audition packet gomez addams - … · the addams family: gomez, morticia,...

AUDITION PACKET

GOMEZ ADDAMS

Ignite Events

Text Box

8

SCENE 2

(MORTICIA'S BOUDOIR) (Revealing GOMEZ, fencing with LURCH, who holds his foil absolutely still while GOMEZ swipes at it extravagantly.)

GOMEZ Fight sir, fight like a man! Feel the kiss of my Spanish steel! Ha! Ha! Ha! Ha! Foiled again!

(GOMEZ strikes LURCH's sword down. LURCH pokes GOMEZ with it.)

Oww! Damn your lightning reflexes!

(GOMEZ retains his sword. MORTICIA enters with a bouquet of yellow flowers.)

MORTICIA

Gomez, look.

GOMEZ Ugh! Flowers! Who would send something so tasteless?

MORTICIA (reads the card)

"The most precious gift there is, More goody-licious than gold, Is that blessing we call friendship, Whether new or very old."

GOMEZ "Goody-licious?" Who talks like this?

(MORTICIA removes the flowers from the stems,During--)

MORTICIA

The Beinekes. Wednesday's friend Lucas and his parents. They're coming for dinner tonight.

GOMEZ Lucas?

9

MORTICIA Yes.

GOMEZ But Lucas is a boy's name.

MORTICIA Yes.

GOMEZ Wednesday has a friend who's a boy?

(They both look at Lurch. Finally--)

MORTICIA It's nothing, darling. Puppy love.

(hands Lurch the stems) Put these in water.

(WEDNESDAY enters, carrying her crossbow and a goose with an arrow sticking out of it.)

WEDNESDAY

Mom, Dad, I shot dinner.

MORTICIA (taking it)

Oh, Wednesday, that's lovely. Wherever did you find it?

WEDNESDAY Petting zoo.

MORTICIA Thank you, dear. Come, Lurch - we'll whip up something really special. And this time, we'll actually cook it.

(shares a laugh with Lurch) Oh, Gomez - guests for dinner! Fresh meat!

(They exit. WEDNESDAY looks nervously after them.)

WEDNESDAY Daddy, I have something very important to tell you.

GOMEZ What?

10

WEDNESDAY Can you keep a secret?

(WEDNESDAY produces a ring from around her neck.)

GOMEZ Of course.

WEDNESDAY Look.

GOMEZ If I didn't know any better I'd say that looked like an engagement ring.

(she just looks at him) What are you saying?

WEDNESDAY Oh daddy, Lucas wants to marry me!

GOMEZ What?!

WEDNESDAY Lucas Beineke loves me and he wants to marry me.

GOMEZ Do you want to marry him?

WEDNESDAY Yes. I think so.

GOMEZ You think so?

WEDNESDAY Well, I've never even met his parents, and he's never met mine, and - I just need to be sure.

GOMEZ That he's the one?

WEDNESDAY That the families can get along. I mean, he has to know what he's getting into.

11

GOMEZ What are you saying?

WEDNESDAY I'm saying we're who we are, and they're from Ohio.

GOMEZ (slicing the air with his sword)

Ohio? A swing state!

WEDNESDAY That's what I mean.

GOMEZ You're right, this is important. Let's go tell your mother.

WEDNESDAY No.

GOMEZ No? But we have to tell your mother –

WEDNESDAY Daddy, please! She'll ask a lot of embarrassing questions and wreck the whole thing.

GOMEZ You don't want me to tell your mother you're getting married?

WEDNESDAY After dinner and we're all friends, then we'll tell her.

GOMEZ But I've never kept anything from your mother.

WEDNESDAY (getting desperate)

Daddy, please!

GOMEZ But—

WEDNESDAY If you love me.

1

ACT ONE SCENE 1:

(OVERTURE/PROLOGUE)

(A hand parts the curtain, revealing The Addams Family: GOMEZ, MORTICIA, WEDNESDAY,PUGSLEY,GRANDMA, LURCH and FESTER. A huge, bare Spanish oak, The Addams Family Tree, spreads its boughs over The Addams Family Graveyard.)

ANCESTRAL VOICES AH AH AH AH AH AH AH AH AH AH

(GOMEZ steps forward)

GOMEZ (deep inhale)

Aaaahh… The intoxicating smell of the graveyard. (then)

Once a year, we gather beneath our Family Tree, to honor the great cycle of life and death. Come, every member of our clan - living, dead -

(re: Lurch) - and undecided - and let us celebrate what it is to be an Addams.

(to Morticia) Come to me, my luscious wife - oh she of skin so pale, eyes so black, and dress cut down to Venezuela - and tell us what it is every Addams hopes for!

MORTICIA Darkness and grief and unspeakable sorrow.

GOMEZ (overcome, embracing her)

I love it when you talk sexy!

#1 WHEN YOU'RE AN ADDAMS

WHEN YOU'RE AN ADDAMS YOU NEED TO HAVE A LITTLE MOONLIGHT WHEN YOU'RE AN ADDAMS YOU NEED TO FEEL A LITTLE CHILL

45

SCENE 7 (THE GROTTO.) (GOMEZ and MAL are puffing on cigars. MAL is seated on an old oaken chair.)

MAL

Interesting chair. Antique?

GOMEZ Fifteenth century. "The Heretic's chair." Once owned by Tomas de Torquemada, Grand Inquisitor of Madrid.

MAL You collect this stuff?

GOMEZ A man must have his hobbies. Some play cards, some play golf. Me, I collect "instruments of persuasion." "Why," you ask.

(then) Go on, ask. Ask!

MAL Why?

GOMEZ It's fun! The history of the world told in agony and dismemberment. Get up, I show you.

(Mal gets out of the chair) You sit, they ask you a question. They don't like the answer...

(GOMEZ pulls a lever. A giant spike shoots up.)

Ooooooooooooooooh! That'll make you believe, eh? (a laugh, then retracts the lever)

Sit down. Let me ask you a question.

MAL Some other time.

GOMEZ Okey-dokey.

(then) So how about these crazy kids, eh?

46

MAL What about 'em?

GOMEZ They seem very fond of each other, no?

MAL I guess. But it's not like they're getting married.

GOMEZ Married? Of course not. They're so young. Of course, they marry young these days, do they not?

MAL I dunno what they do.

GOMEZ Then speak about you. The Beineke Saga. Your lives, your hopes, your dreams.

(pointedly) Your son.

MAL Lucas? He's a little soft like his mother. But when he gets out of college, I'll toughen him up. Teach him the business. Make him a man.

GOMEZ May I say something? You and I - I feel we understand each other. Do you feel this?

MAL No.

(then) So tell me, Addams - ten thousand square feet right in the middle of a public park. How'd you swing this place?

GOMEZ These two acres have been in my family ever since Queen Isabella of Spain deeded it to my great ancestor Alfonso the Enormous, for services rendered.

MAL What services?

GOMEZ Alphonso the Enormous. The Enormous - do I have to draw

47

GOMEZ (CON’T) you a diagram?

(exiting) Come, Beineke - let me show you the moat. Did you bring a bathing suit? Never mind lets be crazy.

#8B ALPHONSO THE ENORMOUS

106

SCENE 9

(PARK BENCH AND TAXI SIGN--IN FRONT OF GATES) (MORTICIA sits on a park bench, a valise by her side.)

GOMEZ So it's true.

MORTICIA I can't live with a man who keeps secrets.

(She lights the TAXI sign)

GOMEZ There's another secret I haven't told you.

MORTICIA Hunh. What?

GOMEZ That you are the most exquisite, the most magnificent, the most desirable of all women.

MORTICIA That's no secret.

GOMEZ No. But even you had a secret - once.

MORTICIA Never.

GOMEZ And if you're wrong.

MORTICIA I never am.

GOMEZ But if you are, what will you give me?

MORTICIA Name it.

107

GOMEZ A dance.

MORTICIA Go on.

GOMEZ Many years ago, when you loved me and you wanted to marry me, we came to your father and told him, and he said, "Wonderful, let's go tell your mother." And what did you say?

MORTICIA How could I possibly remember what I -

GOMEZ You said, "No! She'll ask a lot of embarrassing questions and wreck the whole thing."

MORTICIA That's different. My mother was condescending, judgmental, and withholding, and loved nothing more than stirring up trouble.

GOMEZ Uh huh.

MORTICIA (realizes)

Oh God, I've turned into my mother.

GOMEZ And Wednesday is you. Isn't it wonderful?

MORTICIA You did that like a lawyer.

[MUSIC IN]

GOMEZ No, just a husband and a father. Not so easy. In fact, very difficult.

#21 LET'S LIVE BEFORE WE DIE

LET'S LIVE BEFORE WE DIE LET'S LAUGH BEFORE WE CRY

WEDNESDAY 3

SCENE FIVE: UNDER THE ADDAMS FAMILY TREE

GOMEZ sits on the swing. He listens to the sounds of the city and park - culminating in a scream and two

gunshots, which relaxes him.

WEDNESDAY crosses furiously, with suitcase and crossbow.

GOMEZ Wednesday!

WEDNESDAY Don't even!

GOMEZ Where do you think you're going, young lady?

WEDNESDAY Away.

GOMEZ Elopement??

WEDNESDAY Daddy, would you just please let me -

GOMEZ No! This is what comes from keeping secrets! If the two of you wanted to get married, you should've -

WEDNESDAY (cutting him off)

There's not gonna be any marriage!

GOMEZ No? Why?

WEDNESDAY He bailed!

GOMEZ What? A breach of promise? An outrage!

WEDNESDAY He thought running away was a bad idea.

GOMEZ On the other hand, he does have a point.

WEDNESDAY I hate him!

GOMEZ Well, it's a beginning. Something to build on.

WEDNESDAY He says he can't live without me, and then he lets me

go. I love him. Why doesn't he love me?

GOMEZ You just said you hated him. Which is it?

WEDNESDAY Both.

GOMEZ Now you've got it.

&

&

&

bbb

b b b

b b b

C

C

C

1 Ó ŒU œ œThere are

wwU>

GOMEZ: "Yes, but what if - and I have no reason to say this - what if she did meet someone who stole her heart?"MORTICIA: "Don't be silly. When that happens, I'll be the first to know. Wednesday tells me everything. Just like you do." [MUSIC]

wUÍ

GOMEZ: œ œ œ œ œ œthree things I would nev er

wwæ

www

Moving Forward2 3 ˙ Ó

do:

wwæ

www

4 œ œ œ œ ŒLie to my wife,

wwæ˙̇̇ ˙̇̇

-

&

&

&

bbb

b b b

b b b

44

44

44

5 œ œ œ œ œ Œlie to my daught er.wwæ˙̇̇ ˙̇̇

6 ‰U œ œ œ œ œ œ œOr tell the truth to ei ther

wU

wwwwnbbU ?

7 ˙ ÓUone.

Ó Jœœœœ. ‰ ŒU

MORTICIA: "Gomez, you do tell me everything, don't you?"GOMEZ: "Of course!"MORTICIA: "Oh, my. You're perspiring."GOMEZ: "What?"MORTICIA: "I hope you're not coming down with a case of... Liar's Shingles."[GO ON to ms. 8]

Ó Jœœœœ. ‰ ŒU

Dictated- -

&

&?

bbb

b b b

b b b

44

44

44

..

..

..

..

.. ..7a7a !

!

œ ‰ jœ œb œ.

A Tempo - Latin-y7b7b !

! ?

‰ jœ‰ jœ œ œb œ œ

Safety

7c7c !

œ ‰ Jœ œb œ. &

œ ‰ jœ œb œ.

8 Ó Œ œ œLike a

Œ œœœœœ#> œœœœœ> œœœœœ˘

Œ

Œ œœ>œœ>œœfl

Œ

05TRAPPED

[Rev. 1/12/12]Music and Lyrics byANDREW LIPPA

GOMEZ: "No! No!"MORTICIA: "I think Wednesday and I should have a little chat."

&

&?

bbb

b b b

b b b

œ œ œ# œ œ œbull in the ring, like the

œ ‰ jœ# œ Œ

œ ‰ jœ œb . œ.P

910 œ œ# œ œ œ œ

mod er ate right wing, I'm

‰ jœ# œ œ œ Œ

œ ‰ jœ œb . œ.

11 œ Œ Œ œ œtrapped. Like a

!

œ‰ jœ œb . œ.

12 œ œ œ œ œ œfly in my tea, or the

œ ‰ jœ œ Œ

œ‰ jœ œ. œ.

- -

&

&?

bbb

b b b

b b b

13 œ œ œ œ œ œ#New York D. M. V., I'm

‰ jœ œ œ œœ# -

œ‰ jœ œ. œ-

14 œ Œ Œ œ œtrapped. With my

œ.Œ Ó

œ ‰ jœ œb . œ.

15 œ œ œ œ œ œwife to my left and my

!

œ‰ jœ œ. œ.

16 œb œ œ œ œ œ œdaugh ter to my right a ny

!

œ‰ jœ œb . œ.

- -

&

&?

bbb

b b b

b b b

17 œ œn œ œ œ œb œ œthought of my es ca ping must be

!

œ‰ jœ œ. œ.

18 œ Œ Œ œ œscrapped. I could

‰ jœ .œ œ œ œn . Œ

œ ‰ jœ œn . œ.

19 œ œ œ œ œ œchoose, sing the blues, but no

œœ. Œ œœ. Œ

œ ‰ jœ œœ œn œb œ

- -

&

&?

bbb

b b b

b b b

# # # #

# # # #

# # # #

20 œ œ œ œ œ œmat ter what I do's, I'm

œœb . œœ. œœn . Œ

œb ‰ jœb œ.Œ

21

œ Œ œ Œtrapped, trapped,

œœœ.Œ œœœœ#n#n .

Œ

œ ‰ jœ œn œb

22

œ Œ Œ œn œ#trapped. Like a

œœœn .Œ œœœœ##nn œœœœn# œœœœ#

œ œ œb œn œn

-

Piano/Vocal – 2 – 05. Trapped [Rev. 1/12/12]

&

&?

### #

# # # #

# # # #

œ œ œ‹ œ œ œboat in a lock, or a

œœ œœ œœ‹ œœ. œœ œœ


F

2324 œ œ‹ œ œ œ œ

cuck oo in a clock, I'm

œœ œœ‹ œœ œœ œœ. œœ.œ ‰ jœ œn . œ.

25 œ Œ Œ œ œtrapped. Like a

œœœœœ œœ‹# œœ. œœ œœ

œ‰ jœ œn . œ.

26 œ œ œ œ œ œcorpse in the ground, or like

œœ œœ œœ# œœ. œœ œœ

œ‰ jœ œ. œ.

-

&

&?

### #

# # # #

# # # #

27 œ œ œ œ œ œnthea ter in the round, I'm

œœ œœ# œœ œœ œœ. œœ‹ .

œ‰ jœ œ. œ.

28 œ Œ Œ œ œtrapped. I could

œœ œœ œœ œœ œœ œœ œœ œœ

œ. ‰ jœ œn . œ.

29 œ œ œ œ œ œcry, I could lie, I could

œœ œœ œœ œœ œœ œœ

œ‰ jœ œ. œ.

30 œn œ œ œ œ œ œsimp ly up and die, but I

œœn œœ œœ œœ œœ œœ œœ

œ‰ jœ œn . œ.

- -

&

&?

### #

# # # #

# # # #

31 œ œ# œ œ œ œn œ œfear the dice I've rolled have fin' ly

œœ œœ#‹ œœ œœ œœ œœn# œœ œœ

œ‰ jœ œ. œ.

32 œ Œ Œ œ œcrapped. Should I

œœœ# œœn œœ œœ œœ œœ œœ œ

œ ‰ jœ œ# . œ.

33 œ œ œ œ œ œbeg? Should I rage? Or stay

œœ œœ œœ œœ œœ œœ

œ ‰ jœ œ.œ œ# œn œ

34 œ œ œ œ œ ¿safe ly in my cage, how?

œœœn œœ œœœ œœ œœœ. œœœ.œn ‰ jœ œn . œ.

- -

&

&?

### #

# # # #

# # # #

#

#

#

35

œ Œ œ ŒTrapped, trapped,

œœœŒ œœœnn

Œ?


36

œ Œ Ótrapped.

œ ‰ Jœ œn œ.

œ ‰ jœ œn œ.

36a !

‰ jœ ‰ Jœ œ œn œ œ

‰ jœ‰ jœ œ œn œ œ

36b !

œ ‰ Jœ œn . Œ. &

œ ‰jœ œn . Œ.

36c !

!

!

37 Ó Œ ‰ jœHow

‰ jœœ œœ œœœœ œœ

œœ œœ

jœœ>‰ Œ ‰ jœ œ œ


&

&?

#

#

#

œ œ œ œ œ œ œ œcan I keep a se cret from the

œœœœ œœœœ œœœœ œœœ œœœ œœœ œœœ œœœ

œ ‰ Jœœ œ

f

Passionate38

39 œ œ œ œ œ ‰ jœwom an I a dore? The

œœœ œœœœ œœœœ œœœœ œœœœ ‰ jœœ

œ ‰ jœ œ œ

40 œ œ œ œ œ œ œ œbit ter breeze that keeps me here and

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

œ ‰ Jœœ œ

- - -

&

&?

#

#

#

41

œ œ œ œ œ ‰ jœcom ing back for more. She

œœœœ œœœœ œœœœ œœœœ œœœœ ‰ Jœœ

œ ‰ jœ œ œ

42 œ œ œ œ œ ‰ jœstokes the Ad dams fire, sheœœœœ œœœœ œœœœ œœœœ œœœœ ‰ J

œœœœ

œ ‰ jœ œ œ

43 œ œ œ œ œ Œhar bors each de sire.œœœœ# œœœœ œœœœ œœ œœœœ œ œ œ œ

œœ‰ jœ œ# œ

- - - -

&

&?

#

#

#

44 ‰ jœ œ œ œ œ œI'd nev er tell her lies,

œœœœ^

œœ œœ œœ œœ œœ œœjœœœ^

‰ Œ ÓP

45 ‰ jœ# œ œ œ œ œ œbut when my daught er cries how

‰ jœœœ# œœœ œœœ œœœ œœœjœœœ ‰

œœœ##> Œ Œ œœ>

œ œ œ œ œ œ œ œcan I be ex pect ted then toœœœœ œœœœ œœœœ œœœ œœœ œœœ œœœ œœœ

œ ‰ Jœœ œf

46

- - - -

&

&

?

#

#

#

47 œ œ œ œ œ ‰ jœturn the oth er cheek. Should

œœœ œœœœ œœœœ œœœœ œœœœ ‰ jœœ

œ ‰ jœ œ œ

48 œ œ œ œ œ œ œ œI not be her he ro 'stead of

œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

œ ‰ Jœœ œ

49

œ œ œ œ œ œ Œsniv el ing and weak?

œœœœ œœœœ œœœœ œœœœ œœœœ œ œ œ œ

œ ‰ jœ œ œ

- - - -


&

&?

#

#

#

42

42

42

b

b

b

44

44

44

50 ‰ jœ œ œ œ œ œI'll pick the route that's true.

‰ Jœœœœ œœœœ œœœœ œœœœ œœœœ œœœœ

œœ>Œ Œ ‰ jœœ-

51 ‰ jœ œ œ œ œ œTell me what I must do!

‰ Jœœœœ# œœœœ œœœœ œœœœ œœœœ œœœœ

œœ^ Œ Ó

52 w

œœ œœœœ œœ##

œœ œœœœ œœ

œœ œœœœ œœ##

œœ œœœœ œœ

53 Œ œn œShould Iœœœœb

^ œœ œœœn œœœ

œœ^œ œ# œ

&

&

&?

b

b

b

b

44

44

44

44

œ œ œ œ œ œgripe? Should I groan? Would I

!œœœœ œœœœ Œ Ó

œ ‰ jœ œb œf

Move

54

55 œ œ# œ œ œ Œrath er pass a stone?

Ó Œ œ

‰ Jœœ œœœn œœœb œœœ œœœ# œœœn œœœ

œ ‰ jœ œb œ

56 œ Œ Œ œ œTrapped. Wife gone

œ Œ Ó

œœœœnn# œœœœb Œ ‰ Jœœ œœ œœ

œ ‰ jœ œb œ

57 œ œ œ œ œ œwild, cra zy child, lit tle

!œœœœ œœœœ Œ Ó

œ ‰ jœ œ œ

- - -

&

&

&?

b

b

b

b

58 œ œ œ œ œ œ#me un re con ciled. I'm

Ó Œ œ#

‰ Jœœ œœœn œœœ œœœ œœœ# œœœb œœœb

œ ‰ jœ œ œ

59 œ Œ Œ œ œtrapped. If I'm

œ Œ Ó

‰ Jœ œ œ œ œ œ œ

œ ‰ jœ œ œ

60 œ œ œ œ œ œwrong, I'll be strong, and we'll

!

œœœbb œœœ ‰jœœœ œœœ œœœ ‰

jœœœœœœb œœœ ‰ J

œœœ œœœ œœœ ‰ Jœœœ

Drive to the End

61 œ œ œ œ œ œ œtry to get a long. Or I'll

!

œœœœn œœœœ ‰ jœœœœ œœœœ# œœœœ Œ

œœ œœ ‰ jœœ œœ œœ Œ

- - - -


&

&?

b

b

b

62 œ œ œ œ œ œfail, have to bail, show my

œœœ œœœ ‰jœœœ œœœ œœœ ‰

jœœœœœ œœ ‰

jœœ œœ œœ ‰jœœ

63 œb œ œ œ œ œ œcof fin to the nail. If I

œœœœb œœœœ ‰ jœœœœ œœœœ œœœœ Œ

œœ œœ ‰ Jœœ œœ œœ Œ

64 œ œ œ œ œ œnapped, If I snapped, may be

œœœ œœœ ‰jœœœ œœœ œœœ ‰ jœœœ

œ œ ‰ Jœ œ œ ‰ Jœ

65 œ œ œ œ ˙din ner would be scrapped

œœœb œœœ ‰ jœœœ œœœœ# œœœœ ‰ Jœ>

œœ œœ ‰ Jœœ œœœ

# œœœ ‰jœ>

- - -

&

&?

b

b

b

66 Œ œ œ œ œ œbthen I would n't beœœœœ#^Œ Ó

œœ^ Œ Ó

67 ˙ ÓTrapped!

˙˙˙̇ œœœœ> Œ˙̇˙

œœœœ> Œ

68 ˙ ÓTrapped!

˙̇˙˙ œœœœ>

Œ

˙̇˙

œœœ> Œ

Tassel business"

"

"

69 wTrapped!

œ ‰ Jœ œb œœæœœ ‰ J

œœ œœbb œœ.f "

69a wU

wwæU

!U

70 !œœ>

Œ Ó

œœ>Œ Ó

[ATTACCA]

ß

Dictated-


&

&

?

bb

b b

b b

44

44

44

..

..

..

..

.. ..œ œ œ œ œ œ œ œ œDid I ev er once be lieve this

GOMEZ: "Where's that hotel guide? Ah! Hotel Merde. Rue de Toilette. Condemned six times by the Board of Health. Not enough. Voila! Hotel Nosferatu. Rating: minus three stars. No windows. No towels. No staff. Bingo! [MUSIC](cont.) The worst hotel in Paris! Get them on the line! Hurry, this is the final round, my friend!"

œœœ‰ jœœœ- œœœ.

Œ

œœ‰ jœœ- œœ.

Œ

GOMEZ:

p

A Driving Tempest

Vamp (vocal last x)

34

œ œ œ Óday would come?

œœœœ‰ jœœœœ- œœœœ.

Œ

œœ‰ jœœ- œœ.

Œ

5

œ œ œ œ œ œ œ œDid I ev er once ex pect the

œœœœ‰ jœœœœ œœœœ

Œ

œœ‰ jœœ œœ

Œartic. sempre

6 ˙ Óworst?


Œ

œœ‰ jœœ œœ

Œ

- - - -

&

&

?

bb

b b

b b

7 œ œ œ œ œ œ œ œ œDid I ev er dream that I could

œœœ‰ jœœœ œœœ

Œ

œœ ‰ jœœ œœ Œcresc. poco a poco

8 œ œ œ Ófeel this way?


Œ

œœ‰ jœœ œœ

Œ

9 œ œ œ œ ¿ œ .œ œDi os mi o, no! This is the


Œ

œœ‰ jœœ œœ

Œ

10 ˙ Ófirst.

œœœœ#‰ jœœœœ- œœœœ>

Œ

œœ‰ jœœ- œœ>

Œf

- - -

&

&

?

bb

b b

b b

œ œ œ œ œ œ œ œI'm a lat in man and lat in


Œ

œœ‰ jœœ œœ

Œsub. p

1112

œ œ œ Ómen are smart.


Œ

œœ‰ jœœ œœ

Œcresc. poco a poco

13

œ œ œ œ œ œ œ œEv' ry thing we do is muy sin


Œ

œœ‰ jœœ œœ

Œ

14 ˙ Ócere.


Œ

œœ‰ jœœ œœ

Œ

- - - - -

20NOT TODAY

[Rev. 3/9/12]Music and Lyrics byANDREW LIPPA

&

&

?

bb

b b

b b

15 œ œ ‰ œ œ œ œ œ œ3

Lead ing with a sword as much as


Œ

œœ ‰ jœœ œœ Œ

16 œ œ œ œ Ó3

with a heart,


Œ

œœ‰ jœœ œœ

Œ

17 œ œ œ œ œ œ .œ œ#nev er once was I pre pared to

œœœœ ‰ jœœœœ œœœœ Œ

œœ‰ jœœ œœ

Œ

18 whear.

œœœœœ# ‰ jœœœœœ œœ œœ œœœœ

œœ‰ jœœ œœ

Œ

- - -

&

&

?

bb

b b

b b

‰ Jœ ‰ Jœ œ ‰ Jœ"Not to day!" She

‰ jœœœœœn>‰ jœœœœœ œœœœœ Œ

œœœœœœ> Œ ‰ Jœ œ œ

F

1920 œ œ œ œ œ Œ

spat it in my face.

œœœœ œœœœ œœœœ œœœœ œœœœ Œ

œœ Œ ‰ jœ œ œ

21 ‰ Jœ ‰ Jœ œ ‰ Jœ"Not to day!" Not

‰ jœœœ> ‰ jœœœ œœœœ Œ

œœœœœ> Œ ‰ Jœ œ œ

22 œ œ œ œ œ œ Œ3

ev en se cond base.

œœœœ>Œ Ó

œœ>Œ ‰ jœ œ œ

- - - -

&

&

?

bb

b b

b b

23 ‰ Jœ ‰ jœ œ ‰ Jœ"Not to day!" The

‰ jœœœœ>‰ jœœœœ œœœœ Œ

œœœœ> Œ ‰ Jœ œ œ

24 œ œ œ œ œ œ œ œwords I heard her say. "Not to day!


œœ‰ jœœ œœ

Œ

25 œ œ œ œ œ œ œ œNot to day! Not to day."

˙̇̇˙˙n ˙̇̇˙˙#

Œ œœ>Œ œœ>

26 œ Œ Ó

‰œœAA J

œœ œœ> œœ> œœ> œœ>

Jœœ

œA Jœ œ> œ> œ> œ>f

- -

Piano/Vocal – 2 – 20. Not TodayTOUR [Rev. 3/9/12]

&

&

?

bb

b b

b b

œ œ œ œ .œ œ œ œI re mem ber well the day she

œœœœ- œœœœ.‰ jœœœœ- œœœœ.

Œ

œœœ- œœœ.‰ jœœœ- œœœ.

Œsub. p

3031

œ œ œ Ópoi soned me.

œœœœ- œœœœ.‰ jœœœœ- œœœœ.

Œ

œœœ- œœœ.‰ jœœœ- œœœ.

Œ

32

œ œ œ œ œ œ .œ œNo one else had cared e nough to

œœœœ œœœœ‰ jœœœœ œœœœ#

Œ

œœœ œœœ‰ jœœœ œœœ

Œsimile

33 ˙ Ótry.

œœœœ œœœœ‰ jœœœœ œœœ œ œ œ


Œ

- - - -

&

&

?

bb

b b

b b

34 œ œ œ œ œ .œ œ œHow did she un co ver all the

œœœœ œœœœ ‰ jœœœœ œœœœ Œ

œœœ œœœ ‰ jœœœ œœœ Œcresc. poco a poco

35 .œ œ œ Ójoys in me?œœœœ œœœœ ‰ jœœœœ œœœœ Œ


Œ

36 œ œ œ œ œ .œ œ œAll the ways she pro mised I wouldœœœœœ œœœœœ ‰ jœœœœœ œœœœœ Œ

œœ œœ‰ jœœ œœ

Œ

37 ˙ Ódie.œœœœœn œœœœœ ‰ jœœœœœ œœœœœ#

^œ œ œ

œœ œœ‰ jœœ œœ

^ Œf

-- -

&

&

?

bb

b b

b b

38

œ œ œ œ œ œ œ œEv 'ry year that pass es, I a

œœœœ œœœœA œœœœ œœœœ œœœœŒ


ŒP

39

œ œ œ Ódore her more.

œœœœ œœœœ œœœœ œœœœ œœœœŒ


Œ

40 3

œ œ œ œ œ œ œ3

œ œ œAn y one who knows us would a

œœœœ œœœœ œœœœ œœœœ œœœœ#Œ


Œ

41 ˙ Ógree.

œœœœ œœœœ œœœœ œœœœ œœœœn œ œ œ


Œ

-- - - --

&

&

?

bb

b b

b b

42 œ œ œ œ œ œ œ œShe's my ev 'ry fe ver, flu, and

œœœb œœœ œœœ œœœ œœœ Œ

œœœ ‰ jœœœ œœœ Œcresc. poco a poco

43 œ œ ˙ Œcan ker sore.

œœœ œœœ œœœ œœœ œœœ Œ


Œ

44 œ œ œ œ3

œ œ œ œ œ#She's my on ly hep a ti tis

œœœ œœœ œœœ œœœ œœœ Œ

œœ‰ jœœ œœ

Œ

45 wB!

‰ jœœœœ# œœœœ œœœœ œœœœ œœœœ œœn œœ##

‰ jœœ‰ jœœ œœ œœ

- -- - - - -


&

&

?

bb

b b

b b

‰ Jœ ‰ Jœ œ ‰ JœNot to day! I'm

‰ jœœœœœn>‰ jœœœœœ œœœœœ Œ

œœœœœœ> Œ ‰ Jœ œ œ

f

4647 œ œ œ œ œ Œ

danc ing on my own.

œœœœb œœœœ œœœœ œœœœ œœœœ Œ

œœ Œ ‰ jœ œ œ

48 ‰ Jœ ‰ Jœ œ ‰ JœNot to day! A

‰ jœœœ> ‰ jœœœ œœœœ Œ

œœœœœ> Œ ‰ Jœ œ œ

49 œ œ œ œ œ Œdog with out a bone.


œœŒ ‰ jœ œ œ

- - - -

&

&

?

bb

b b

b b

50 ‰ Jœ ‰ jœ œ ‰ JœNot to day! That

‰ jœœœœ>‰ jœœœœ œœœœ Œ

œœœœ> Œ ‰ Jœ œ œ

51 œ œ œ œ œ œ œ œrot ten ron de let: Not to day!


œœ‰ jœœ œœ

Œ

52 œ œ œ œ œ œ œ œNot to day! Not to day!

˙̇̇˙˙n ˙̇̇˙˙#

Œ œœ>Œ œœ>

- - - - -- -

&

&

?

bb

b b

b b

42

42

42

..

..

..

..

.. ..53 œ Œ Ó

œœ. œœ. œœ# . œœ. œœ. œœ. œœ. œœ.

LURCH: [Groans.]GOMEZ: "Is that my call to Paris? It's about time! 'Allo? Hotel Nosferatu? Listen, the future of my marriage is at stake!" [GO ON to ms. 55]

!sub. p

54 !

œœ. œœ. œœ# . œœ.

LURCH ENTERS WITH TELEPHONE

!

Vamp


&

&

?

bb

b b

b b

44

44

44

55 ‰ jœ œn œ#Can you con

Jœœ^‰ Œ

jœœ^ ‰ Œß

œ œ œ# œ œ œ œ œfirm this is the worst ho tel in

œœœ. œœœ . ‰ Jœœœ œœœ. œœœ. ‰ Jœœœ

œ. œ.‰ Jœ œ# . œ.

‰ JœF

5657 œ œ Œ ‰ jœ œ œ

Pa ris? Be cause I

œœœ. œœœ. ‰ Jœœœ œœœ. Œ

œ. œ. ‰ Jœ œ. Œ

58 œ œ œ œ œ œ œ œneed to get your ghoul ish guar an

œœœ# . œœœ. ‰jœœœ œœœ. œœœ. ‰ jœœœ

œ. œ. ‰ Jœ œ. œ. ‰ Jœ

- - -- - -

&

&

?

bb

b b

b b

59

œ Œ ‰ jœ œn œ#tee. What would I

œœœœ. œœœœ. ‰ Jœœœœ œœœœ. Œ

œn . œ. ‰ œ œ# œ. Œ

60 œ œ œ# œ œ œ œ œpay if you could say you'd serve my

‰ jœœ ‰ jœœ ‰ jœœ ‰ jœœœ œ# œn œnœ œ# œn œn

cresc. poco a poco

61 œ œ œ œ œ œ œ œpe tit de jeu ner from an a

‰ jœœœ ‰ jœœœ ‰ jœœœœ ‰ jœœœœ˙ ˙

œ Œ œ Œ

- - - -

&

&

?

bb

b b

b b

62 œ œ œ œ œ œ œ œban doned and con demned pa tiss er

‰ jœœœ ‰ jœœœ ‰ jœœœ ‰ jœœœ#˙ ˙

œ Œ œ Œ

63 œ Œ ‰ jœ œ œ#ie. I must be

‰ Jœœœ œœœ# - œœœ.

œœœœœn^

Œ

‰ Jœ œ- œ. œ^ Œ

64 œn œ œ œ œ œ œ œ œclear, don't want to cir cu late mis

‰ jœœ‰ jœœ

‰ jœœ‰ jœœ˙ ˙

œ ‰ jœ œ ‰ jœF

- - - - - - - -

&

&

?

bb

b b

b b

65 œ œ ‰ Jœ œ œno mers. You must have

‰ jœœb ‰ jœœ œœœ Œœ œœ œ œ

Œ

66

œ œ œ œ œ œ# œ .œroach es in the bath at a ny

‰ jœœ ‰ jœœ ‰ jœœ# ‰ jœœ˙ ˙

œ ‰ Jœ œ ‰ jœ

67 œ Œ ‰ jœ œ œ#cost. It says right‰ jœœ

‰ jœœ œœœœnn Œœœ œœ

œ œ œ Œ

- - -


&

&

?

bb

b b

b b

68 œ œ œ œ œ œ œ œhere in my new guide I bought from

‰ jœœ‰ jœœ

‰ jœœ‰ jœœ˙ ˙

œ ‰ jœ œ ‰ jœ

69 œ œ ‰ Jœ œ œFrom mer's: That ev en

‰ jœœ‰ jœœ œœœœ#

^ œ œ œœœ œœœœb œœ œ

^ Œcresc. poco a poco

70 œ œ œ œ œ œ œ œin Ju ly the pipes are thick with

‰ jœœ‰ jœœ

‰ jœœ‰ jœœ˙̇ ˙̇#

œn œ œ œ

71 ˙ Ófrost.

‰ jœœœ# œœœ œœœ# œœœ^ Œ

‰ Jœ œ œ# œ̂ Œf

- - -

&

?

bb

b b

42

42

..

..

..

..

44

44œ. œ. ‰ jœ- œœ# . œœ. ‰

jœœ-

[FESTER enters]FESTER: "Gomez! Gomez! Morticia's leaving!"GOMEZ: "What?"FESTER: "She's at the gate with a valise! It's the end of the family!"[HE grabs his coat from FESTER GO ON to ms. 75a]

œ. œ.‰ jœ- œ. œ.

‰ jœ-p

cresc. poco a poco

7273

œœn . œœ. ‰jœœ- œœn . œœ.

‰ jœœ-œ. œ.

‰ jœ- œ. œ.‰ jœ-

74 œœ#b . œœ.‰ jœœ- œœ. œœ.

‰ jœœ-œœ.œœ.‰ jœœ- œœ.

œœ.‰ jœœ-

75 œœœœbb .œœœœ.‰ jœœœœ-

œœ.œœ.‰ jœœ-

Vamp75a œœœœbb

^œ œ# œn œn

œœ^ Œ


&

&

?

bb

b b

b b

44

44

44

‰ jœ œ œ œ œ œ œIs this the mo ment where I

œœœb œœœ‰ jœœœ œœœ. œœœ.

‰ jœœœ

œœœœ‰ jœœ œœ.

œœ.‰ jœœ

cresc. poco a poco

8283

œ œ œ œ œ ˙turn a lit tle gray?

œœœœ.œœœœ.‰ jœœœœ œœœœ œœœœ

‰ jœœœœ

œœ.œœ.‰ jœœ œœ œœ

‰ jœœ

sempre

84 ‰ jœ œ œ œ œ œ œIs this the mo ment where my

œœœœœœœœ ‰ jœœœœ œœœœ œœœœ ‰ jœœœœ

œœœœ‰ jœœ œœ œœ

‰ jœœ

85 œ œ œ œ ˙mar riage vows de cay?

œœœœ œœœœ ‰ jœœœœ œœœœ œœœœ ‰jœœœœ

œœ œœ‰ jœœ œœ œœ

‰ jœœ

- - - --

&

&

?

bb

b b

b b

86 ‰ Jœ œ œ œ œ œ œIs this the mo ment where Mor

œœœ œœœ ‰ Jœœœ œœœœ œœœœ ‰ J

œœœœ


‰ jœœ

87 œ œ œ œ ˙ti cia runs a way?

œœœœ œœœœ ‰ Jœœœœ œœœœ œœœœ œœ œœ


‰ jœœ

88 Œ ¿ Œ œ œ œNo! Not to day!

œœœœb^

Œ œ>Œ

œœ^ Œ œœ>

Œƒ

- - --

&

&

?

bb

b b

b b

89 ˙ Œ œ œ œNot to day!

Œœ>

œœœœœn>

Œ

Œ œœ>œœœœœn>

Œ& ?

Dictated

F

90 ˙ Œ œU œ œNot to day!

Œœ>

œœœœœ#n>

ŒU

Œ œœ>œœœœœœ#n >

ŒU& ?

Slower

91 w

œœ œœ œœ œœ œœ^ œœ^ œœ^ œœ^

œ œ œ œ œ̂ œ̂ œ̂ œ̂&

A Tempo

ƒ

92 .˙ Œ

˙̇˙˙n >U

œ^ Œ

˙̇˙˙n >u œœ

^ Œ[ATTACCA]

?ß

- -

~~~~~~~~

~~~~~~~~

~~~~~~~~~~~


audition packet gomez addams - … · the addams family: gomez, morticia,...

Documents