenner   (Writer,   Producer),   Sophia   Stepf   (Director   Theatre),   Ruth  Stieve   (Actress),  Belinde  Marijana  Stoisits   (Vienna  Film  Comission),   Leah  Striker   (DOP),  Nadja  Stübinger   (Actress),     Barbara   Süess   (commercial   employee),   Hanneke   van   der   Tas   (Producer  Vandertastik   Films),   Ursula   Theißen   (Frauenkulturbüro   NRW),   Milena   Thomsen   (Filmstudent  /Producer,  Marketing  Ass),  Ruth  Toma  (Writer),  Julia  Tripke  (Illustrator),  Theresia  Vogel  (Student  Science  of  Music),  Anika  Wagner   (Student  Film/Video),  Verena  E.  Weiss   (Choreograph),  Sarah  Wiener   (Entrepreneur),     Lavinia   Wilson   (Actress),   Manja   Wittmann   (Producer   Tresor   TV  Produktion),   Iris   Wolfinger   (Head   Producer   Eyeworks),   Luise   Wolfram   (Actress),   Barbara   von  Wrangell   (Head   of   Production),   Dr.   Gualtiero   Zambonini   (WDR,   Integration   Commissioner),  August  Zirner  (Actor)  -  and  many  more. München,  13.1.  2016