assignment 11 draft 7 part 6
TRANSCRIPT
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N
Pale white face with black circles around eyes
Kaya
Maids dress
CharactersInspirational pictures
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CharactersCostume and props
Kaya N
£3.19- White
£1.99Maid dress
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CharactersMise –en-scene
Kaya
Name – Cilia Elizabeth Carter
Gender – Female
Age – 73
Costume – White dress
Props – None
Make-up – Pale black eyes
Stereotype – Little girl Facial expression – face doesn't move much, giggling
Body language – Very, very, fast body movement, straight face
Representation – A dead woman from the 1800’s
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Characters Kaya
Actor 3:Rahel Fasil
Age:16
Character 3:Mary Elizabeth Carter
Age:52
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N
Pale white face with black circles around eyes
Kaya
Maids dress
CharactersInspirational pictures
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CharactersCostume and props
Kaya N
£3.19- White
£1.99 Maids dress
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CharactersMise –en-scene
Kaya
Name – Mary Elizabeth Carter
Gender – Female
Age – 52
Costume – White dress
Props – None
Make-up – Pale black eyes
Stereotype – Little girl Facial expression – face doesn't move much, giggling
Body language – Very, very, fast body movement, straight face
Representation – A dead woman from the 1800’s
N
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LocationKaya OO
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What is this location?This is where the whole opening sequence will be filmed
Is it always accessible?This location is always accessible as its one of the group members home and will always be open for filming
Health and safely.• Getting to bus to the house• Road safety when crossing roads• Walking to the house• Getting run over• Bus crash
KayaO
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NarrativeKaya
Our film is open narrative, Why?
• Our film goes through a story of Laura finding out about the ghosts and the reasons for why they’re there, however at the end, we have a false ending. Laura will think she solved the problem and free the sprits, however, they will live on in the house and the problem will carry on, just not for Laura
• It leaves the audience asking questions at the end
How has it developed since Draft 1?
• Since draft 1, we have had a closed narrative, however, because we have changed to the thriller genre we want to suit the conventions of how they generally end their films and they usually have false ending so we have developed it into a open narrative
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NarrativeKaya
Our film is non-linear narrative, Why?
• Our film is a story that goes from start, middle, to end, however, in order to show what happened in the house years before we will show cuts from way in the past to the modern day
START MIDDLE END
How has this developed since draft 1?
• From draft 1 we weren't going to show the past time of what happened before, however now we are showing important moments from the past in order for the audience to understand
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PASTPAST
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Kaya Film Theory
Equilibrium – Laura has just moved in and her life is normal
Disequilibrium – She realises she's being haunted and they disrupt her life
New Equilibrium – She thinks she let the sprits go and moves house and her life is equal again
Tzvetan Todorov – Narrative Film TheoristOn the three stages of theme or concept throughout a film,
How we will be using his theory…
Q
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Kaya Film Theory
Vladimir Propp – Film Theoriston characters contained in a film,
Why we wont be using his theory…
The villain – The two ghost are the villain type as they try to hurt Laura and disturb her life.The dispatcher – This doesn't apply to our film at all, there is no hero to send offThe (magical) helper – Laura’s best friend Dawn helps her to take the dolls awayThe princess or prize – There is no prize and its based on real lifeHer father – She doesn't have a father, it’s a broken familyThe donor – The film is based on real life therefore no magical objectsThe hero or victim/seeker hero – Laura acts as a hero in helping the sprits pass onFalse hero – There is no hero therefore no false hero
Q
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Kaya Film TheoryClaude Lévi-Strauss - Narrative Film Theorist
On Binary opposition
How we will be using this theory
Normal life : Haunted life
Laura moves into a house expecting a normal life
She gets haunted and disturbed until she moves out of the house
Past : Present
We see the past happenings of the house
We see the present occurrences in that house
Q
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Momentum Pictures..
• Is one of the leading independent motion picture distributors in the UK and Ireland.
• The company is also owned by Paramount Pictures.
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Distributor Film Budget Locations
Momentum Pictures Law Abiding Citizen $53,000,000 Pennsylvania, USA
Momentum Pictures The Woman In Black $15,000,000 Essex NorthamptonshireBuckinghamshire (UK)
Momentum Pictures Insidious $1,500,000 Los Angeles, California, USA
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We chose Momentum Pictures because..
• They have distributed a lot of very successful and multi-award winning British films, like The King’s Speech.
• Their budgets are flexible• They have also distributed a lot of very good thriller
films as well like The Girl with the Dragon Tattoo and Law Abiding Citizen.
• We believe they will do well in producing a British thriller film.
• They distributed films similar to ours about haunted houses (Insidious and The Woman In Black)
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Distributor Film Budget LocationsParamount Pictures
Paranormal Activity
$15,000 San Diego, California, USA
Paramount Pictures
Paranormal Activity 2
$3,000,000 Los Angeles, California, USA
Paramount Pictures
Paranormal Activity 3
$5,000,000 California, USA
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• Are a long established distributing company• Have distributed a wide range of thriller films• Work with mostly high budget films• Mainly distribute films that were filmed solely
in America
Paramount Pictures..
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Warner Bros...
• Have distributed a variety of thriller films• Is a long established film distribution company• Work on films with high budgets ranging from
$10 million o £15 million
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Distributor Film Budget LocationsWarner Bros House on
Haunted Hill$32 million Los Angeles,
California, USAWarner Bros The Shining $19 million Colorado, USA
California, USAMontana, USAHertfordshire, UK
Warner Bros The Others $17 million Kent, UKLong Island, USACantabria, SpainMadrid, SpainJersey, Channel Islands
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TitlesKaya
The ring
During the opening of the ring, we were inspired by the white colour of the font making it look quite ghostly. Also the way the text is not in line made it seem more childlike, which we thought would link to our childish doll sentiments,
S
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CreditsKaya
Devil - 2010
We were inspired by the credits in Devil because of the way the credits come on screen then fade away after. We thought it suited our opening sequence in the
sense that it’s calm, just like the beginning of ours and now too attention grabbing, so that our character is still the main focus.
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Kaya
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Kaya
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Kaya
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Kaya
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Titles/CreditsKaya & Sanel
Here are some of our idea’s of what we would like to use in our title
S
THE CLOSET
We like this as its very conventional in ghost films and there's very
minimal choice on IMovie so we though this would be a good choice
in font. It’s not too bold and goes well with
our opening sequence
We like this font because it looks like writing written in the 1800’s which is
when the ghost maids were living. Also we feel as though it suits our
opening sequence. However, its not very conventional to ghost films from
the research shown and IMovie doesn't have must variety anyway
THECLOSET
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Titles/CreditsKaya & Sanel
IDEAS FOR COLOUR OF FONT
Maids secretsFor the credits we cant to use the same font as our title called ’batang’. A colour we might
use is grey, because it looks mysterious however we didn’t like it cause it looked to
dull and weren’t very eye-catching.
For the credits we cant to use the same font as our title called ’batang’. A colour we might
use is black as its simple, dark, and mysterious. We feel it suits our opening
sequence but it doesn't distract too much attention
For the credits we cant to use the same font as our title called ’batang’. A colour we might use
is red, we feel it really suits our opening sequence as it shows something bad happens like violence. The red would stand out during
our opening sequence so that could be a problem
For the credits we cant to use the same font as our title called ’batang’. A colour we might use is white. It’s the same colour as our title
would be as it goes with our opening sequence of a spirit looking or wearing white
and so we think this looks well for our opening sequence.
S
Maids secrets
Maids secrets Maids secrets
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LKaya Inspirational
Non-diegetic sound
The sound used in insidious opening sequence has greatly inspired me to use it through our opening sequence. It creates a big climax with tensions as well as making it uncomfortable and scary for the audience. It is a very high pitched violin sound which gets extremely fast when the tensions get to its highest points to a sudden stop or thud perfect to fit with our opening sequence
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Music/SoundsDiegetic Sound
WE WILL HAVE A VOICE OVER
What will it be?The sound of ghosts and spirits giggling and whispering in the closet very high pitched and girly which a creepy twist
TKaya
Non-Diegetic Sound
FREEPLAYMUSIC.COM& FREESOUND.ORGFrom freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we would like to download the tracks called • Behind the looking glass• Thriller• One foolish night owl• cryptomnesia
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BBFC And Rating What is BBFC- The British Board of Film Classification.
What is BBFC used for- responsible for what was shown in cinemas and from early on established the decisions of the BBFC.
Are film will be rated an 15 because it not in the interest of an younger audience.
GIA
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BBFC And Rating • It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years
and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence, threat or horror.
• children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.
• Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them.
• No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
• Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used. Scenes of strong real sex may be permitted if right by the context.
GIA